OSOK said:The 6D mark II was obsolete the day it was announced. I have yet to see a single positive review across the web, whether it be a site, blog, vlog or youtube. Even the pro-Canon sites, you can tell they struggle to promote it. Videos and reviewers work hard not to bash the camera out of respect for Canon or to maintain professionalism. They frame it in the most positive light possible despite its shortcomings. Others outright mock it and say it how it is.
The 5D Mark IV is a different story. It wasn't received by the industry with huge delight, but it wasn't criticized other than the 4K capability. As a stills camera, it is good. While it has been easily surpassed by the D850 in every single area except for DPAF, it is still a great camera that is relevant to the features and quality expected today. It literally only has DPAF as an advantage and nothing else in comparison to the D850.
The 6D2 is being torn to pieces over its questionable IQ, and that was unexpected as the rest of the camera's specs were weak and should have been the focus of the negative reviews. It was a surprise that the IQ stole the spotlight of negativity. The articulating screen is nice, but no one cares when it is attached to a sub-par body.
The 6D and 5D3 generation did not get leapfrogged by Nikon's D610, D750 and D810 nearly as bad as the 6D2 and 5D4 have by the D850 and who knows how stacked the D760 will be.
Canon either blundered or is genius in their assessment of the market. There's no in between. To me, it looks like they are pushing upmarket. This is evident by their total and intentional crippling of video capability in their DSLR except the 1DX2. The 6D2 was the full frame 80D Canon users wanted and nothing more. May be popular within their own ecosystem, but is not popular in the wider industry. Canon offers the entry level Rebel popular stuff, and a couple nice enthusiast cameras. Then it jumps to pro bodies at the 5D series and up. The 6D2 is a bit of an oddball as it's there for the large customer base of entry level and enthusiast body owners who want to make the jump to a FF sensor and not much more. It serves that purpose perfectly. These are people who don't need 5D features or specs. They just want a FF sensor wrapped by enthusiast features and body.
There you have it. If you fall into the target market - it isn't such a bad camera. For everyone else, it is relic from the past being sold as a new body.
As for the 5D Mark IV, Canon users with arsenals of serious glass will not care one bit what Nikon is doing - that camera will churn out great IQ day in day out. It is still an amazing body regardless of how good the D850 is.
I'm not quite sure how a camera that meets need of its target audience is obsolete, especially a camera introduced at the $2000 price point. A lot of very good photographs can and will be taken by 6DII cameras, just like a lot of very good photographs were taken by 6Ds. Often, camera specs don't have any practical impact on the quality of the photograph. At least as far as I am concerned, the 6DII's articulated screen and touchscreen focussing are useful features, which don't square with your contention that there is nothing new in the 6DII.
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