Just Hoping on Some Suggestions for booms, stands, soft-boxes (for speed lights) and other bits like sync cables and cheaper solutions to lighting effectors.
what are you using?
what are you using?
SOFT BOXES - BRACKETS - STANDS - MUST BUY! (say it 3 times)
- Thread starter Chris_prophotographic
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I've ordered from mpex.com. They have the Strobist kits. They work great for the price. Also have the Cactus V5 remotes they work good as well.
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For Speedlites, I have Manfrotto light stands (2 ea of 1051BAC and 1052BAC, for me the main difference is the 1051 has a 2' diameter footprint vs. the 1052's 3' diameter, the former is better in small rooms). I use something larger for a monolight. LumoPro is a more budget-minded stand option with good quality. I've got the Manfrotto 026 umbrella swivels for the stands.
I've also got a pair of Lastolite 24" Ezyboxes, which are quite durable and easy to set up (eBay has cheaper alteratives, but more delicate).
For triggers, I use PocketWizards, but again, there are cheaper options (Photix Odins or even Cactus), or go wired (FlashZebra will have everything you need for that, at great prices).
I've also got a pair of Lastolite 24" Ezyboxes, which are quite durable and easy to set up (eBay has cheaper alteratives, but more delicate).
For triggers, I use PocketWizards, but again, there are cheaper options (Photix Odins or even Cactus), or go wired (FlashZebra will have everything you need for that, at great prices).
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I use mostly Manfrotto stands BAC1051 and 1052's and the Nano 5001. I also have a 420B combi boom which is a nice starter boom provide you are only using speedlights or other lighter loads. I use Photoflex regular and heavy duty umbrella swivels.
You should consider getting a Westcott Apollo 28 softbox as they are fast to setup and very portable. Also, get one or two 60" bounce/shoot through umbrellas to light groups.
This is a great resource if you are getting into lighting:
http://strobist.blogspot.ca/2006/03/lighting-101.html
You should consider getting a Westcott Apollo 28 softbox as they are fast to setup and very portable. Also, get one or two 60" bounce/shoot through umbrellas to light groups.
This is a great resource if you are getting into lighting:
http://strobist.blogspot.ca/2006/03/lighting-101.html
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Jamesy said:
+1 This is a great resource! Careful though or you might find yourself in endless arguments over the importance of shutter sync speeds
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I've heard amazing things about this - http://www.cheetahstand.com/servlet/the-38/Cheetah-Qbox-24/Detail
If I end up getting a softbox, this is the one I'll be getting.
And, why would you not want to buy anything from this guy?!?!
If I end up getting a softbox, this is the one I'll be getting.
And, why would you not want to buy anything from this guy?!?!
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unfocused
Photos/Photo Book Reviews: www.thecuriouseye.com
I think photoflex offers very good value for the price. http://www.photoflex.com/
If you sign up for their newsletter they e-mail lighting lessons that are very good (of course, it is always promoting their equipment).
I've also found that eBay can be a very good source for used softboxes etc. It seems like a lot of people buy these, don't use them much and then sell them. Just compare the prices to new to make sure you are getting a good deal.
One thing you can learn from my mistakes – buy the Manfrotto umbrella brackets http://www.adorama.com/BG2905.html. They are slightly more expensive than other brands, but very well made and there are few things more embarrassing and distracting than having a soft box or umbrella keep shifting while you are trying to shoot. Some of the cheaper brands and designs just don't hold up.
You mention sync cables. I know that professionals prefer radio triggers and if you can afford them they are great. But honestly, I've had very good luck with infrared triggers, even in bright sunlight. Yongnuo makes a knock-off of the Canon infrared trigger that is cheap and I've found very effective. If I were doing this for money, I'd invest in radio triggers. But I'm not.
If you want some fun things to play with, the Interfit Strobies Kit http://www.adorama.com/PASTR100.html gets you a lot of toys for not a lot of money. I wouldn't buy them until you got a couple of umbrellas and a softbox, but if you want to experiment, they are an affordable way to do that. Just be sure to order the correct adapters for your speedlite.
Finally, let me just say this: you can do a lot worse than a single umbrella. Really, you can make beautiful flattering portraits with just one umbrella, adding other tools as you learn. A decent umbrella, a Manfrotto bracket and a solid lightstand will go a long way.
If you sign up for their newsletter they e-mail lighting lessons that are very good (of course, it is always promoting their equipment).
I've also found that eBay can be a very good source for used softboxes etc. It seems like a lot of people buy these, don't use them much and then sell them. Just compare the prices to new to make sure you are getting a good deal.
One thing you can learn from my mistakes – buy the Manfrotto umbrella brackets http://www.adorama.com/BG2905.html. They are slightly more expensive than other brands, but very well made and there are few things more embarrassing and distracting than having a soft box or umbrella keep shifting while you are trying to shoot. Some of the cheaper brands and designs just don't hold up.
You mention sync cables. I know that professionals prefer radio triggers and if you can afford them they are great. But honestly, I've had very good luck with infrared triggers, even in bright sunlight. Yongnuo makes a knock-off of the Canon infrared trigger that is cheap and I've found very effective. If I were doing this for money, I'd invest in radio triggers. But I'm not.
If you want some fun things to play with, the Interfit Strobies Kit http://www.adorama.com/PASTR100.html gets you a lot of toys for not a lot of money. I wouldn't buy them until you got a couple of umbrellas and a softbox, but if you want to experiment, they are an affordable way to do that. Just be sure to order the correct adapters for your speedlite.
Finally, let me just say this: you can do a lot worse than a single umbrella. Really, you can make beautiful flattering portraits with just one umbrella, adding other tools as you learn. A decent umbrella, a Manfrotto bracket and a solid lightstand will go a long way.
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In recent years I have become a 100% user of Paul C Buff lighting products, http://www.paulcbuff.com best known for Alien Bees and more recently the extraordinary Einstein mono lights. I have eight of them. Because you're buying direct from the manufacturer, prices are startlingly low. In my busy business which is mostly on location, the Einsteins, stands, triggers and modifiers have passed the "tough-test".
This is after a very long time with supposedly superior Profoto lighting equipment which I had a lot of, mainly 600 Compact heads and a couple of 2400 w/s floorpacks for serious grunt. It's all sold now, the efficient, lightweight and breathtakingly inexpensive Einsteins do all the heavy lifting now. I think an Einstein costs less than a new 600EX-RT.
Modifiers, softboxes etc when used with speedlights is OK up to a point, but the necessarily low w/s output of a speedlight means that only short duration, small projects can be undertaken. When you get a flow going with a human subject, waiting for flash recycling after full power dumps, and running your batteries down after not too many pops is plain unprofessional and stunts the creative flow in a shoot.
-PW
This is after a very long time with supposedly superior Profoto lighting equipment which I had a lot of, mainly 600 Compact heads and a couple of 2400 w/s floorpacks for serious grunt. It's all sold now, the efficient, lightweight and breathtakingly inexpensive Einsteins do all the heavy lifting now. I think an Einstein costs less than a new 600EX-RT.
Modifiers, softboxes etc when used with speedlights is OK up to a point, but the necessarily low w/s output of a speedlight means that only short duration, small projects can be undertaken. When you get a flow going with a human subject, waiting for flash recycling after full power dumps, and running your batteries down after not too many pops is plain unprofessional and stunts the creative flow in a shoot.
-PW
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http://www.lastolite.com/battery-flash-accessories-for-strobists.php
I use Manfrotto stands, Lastolite Swivels, brackets and Ezyboxes ... not cheap, but well worth the money if your budget supports it.
I use Manfrotto stands, Lastolite Swivels, brackets and Ezyboxes ... not cheap, but well worth the money if your budget supports it.
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Chris_prophotographic said:
I've gotten Photflex and Chimera softboxes.... I wont ever get another Photoflex though. They use a PVC interior coating that deteriorates. My very old Chimera banks are still going strong.... Photoflex... has yellowed a bit, so I restrict them to monochrome use.
I'm using Matthews Beefy Baby stands. They make some nice booms too. If you can swing it financially, you want a big yoke, heavy stand for a boom. Small stands like the BB are just fine for non boom use. Can't have enough MatthClamps.
I started with PCBuff White Lightning Ultras, and have been picking them up used ever since. Still going strong, with occasional tube replacements. They do take a funky modeling light, not too bright, but you can sub in household bulbs if the pattern is not super critical (such as umbrella or box use).
I've used 36x48 boxes a lot, but am also using some 60" umbrellas, and some Matthews silks. Shooting thru a silk or double silk is very flattering. I can set up two 60x60 silks about six inches apart from each other, and put a monolight behind it about six feet. You get a huge wall of light that is very soft. Then you can single silk a smaller frame say... 48 square and use that with another light as a main light.
There's no end to stuff. Get a Matthews catalog and you'll get some ideas.
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So are EBAY things really bad quality or not efficient light effectors
http://www.ebay.ca/itm/80cm-Portable-Studio-Reflective-Umbrella-Flash-Soft-Box-/260840547195?pt=LH_DefaultDomain_0&hash=item3cbb4ee37b#ht_10380wt_1164
or things like these, no speed ring how the heck are these usable?
http://www.ebay.ca/itm/Visico-Octagonal-Softbox-Octabox-150cm-Soft-Box-Eggcrate-Grid-No-Speed-Ring-/190624068865?pt=LH_DefaultDomain_0&hash=item2c62147501#ht_573wt_1398
http://www.ebay.ca/itm/80cm-Portable-Studio-Reflective-Umbrella-Flash-Soft-Box-/260840547195?pt=LH_DefaultDomain_0&hash=item3cbb4ee37b#ht_10380wt_1164
or things like these, no speed ring how the heck are these usable?
http://www.ebay.ca/itm/Visico-Octagonal-Softbox-Octabox-150cm-Soft-Box-Eggcrate-Grid-No-Speed-Ring-/190624068865?pt=LH_DefaultDomain_0&hash=item2c62147501#ht_573wt_1398
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Chris_prophotographic said:
it really all depends .. only very occasional use or heavy use ... frequent mobile and outdoor use or never ever .. .etc.
functionally well-designed, interconnctivity with a full program of light shapers, good build quality, high quality of materials used, no color shifts after some time etc ... separate good gear from the cheap ebay stuff.
But if you only set it up once in a room in your basement and never take it apart or mpove it to various locations ... the cheap stuff may suffice and get you good pictures ... if you are up to the lighting task.
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Thanks guys what the best cost efficient BOOM for a Octa box/ small soft box? all in one or separate items?
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Any Boom solution more complete (BOOM STAND CLAMPS WEIGHTS HEAD, COLD SHOE SOFT BOX SPEED RING....) all in one package's
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I have several Photoflex umbrellas and highly recommend them. Top quality and affordable. I recently started using the 60" White Convertible (RUT60) without the black backing as a shoot-through. It's very soft. I used to think 60" was too big, not I wish I had started with this umbrella.
For radio triggers, I like the CowboyStudio NPT-04. For $23 on Amazon, they're cheap and reliable.
Photoflex makes a good multi-bracket (AC-BSWCP). SP Studio and Impact have near identical version that are cheaper and of similar quality.
A nifty adapter for using up to three flash units on that 60" umbrella is the Interfit Tri Shoe Adapter.
http://www.bhphotovideo.com/c/product/742155-REG/Interfit_STR141_Tri_Shoe_Adapter.html
Lastly, the Yongnuo YN-460-ii is a great manual, off-camera flash for about $45.
For radio triggers, I like the CowboyStudio NPT-04. For $23 on Amazon, they're cheap and reliable.
Photoflex makes a good multi-bracket (AC-BSWCP). SP Studio and Impact have near identical version that are cheaper and of similar quality.
A nifty adapter for using up to three flash units on that 60" umbrella is the Interfit Tri Shoe Adapter.
http://www.bhphotovideo.com/c/product/742155-REG/Interfit_STR141_Tri_Shoe_Adapter.html
Lastly, the Yongnuo YN-460-ii is a great manual, off-camera flash for about $45.
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That some simple good gear what do you have supporting your HUGE umbrella and strobes (3 of them on a tri bracket?)
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I use Photoflex stands, I think they're 8'. Mine are at least ten years old and have gone up in price quite a bit (from $45 to maybe $80). They do work well and handle the umbrella quite nicely. I certainly recomend the Photoflex stands, but there may be cheaper alternatives.
Maybe it's not a surprise that the Photoflex stands can handle their umbrellas. These stands may be a little on the heavy side -- which is probably a good thing.
One note, I've only used these indoors. I don't know what it would take to keep the 60" umbrellas grounded outdoors -- or what to use for kite string.
Maybe it's not a surprise that the Photoflex stands can handle their umbrellas. These stands may be a little on the heavy side -- which is probably a good thing.
One note, I've only used these indoors. I don't know what it would take to keep the 60" umbrellas grounded outdoors -- or what to use for kite string.
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