roxics said:
I do both and it only seems natural that if you like one you would like the other. I just can't wrap my head around it only wanting one. I can understand people having a preference, but to buy a $3000 body an never shoot video on it? Really?
I don't have a $3,000 body, but I've never shot video on my $1,600 body. Why not? Maybe because I know I suck at it. Good video and good stills photography are worlds apart. I "see" in stills, I compose in stills and I prefer stills for the final presentation of my work.
I put video in the category of "maybe some day." Sure, I have some interest but I wouldn't be happy with crappy, amateurish work. I have had enough experience in my paying career to know that there are vast differences between the two mediums and if you are going to be good at it, you have to develop an entirely different skill set.
brett b said:
Many people who make their living with still photography don't like being forced to pay for video functionality that isn't going to benefit them financially. For me, video doesn't boost my income.
Well, in a way it does boost your income because it reduces your costs. No one is "forced to pay for video functionality" in fact just the opposite. Still photographers are coasting on the cost savings that has been generated by the inclusion of video functionality in the product.
DSLRs aren't film cameras. They are at heart video cameras that have been modified to shoot stills. Including the video capability costs the manufacturers next to nothing and significantly increases the sales base, thereby lowering the cost of the final product for everyone. In addition, video improvements help improve the overall functionality of the product so we all benefit from the research and development.
bvukich said:
I would bet however, that compromises in stills performance have been made to accommodate video.
This is, in my opinion, a legitimate concern. For the past several years we've seen a convergence between stills and video. But, we may soon reach the point where one begins to infringe upon the other.
Would a 20 mp APS-C sensor have less noise and better low-light sensitivity if it did not have dual-pixel technology splitting the pixels so that video autofocus is improved? I don't know. If we start seeing significant compromises being made to accommodate video, I may change my opinion, but so far, the tiny adjustments that are being made are probably well worth it in the interest of keeping the cost of equipment somewhat affordable.
In summary: I'm not personally interested in video but I welcome the video functionality because it saves me money and generates innovation that spills over to my stills photography.