SIGMA Announces the 24-70mm F2.8 DG OS HSM

Canon Rumors Guy

Canon EOS 40D
CR Pro
Jul 20, 2010
10,835
3,197
Canada
www.canonrumors.com
HTML:
SIGMA 24-70mm F2.8 DG OS HSM Top-Level Performance Optimized for the Era of Ultra-High-Megapixel Cameras</p>
<ol>
<li>The large-diameter standard zoom ideal for today’s ultra-high-megapixel digital cameras</li>
<li>OS functionality and newly designed HSM for success on any shoot</li>
<li>Lens barrel designed for high rigidity</li>
<li>Other features</li>
</ol>
<p><strong>The definitive large-diameter standard zoom lens for any shoot</strong></p>
<p>What photographers demand from the 24-70mm F2.8 specification is much more than outstanding image quality. They want all the features that make this a go-to lens for a wide range of photographic opportunities, including optical design ideal for the latest ultra-high-megapixel digital cameras, hypersonic motor (HSM) for high-speed autofocus, optical stabilizer (OS) with powerful stabilization effect, dust- and splash-proof mount with rubber sealing, and a metal barrel for a stable, rigid feel. This all-new 24-70mm F2.8 lens from SIGMA delivers the performance and functionality that help pros succeed in news, nature, and many other fields of photography.</p>
<p><!--more--></p>
<p>【Key features】</p>
<ol>
<li>The large-diameter standard zoom ideal for today’s ultra-high-megapixel digital cameras</li>
</ol>
<ul>
<li>Outstanding optical performance</li>
</ul>
<p>Three SLD (Special Low Dispersion) glass lens elements and four aspherical lens elements help minimize optical aberrations. To ensure outstanding image quality from the center to the edges of the photograph, the optical system minimizes coma, which causes points of light to streak, and transverse chromatic aberration, which cannot be corrected via aperture control, The optical system also minimizes distortion, which can be particularly evident in wide-angle shots, resulting in excellent optical performance throughout the zoom range.</p>
<ul>
<li>A 24-70mm F2.8 lens that meets the high standards of the Art line</li>
</ul>
<p>SIGMA has continuously pioneered 24-70mm F2.8 lenses that are a step ahead of the times. The first model of this specification, SIGMA 24-70mm F2.8 EX DG ASPHERICAL DF, launched in 2001. Representing the fourth generation of the family, the new SIGMA 24-70mm F2.8 DG OS HSM | Art accomplishes a challenging feat in optical design: incorporating optical stabilizer functionality in a large-diameter standard zoom. By leveraging all of its design and manufacturing expertise, SIGMA has ensured that this new lens fulfills the uncompromising requirements of the Art line for image and build quality.</p>
<ul>
<li>Bokeh that is a cut above</li>
</ul>
<p>At wide-open aperture, this lens offers outstanding photographic expression. The area in focus is extremely sharp, while the background exhibits a beautiful bokeh effect with only slight spherical aberration. Since large-diameter zoom lenses are often used at wide-open aperture, SIGMA has paid close attention to the shape of the bokeh, aiming for perfect circularity.</p>
<ul>
<li>Incorporating advanced aspherical lens processing technology</li>
</ul>
<p>Aspherical lenses necessitate refined expertise in the design and manufacturing of advanced, high-performance lenses. SIGMA’s first products to feature this technology were the SIGMA 12-24mm F4 DG HSM | Art and SIGMA 14mm F1.8 DG HSM | Art, which both incorporated a large ⌀80mm aspherical lens as their front lens element. Building on the success of these predecessors, the SIGMA 24-70mm F2.8 DG HSM | Art incorporates an aspherical lens element that helps achieve extremely high resolution. This element is much thicker at the center than the edges, and forming its unusual shape is a feat of manufacturing technology. Moreover, SIGMA processes the surface of this aspherical lens element with ultra-precise tolerances that are measured in hundredths of a micrometer. This extremely fine surface allows the SIGMA 24-70mm F2.8 DG HSM | Art to deliver a very natural and smooth bokeh effect, without the visible concentric rings that afflict typical aspherical lens elements.</p>
<ol start="2">
<li>OS functionality and newly designed HSM for success on any shoot</li>
</ol>
<p>Designed for advanced utility in a wide variety of situations, the optical stabilizer (OS) offers a powerful stabilization effect. The newly designed large hypersonic motor (HSM) offers 1.3 times the torque of its predecessor and exceptionally stable performance even at lower speeds.</p>
<p>* Based on CIPA’s guideline. Measuring at telephoto end, when it is attached to the camera with 35mm image sensor.</p>
<ol start="3">
<li>Lens barrel designed for high rigidity</li>
</ol>
<p>Since large-diameter standard zoom lenses tend to serve as a go-to lens and see frequent use, the SIGMA 24-70mm F2.8 DG HSM | Art is designed to stand up to the challenging shooting environments that pros encounter. To this end, the lens barrel contains a large amount of metal, while the external moving parts feature thermally stable composite (TSC), which is resistant to thermal expansion and contraction. This structure contributes not only to the outstanding optical performance of the lens but also to its high rigidity and confidence-inspiring build quality.</p>
<ol start="4">
<li>Other features</li>
</ol>
<ul>
<li>Mount with dust- and splash-proof design</li>
</ul>
<p>Since the area of the lens most vulnerable to dust and other foreign bodies is the mount, rubber sealing helps provide peace of mind. In addition, the front lens element features a water- and oil-repellent coating that helps the lens perform well in the rain, near water, and in other challenging conditions.</p>
<ul>
<li>Nikon electromagnetic diaphragm mechanism included</li>
</ul>
<p>The Nikon mount version of this lens includes an electromagnetic diaphragm mechanism that allows it to receive the appropriate signals from the camera body. This feature ensures precision diaphragm control and stable Auto Exposure (AE) performance during continuous shooting.</p>
<p>Note: Functionality may be limited on some camera bodies.</p>
<ul>
<li>Fast AF with full-time manual focus</li>
</ul>
<ul>
<li>Compatible with Mount Converter MC-11</li>
</ul>
<ul>
<li>Available SIGMA USB DOCK (Makes customization and flexible adjustment possible)</li>
</ul>
<ul>
<li>Available Mount Conversion Service (Allows use with another camera body)</li>
</ul>
<ul>
<li>Rounded diaphragm</li>
</ul>
<ul>
<li>Designed to minimize flare and ghosting</li>
</ul>
<ul>
<li>High-precision, durable brass bayonet mount</li>
</ul>
<ul>
<li>Evaluation with SIGMA’s own MTF measuring system “A1”</li>
</ul>
<ul>
<li>Made in Japan (With outstanding craftsmanship)</li>
</ul>
<ul>
<li>The lens barrel is engraved with the year of release</li>
</ul>
<span id="pty_trigger"></span>
 
Oct 16, 2015
345
2
Sigma global website, lens performance data page. MTF charts, vignetting, distortion ...

https://www.sigma-global.com/en/lenses/cas/product/art/a_24_70_28/data/


naylor83 said:
Alex_M said:
FF corners - Vignetting wide open is at around 2EV
Fairly pronounced distortions at the edges of FF sensor at around 3% wide and Tele end.

Where are you getting this information? It was just announced.
 
Upvote 0
I am very very excited. I have 2 questions, which I am guessing I'll have to wait for the reviews to come in to learn the answer for:[list type=decimal]
[*]Price?
[*]Weather Sealing? Is it just the mount as the announcement said? How does it compare to Canon's weather sealing? I keep around the 24-105L just for taking to the beach with my kids. I'd love to replace it with this if it's anything like all the other Sigma Lenses I've owned.
[/list]
I am very very excited. It feels like Christmas. I love my Sigma 18-35 and 50-100 1.8 zooms. With the 6Dmk2 rumored to be released this year, if this lens is anything like their others, I have a transition path to full frame.
 
Upvote 0
Looking at the MTF charts, it doesn't look quite as sharp as the Canon, but it does have OS, so that could make the images, on average, sharper depending on how your shooting is limited. I don't really trust these charts much and will wait until we see real reviews.

I note, too, that the 100-400 they just announced is significantly smaller and lighter than the Canon. MTF looks pretty good on that one, but they're picking fights with some tough existing lenses.

The 14mm and the 135mm appear to be no-brainers. If the 14mm has low coma, it'll be a classic.
 
Upvote 0
If you don't like Sigma glass, here is how it still benefits you:
http://nikonrumors.com/2017/02/21/big-price-drop-on-zeiss-15mm-18mm-and-135mm-lenses-after-sigmas-announcement.aspx/

Zeiss rolling back prices.

I'd like the Zeiss options, but every time I try one, the autofocus is terrible - like it wasn't even trying.









:)
 
Upvote 0
Dec 11, 2015
1,054
0
sanj said:
Jopa said:
Not a 24-70 shooter, but if the price is good it'll be hard to pass...

Curious to know what kind of photography you do that you do not need these focal lengths? Or you do not use zooms in this range? Thx

I'm doing mostly individual or family portraits outdoors, and prefer a telephoto look. I had nothing in between of 24 and 85 for a few years until I bought a 35 II and 24-105 STM (for video) a few weeks ago. My to go focal length is 85. I know, it may sound weird, but it is what it is... My first full frame lens was the Sony 135/1.8, so it probably went wrong from the beginning :) my favorite portrait focal length now is 200mm (that's how I use my 70-200). Sometimes I go to 300.
 

Attachments

  • 300-1.jpg
    300-1.jpg
    688.6 KB · Views: 197
  • 300-2.jpg
    300-2.jpg
    557 KB · Views: 190
Upvote 0