Land of Crazy not so Crazy? [CR1.5]

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Bob Howland

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Re: Small Body?

clicstudio said:
I can't work with a small body. I am not a tourist nor do video with the camera and I shoot vertical all the time. Why can't they have 2 different versions of the camera: A normal one and a Pro model with a built-in grip? Those plastic crappy grips for 5D's, 7D's etc., really suck. They are not well made, the materials are not the same as the camera, and having to use 2 batteries is stupid.
My 5D and 40D operate just fine with only one battery in the grip.
 
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Justin

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Right to all. "Extra depth of field" was poor phrasing. By extra I meant extra shallow at wide apertures.

neuroanatomist said:
Justin said:
Nature shooters would welcome the extra depth of field at wide apertures, but would loose reach and without a nice big sensor from which to crop, would lose the power of crop in PP.

As a FF camera, it would have shallower DoF (not deeper) than a crop body, for a shot with equivalent framing. That has nothing to do with megapixels, only the size of the sensor. It's why cheap P&S cameras have nearly infinite DoF even 'wide open', and why portrait photographers want as large a sensor as they can afford...
 
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Yeah, I think the important message is that it's time Canon decides to shake up its product lines to accomodate new technologies and demand. The design/release of 5D3 and 1DsIV would have to take a back seat, since the shaping of this policy could affect the market habitat for the next decade or so ::)

First, if these rumors on the low spec FF camera (call it the FF 60D for now) would indicate that Canon might be thinking about starting the war on consumer-model FF bodies. However, if such indeed is part of the plan, it would no doubt HURT the sales of future APS-C bodies and EF-S lenses. Are they ready to cannibalize their own consumer level market a-la Olympus with the 43 vs. m43 decision? It's hard to say.... but I think announcements in the near future would shed more light.

Frankly, life would be easier if 35mm means 35mm, not 35mm on FF bodies and 35mm x 1.6 (or 1.5 for Nikon) for crop bodies. Doing away with this bizarre remanents of the digital camera revolution would be worthy of a standing ovation.

Next, I'd be wondering if Canon is trying to diversify their flagship models (a-la Nikon D2, D2H, D2X, and so on). If this is the strategy, then I would say the the FF 60D would be there as the designated all-rounder king of prosumer level FF body (like the xxD in the pre-7D era. Now, what they're going to do with the 7D line would be another mystery... maybe leaving it as a one-shot wonder?).

Now, that would leave the pro level with a lot of room to play with... 1D for speed, 1Ds for resolution, and maybe a 1Dv for videos (or whatever way they can imagine of diversifying that piece of the market).

Just my 2 cents...
 
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Based on the message above, I started thinking and came up with this:

Possible new canon camera product lines: camera - market segment - main feature

1Ds: medium format (I gues 1Ds will not be the pro body for resolution, therefore a 5D with grip can be bought)
1D: pro aps-h - fps

5D: prosumer FF- resolution
7D: prosumer crop - fps
9D: prosumer FF - basic technologies, less megapixels

60D: enhusiast - same as current
550D: beginner - same as current
1000D: same as current - or I should delete it :)


Features as seen often with regards to 3D (less megapixels, superb up to date technologies), would
1) cost to much (both in sales price, as in production cost)
2) kill other FF's sales
and therefore unlikely to be produced (as in my opinion). So, not insert another high end FF, but insert a low end FF in the product line
 
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zerozeronine

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Hi Ronderick,

I totally agree that Canon should shake up its product lines now, even if it means further delaying the releases of the 5D III and 1Ds IV. The staggered release of their high-end models, and advances in tech have made things very awkward. Competition from Sony and Nikon is also going to complicate stuff because it's unclear where everyone is heading (and thus becoming hard to know where to compete and where to be unique).

Although many point out that Canon has official descriptions for their product lines, some of us have trouble putting faith in those because the current lineup doesn't make total sense within itself (like the 1Ds III), and we don't believe that it can remain that way with the pressure from all the competition.

As much as having everyone use full-frame would simplify things, I'm pretty sure that we're actually moving away from that. APS-C-sized sensors are so much cheaper to make, and cost is the most important thing in this market. Most people don't want to pay FF prices, and the vast majority of sales are made in APS-C. APS-C sensors (especially those from Sony) are so good now, that most people (I'm including every kind of consumer here) don't even see the need to lust after FF. Sony and Nikon are seeing this in their sales (the 5D II kicked butt because of its video feature). Sony execs have even said that, although they're not planning on abandoning FF, they're going to first focus on getting all the APS-C bodies updated before focusing on FF, as that's a lower priority.

I do think that Canon should still have two options for nonpro full-frame users. A fast FPS, high sensitivity, low-res sports camera 3D, and a high DR, high-res, low FPS landscape/studio 5D III. But whether that makes business sense, only Canon knows. In trying to bring in an affordable full-frame, Canon sort of "screwed up" the product lineup with the 5D II, but they ended up showing that there's a significant number of people (much bigger than the pro group) who want to get a full frame (or a good video DSLR) but don't want to pay for a 1 series. So Canon probably needs to make the 1 series A LOT more special to maintain its flagship status, and segment the consumer full-frame line because that market has expanded (partly from eating away at the pro market).

Even better would be if they'd do on-chip pixel binning so we could have the best of both worlds in a single camera body. Brute force 4-1 binning before the image processing or demosaicing, so that you could up the FPS (and/or use a crop mode). Then they could simplify the lines into one pro full-frame 1D, one consumer full-frame 5D, and a slew of APS-C cameras. Man...I'd buy that new 5D in a heartbeat!

Kaz
 
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Bob Howland

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Mr.Magic said:
Based on the message above, I started thinking and came up with this:

Possible new canon camera product lines: camera - market segment - main feature

1Ds: medium format (I gues 1Ds will not be the pro body for resolution, therefore a 5D with grip can be bought)
1D: pro aps-h - fps
5D: prosumer FF- resolution
7D: prosumer crop - fps
9D: prosumer FF - basic technologies, less megapixels

60D: same as current
550D: same as current
1000D: same as current - or I should delete it :)


Features as seen often with regards to 3D (less megapixels, superb up to date technologies), would
1) cost to much (both in sales price, as in production cost)
2) kill other FF's sales
and therefore unlikely to be produced (as in my opinion)

How does video fit into your scheme?
 
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Bob Howland said:
Mr.Magic said:
Based on the message above, I started thinking and came up with this:

Possible new canon camera product lines: camera - market segment - main feature

1Ds: medium format (I gues 1Ds will not be the pro body for resolution, therefore a 5D with grip can be bought)
1D: pro aps-h - fps
5D: prosumer FF- resolution
7D: prosumer crop - fps
9D: prosumer FF - basic technologies, less megapixels

60D: same as current
550D: same as current
1000D: same as current - or I should delete it :)


Features as seen often with regards to 3D (less megapixels, superb up to date technologies), would
1) cost to much (both in sales price, as in production cost)
2) kill other FF's sales
and therefore unlikely to be produced (as in my opinion). So not insert another high end FF, but insert a low end FF in the product line.

How does video fit into your scheme?

Indeed, forgot. I think Canon should not focus on high quality video's by using DSLR's. Video on dslr's is cool, but when a movie producer wants high quality movies, he should use something applicable for video, and not shoot with 'a dslr that accidentaly shoots good video'.

So, they should follow sony's example and come up with a brand new service line in which cmos sensors are used for video's. Link: http://www.dpreview.com/news/1007/10071401sonynexvg10e.asp
 
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Bob Howland

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Mr.Magic said:
Indeed, forgot. I think Canon should not focus on high quality video's by using DSLR's. Video on dslr's is cool, but when a movie producer wants high quality movies, he should use something applicable for video, and not shoot with 'a dslr that accidentaly shoots good video'.

So, they should follow sony's example and come up with a brand new service line in which cmos sensors are used for video's. Link: http://www.dpreview.com/news/1007/10071401sonynexvg10e.asp

I'm half tempted to agree with you but there are lots of people who think you're wrong. Certainly the control layout and functionality on the XF100/105/300/305 camcorders and my Panasonic HDC-TM700 are radically different than on the 5D2 DSLR.
 
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zerozeronine said:
Hi Ronderick,

I totally agree that Canon should shake up its product lines now, even if it means further delaying the releases of the 5D III and 1Ds IV. The staggered release of their high-end models, and advances in tech have made things very awkward. Competition from Sony and Nikon is also going to complicate stuff because it's unclear where everyone is heading (and thus becoming hard to know where to compete and where to be unique).

Zerozeronine, I totally agree with you that competition is going to get more complicated - not only from companies but also from innovations appearing out of nowhere. Who'd ever expect the translucent mirror technology to be a potential alternative to mirror vs. mirrorless approach until Sony placed it into their alphas? I have no doubt that we'll see a fair share of wild cards appearing to test the market configuration, and that's what makes this industry so full of surprises and so fun to watch/follow.

zerozeronine said:
Although many point out that Canon has official descriptions for their product lines, some of us have trouble putting faith in those because the current lineup doesn't make total sense within itself (like the 1Ds III), and we don't believe that it can remain that way with the pressure from all the competition.

Agreed, and I think that's why the product line is being shaking up quietly (at least there's no big commotions, save those who notice the gaps in the product cycles).

zerozeronine said:
As much as having everyone use full-frame would simplify things, I'm pretty sure that we're actually moving away from that. APS-C-sized sensors are so much cheaper to make, and cost is the most important thing in this market. Most people don't want to pay FF prices, and the vast majority of sales are made in APS-C. APS-C sensors (especially those from Sony) are so good now, that most people (I'm including every kind of consumer here) don't even see the need to lust after FF. Sony and Nikon are seeing this in their sales (the 5D II kicked butt because of its video feature). Sony execs have even said that, although they're not planning on abandoning FF, they're going to first focus on getting all the APS-C bodies updated before focusing on FF, as that's a lower priority.

Yes, I agree that the majority of casual users - which contributes to majority of Canon's profit, no doubt - probably isn't even aware of the difference between FF and cropped bodies. Like what you've said, $$$ has the biggest say - unless they can bring the price of the FF sensor down to the same level as APS-C sensors. But coming to think of it, maybe there's a reason why Canon has been slow at producing new APS-C body lenses...

However, I guess the option is still in Canon's hand. Though I doubt the same thing could be said about Nikon who's using Sony sensors... ;D I hope it didn't affect their plans for the D800 ::)

zerozeronine said:
I do think that Canon should still have two options for nonpro full-frame users. A fast FPS, high sensitivity, low-res sports camera 3D, and a high DR, high-res, low FPS landscape/studio 5D III. But whether that makes business sense, only Canon knows. In trying to bring in an affordable full-frame, Canon sort of "screwed up" the product lineup with the 5D II, but they ended up showing that there's a significant number of people (much bigger than the pro group) who want to get a full frame (or a good video DSLR) but don't want to pay for a 1 series. So Canon probably needs to make the 1 series A LOT more special to maintain its flagship status, and segment the consumer full-frame line because that market has expanded (partly from eating away at the pro market).

Even better would be if they'd do on-chip pixel binning so we could have the best of both worlds in a single camera body. Brute force 4-1 binning before the image processing or demosaicing, so that you could up the FPS (and/or use a crop mode). Then they could simplify the lines into one pro full-frame 1D, one consumer full-frame 5D, and a slew of APS-C cameras. Man...I'd buy that new 5D in a heartbeat!

Kaz

I think the cute and cool thing about the pro product line is it's a niche thing - it's expensive enough that not many people will ever buy one, but it's important enough that none of the big name company would hesitate putting in major technology to establish itself among the ranks.

Now, I also believe the 5D series (5D2 to be specific) "broke the glass ceiling" on this one. I've seen a lot of professional jobs turned out with this little beauty, and several professional photographers choosing this one over the 1D series simply because this is "easier for their backs". I think Canon has created a Frankenstein out of the 5D2 - it messes up the border between the prosumer and pro, because pros uses this one (or prefers this one) over the flagship 1DsIII.

Once we enjoy this fruit of chance, I doubt us consumers would want to give up ground in the future. Now, would Canon answer this calling, or would they go back to setting up a solid barrier between the "prosumer" USD2,500 body and the "pro" USD7,000 body?

Like what you've said, I too agree that a simplified, logical product line on the top end would be nice. The 5D as the solid foundation (I think the new era calls for smaller bodies, so the flagships are way too big) of the flagship models, and the 1D series to be place for experimental, specialized, and durability innovations. Of course, if you want to satisfy the pro-look ego, there's always the Leica strategy - just label the flagships "limited edition" and have lots of different runs 8)
 
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