SAN DIEGO — Feb. 26, 2019 — Sony Electronics Inc today introduced a highly anticipated addition to their acclaimed G Master series of full-frame E-mount interchangeable lenses – a 135mm F1.8 full-frame, large-aperture telephoto prime lens (model SEL135F18GM).
Equipped with Sony’s most advanced optical technologies, the new lens is built to meet the extremely high standards of Sony’s G Master series. The new FE 135mm F1.8 GM offers exceptionally high resolution and exquisite bokeh, two qualities that are signature attributes of Sony’s flagship G Master brand. The new lens combines rapid autofocus (AF) acquisition with a lightweight, portable design and a variety of professional functions, making it a versatile, high-performance tool for professional portrait photographers, wedding photographers, sports photographers and a wide variety of imaging enthusiasts.
The new products include 11 Art prime lenses for full-frame cameras in L-Mount and a converter for Sigma’s SA mount and Canon EF mount lenses on L-Mount camera bodies.
Ronkonkoma, NY – February 26, 2019 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced 11 of its Art prime lenses will soon be available in L-Mount. Sigma also announced the launch of the Sigma Mount Converter MC-21, which will allow Sigma’s SA mount and Canon EF mount lenses to be used on the L-Mount camera bodies. The expansion of the beloved Sigma prime lens line along with the MC-21 converter will increase the extensibility of the L-Mount system and further Sigma’s role in the strategic L-Mount Alliance alongside Leica and Panasonic.
Newest model in the popular RICOH GR series delivers exceptional image quality in a smaller, lightweight body, making it ideal for street photography
WEST CALDWELL, NJ, February 21, 2019 – Ricoh Imaging Americas Corporation today announced the launch of the highly anticipated RICOH GR III camera. The new camera is the latest model in the RICOH GR series, a lineup of high-end digital cameras providing exceptional image quality in a compact, lightweight body ideal for street photography, travel and capturing candid images.
The RICOH GR III features a newly designed lens, image sensor and imaging engine that further upgrade image quality, enhance functionality and improve usability. The 18.3mm F2.8 lens delivers exceptional imaging performance with a slim design, consisting of six optical elements in four groups while retaining the 28mm angle of view. It produces the clearest, sharpest images in GR-series history while reducing distortion and chromatic aberration. It also comes equipped with a macro shooting capability with a minimum focusing distance of six centimeters.
The Leica Q is my favorite camera of all time, something you may or may not know. From time-to-time, I make this statement on social media.
The Leica Q2 is apparently just around the corner, with an announcement expected in early March. Nokishita has just leaked the first product images of the new camera.
The Leica Q2 will reportedly sport a new 47mp sensor, weather sealing and a 75mm crop mode to go along with the 35mm and 50mm crop modes included in the original Q. Leica will use the same (possibly tweaked) Summilux 28mm f/1.7 ASPH lens. The EVF will also be upgraded.
The folks at Lensvid have released their annual “What Happened to the Photography Industry in 2018?” infographic.
It shouldn’t be a surprise that camera and lens shipments continued to fall in 2018 by 24% and 7% respectively.
As far as camera sales splits go, DSLRs and mirrorless saw increases of share in 2018, at the expense of compact cameras. Mirrorless only saw a modest 100,000 unit increase in sales in 2018 compared to 2017, while DSLR shipments fell by about a million units.
The EOS R, EOS RP, and all the new RF lenses should help with Canon’s sales numbers in 2019, but there doesn’t seem to be much in the way of new DSLRs coming, so a further dip in those shipments is likely.
SAN DIEGO, CALIFORNIA Filming yourself isn’t easy. You’re often on the go with tons of people looking at you like you’re crazy while you hold a camera in your face. You’re used to the weird looks and eye rolls, but don’t you wish your handheld tripod wasn’t so clunky?