Canon Announces the Cinema EOS C100 Mark II

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<p>Well, this <a href="http://www.canonrumors.com/2014/10/the-next-cinema-eos-camera-will-be-cr2/" target="_blank">came a little sooner than we thought it would</a>. Canon has announced the replacement to the Canon Cinema EOS C100 with a Mark II version.</p>
<p><strong>Highlights</strong></p>
<ul>
<li>Super 35mm 8.3MP CMOS Sensor + EF Mount</li>
<li>1920×1080 60/50i, 24/25p, PF30, PF23.98</li>
<li>Built-In Dual Pixel CMOS AF Hardware</li>
<li>AVCHD + MP4 Recording</li>
<li>Dual SDHC/SDXC Media Card Slots</li>
<li>HDMI Output with Timecode & Canon Log</li>
<li>ISO 320 to 80,000</li>
<li>Canon Log and Wide DR Gamma</li>
<li>Two XLR Audio Connectors</li>
<li>Built-In 2.4 GHz & 5 GHz WiFi Capability</li>
</ul>
<p><strong><strong>Preorder the Canon EOS C100 Mark II: <a href="http://www.bhphotovideo.com/c/product/1086125-REG/canon_eos_c100_cinema_eos.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CAC100EFNM2.html?KBID=64393" target="_blank">Adorama</a></strong></strong></p>
<p>Press release and features after the break.</p>
<p><!--more--></p>
<p>The <b>Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF</b> is Canon’s updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.</p>
<p>The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5″ OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.</p>
<p>The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor and DIGIC DV III image processor as its big brother, the C300. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.</p>
<p>The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera’s flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.</p>
<div class="sectionHeaders" data-selenium="sectionHeaders">
<dl>
<dt><strong>Dual Pixel CMOS AF Technology</strong></dt>
<dd>The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses — including newer-generation STM lenses — which offer even smoother and quieter operation.</p>
</dd>
</dl>
<dl>
<dt><strong>Continuous Recording</strong></dt>
<dd>The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley’s EDIUS Pro 7 software.</dd>
</dl>
<dl>
<dt><strong>320 to 80,000 ISO Range</strong></dt>
<dd>With an extended ISO range from 320 to 80,000, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.</dd>
</dl>
<dl>
<dt><strong>Menu Navigation via Camera Buttons</strong></dt>
<dd>Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed.</dd>
</dl>
<dl>
<dt><strong>Viewfinder Magnification Location Shift</strong></dt>
<dd>Manually move the center of the camera’s magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.</dd>
</dl>
<dl>
<dt><strong>Record Button Lock</strong></dt>
<dd>The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button.</dd>
</dl>
<dl>
<dt><strong>Super 35mm 8.3MP CMOS Sensor</strong></dt>
<dd>The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments.</dd>
</dl>
<dl>
<dt><strong>DIGIC DV III Image Processor</strong></dt>
<dd>Designed and built by Canon for the highest HD RGB processing, the DIGIC DV III Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.</dd>
</dl>
<dl>
<dt><strong>Low Light Sensitivity</strong></dt>
<dd>Working together, the Super 35mm sensor and DIGIC DV III Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.</dd>
</dl>
<dl>
<dt><strong>Canon Log Gamma and Wide DR Gamma</strong></dt>
<dd>Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading.Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production.</p>
</dd>
</dl>
<dl>
<dt><strong>EF Lens Mount with EF Contacts</strong></dt>
<dd>The camera is fully compatible with Canon’s renowned EF mount lenses. Even specialty lenses, such as Canon’s 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image.</dd>
</dl>
<dl>
<dt><strong>Multiple Recording Modes and Frame Rates in AVCHD</strong></dt>
<dd>The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920×1080. Frame rates of 60i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. In addition, the 60i frame rate offers reduced rolling shutter artifacts. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates.</dd>
</dl>
<dl>
<dt><strong>Multiple Recording Modes and Frame Rates in MP4</strong></dt>
<dd>The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720 and 640 x 360 frame sizes.</dd>
</dl>
<dl>
<dt><strong>Uncompressed HDMI Out with Timecode & Canon Log LUT Support</strong></dt>
<dd>Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output.</dd>
</dl>
<dl>
<dt><strong>Compact and Ergonomic Design</strong></dt>
<dd>Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a “run-and-gun” style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences.</dd>
</dl>
<dl>
<dt><strong>Removable Top Handle with XLR Inputs and Stereo Microphone</strong></dt>
<dd>Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.</dd>
</dl>
<dl>
<dt><strong>High Resolution EVF and Integrated OLED Display</strong></dt>
<dd>Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45″ electronic viewfinder with 100% coverage. The built-in 3.5″ 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the camera’s waveform monitor.</dd>
</dl>
<dl>
<dt><strong>AVCHD or MP4 File Based Recording to SD Cards</strong></dt>
<dd>The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray.</dd>
</dl>
<dl>
<dd class="featuredd">The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.</dd>
</dl>
<dl>
<dt><strong>Full Manual Control and Focusing Aids</strong></dt>
<dd>The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor.</dd>
</dl>
<dl>
<dt><strong>One Shot AF and Push Auto Iris</strong></dt>
<dd>One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.</dd>
</dl>
<dl>
<dt><strong>Built-In ND Filters</strong></dt>
<dd>In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial.</dd>
</dl>
<dl>
<dt><strong>Remote Terminal</strong></dt>
<dd>Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations.</dd>
</dl>
<dl>
<dt><strong>Additional Features</strong></dt>
<dd>
<ul>
<li>Waveform monitor; standard and RGB modes</li>
<li>Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode</li>
<li>Drop Frame (DF) or Non-Drop Frame (NDF) Timecode</li>
<li>Timecode modes: Regen, Record Run, Free Run</li>
<li>Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card</li>
<li>Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level</li>
<li>15 assignable function buttons</li>
<li>SMPTE, EBU, or ARIB standard color bars can be selected</li>
</ul>
</dd>
</dl>
<p><img class="alignnone size-full wp-image-17650" src="http://www.canonrumors.com/wp-content/uploads/2014/10/C1002_02.jpg" alt="C1002_02" width="500" height="500" /></p>
<p>Press Release Below</p>
</div>
<p><strong>MELVILLE, N.Y., Oct 21, 2014 (BUSINESS WIRE)</strong> — Canon U.S.A. Inc., a leader in digital imaging solutions, announced today the Canon EOS C100 Mark II Digital Video Camera, the latest edition to the Canon Cinema EOS line of professional Super 35mm 8.3 megapixel CMOS cameras and the second-generation version of the popular Canon EOS C100 Digital Video Camera.</p>
<p>Designed for economical film and video productions such as documentary and remote broadcast crews, wedding and event coverage, indie film productions, as well as film schools and business and government users, the new EOS C100 Mark II Digital Video Camera, features advanced image processing, AVCHD and MP4 1920×1080/60p recording, uncompressed YCbCr output from HDMI, and many other new and enhanced capabilities for improved picture quality, operability, and convenient handling. Delivering a cinematic look with shallow depth of field and high sensitivity in low-light environments, the new EOS C100 Mark II camera weighs just 2.5 lbs. and is compatible with over 103 Canon EF Series lenses, including STM models which can deliver smooth and silent autofocus during filmmaking.</p>
<p>“Canon’s commitment to the advancement of tools for visual expression takes another major step forward with the introduction of the EOS C100 Mark II Digital Video Camera,” said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. “Drawing on input from Canon’s global community of Cinema EOS camera users and from digital filmmakers using Canon EF lenses – 100 million of which have now been produced worldwide1 – the Company has added new capabilities to the EOS C100 Mark II from its predecessor that powerfully leverage our considerable expertise in optics, imaging, and digital signal processing. The result is an improved, affordable Super 35mm CMOS digital camera that is designed to provide outstanding HD image quality, operational performance, ergonomics, and workflow convenience.”</p>
<p><strong>Design Enhancements</strong></p>
<p>Optimized for one-person operation, the new EOS C100 Mark II camera has a mobile core design enabling users to choose their preferred style of shooting. The existing design has been enhanced to include a large-size detachable eyecup for the camera’s large 68-degree tilting 0.45-inch 1.23 megapixel color EVF (electronic viewfinder). Clearly marked red trigger buttons on the camera body, top handle, grip, and a built-in mono microphone on the camera body — for times when the top handle is not attached — can be used to capture basic sound for audio notation or as an aid to audio syncing during post.</p>
<p>Another major redesign of the new EOS C100 Mark II over its predecessor is an innovatively hinged 3.5-inch 1.23 megapixel OLED display panel, delivering 100 percent field-of-view coverage, wide color range support, and improved viewing even in bright sunshine. The new hinge design — which folds the panel shut when stowed, protecting the OLED surface — opens 180 degrees to reveal function keys and a joystick. The panel can open even further to 270 degrees to deploy against the side of the camera to provide monitoring for directors and other production personnel. Additional design improvements on the camera body include 17 assignable recessed function buttons, dual SD card slots with a transparent cover, and a simplified battery insertion and removal release.</p>
<p><strong>Visual Expression</strong></p>
<p>Previously available only as an optional upgrade for earlier Cinema EOS models, Dual Pixel CMOS AF is a standard feature on the new EOS C100 Mark II, providing enhanced autofocusing capability. The Dual Pixel CMOS AF technology helps provide smooth and consistent autofocus, so that focus transitions are natural looking and subjects can remain in focus even as they move off center. In addition, the compatibility of Dual Pixel CMOS AF with Canon EF autofocus lenses combines outstanding optical tools with a wide range of creative options. It’s ideal for shooting sports, weddings and many more productions where focus pulling by a single operator is not feasible, such as when the video camera is attached to steadicams or drones. The EOS C100 Mark II Digital Video Camera also includes Face-Detection AF2, a first in the Cinema EOS camera line, which utilizes contrast detection AF to maintain focus across most of the image plane, an advantage in one-person electronic news gathering (ENG) situations.</p>
<p><strong>Imaging and Recording</strong></p>
<p>Central to many of the new features of the new EOS C100 Mark II Digital Video Camera is its advanced Canon DIGIC DV4 image processor. The Canon DIGIC DV4 image processor separates the RGB output from the camera’s 8.3 Megapixel CMOS imager into three individual 8 megapixel signals (as opposed to 2MB in the EOS C100) for noticeably improved image quality. The Canon DIGIC DV4 processor also includes a new debayering algorithm to help minimize moiré and reduce video noise even at high ISO speeds. (high-sensitivity recording on the camera ranges from ISO 320 to 80,000).</p>
<p>Another important benefit of the Canon DIGIC DV4 processor is Full HD recording in both the high-quality professional format AVCHD or the popular web-friendly MP4 format at a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates (up to the smooth look of 59.94p) to suit practically any production need.3 For special-effect requirements, slow and fast motion MP4 recording at up to 1920×1080/60p can also be performed.</p>
<p>Users can choose from multiple formats that support MP4 or AVCHD to suit a wide variety of production, post, and output needs. The EOS C100 Mark II camera’s dual SD card slots can record in one or both formats simultaneously4 for back-up, or convert AVCHD and MP4 files into smaller MP4 files for web upload.5 Extended clip times can be achieved by recording continuously from one card to the other without a break. In addition, a Data Import Utility application is included that can seamlessly join divided files to help reduce work during editing and to import video file data from an SD card inside the camera or a card reader.</p>
<p>As with the other cameras in Canon’s Cinema EOS line, the new EOS C100 Mark II Digital Video Camera includes Canon Log as a recording choice, providing maximum dynamic range for post-production color grading. New, however, is the addition of a built-in LUT (look-up table), enabling users to view the camera’s live video signal in Wide DR (dynamic range) or the BT.709 (TV standard) color space on the OLED or any external monitor connected to the camera’s locking HDMI® output (this feature can be turned off in the menu). Uncompressed video output (with time code data and 2:3 pull-down markers superimposed) can be output via HDMI to an external recorder.</p>
<p><strong>Connectivity Innovations</strong></p>
<p>The addition of wireless file-transfer capabilities further expands the versatility of the new EOS C100 Mark II camera for multiple production applications, including transferring time-critical news video or backing-up files. Utilizing dual 5 GHz and 2.4 GHz frequencies, the camera can transfer video files via FTP server for instant relay, or send MP4 video to the web browsers of laptops or tablets for viewing and storage (even on PC’s lacking playback software). Remote control of the camera is also enabled via a compatible smartphone, tablet, or laptop. The new EOS C100 Mark II Digital Video Camera also includes compatibility with the optional multi-functional Canon RC-V100 Remote Controller, which can be used to adjust image quality and other important operations from a distance, a handy feature for shooting from a jib arm, drone, or other inaccessible location.</p>
<p>In addition, the optional Canon GP-E2 EOS GPS Receiver can be connected to the EOS C100 Mark II Digital Video Camera using a USB cable to record location and time information during shooting, a helpful feature for editing and archiving.</p>
<p><strong>Pricing and Availability</strong></p>
<p>The Canon EOS C100 Mark II Digital Video Camera is scheduled to be available at the end of December 2014 for an estimated retail price of $5,499.00.</p>
<p><strong>About Canon U.S.A., Inc.</strong></p>
<p>Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With approximately $36 billion in global revenue, its parent company, Canon Inc. <span class="quote up bgQuote" data-channel="/quotes/zigman/192225/composite"><a class="qt-chip trackable" href="http://www.marketwatch.com/investing/stock/caj?mod=MW_story_quote" data-fancyid="XNYSStockCAJ" data-track-mod="MW_story_quote">CAJ, <span class="bgPercentChange">+0.29%</span></a></span> ranks third overall in U.S. patents granted in 2013+ and is one of Fortune Magazine’s World’s Most Admired Companies in 2014. In 2013, Canon U.S.A. has received the PCMag.com Readers’ Choice Award for Service and Reliability in the digital camera and printer categories for the tenth consecutive year, and for camcorders for the past three years. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. In 2014, the Canon Americas Headquarters secured LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting <a class="icon " href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.usa.canon.com%2FRSS&esheet=50967044&newsitemid=20141021006920&lan=en-US&anchor=www.usa.canon.com%2Frss&index=1&md5=5765ca8a42a7222f13c498eff6e58613" target="_new">www.usa.canon.com/rss</a> and follow us on Twitter @CanonUSA.</p>
<p>+ Based on weekly patent counts issued by United States Patent and Trademark Office.</p>
<p>All referenced product names, and other marks, are trademarks of their respective owners.</p>
<p>Availability, prices, and specifications of all products are subject to change without notice.Actual prices are set by individual dealers and may vary.</p>
<p>1Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.</p>
<p>2Requires use of Canon STM lenses.</p>
<p>3For complete specifications on bit rates and corresponding frame rates and recording formats please visit:<a class="icon " href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.usa.canon.com&esheet=50967044&newsitemid=20141021006920&lan=en-US&anchor=www.usa.canon.com&index=2&md5=1f87eb01253ffcf7c60b69a0265bfc4f" target="_new">www.usa.canon.com</a></p>
<p>4This function records the images on the card in the sub slot as well, while images are concurrently being recorded on the card in the main slot. Users have the following selection options for the format with which to record the images on the card in the sub slot.</p>
<p>(a)Slot recording using the same movie format (AVCHD/MP4)</p>
<p>(b)Different MP4 (4 Mbps or 3 Mbps) recording in sub slot from main slot However, 28 Mbps (AVCHD) and MP4 (4Mbps or 3Mbps) as well as 35Mbps (MP4) andMP4 (4Mbps or 3Mbps) double-slot recording is not possible. Use of double-slot recording together with slow & fast motion recording or relay recording is not possible, and if such an attempt is made, double slot recording takes priority.</p>
<p>5Footage shot in the 28 Mbps mode for AVCHD and 35 Mbps mode for MP4 cannot be converted.</p>
<p>SOURCE: Canon U.S.A., Inc.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>
 
LetTheRightLensIn said:
Hmm this seems like very, very bad news for the 5D4. If even this doesn't offer 4k what hope is there for 4k 10bit 4:2:2 from 5D4 or even 4k 8bit and 1080p 10bit 4:2:2?? Or, heck, even a crisp, top quality 1080P 8bit.

Looking more and more like money will be going to Sony (and perhaps even Nikon).

My thoughts exactly. The 5D4 will almost certainly not have 4K recording. Honestly I'm a little disappointed at the Canon road map that this new announcement reveals.
 
Upvote 0
Very mixed views on this. With only a 30fps increase, there is very little reason for anyone with the mark 1 to upgrade. Canon appears to lack innovation yet again. On the other hand, 4k is not readily available to consumers yet. Sure you can record whatever you'd like in 4k at weddings, but you have to downscale everything so you can put it on a dvd or bluray.. there is no universal disc yet that can hold up to 300gb, there are no discwriters available anytime soon if such a disc ever hits the stores that replaces bluray. The c100 is obviously aimed for sports / weddings / indy filmmakers or whatever so it is logical to have it only record 1920x1080 for the above reasons.

But canon does seem to scare the small film makers away.. thats a hefty price for only full HD, meanwhile you can get a a7s + external 4k recorder for only 4000 dollars.
 
Upvote 0

Lee Jay

EOS 7D Mark II
Sep 22, 2011
2,250
175
Why would they provide quality video and 4k in a $3k 5DIV or sub $2k 7DII when they can get $20k for it in a C500?

Frankly, I don't care all that much, since I think the quality of the imagery in video is usually mostly irrelevant. The only time I'll ever make an effort to get higher video quality than, say, my SDTV, is when I visit a real IMAX theater (you know - the 15 perf 70mm horizontal version) to see a documentary where the photography is just totally outrageous, the bulbs are 15 kilowatts, and the screen occupies around 90 degrees of my field of view.
 
Upvote 0
Koemans said:
Very mixed views on this. With only a 30fps increase, there is very little reason for anyone with the mark 1 to upgrade. Canon appears to lack innovation yet again. On the other hand, 4k is not readily available to consumers yet. Sure you can record whatever you'd like in 4k at weddings, but you have to downscale everything so you can put it on a dvd or bluray.. there is no universal disc yet that can hold up to 300gb, there are no discwriters available anytime soon if such a disc ever hits the stores that replaces bluray. The c100 is obviously aimed for sports / weddings / indy filmmakers or whatever so it is logical to have it only record 1920x1080 for the above reasons.

But canon does seem to scare the small film makers away.. thats a hefty price for only full HD, meanwhile you can get a a7s + external 4k recorder for only 4000 dollars.
Welcome to the forum. I also see no reason to record 4K today. TV sets in people's homes are not capable of displaying 4K. The Bluray disks do not have the ability to record 4K, without making dishonest compression that will steal the potential quality of 4K.

Seems to me that there is a feeling like "I have a dick that is bigger than yours". :-X
 
Upvote 0
ajfotofilmagem said:
Koemans said:
Very mixed views on this. With only a 30fps increase, there is very little reason for anyone with the mark 1 to upgrade. Canon appears to lack innovation yet again. On the other hand, 4k is not readily available to consumers yet. Sure you can record whatever you'd like in 4k at weddings, but you have to downscale everything so you can put it on a dvd or bluray.. there is no universal disc yet that can hold up to 300gb, there are no discwriters available anytime soon if such a disc ever hits the stores that replaces bluray. The c100 is obviously aimed for sports / weddings / indy filmmakers or whatever so it is logical to have it only record 1920x1080 for the above reasons.

But canon does seem to scare the small film makers away.. thats a hefty price for only full HD, meanwhile you can get a a7s + external 4k recorder for only 4000 dollars.
Welcome to the forum. I also see no reason to record 4K today. TV sets in people's homes are not capable of displaying 4K. The Bluray disks do not have the ability to record 4K, without compression dishonest stealing potential quality of 4K.

Seems to me that there is a feeling like "I have a dick that is bigger than yours". :-X

True and thanks^^

The discussion between 2k and 4k is getting a little silly. It is almost like argueing how a 36 megapixel wins over a 22 megapixel camera while you only publish photos on the internet, or how there is noise on a APS-C camera when you zoom in 200%, that is like using a microscope to look at a printed a4 image on your wall!

We need a solid and widely accepted medium first with discwriters and everything before 4k becomes the new standard in even 400 dollar cameras. Consumer computers never get past the 1TB storage on average too and you also run into the problem that you need HUGE SD/CF cards to record 4k, which are very expensive and consumer unfriendly
 
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Really bad news for Canon this mild refresh is all they could manage. The Sony FS7 will run away with sales this season now. This refresh was due last year or so. We could just about fake 60p slomo with 60i already. The card format is still the same old SDXC and won't be firmware upgradable to 4K. There is no mention of whether you can move the AF point yet or if it's still stuck in the center (I imagine it is stuck as Westfall claimed it was a DPAF sensor limitation). Stills shooters can survive with only center AF but video absolutely cannot. Of course cinema shooters don't autofocus unless forced.

Canon also announced a contraption kit that tries to make a C300 sit cat-on-a-shoulder like the FS7 does stock for half the price. No dice.

If the C400 (affordable 4K120 onto CFast I'd guess, under $10K) shows up at NAB they are still in the game but limping a bit. The FS7 really is stealing the show. The new 50-1000 zoom is amazing for a niche lens but it only covers Super35. Which may suggest Canon isn't doing a full frame video camera other than the 1DC derivatives. Yes I do doubt 4K in a 5D4. 1DCmkII yes.

I imagine the new EVF and OLED are nice, but it's basically the same camera. Day late and a dollar short Canon. This is still better than a DSLR but there is no reason not to buy the FS7 instead.
 
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Don't underestimate 4k. While I don't expect to be mastering out to 4k for a year or two, you will very soon be needing it. Any new camera without it for video will have a shorter shelf life and lower resale value.
Plus, shooting 4k and mastering to 1080p has revolutionized how I film weddings. We can't always set up our shots beforehand and being able to crop/zoom, recompose,stabilize, and even pan in post is amazing!
 
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Policar said:
As a C100 owner, I'm pretty happy with Canon's update!

Fwiw I still think the CX00 series offers the best looking image on the market below the Alexa, though Canon Log sucks (wide DR is great).

For the best specs, get anything else and spend a lifetime grading it to look as good as Canon's AVCHD.

While in general i won't agree that it offer the best image for the price, i will say that it produces a good image with very little haste, and that people who know what they are doing are putting out some pretty impressive stuff with the AVCHD on the C100:

https://vimeo.com/108883478
 
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It's $5500.

I imagine the face detection AF doesn't use DPAF but uses a lamer contrast detection scheme. Or maybe the AF point is movable. Would like a definitive on that.

The Atomos Ninja can't record 1080p60 via HDMI (can do 1080i60 as on the original C100). So that will be a highly compressed AVCHD output...better than interpolated 1080i60 we already have? Doubt the HDMI out even sends 1080p60 but that is another opportunity for an informed person to distinguish themselves by sharing.

It's nice they finally made it work handleless (it has a built-in mic, and a teeny joystick on the OLED display). This is more or less a "what I meant" product...the things that they compromised on to get it out the door quickly at a price point have finally been fixed. It's amazing how slow Canon is rolling out basic things like firmware tweaks. I hope it's all hands on deck getting something together that will hurt the FS7.
 
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Policar said:
As a C100 owner, I'm pretty happy with Canon's update!

Fwiw I still think the CX00 series offers the best looking image on the market below the Alexa, though Canon Log sucks (wide DR is great).

For the best specs, get anything else and spend a lifetime grading it to look as good as Canon's AVCHD.

I own a C100 and this update is not obsoleting it for me. The bigger and tiltable LCD screen is nice, but I do most of my monitoring on the Ninja. Also MP4 internal is not important to me as I do external recording. I don't care about WiFi. The sensor is the same. Slow motion and fast motion are not important for what I do. The existing XLR recording capability is fine and I often record externally anyway. Don't care about GPS.

So the C100 MII is an evolutionary change and it basically protects those, like myself, that spent $5K or so on the C100. The biggest thing for me is the image quality, the dual pixel AF, the low light quality, external HDMI recording, and the lens support.
 
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Oct 18, 2011
1,026
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I get the feeling this is the wrong forum to understand this announcement...many won't understand how important timecode + super 35mm is for many productions. The EOS-Cinema line is very clearly aimed at indie and studio production and workflow. They dont care about being cutting edge, because production studios care far more about saving at the margins than they do about DR and high ISO. The C300 sold well because it worked great for TV production. This'll ren well because its cheap and decent for doc and indie work.

Why people are comparing a theoretical 5dIV (which has literally none of the same specs as this camera) is beyond me. Productions would choose this over a 4k 5D because of timecode alone. Whats confusing is why they didn't up the bitrate to make it cover broadcast quality.
 
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SPG

Jun 17, 2013
25
0
This is pointless. Nothing there that should be considered more than just a minor incremental improvement. 60fps? Nope, 60i which it already has. Face detection AF? Gee, that's nice, but not that big of a deal. Improved EVF? You mean the EVF that it was supposed to have? We've gotten past that. I'd expect this level of improvement from a firmware release.
If I was in the market for a camera today I don't think I'd be looking as closely at the C100 as I was a year ago when I bought one. Don't get me wrong, the C100 still produces the most beautiful HD image you're going to find in this price range, but it's an HD image when the world is moving to 4k acquisition. I'd be looking a little more at the Sony FS7 and seeing how that compares. Obviously the GH4 isn't going to cut it with it's video look and lack of real video camera features, but that doesn't mean that Canon should think they're hitting a home run when they just took a walk to first base.
 
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Feb 12, 2014
873
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Yet another Canon "Too clueless for words" innovation fail.

Are these guys completely inept when it comes to advancing their products? How hard can it be to not be stuck in 2011? Do they not realize that it is 2014 going on 2015, and maybe, just maybe, it is time to catch up to where everyone else is now instead of rehashing old technology?

Sheesh!!
 
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And then, Axiom released the Beta camera and Canon, along with Nikon and RED just lost the majority of their clientele. Shattered even further with the release of the Axiom Gamma soon afterwards.

Canon, the only reason why you're even around is because of hype and Magic Lantern. And then Magic Lnatern's developers went on AXIOM and gave canon the Deuces.
 
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