In the 90s the speed king wasn't the 1, it was the RT. In the 00s I shot with 1Ds and it wasn't the speed king either. Sure, the 1D existed too! Just saying the 1 has been more about being a rugged press/agency camera, SOMETIMES fast but SOMETIMES highest possible resolution.The 1-series camera has always been about high-speed photography so I am not surprised at Canon's decision.
I don't disagree with anything you wrote but just wanted to note in my tests of camera hand-holding on the R5, the resolution is just fantastic. Even the 24-105/4 can resolve 2-pixel-wide lines at 45MP at quite high contrast... and that's over 50lp/mm. And it's the worst lens RF I've tested! The better ones are, like, FULL CONTRAST at 50lp/mm it seems, at least near the center. (And frankly when we think we're artistically putting subjects "off center", they're still pretty close to center in terms of an MTF chart. For instance putting a subject 1/3 of the way to the left, following the 1/3 rule, still is only 6mm off-center, while the MTF goes to 22mm, which is the very, very very corner...) So anyway, I think the current RF lenses are ready for 90MP or even 180MP. Won't be full-contrast of course but you will get usable detail I'm certain. On EF the 135/2 was by far the sharpest lens I had when it came out, but ALL RF lenses are sharper than that now it seems. I think it's under-appreciated how fantastic the glass is now.36MP sure. but 30? no.. simply because no lens is absolutely perfect and while you will get a resolution bump from 24 to 30, you don't get ALL of it unless you have an absolutely perfect lens that outresolves the entire sensor.
That\'s a R3 Mark II, for me that confirm R3 was suppose to be the R1 and Z9 and A1 kills that release
Fair, I am not sure how exactly the segments are split -- they are not very clear on that.Sony's professional video camera segment is huge - they have around a 50% of the professional video camera market in terms of share. Canon's isn't, and "cameras" in Canon's financials are just that, video I believe is in the 'and others", as when they talk about the camera segment, it's purely cameras and doesn't include the professional video.
I am not sure 8K is important to that segment of sports photographers and photojournalists. It seems like if you want to shoot 8K, Canon would rather sell you a R5C (and I assume eventually an R5C II).I still can’t believe R1 will be 24MP as they have to put 8k in.
Thank you for using rational facts to disprove the rumors that the R3 was meant to be a R1. As someone that solely uses the R3 cameras the R1 is an amazing upgrade for only $500 over R3's original list price.it's a good theory, except for the fact that the R1 would have started its prototyping and development around 2020-21. According to Canon, it takes them around 3 or so years to develop the 1 series bodies.
Or a soon to be released R5 Mk2, which I am sure does 8K video.I am not sure 8K is important to that segment of sports photographers and photojournalists. It seems like if you want to shoot 8K, Canon would rather sell you a R5C (and I assume eventually an R5C II).
From a market segmentation purpose, it makes sense for Sony. A1 is the camera that is the "do everything" camera, and A9 is the camera that is dedicated to sports photographers and people who really want very high speed cameras. I would recommend an A1 to a landscape photographer as well as a sports shooter, but not the A9 or R3 for instance (mainly because MP count is low).From my respective/conspiracy , A1 was the original a9iii, but Sony changed it to a1 just to up hand R5. A1 use the same marketing tricks but with higher MP so there’s few that against it. And Sony played themselves out, with Z9 Z8 being so cheap in comparison, Sony have to bring a9iii to keep their superiority complex going.
I think the question whether the R3 is meant to be an R1 is sort of irrelevant anyway. At launch, the R3 is priced ($6k) right between the two other flagships: Z9 ($5.5k) and A1 ($6.5k). It is sort of inevitable that the R3 will be treated like a flagship and compared to the other two cameras, whether Canon brands it as an R1, R3, R1000, or whatever.Thank you for using rational facts to disprove the rumors that the R3 was meant to be a R1. As someone that solely uses the R3 cameras the R1 is an amazing upgrade for only $500 over R3's original list price.
When is the camera approximately slated for release? Does anyone know? Thx
I agree that the R3 was pricey at $6K launch price, but I never considered it a flagship. For me, it was a EOS R equivalent to the EOS-3 camera and a predecessor to a flagship camera (i.e., the R1).I think the question whether the R3 is meant to be an R1 is sort of irrelevant anyway. At launch, the R3 is priced ($6k) right between the two other flagships: Z9 ($5.5k) and A1 ($6.5k). It is sort of inevitable that the R3 will be treated like a flagship and compared to the other two cameras, whether Canon brands it as an R1, R3, R1000, or whatever.
I think if Canon launched the R3 at its current price ($4.5k), we won't even be having this conversation.
I don’t buy into the conspiracy of R3 is the original R1. Canon never let the 1 series falls out of their 4-year schedule, 1DX3 was out in 2020 as schedule. R5 R6 is rushed to retain EF users onto RF, and R3 was a stopgap. It looks like Canon losing face when compared to Z9 a1, but that’s what SonNikon fanbois say all the time.
R3 is a platform Canon test on to make sure they have the fastest camera to trigger Sony. And it worked.
I still can’t believe R1 will be 24MP as they have to put 8k in.
Let me get this straight. Canon was developing a 24 MP, integrated grip camera in 2000 and planning to launch it as the R1. Then, when they saw Sony and Nikon’s higher MP cameras, Canon panicked and renamed that 24 MP camera the R3, because they knew it couldn’t compete as the R1.That\'s a R3 Mark II, for me that confirm R3 was suppose to be the R1 and Z9 and A1 kills that release