Want to Increase The Dynamic Range of Your EOS 5D Mark IV Raw Files?

Canon Rumors Guy

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FastRawViewer and RAWDigger have created a utility that will split the Dual Pixel RAW files from the Canon EOS 5D Mark IV do increase dynamic range of the highlights about +1EV in a single explosure.</p>
<p><a href="https://www.fastrawviewer.com/DPRSplit"><strong>FastRAWViewer</strong></a> explains how this works:</p>
<blockquote><p>Canon 5D Mark IV’s sensor has a somewhat unusual pixel arrangement: each pixel is composed of two subpixels. If Dual Pixel RAW mode is enabled in the camera, the resulting CR2 file contains two images, or two frames: one composite, made from reading both subpixels, summed; and the other is made out of one set of subpixels.</p>
<p>The intended use of this arrangement is to enable some extra editing after the shot: because of the parallax between the subpixels, Canon Digital Photo Professional software allows one to preform microadjustment of focus, bokeh shift, and ghosting reduction.</p>
<p>However, there is one more possible use for a dual-pixel raw, which is not covered by the manufacturer: <strong>the second frame, the one that is made out of one set of subpixels, collects half of the light that the composite frame does, as if it was exposed one stop lower compared to the composite frame.</strong></p>
<p>In essence, in Dual Pixel Raw mode, the camera records into one file some <em>equivalent of two shots, <strong>bracketed by (approximately) 1 EV</strong></em>.</p></blockquote>
<p>This tool will give the EOS 5D Mark IV about +1 EV of usable dynamic range, making it one of the best stills cameras on the market in that regard.. The advantage to this over bracketing your shots, is there’s no risk of motion blur as it happens in one exposure.</p>
<p>As <a href="https://www.canonnews.com/need-1ev-more-highlight-room-from-your-5d-mark-iv-fastrawviewer-has-the-tool">Canon News notes</a>, there will be a slight parallax error, which means a close and far element will appear at slightly different angles to each other.</p>
<p>Read more about and download the application <a href="https://www.fastrawviewer.com/DPRSplit"><strong>here</strong></a>.</p>
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Mar 25, 2011
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I decided to try this, its actually sunny out, so I took some photos with both white and dark objects in them, expecting that the white would be blown out. It turns out that the 5D IV didblow out the whites in the final image, but not beyond recovery.


The Result of combining the extracted image with the CR2 was AWFUL! The outline of the trees that is present in the extracted frame. YUK!


1. The Image from Lightroom with no adjustments, white post blown out but not beyond recovery.


original_-XL.jpg



2. The extracted Bright frame, not as blown out as the original.

Extracted%20Frame-XL.jpg




3. The composite frame using photomerge in Lightroom. Notice the outline around the trees looks awful!


combined%20hdr%20out1-XL.jpg




4. A photo adjusted just clicking the autotone button in Lightroom. Much Better.

Adjusted%20Original-XL.jpg
 
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Jun 20, 2013
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Mt Spokane Photography said:
I decided to try this, its actually sunny out, so I took some photos with both white and dark objects in them, expecting that the white would be blown out. It turns out that the 5D IV didblow out the whites in the final image, but not beyond recovery.


The Result of combining the extracted image with the CR2 was AWFUL! The outline of the trees that is present in the extracted frame.

well, your image would have been partially distorted by parallax. were you trying to do that on purpose?

and it looks like LR didn't handle the blending well at all tbh.
 
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Mt Spokane Photography said:
I decided to try this, its actually sunny out, so I took some photos with both white and dark objects in them, expecting that the white would be blown out. It turns out that the 5D IV didblow out the whites in the final image, but not beyond recovery.


The Result of combining the extracted image with the CR2 was AWFUL! The outline of the trees that is present in the extracted frame. YUK!

Huh, thanks for the comparison!

I’m curious- do you think it would be better if one was* to stop down to make the background was in focus? Or would it not change because the difference distance between foreground and background remains the same?

*were or was correction possibly needed from Alan or Orangutan
 
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Mar 25, 2011
16,847
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rrcphoto said:
Mt Spokane Photography said:
I decided to try this, its actually sunny out, so I took some photos with both white and dark objects in them, expecting that the white would be blown out. It turns out that the 5D IV didblow out the whites in the final image, but not beyond recovery.


The Result of combining the extracted image with the CR2 was AWFUL! The outline of the trees that is present in the extracted frame.

well, your image would have been partially distorted by parallax. were you trying to do that on purpose?

and it looks like LR didn't handle the blending well at all tbh.

If it was distorted by parallax, that's how it is going to be for users, I don't know how to prevent it, 10 ft away from the post.

Lr does not work well for combining images, but the result is awful, more than usual so something is going on.

The bottom line is that for reasonably over exposed images, just adjusting the raw 5D MK IV in Lightroom works better and is easier. I did not attempt to purposely over expose a image, just like I don't take photos with a lens cap on or boost exposure 5 stops.


Because Lightroom is pretty bad at merging images, I downloaded a trial of Helicon. Its much better, but still will need some tweaking. Here is the file just as it came out. No outline of the trees!

helicon%20merge-XL.jpg
 
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Quick test...

1. Original RAW unprocessed

2. Original RAW + 100% highlight recovery

3. Original RAW + 100% highlight recovery with window area masked from Frame 2 of dual pixel file with again 100% highlight recovery.

Note both frames were processed to match exposure. In other words the darker frames exposure was raised to match the lighter frame making masking the window in seamless and simple for this quick test.
 

Attachments

  • Dual Pixel Compare.jpg
    Dual Pixel Compare.jpg
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Hey, thanks for posting those real results. It looks like there's really something to it, if you use the right software, and you spend a gob of time on it. For the once-in-lifetime shot that needs saving, well worth it. Love this forum exactly because people like Mt Spokane add real data to the mix. Appreciate it!
 
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Hey, thanks for posting those real results. It looks like there's really something to it, if you use the right software, and you spend a gob of time on it. For the once-in-lifetime shot that needs saving, well worth it. Love this forum exactly because people like Mt Spokane add real data to the mix. Appreciate it!
Can canon implement this merging feature into their firmware?
 
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Jun 20, 2013
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Mt Spokane Photography said:
I tried Photomatix using the free Demo.

It is close to doing the adjustment in lightroom by pushing the auto tome button. I really like the result. There is a slight ghosting around the trees, I think a skilled user could eliminate that.

photomatix has been my go-to software for this for years.

I may give auroaHDR a try but it will take alot for me to get rid of photomatix.

I think the trick for this is use TIFFS..

take the regular exposure - leave alone.
take the -1EV exposure .. adjust for highlight clipping
blend exposures.

using DPRAW is HTP on steroids.
 
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