Nothing new for the EOS/EF family in 2013?
We’ve received word from a very good source that Canon has no more product announcements for EOS or EF in 2013. There is always the possibility of a “development” announcement, but no new product will be announced or shipped in 2013.
The same source had previously said that only 1 entry level DSLR will begin shipping in Q1 of 2014.
I hoping to hear confirmation from the same source as to whether or not EOS M is included in the “no new products for the EOS/EF line in 2013″.
I think manufacturers are going to ride out a pretty stagnant year and try to build a lot of hype for 2014. Economic recovery around the globe will further recover and we should expect a very exciting 2nd half of 2014 for new gear.
This is the world’s first adapter that would give Canon lens owners electronic contact with Nex cameras (such as changing aperture using the camera itself).
Estimated availability: January 21, 2012
A Translation of a Japanese Interview
“Canon has been forced to change their plan for 2011 because of the earthquake on the 11th March 2011 in Japan and floods in Thailand, but they are going to be back to the normal operation in 2012.”
Summary of interview with Masaya Maeda, Managing Director and Chief Executive of the Image Communication Products Operation at Canon Inc.
He stated that they are planning to release mirrorless compact system cameras in 2012.
Concept of Canon’s mirrorless system
- Try to develop a compact camera which features high image quality.
- Trying to make cameras smaller and more compact, mirrorless system could be the key.
- Miniaturization of cameras is the top priority, which means the cameras may have a different mount to the EF mount.
- For mirrorless cameras, being able to change lenses is certainly a big merit, however, the ratio of use of interchangeable lenses is very low. We have to think on how we can make users use interchangeable lenses more, that is very critical. We have to look into the whole system as well as miniaturization.
- All DSLRs featuring EF mount would be getting smaller and smaller with high image quality. For interchangeable lenses, we are going to stick to EF mount.
- EF lenses are being developed and extended this will include shooting movies. The compatibility of the new system and the EF system is very important.
- As a premise of the new mount for mirrorless system, “the image sensor will be larger than the regular standard size” would be necessary.
- The quality of image sensor will be improving. Having said that, in time downsizing the sensor is coming in the future.
C300 movie cameras
- C300 contains various ideas of camera systems including new mounts. C300 was made from a lot of feedback from people in the movie industry, a good example is C gamma.
- New unique lenses for movies are going to be marketed in 2012, Auto Focus for movies and the smooth movement of aperture are being developed.”
Source: [NL] via [DCW]
An email not in english came in talking about a slower 35mm that would be launched in the near future.
The lens would be a 35mm f/1.8 with a lower build quality than an “L” lens. However, I am unsure from the communication whether or not the lens would be an EF or EF-S mount.
There has been a recent issue of 35 f/2 stock, however a lot of that can potentially be attributed to manufacturing challenges in Asia.
Canon Casts EF Cinema Lenses In Starring Role For New Cinema EOS System
New Lens Series Debuts with Seven Models and more in the wings
HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today announced the introduction of seven new 4K EF Cinema Lenses, an all-new series of video cinematography lenses that, in addition to the company’s current lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras, form the core of Canon’s new Cinema EOS System. The launch of the Cinema EOS System marks Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.
Canon’s new EF Cinema Lens lineup includes four top-end zoom lenses covering a zoom range from 14.5 mm to 300 mm-two models each for EF and PL lens mounts-and three single-focal-length lenses for EF mounts. All seven new lenses are capable of delivering exceptional 4K optical performance and offer compatibility with the Super 35 mm-equivalent image format. The three single-focal-length EF lenses can be used with cameras equipped with 35 mm full-frame sensors.
The seven new lenses represent the starting cast of Canon’s new EF Cinema Lens series, a star-studded lineup that will continue to grow in the future with the introduction of new A-list zoom and fixed-focal-length lenses.
Wide-Angle and Telephoto Cinema Zoom Lenses for EF and PL Mounts
- CN-E14.5-60mm T2.6 L S / CN-E14.5-60mm T2.6 L SP *
- CN-E30-300mm T2.95-3.7 L S / CN-E30-300mm T2.95-3.7 L SP *
The four new Canon zoom cinema lenses comprise the CN-E14.5-60mm T2.6 L S (for EF mounts) and CN-E14.5-60mm T2.6 L SP (for PL mounts) wide-angle cinema zoom lenses, and the CN-E30-300mm T2.95-3.7 L S (for EF mounts) and CN-E30-300mm T2.95-3.7 L SP (for PL mounts) telephoto cinema zoom lenses. Each lens supports 4K (4096 x 2160 pixels) resolution, which delivers a pixel count four times that of Full HD (1920 x 1080 pixels), and offers compatibility with industry-standard Super 35 mm-equivalent cameras as well as APS-C cameras.i
Cine 14.5-60 for EF & PL
Cine 30-300 for EF & PL
Employing anomalous dispersion glass, effective in eliminating chromatic aberration, and large-diameter aspherical lenses, the zoom lenses achieve high-resolution imaging from the center of the frame to the outer edges. Each lens is equipped with a newly designed 11-blade aperture diaphragm for soft, attractive blur characteristics, making them ideally suited for cinematographic applications.
The focal length range of 14.5-300 mm covered by the new zoom lenses represents the most frequently used focal lengths in theatrical motion picture production, a range that often requires a combination of three or more separate zoom lenses. Canon’s new wide-angle and telephoto cinema zoom lenses, however, offer a wider angle and powerful zooming to provide complete coverage across this range with just two lenses. The new wide-angle cinema zoom lenses will offer the industry’s widest angle of view among 35 mm digital cinema lenses with a wide-angle-end focal length of 14.5 mm.ii
Zoom, focus and iris markings are all engraved on angled surfaces for improved readability from behind the camera. With a focus rotation angle of approximately 300 degrees and a zoom rotation angle of approximately 160 degrees, the lenses facilitate precise focusing performance while making possible smooth and subtle zoom operation.
The new top-end cinema zoom lens lineup can be used with standard manual and electronic movie industry accessories, as well as matte boxes. Featuring a unified front lens diameter and uniform gear positions, the lenses do away with the need to adjust or reposition accessory gear when switching between other lenses in the series.
Pricing and availability
Both the Canon CN-E14.5-60mm T2.6 L S (EF mount) lens and the Canon CN-E14.5-60mm T2.6 L SP (PL mount) lens are scheduled for late January 2012 availability for an estimated list price of $45,000 each. The Canon CN-E30-300mm T2.95-3.7 L S (EF mount) and Canon CN-E30-300mm T2.95-3.7 L SP (PL mount) lens are scheduled for late March 2012 availability for an estimated list price of $47,000 each.
Single-Focal-Length Cinema Lenses for EF Mounts
- CN-E24mm T1.5 L F
- CN-E50mm T1.3 L F
- CN-E85mm T1.3 L F
Like their wide-angle and telephoto cinema zoom lens co-stars, Canon’s new CN-E24mm T1.5 L F, CN-E50mm T1.3 L F and CN-E85mm T1.3 L F cinema lenses deliver 4K optical performance. The three lenses, designed for use with EF mounts, are compatible with not only industry-standard Super 35 mm-equivalent cameras, but also 35 mm full-frame, APS-H and APS-C sensor sizes. The trio incorporates anomalous dispersion glass and large-diameter aspherical lenses for high resolution imaging throughout the frame, and features a newly designed 11-blade aperture diaphragm for gentle, attractive blurring.
Cine 24 for EF
Cine 50 for EF
Cine 85 for EF
With focus and iris markings that are easily visible from behind the camera, Canon’s three new fixed-focal-length lenses support convenient film-style operation and, offering a focus rotation angle of approximately 300 degrees, facilitate precise focusing performance.
The CN-E24mm T1.5 L F, CN-E50mm T1.3 L F and CN-E85mm T1.3 L F support standard manual and electronic industry accessories and matte boxes, and have a unified front lens diameter and uniform gear positions, eliminating the need for adjustments when switching lenses.
Pricing and availability
The Canon CN-E24mm T1.5 L F (EF mount) and CN-E50mm T1.3 L F (EF mount) lenses are scheduled to be available in late July 2012. The CN-E85mm T1.3 L F (EF mount) lens is scheduled to be available in late August. The Canon CN-E24mm T1.5 L F (EF mount) lens will have an estimated list price of $6,800. The Canon CN-E50mm T1.3 L F (EF mount) lens will have an estimated list price of $6,800. The Canon CN-E85mm T1.3 L F (EF mount) lens will have an estimated list price of $6,800.
The “historical” announcement is a day away. We have heard nothing else in regards to what’s coming.
Canon didn’t send me an invite after I asked for one, I think they had a good laugh at my request judging by the smiley faces in the email.
I expect a Super35 4K capable camera with PL and EF mount options. 2 to 3 lenses are also expected.
Pretty cool adaptor.
Red Rock Micro has released an adaptor for your Micro 4/3 mount camera. The adaptor allows for aperture control on all Canon EF mount lenses.
…..The Redrock Micro LiveLens mft is the solution for using sharp EF-mount lenses on Micro Four Third bodies without sacrifice. Where standard “dummy adapters” just physically mount EF lenses to the Micro Four Third body, the Redrock micro LiveLens MFT talks to the lens, giving you the ability to adjust your aperture without the need to use time consuming workarounds on set. Don’t work around the ability of your lenses; make your lenses work for you, starting today.
Red Rock Micro
I can hear the collective tears hitting the floor.
The recent rebates on the 5D Mark II have nothing to do with an imminent release of an updated camera. They have more to do with selling lots of 5D Mark IIs. I’d expect rebates to be extended right through to Christmas (Dec 25).
What is coming?
Two new video cameras are coming to us on November 3, 2011.
What I think I know about them
One will be EF mount, the other will be PL mount. They will be both be higher end cameras, and could reach the price point of $10000+. It has also been suggested that the EF mount camera could fall under the “EOS” banner.
crazy things I’ve heard about them?
One of them would have a square sensor and take 48mp still images. I’ll [CR1] that one.
Noooooo, What about the 5D Mark III?
There is absolutely nothing, I mean nothing about a 5D Mark III being imminent. I have received the “no new DSLR in 2011″ line from 7-8 different sources. One source said if something is announced in 2011, it would be near the end of December for CES/PMA, but that was merely conjecture.
So no 1Ds4, 5D Mark III or the rumoured 6D (name guess) in 2011.
A curveball could still come, announcements for products can change. Just because they announce, it doesn’t mean they have to ship anything.
A brief email this AM stated Fuji will announce Fujinon lenses for the EF mount in March. No other details were given. This is the first time I’ve heard anything on the topic. Grain of salt and all that.
There have been mentions elsewhere from time to time that Fuji wasn’t finished in the DSLR business.
This could also be lenses for video as pointed out by a few people, though the information did specify EF.
From a forum post
Below is a post that appeared on the GTC forum in the UK. Apparently they will be appearing in November, as we’ve reported previously.
“They will be badged as EOS, despite the fact they are video cameras, and there will be two versions – one for EF lenses, the other with an PL mount. I’m guessing here but the PL mount camera may offer more options than the EF version – e.g. SDI out and genlock… etc in the same way that the XF300/305 cameras have differentiated themselves.
“Its a Super35 4K sensor, but from what I have seen only records 1080 in-camera, using the same XF codec – i.e. 4:2:2 @ 50mbps. Perhaps the PL version will output 4K thru SDI?
“The size of the camera looks similar to that of the FS100, but more rounded/ergonomic. It has a similar LCD screen on top, but it seems more flexible – i.e. allowing for greater viewing angle/for versatility.
“This could be a killer camera, and one well worth waiting for if any of you guys are thinking of buying a F3/FS100 or AF100…”
A wish list, or something to it?