We’re told that the long rumored IS version of the EF 24-70mm f/2.8L is still in testing but has not yet been given an announcement date. There are apparently still two versions of the lens being developed, with only one coming to market.
Canon’s goal is to make the new IS version of the lens noticeably better optically than the current EF 24-70mm f/2.8L II and just adding IS to the 6 year old optical formula. The second goal of the lens has been weight, adding image stabilization adds weight and bulk to a lens. Nikon’s non-VR and VR versions of their 24-70mm f/2.8 has a weight difference of about 170 grams, which you can feel when shooting all day, the VR version is also noticeably bigger in size.
We were told back in 2012 that Canon had worked on an EF 24-70mm f/2.8L IS & EF 24-70mm f/4L IS alongside the EF 24-70mm f/2.8L II development, and as we know, chose to release the EF 24-70mm f/4L IS a few months after the current f/2.8 lens. Now keep in mind that L zooms take years to develop from start to finish and various prototypes will obviously exist.
Every other lens manufacturer seems to have an IS version of their 24-70mm f/2.8 version and Canon seems to pride itself on being the market leader in lens technology, so I think it’s only a matter of time until we see an EF 24-70mm f/2.8L IS.
A patent from Canon Japan showing new rear screen designs has appeared, and it looks very interesting. I think a lot of us have always assumed eventually the entire back of a camera would be an LCD/OLED. Beyond just the size of the screen, the patent also covers a new way pivot mecanism for the LCD, you can see the images below.
What’s also interesting is the mode dial appearing from behind the screen when you move it.
A lot of us have called on Canon to put vari-angle LCD’s on professional cameras such as the EOS-1D X series, EOS 5D series and the EOS 7D series, and we’re still waiting. This would definitely be a big leap in a new direction for rear camera screens, but I suspect too big of a leap to see first in a flagship professional camera such as the EOS-1D X Mark III, but it could be introduced in a lower end camera such as the EOS 7D Mark III or a new videoc focused DSLR.
Canon has released new versions of Digital Photo Professional and Picture Style Editor.
Changes for Digital Photo Professional 4.7.20:
Supports PowerShot G1 X Mark III, PowerShot G12, PowerShot G11, PowerShot G10, PowerShot G9, PowerShot S95, PowerShot S90, PowerShot SX50 HS, PowerShot SX1 IS.
Supports EF85mm f/1.4L IS USM, EF-S35mm f/2.8 Macro IS STM.
Supports Chromatic aberration correction, Peripheral illumination correction, Distortion correction, and Digital Lens Optimizer for images captures with a combination of EOS 6D Mark II and TS-E50mm f/2.8L Macro, TS-E90mm f/2.8L Macro, TS-E135mm f/4L Macro, TS-E17mm f/4L, or TS-E24mm f/3.5L II.
Enhances operability of the Filter/Sort function.
Supports customization on the Preview Properties Display.
Camera Raw 10 is now available as a final release available in the Adobe Create Cloud desktop app.
Range Mask Range Mask works within the structure of the existing local adjustment tools to give you more precision with your local adjustments. One way to think of it is that Range Mask is a modifier that can be applied to a local adjustment, allowing you to create more precise selections with less hassle. Range Mask is designed to be easy to use, and the resulting mask can be further refined by nudging the sliders.
Range Mask has two different modes to address two different types of color/tone-based masks: Color Range Mask and Luminance Range Mask.
Open an image into the Camera Raw plugin
Select one of the local adjustment tools (Local Adjustment Brush, Graduated Filter, Radial Filter) and make an initial mask of your intended selection area.
From the Range Mask option, select either Color or Luminance.
Color: Use the Eyedropper to select the colors you’d like to include in your selection.You can select up to 5 different colors using the Shift + click method with the eyedropper. Alternatively, you can sample a range of colors, even completely different colors, by dragging out an area with the eyedropper. Once selected, you can further refine your selection using the Amount slider.
Luminance: Use the Range and Smoothness sliders to adjust your mask and fine tune.
Use the local adjustment sliders to make the desired edits to your images.
All-New Adobe XD, Adobe Dimension, Adobe Lightroom CC Photo Service and Dozens of New Feature Updates Announced Today
LAS VEGAS–(BUSINESS WIRE)–Today at Adobe MAX, the Creativity Conference, Adobe (NASDAQ:ADBE) unveiled the next generation of Creative Cloud, including four brand new applications, Adobe XD CC for experience design, Adobe Dimension CC for 2D to 3D compositing, Character Animator CC for 2D animation, and an all-new cloud-based photography service, Adobe Photoshop Lightroom CC. In addition, Adobe announced feature updates to its flagship applications including Photoshop CC, InDesign CC, Illustrator CC and Premiere Pro CC, and ongoing expansion of its Adobe Stock service.
All of these updates include capabilities powered by Adobe Sensei, Adobe’s artificial intelligence and machine learning platform, and are the latest in a series of innovations from Adobe that serve modern creative professionals and enthusiasts wherever and however they work. From the rapidly expanding system of mobile-first applications or the recent addition of branded, premium features to Adobe Spark, Adobe is building out a range of fast, flexible solutions for creative projects of all types.