I have a couple of clients I shoot paintings for, and this area looks like it's going to expand via positive referrals.
Up until now I have shot art with tethered 5D4, 70-200 f/2.8isII at around f/8 with polarizer and also polarized lighting. For larger works the 24-70 f/2.8II gets the job.
A bit of reading on the subject suggests I should be using flat field glass for better results, regardless of the lens corrections that Lr can automatically apply. I have a L 100mm f/2.8is macro which I imagine is flat field, but 100mm is frequently too long for most paintings I've been shooting.
Any suggestions on an appropriate lens? I see Canon has an ancient design 50 f/3.5 macro and a 60mm macro with useful tripod collar for quick rotation. There is also a pre-owned, superseded 45mm TS-E to consider.
-pw
Up until now I have shot art with tethered 5D4, 70-200 f/2.8isII at around f/8 with polarizer and also polarized lighting. For larger works the 24-70 f/2.8II gets the job.
A bit of reading on the subject suggests I should be using flat field glass for better results, regardless of the lens corrections that Lr can automatically apply. I have a L 100mm f/2.8is macro which I imagine is flat field, but 100mm is frequently too long for most paintings I've been shooting.
Any suggestions on an appropriate lens? I see Canon has an ancient design 50 f/3.5 macro and a 60mm macro with useful tripod collar for quick rotation. There is also a pre-owned, superseded 45mm TS-E to consider.
-pw