What if Canon didn't focus on very dense FF sensors nor APS-H...?
Rocky said:
I think Canon should make a 7D size APS-H body with the price to match.
But I'm afraid you're about the only one who really wants this. Well, there might be a few people.. but Canon doesn't gain a lot by serving themselves with another cheap competitor for a more expensive camera like they did with the 5D Mk2 / 1Ds Mk3 earlier...
Rocky said:
"Same Technology", I am assuming you mean same pixel density. The picture quality (noise) per pixel is identical regardless of the acyual sensor size. The FF will have more pixel than the APS-H and hence better picture quality. Hydyn1971 is half right about the comparision of APS-C ans APS-H with the same pixel density. besides a widen angle with the same lens, The APS-H will also have a higher resolution and hence better opicture quality.
Only partly true. Everybody seems to be forgetting that the bigger a sensor grows it also grows very different thermal specifications. I'm 99% sure that if you grow the 7D sensor to 56x36mm and still have it run at ISO 6400 (native), it would drive you mad with noise and kill your batteries in a snap(shot).
Same goes for FF: The 5D classic is very close to the 5D Mk2 in terms of noise (in print, not per pixel), but has some trouble with amp noise, especially if you push it (high ISO, slow shutter, in hot danceclubs like I used to do).
That said... I think APS-H has to come to an end too. I regularly shoot the 1D Mk3, 1D Mk4, both the first and second 5D, and sometimes a 1Ds Mk3. Despite it is somewhat an older camera I really like the 1D Mk3, because it feels really solid, is extremely fast and serves me with more than decent ISO 2500 shots which can be denoised quite nicely. The 5D Mk2 makes cleaner images, but is not worth it's 21mp of data at ISO 2500 concerning detail. The 10.1mp files out of the 1D are really detailed.
Just yesterday I took the 1D Mk4 and the 5D Mk2 with me for a shoot... edited the pictures last night. You would expect the 1D Mk4 to beat the 5D Mk2 in terms of noise, right?
WRONG. The 1D Mk4 might have a little less noise, but the structure of this noise and the way it damages colours is horrible. Also: It is very hard to remove this noise! Lightroom, Photoshop, Capture One and DPP all can't really handle the 1D sensor output like they do the 5D2.
I found myself dropping loads of ISO 5000 shots out of the 1D4 while using several ISO 5000 shots out of the 5D and even a ISO 12800 shot (although it needed a lot of work, especially the blue channel gets baaad when you push it this hard).
Out of all Canons cameras, if you'd make me mix & match all parts into a new body, I would say make a 1D out of:
- give it the 1Ds Mk3 AF (which I've found to be more reliable than the 1D Mk4 AF when things get really dark - Canon be ashamed!);
- update the 1Ds Mk2 sensor to todays standards - ISO 12800, gapless microlenses, decent DR/colour rendition etc. (I even like the 5D Mk1 high ISO "grain" better than that of the 1Ds Mk2, but 12.8mp isn't enough for the near future, even though it is for my standards);
- higher ISO than 12800 is a possibility.. but tell me, does anybody EVER use more then ISO 12800? I did once and it took ages to edit those pictures. The only reason to do so was for a stop more DOF, and if I was there again I wouldn't even try. Cut the crap Canon, forget the high ISO race;
- where is that rumoured DIGIC 5? Give us two. I bet handling 12 frames of 16.7mp per second wouldn't be a single problem;
- ISO 25 would be nice, but at least 50 without losing DR;
- Would like to see an AF point controller which is actually reachable without squeezing my enormous hand between my head and cambody when in portrait mode - this is NOT fast at all;
- give Nikon a run for their money by pushing 12fps - we all know both the mirror assembly and shutter should be capable, Nikon already managed 11 with the D3. Is it useful? No. Is it fun? Sure
I would price my camera somewhere between the 5000 and 6000 dollar mark, and make it possible to buy something like "CPS Plutonium" (in stead of "CPS Platina"): say 750 dollars for 1 day exchange-service and free quarterly calibration through the first two years. That is pro service like pro service should be. Enables hobbyists to get a massive camera for less money than pros doe and enables pros to concentrate on their work.
Also... make a simple version of this camera with 3 fps, less fancy AF, the slower mirror/shutter assembly of the 5D Mk2, simpler (only centered?) light metering, maybe even plastic body like the 60D etc. and call it 5D Mk3. Price it around 3500 dollars (yes, it will sell). Make sure both are capable of very high spec video (maybe full resolution?) - the 5D has a very big set of fans in both high-end prosumer photographers and videographers.
I bet a camera like "my 1D" would be a winner for both studio and sports. No 1Ds needed. If you're such a hotshot and really need your megapixels... buy medium format!
