CP+ 2014 Camera & Photo Imaging Show
We’re told that Canon could possibly announce and show two new lenses at the CP+ 2014 show in Tokyo, Japan. The show runs from February 13, 2014 until February 16, 2014.
They will not be Cinema EOS lenses. New lenses for videographers will be held for NAB 2014 in Las Vegas, along with some new Cinema EOS camera(s).
It’s speculated that one lens will be an “L” and the other a consumer non-L prime. As with all lens announcements, things are very loose and rarely have a media event attached to them.
There is also a possibility of a development announcement on a camera body we’re told.
Hope to hear more soon…
Cinema EOS Grows
I received some info that 2 new cameras would be talked about at NAB next week in Las Vegas. The names C100 and C500 were mentioned.
One of the cameras being true 4K.
Another rumour to appear on other sites and in my inbox is the development of EOSRAW. Apparently it’s recordable to CF cards and is capable of 12bit at 4K.
Read more at EOSHD
A higher end C300?
There is some thought that we may be seeing a new Cinema EOS video camera announced or shown at NAB instead of the 4K DSLR.
It’s rumoured to be priced in the $30K+ range. No specs were given, but this info also appeared on a twitter feed with a price mentioned over $35K.
I will say, information about a 4K DSLR has been hard to come by so far.
New Gear for NAB 2012?
Canon has started to tease with Cinema EOS again. Are we going to see new products announced prior to the show? We’ve heard the 4K Cinema EOS DSLR would be announced “sooner than later”. Others have said it could be the Ron Howard project (thanks unfocused) being shown. We’ll be at NAB to find out.
The event will take place on Sunday, April 15, 2012 at 5PM
This will be a developing story.
Canon announces latest update for EOS Movie Plug-in-E1 for Final Cut Pro
Canon today announces the latest update for EOS Movie Plug-in-E1 for Final Cut Pro – the company’s custom-developed software application that provides quicker and easier editing of EOS Movie footage in Apple’s Final Cut Pro software suite.
Launching to coincide with the start of the 2011 National Association of Broadcasters (NAB) Show in Las Vegas, EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will make the importing of EOS Movie files even easier, allowing users to transfer files from any folder, without needing to mirror the folder structure on the camera itself.
The update also enables smoother importing from Canon’s EOS 7D, EOS 5D Mark II and EOS-1D Mark IV models, allowing users to import footage without requiring the THM file generated by the camera.
Originally launched in February 2010, EOS Movie Plug-in-E1 for Final Cut Pro is designed to quickly and seamlessly convert EOS Movie footage from Canon’s leading range of EOS DSLR cameras to Apple’s high-quality ProRes 422 codec. The plug-in allows users to convert footage at approximately twice the speed of Apple’s standard conversion, creating a smoother workflow for the rapidly growing number of videographers shooting HD video content on DSLR cameras.
EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will be available to download for free from 25th April 2011.
Paris, France & Hollywood, California – April 5, 2011 – Technicolor (Euronext Paris: TCH) today announced it has formed a strategic alliance with Canon USA, Inc. to leverage Technicolor’s color-science in the development of a suite of creative tools for cinematographers to facilitate greater usability and integration of Canon EOS DSLR cameras into the motion picture and television production pipeline
The new suite of creative tools will be inaugurated with Technicolor’s CineStyle, that coupled with Technicolor’s Digital Printer Lights™, will provide a more seamless pipeline, from principal photography into editorial, for projects filmed using Canon EOS DSLR cameras. Technical tests have been conducted with various camera-lens configurations under the supervision of Technicolor color-scientists with a number of renowned cinematographers.
“Technicolor, once again, is taking an innovative leadership position by their very forward-looking development of tools and workflows to support the deployment of Canon’s EOS DSLR’s into motion picture production,” stated cinematographer, and past ASC president, Daryn Okada.
“Having shot a theatrical feature using Canon’s EOS DSLR’s (1-D Mark IV, 5D Mark II and the 7D),” stated Tom Stern, AFC, ASC, “I am very supportive of Technicolor and Canon working together to develop the ‘CineStyle’ profile. This can only help to serve greater utility of the EOS DSLR’s in production cinematography. I applaud this effort.”
The cooperation between Technicolor and Canon USA, Inc. took place over the last year and was prompted by key professional cinematographers eager to incorporate Canon EOS DSLR cameras into their creative palettes.
Technicolor CineStyle provides cinematographers with a look that allows for the greatest image latitude as production photography moves into editorial and ultimately digital intermediate color-grading and delivery. The new CineStyle will be unveiled at the National Association of Broadcasters (NAB) Show 2011 in Las Vegas, Nevada April 11-14 as part of the display in the Canon booth (Central Hall #C4325).
“Technicolor has closely followed the adoption of Canon EOS DSLR cameras into the ranks of professional productions,” stated Technicolor’s chief marketing officer, Ahmad Ouri. “We remain committed to cinematographers as they adopt new tools and techniques, and, based on the requests we’ve received from many of our creative clients, we have worked with Canon to provide a stable path, originating with these cameras and flowing effortlessly into our post pipeline.”
“We are astounded at how well Canon EOS DSLR products have been received by the broadcast and film community, and very pleased with the beautiful and creative results that have been produced using our equipment,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon USA, Inc. “We are excited about Technicolor’s development of their new CineStyle for Canon EOS DSLR cameras, giving post-production professionals image files with much greater latitude and versatility when color grading EOS footage.”
Technicolor remains an industry leader in guiding new means of digital cinematography into the post-production pipeline. Technicolor will also demonstrate at NAB its newest iteration of its industry-leading on-set system, DP Lights as part of the CineStyle demonstrations.
There’s some talk about a “significant” Canon announcement for NAB. I wouldn’t think NAB would bring about a DSLR announcement, but maybe something in the camcorder realm is a possibility.
Availability of anything new is another story.
Lots of people are asking what’s going to happen with stock levels and things like that with Canon and other Japanese origin gadgets. The answer is, I don’t know.
Canon is telling their reps not to say anything about Japan and what effect this tragedy is going to have on the industry. For the moment, no one really knows.
What I will say, is do not expect this to be rectified in a couple of weeks. We’re talking months before anything gets back to what is considered “normal”.
Canon Canada Cancels Upcoming 60D Rebate
Canon Canada has cancelled an upcoming instant rebate program on the 60D, a casualty of the earthquake. There’s probably going to be more of this coming in the next few weeks.