Leica Announces SL Type 601 Mirrorless Camera

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<strong>The LEICA SL mirrorless system camera sets new standards in terms of speed, picture quality and versatility</strong></p>
<p>Wetzlar, 20 October 2015. The Leica SL system marks the beginning of a new era of professional photography made in Germany. The Leica SL mirrorless system camera is impressive on account of its innovations in exceptional Leica quality. Its 24 MP full-frame CMOS sensor and perfectly matched components – from superior-quality lenses to its electronic viewfinder – guarantee exceptional imaging performance.</p>
<p><strong>EyeRes viewfinder and touchscreen display for total control of every picture

</strong>Developed especially for the Leica SL, this electronic viewfinder is the first of its kind to feature Leica EyeRes technology. With a latency time below the threshold of perception, an impressive resolution of 4.4 million pixels and a magnification reminiscent of a medium format camera, this electronic viewfinder offers an entirely new visual experience and numerous advantages: the final image is visible in the viewfinder before the shutter release is pressed, which enables optimum control over the final picture in any situation. The EyeRes viewfinder is activated simply by looking through it. In addition, the Leica SL also features a 2.95″ back panel display with a viewing angle of up to 170° that enables reliable viewing of pictures and efficient touchscreen menu navigation.</p>

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<p><strong>Maestro II processor for maximum performance

</strong>The high-performance Maestro II series processor guarantees that photographers never miss even the fastest-moving subjects and that the camera responds instantaneously to all commands. Together with 2 GB of buffer memory, the processor makes it possible to capture consecutive exposures at rates of up to 11 frames per second at full 24 MP resolution and 4K video with a frame rate of 30 frames per second. Pictures can be saved simultaneously to an SD memory card as both a JPEG and DNG in line with the fast UHS II standard. Thanks to its Maestro II series processor, the Leica SL achieves the best performance currently possible in the professional camera class and underlines the innovative character of the camera.</p>
<p><strong>24 MP CMOS sensor for exceptional picture quality in 35 mm full-frame format

</strong>The 24 MP CMOS full-frame sensor guarantees impressive dynamic range, excellent contrast rendition, exceptional sharpness, the highest resolution, and noise-free images in almost all lighting conditions. The shutter provides speeds from 30 minutes to 1/8000 sec. The sensor reveals its full potential in combination with Leica SL lenses, especially in available-light situations, and captivates users with atmospheric exposures in superior quality at ISO settings up to a maximum of 50,000. What’s more, it is optimised for use with Leica M-Lenses and, in addition to supporting all their functions, delivers the excellent picture quality with which Leica has been synonymous for more than 100 years.</p>
<p><strong>The new movie star: professional video in cinematic resolution

</strong>The Leica SL is much more than a professional still-picture camera with video recording capability: it fulfils even the most stringent demands of moviemakers as a fully fledged video camera. Thanks to its 24 MP CMOS sensor and high-performance Maestro II series processor, the Leica SL enables the production of professional videos in 4K resolution. Videos can be recorded in UHD at 30 frames per second or even in Cine4K at 24 frames per second. In full HD, the Leica SL records video at up to 120 frames per second and makes use of the entire sensor area. Here, the logical and intuitive handling concept of the camera makes a clear distinction between still- and motion-picture recording. As soon as the camera is in video mode, the display shows only relevant information for video recording, such as safe area, aspect ratio, zebra function or the recording level of the microphone. An optional audio adapter allows you to connect an external microphone and the audio recording level can be set without accessing the menu. Videos can be output in 4:2:2 10-bit format in 4K resolution over HDMI 1.4.</p>
<p><strong>Aluminium body for robust performance in everyday photography

</strong>From the beginning, resilience and robustness were at the focus of the Leica SL’s development. Body components machined from solid aluminium and precisely engineered seals around controls and in the lenses provide optimum protection against dust, moisture and splashes for the sensitive technology inside. At the same time, integrated ultrasonic sensor cleaning removes dust and dirt from the sensor. The glass covering the back panel display is extremely scratch-resistant and features an anti-reflex coating. All these properties make the camera an ideal tool for use in the rough, everyday conditions faced by professional photographers. In the interplay between its equally classic and functional design and its distinctive lines, the Leica SL is another example of Leica’s fine art of engineering.</p>
<p><strong>A new generation of lenses for excellent picture quality

</strong>The combination of outstanding imaging performance and the fastest autofocus currently possible makes working with the Leica SL an entirely new experience and enables photographers to produce images in a quality never before seen in 35 mm format. True to Leica’s principles, the new lenses specific to the Leica SL are distinguished by superior optical and mechanical precision. With its wide range of focal lengths and high speed, the Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. is the ideal standard zoom lens in the Leica SL-System portfolio. The zoom range of the fast Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 follows on directly from this and the current lens portfolio is rounded off by the Leica Summilux-SL 50 mm f/1.4 ASPH., the new reference lens for this focal length.</p>
<p>What’s more, the exceptional compatibility of the Leica SL-System grants photographers access to almost all Leica lenses ever made. For instance, all lenses for the Leica T camera can be used without an adapter. In addition, appropriate adapters allow Leica S, M, and R system lenses and lenses from other manufacturers to be mounted on the Leica SL.</p>
<p><strong>Availability

</strong>The Leica SL (Type 601) body will be on sale from 16 November 2015. The Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. zoom lens will be available at the same time. Further Leica SL lenses will follow.</p>
<p><strong>Leica SL (Type 601) Body: <a href="http://www.bhphotovideo.com/c/product/1192093-REG/leica_10850_sl_typ_601_mirrorless.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/LCSL.html?KBID=64393" target="_blank">Adorama</a> </strong> | <strong><span class="s1">Leica 24-90mm f/2.8-4 ASPH <a href="http://www.bhphotovideo.com/c/product/1192094-REG/leica_11176_vario_elmarit_sl_24_90_f_2_8_4_asph.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/LC2490SL.html?KBID=64393" target="_blank">Adorama</a></span></strong></p>
 

Busted Knuckles

Enjoy this breath and the next
Oct 2, 2013
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Ah common - no one has complained about dynamic range yet... geez people are getting slow. :)

So now Canon might come out w/ a real functional mirrorless hope the flange distance is less/same as the Leica. "R" type sensor. Resolution to burn :)

Can't wait to see Roger at lens rental work this new uber resolution solution
 
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Canon Rumors Guy

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dadohead said:
As I said elsewhere, I was afraid this camera was going to make me regret buying a Q. I'm good now--I've already got a big-ass DSLR.

I just said to someone that they'll likely see a spike in Q sales, as the SL rumors have been around for a while.
 
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Mar 18, 2015
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No complaints about the size from me. I can't make my hands any smaller!

The true test will be the viewfinder. All full-frame viewfinders are a disaster. The 1Dx is probably the best of the bunch, but it isn't all that good; the 5Ds is just like looking through a soft-focus filter hidden behind stained glass.

Current reviews say that the SL's viewfinder is amazingly clear and doesn't suffer from video delay, but only "friends of Leica" have had access so far. Let's hope it's not a disappointment like all other EVFs.
 
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ahsanford

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Aug 16, 2012
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I really don't see the size of the SL as a problem. If you are bolting a lead pipe of a lens like the one below, do you really want to hold it with a dainty little FF mirrorless body?

I've said this before -- you are into mirrorless for size reasons and should do everything to keep it small, or you are into mirrorless to completely replace the SLR and everything it does for you. This new product is clearly the latter, so it's built like a tank. If you're in the other group the A7 (or more likely Fuji X, m43, etc.) are better suited for your needs.

All that said, this is a Bismarck-ian super battleship that is too ponderous to succeed in the market. Forgetting the price for a moment, only a very small slice of photographers would seriously consider this rig, and I certainly am not one of them.

- A
 

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Jul 30, 2010
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Bernard said:
No complaints about the size from me. I can't make my hands any smaller!

The true test will be the viewfinder. All full-frame viewfinders are a disaster. The 1Dx is probably the best of the bunch, but it isn't all that good; the 5Ds is just like looking through a soft-focus filter hidden behind stained glass.

Current reviews say that the SL's viewfinder is amazingly clear and doesn't suffer from video delay, but only "friends of Leica" have had access so far. Let's hope it's not a disappointment like all other EVFs.
It has to be relative big for the ergonomic reason. Also the original SL (as in film) is not small either.
 
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