Lightroom CC/6 & DNG Converter 9.7 Get EOS 5D Mark IV Support

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Canon Rumors Guy

Canon Rumors Guy

Canon EOS 40D
CR Pro
Jul 20, 2010
10,813
3,187
Canada
www.canonrumors.com
HTML: 
Lightroom CC (2015.7) and Lightroom 6.7 are now available.  The goal of this release is to provide additional camera raw support and lens profile support, and to address bugs that were introduced in previous releases of Lightroom.</p>
<p>Please note that this version of Lightroom contains compatibility fixes for macOS 10.12 (Sierra) and also requires macOS 10.10 and greater.</p>
<p>We recommend you update to Lightroom CC (2015.7) and Lightroom 6.7 prior to updating to macOS 10.12 (Sierra).</p>
<p><!--more--></p>
<p> </p>
<p><strong>Publish to Adobe Stock Contributor Site

</strong></p>
<p>You can now submit images directly from Lightroom CC to the brand new Adobe Stock Contributor Site using the included Adobe Stock Publish Service.  By contributing to Adobe Stock, you have the opportunity to showcase your work to millions of customers directly inside Creative Cloud applications.</p>
<p><strong>Updates to “All Synced Photos”</strong></p>
<p>We’ve made it easier to access your Lightroom CC images on the go with Lightroom for mobile and Lightroom for web.</p>
<p>You can now drag images directly to the “All Synced Photographs” collection in the Catalog panel.  By doing so, the image syncs with the Creative Cloud, and ensures that you’ll be able to edit, organize, or share the photo on the go with Lightroom across your devices.</p>
<p><strong>Smart Previews for Faster Performance</strong></p>
<p>You’ve always been able to use Smart Previews in the Develop Module as a way to edit photos without having access to the original images on disk.  Astute customers reported faster performance in the Develop Module when using Smart Previews and keeping their original images disconnected from their computer.  Now, you can set a Preference in the Performance tab so that Lightroom will always use Smart Previews in the Develop Module, if they are available, even when the original files are also available.</p>
<p>To do so,</p>
<ol>
<li>Choose Edit > Preferences.</li>
<li>In the Preferences dialog, select the Performance tab.</li>
<li>In the Develop section, select Use Smart Previews Instead Of Originals For Image Editing.</li>
<li>Click OK and then restart Lightroom.</li>
</ol>
<p><strong>New Camera Support in Lightroom CC (2015.7) / 6.7</strong></p>
<ul>
<li>Apple iPad Pro 9.7″ (wifi and cellular)</li>
<li>Apple iPhone 6s Plus</li>
<li>Apple iPhone 6s</li>
<li>Apple iPhone 7</li>
<li>Apple iPhone 7 Plus</li>
<li>Apple iPhone SE</li>
<li>Canon EOS 5D Mark IV*</li>
<li>Casio EX-ZR4000 (EX-ZR5000)</li>
<li>GoPro HERO5 Black</li>
<li>Hasselblad H6D-100c</li>
<li>Nikon D3400</li>
<li>Panasonic DMC-G8 (DMC-G80, DMC-G81, DMC-G85)</li>
<li>Panasonic DMC-LX9 (DMC-LX10, DMC-LX15)</li>
</ul>
<p>*Please note that we support the import and editing of jpegs, raw files and dual pixel raw files from this camera model.  We do not support any specific dual pixel raw functionality.  If you are planning to use Dual Pixel raw files, please read <a href="https://helpx.adobe.com/x-productkb/multi/editing-canon-dual-pixel-raw-cr2.html">Limitations with Canon Dual Pixel raw files in Camera Raw and Lightroom</a>.<em> </em></p>
<p>**We added new versions of Adobe Standard color profiles for the Canon EOS 5DS and Canon EOS 5DS R cameras. These versions are denoted as V2, and the v2 profiles have lower contrast than the original Adobe Standard (v1) camera profiles.</p>
<p><strong>New Tethered Shooting Support in Lightroom CC (2015.7) / 6.7</strong></p>
<ul>
<li>Nikon D5</li>
<li>Nikon D500</li>
</ul>
<p><strong>New Lens Profile Support in Lightroom CC (2015.7) / 6.7</strong></p>
<table width="647">
<tbody>
<tr>
<td width="176"><strong>Mount</strong></td>
<td width="361"><strong>Name</strong></td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 6s back camera 4.15mm f/2.2 (DNG)</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 6s Plus back camera 4.15mm f/2.2 (DNG)</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPad Pro back camera 4.15mm f/2.2 (DNG + JPEG)</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 7 back camera 3.99mm f/1.8 (DNG + JPEG)</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 7 front camera 2.87mm f/2.2</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 7 Plus back camera 3.99mm f/1.8 (DNG + JPEG)</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 7 Plus back camera 6.6mm f/2.8 (DNG + JPEG)</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 7 Plus back iSight Duo camera 3.99mm f/1.8</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 7 Plus back iSight Duo camera 6.6mm f/2.8</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone 7 Plus front camera 2.87mm f/2.2</td>
</tr>
<tr>
<td width="“123”">Apple</td>
<td width="“252”">iPhone SE back camera 4.15mm f/2.2 (DNG + JPEG)</td>
</tr>
<tr>
<td width="“123”">Canon EF</td>
<td width="“252”">Canon EF 70-200mm f/2.8L IS II USM +1.4x</td>
</tr>
<tr>
<td width="“123”">Canon EF</td>
<td width="“252”">Canon EF 70-200mm f/2.8L IS II USM +2.0x</td>
</tr>
<tr>
<td width="“123”">Canon EF</td>
<td width="“252”">Rokinon 8mm f/3.5 UMC Fish-Eye CS</td>
</tr>
<tr>
<td width="“123”">Canon EF</td>
<td width="“252”">Rokinon 8mm f/3.5 UMC Fish-Eye CS II</td>
</tr>
<tr>
<td width="“123”">Canon EF</td>
<td width="“252”">Samyang 8mm f/3.5 UMC Fish-Eye CS</td>
</tr>
<tr>
<td width="“123”">Canon EF</td>
<td width="“252”">Samyang 8mm f/3.5 UMC Fish-Eye CS II</td>
</tr>
<tr>
<td width="“123”">Canon EF</td>
<td width="“252”">Venus Optics Laowa 105mm f2 (T3.2) Smooth Trans Focus</td>
</tr>
<tr>
<td width="“123”">Leica S</td>
<td width="“252”">Leica ELMARIT-S 1:2.8/45mm ASPH. CS</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Nikon AF VR Zoom-NIKKOR 80-400mm f/4.5-5.6D ED</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Nikon AF-P NIKKOR 70-300mm f/4.5-6.3G ED</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Nikon AF-P NIKKOR 70-300mm f/4.5-6.3G ED VR</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Nikon AF-S NIKKOR 105mm f/1.4E ED</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Rokinon 8mm f/3.5 UMC Fish-Eye CS</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Rokinon 8mm f/3.5 UMC Fish-Eye CS II</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Samyang 8mm f/3.5 UMC Fish-Eye CS</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Samyang 8mm f/3.5 UMC Fish-Eye CS II</td>
</tr>
<tr>
<td width="“123”">Nikon F</td>
<td width="“252”">Venus Optics Laowa 105mm f2 (T3.2) Smooth Trans Focus</td>
</tr>
<tr>
<td width="“123”">Olympus</td>
<td width="“252”">Bower 7.5mm f/3.5 Fish-eye</td>
</tr>
<tr>
<td width="“123”">Olympus</td>
<td width="“252”">Rokinon 7.5mm f/3.5 Fish-eye</td>
</tr>
<tr>
<td width="“123”">Olympus</td>
<td width="“252”">Samyang 7.5mm f/3.5 Fish-eye</td>
</tr>
<tr>
<td width="“123”">Panasonic</td>
<td width="“252”">Bower 7.5mm f/3.5 Fish-eye</td>
</tr>
<tr>
<td width="“123”">Panasonic</td>
<td width="“252”">Rokinon 7.5mm f/3.5 Fish-eye</td>
</tr>
<tr>
<td width="“123”">Panasonic</td>
<td width="“252”">Samyang 7.5mm f/3.5 Fish-eye</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">PENTAX HD PENTAX-DA 15mm F4 ED AL Limited</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">PENTAX HD PENTAX-DA 21mm F3.2 ED AL Limited</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">PENTAX HD PENTAX-DA 35mm F2.8 Macro Limited</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">PENTAX HD PENTAX-DA 40mm F2.8 Limited</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">PENTAX HD PENTAX-DA 55-300mm F4.5-6.3 ED PLM WR RE</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">PENTAX HD PENTAX-DA 70mm F2.4 Limited</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">Rokinon 8mm f/3.5 UMC Fish-Eye CS</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">Rokinon 8mm f/3.5 UMC Fish-Eye CS II</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">Samyang 8mm f/3.5 UMC Fish-Eye CS</td>
</tr>
<tr>
<td width="“123”">Pentax K</td>
<td width="“252”">Samyang 8mm f/3.5 UMC Fish-Eye CS II</td>
</tr>
<tr>
<td width="“123”">Pentax Q</td>
<td width="“252”">PENTAX 08 WIDE ZOOM</td>
</tr>
<tr>
<td width="“123”">Ricoh</td>
<td width="“252”">Ricoh GR 18.3mm f/2.8</td>
</tr>
<tr>
<td width="“123”">Ricoh</td>
<td width="“252”">Ricoh GR II 18.3mm f/2.8</td>
</tr>
<tr>
<td width="“123”">Sony A</td>
<td width="“252”">Rokinon 8mm f/3.5 UMC Fish-Eye CS</td>
</tr>
<tr>
<td width="“123”">Sony A</td>
<td width="“252”">Rokinon 8mm f/3.5 UMC Fish-Eye CS II</td>
</tr>
<tr>
<td width="“123”">Sony A</td>
<td width="“252”">Samyang 8mm f/3.5 UMC Fish-Eye CS</td>
</tr>
<tr>
<td width="“123”">Sony A</td>
<td width="“252”">Samyang 8mm f/3.5 UMC Fish-Eye CS II</td>
</tr>
<tr>
<td width="“123”">Sony E</td>
<td width="“252”">Rokinon 12mm f/7.4 RMC Fisheye</td>
</tr>
<tr>
<td width="“123”">Sony FE</td>
<td width="“252”">Rokinon 50mm AF F1.4 FE</td>
</tr>
<tr>
<td width="“123”">Sony FE</td>
<td width="“252”">Samyang 50mm AF F1.4 FE</td>
</tr>
<tr>
<td width="“123”">Sony FE</td>
<td width="“252”">Sony FE 50mm F1.4 ZA</td>
</tr>
<tr>
<td width="“123”">Sony FE</td>
<td width="“252”">Sony FE 50mm F2.8 Macro</td>
</tr>
<tr>
<td width="“123”">Sony FE</td>
<td width="“252”">Venus Optics Laowa 105mm f2 (T3.2) Smooth Trans Focus</td>
</tr>
<tr>
<td width="“123”">Sony FE</td>
<td width="“252”">Voigtlander HELIAR-HYPER WIDE 10mm F5.6</td>
</tr>
<tr>
<td width="“123”">Sony FE</td>
<td width="“252”">ZY Optics Mitakon SpeedMaster 85mm f/1.2</td>
</tr>
</tbody>
</table>
<p><strong>Customer reported issues resolved</strong></p>
<ul>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/lightroom-selected-published-folder-or-collection-is-not-deselected-if-a-folder-is-selected">Selected Published Folder or Collection is not deselected if a folder is selected</a></li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/adjustment-brush-stops-working-after-deleting-photo-in-lightroom">Adjustment brush stops working after deleting photo</a></li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/lightroom-5-6-keyword-list-does-not-display-6-digit-count">Collections with counts greater than 5 digits are truncated</a></li>
<li><a href="https://www.ocabj.net/adobe-photoshop-lightroom-watermark-export-bug/">Exporting with a watermark changes white point.</a></li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/lightroom-white-balance-eyedropper-tool-no-longer-working-properly">White Balance Loupe displays incorrect RGB values</a></li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/lr-6-6-can-no-longer-import-my-pentax-raw-files">Error message about not being able to import photos when in fact the issue is due to the destination folder is read only</a></li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/lightroom-cc-6-6-cant-read-dng-files-from-fuji-x-e2-anymore">Fuji E X2 file imported as DNG is unreadable “The File Appears to be unsupported or damaged”</a></li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/keyword-input-not-properly-sanitised">Keyword suggestion for a word having &(ampersand) is incorrect</a></li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/wrong-zeiss-batis-2-25-lens-profile">Vignette correction for Zeiss Batis 25mm f2 too aggressive</a></li>
<li>Improved performance when using the Temperature and Tint slides for adjusting White Balance</li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/panorama-merge-failure-with-leica-m-monochrom-typ-246-dngs">Fixed issue where Panorama merge failed when using source files from a Leica M Monochrom (Typ 246)</a></li>
<li><a href="https://feedback.photoshop.com/photoshop_family/topics/sigma-10-20-mm-f3-5-ex-dc-hsm-not-identified-by-lr-6-6-1">Fixed issue where the SIGMA 10-20mm F3.5 EX DC HSM lens for Pentax mount was not being auto recognized</a></li>
</ul>
<p><strong>Installation Instructions</strong></p>
<p>Please select Help > Updates to use the update mechanism in the Creative Cloud app.</p>
<p> </p>
<p><em>This update contains the Adobe DNG Converter 9.7.</em></p>
<p>The Adobe DNG Converter is a free utility that enables you to easily convert camera-specific raw files from more than 600 cameras to the more universal DNG raw format.</p>
<p>Digital Negative was developed to address the lack of an open standard for the proprietary and unique raw files created by each digital camera. DNG allows photographers to archive their raw camera files in a single format for easy cataloging and access in the future. With the format specification freely available, any developer can build software that supports and takes advantage of DNG. For more information, visit the Digital Negative page.</p>
<p>Support for the following cameras has been added. Visit the Camera Raw page for a complete list of supported cameras<strong>.</strong></p>
<p><strong>Canon</strong></p>
<ul>
<li>Canon EOS 5D Mark IV</li>
</ul>
<p><a href="https://www.adobe.com/support/downloads/detail.jsp?ftpID=6087">Download DNG Converter 9.7 from Adobe</a></p>
<p><strong>Canon EOS 5D Mark IV</strong></p>
<ul>
<li><strong>USA </strong><em>$3499</em><strong>:</strong> <a href="https://www.bhphotovideo.com/c/product/1274705-REG/canon_eos_5d_mark_iv.html/bi/2466/kbid/3296">B&H Photo</a> | <a href="http://amzn.to/2bk6MtW">Amazon</a> | <a href="http://www.adorama.com/ICA5DM4.html?KBID=64393">Adorama</a> | <a href="http://bit.ly/2bkM0ze">Canon Store</a> | <a href="http://mpex.com/canon-5d-mark-iv-dslr-camera-body-only.html?acc=3">Midwest Photo</a></li>
<li><strong>UK </strong><em>£3599</em><strong>:</strong> <a href="http://tidd.ly/aadf0b57">Park Cameras

</a></li>
</ul>
<p>More camera support notices after the break.</p>
<p><!--more--></p>
<p><strong>Apple</strong></p>
<ul>
<li>Apple iPad Pro 9.7″ (wifi and cellular)</li>
<li>Apple iPhone 6s</li>
<li>Apple iPhone 6s Plus</li>
<li>Apple iPhone 7</li>
<li>Apple iPhone 7 Plus</li>
<li>Apple iPhone SE</li>
</ul>
<p><strong>Casio</strong></p>
<ul>
<li>Casio EX-ZR4000 (EX-ZR5000)</li>
</ul>
<p><strong>GoPro</strong></p>
<ul>
<li>GoPro HERO5 Black</li>
</ul>
<p><strong>Hasselblad</strong></p>
<ul>
<li>Hasselblad H6D-100c</li>
</ul>
<p><strong>Nikon</strong></p>
<ul>
<li>Nikon D3400</li>
</ul>
<p><strong>Panasonic</strong></p>
<ul>
<li>Panasonic DMC-G8 (DMC-G80, DMC-G81, DMC-G85)</li>
<li>Panasonic DMC-LX9 (DMC-LX10, DMC-LX15)</li>
</ul>
<span id="pty_trigger"></span>
 
zim

zim

CR Pro
Oct 18, 2011
2,129
318
Re: Adobe Releases DNG Converter 9.7 With EOS 5D Mark IV Support

Loibisch said:
Also: Capture One 9.3 has been released today with official 5D Mark IV support.
Click to expand...

That's good news, more worthy of the headline imho!

Hope there's are 5DIV/C1 owner out there willing to share how the RAW processor is performing with high iso files.

Ok I know it's not a race but strange how Adobe and DxO have been beaten to the punch, maybe they are trying to include DPRAW
 
Upvote 0
A

Alex_M

Oct 16, 2015
345
2
... If you are planning to use Dual Pixel raw files, please read Limitations with Canon Dual Pixel raw files in Camera Raw and Lightroom.:

https://helpx.adobe.com/x-productkb/multi/editing-canon-dual-pixel-raw-cr2.html

" ... Adobe Camera Raw and Adobe Photoshop Lightroom offer standard support for all Canon 5D Mark IV CR2 files. Please note that Canon’s Digital Photo Professional software is required for users that want to take advantage of Canon’s new Dual Pixel raw adjustments.

Note: Canon CR2 files generated with Dual Pixel raw enabled require that the “Embed Original Raw File” option be checked when converting to DNG. For this reason, converting to DNG on Import in Lightroom is disabled for Canon Dual Pixel Raw files.
Use Canon Digital Photo Professional with Adobe Camera Raw or Lightroom

Open the Dual Pixel raw CR2 file in Canon Digital Photo Professional.

Adjust the image using the specific Dual Pixel raw functionality.

Adjust the white balance.

Create a TIFF file with your adjustments.

You can now import or open the resulting TIFF file in Adobe Camera Raw or Lightroom..."


Fair enough.. but better than nothing :)
 
Upvote 0
A

amacrobert

Sep 20, 2016
1
0
Of course we get Lightroom support the morning after I edit 250 photos from 2 events in JPEG form.

Oh well, glad it's here now. Also glad that they didn't delay the release to give DP Raw support.

On another note, I just upgraded to the 5DIV from a 6D. Between the larger file sizes and the extra 2.5 fps, I'm surprised how fast by 64GB CF cards fill up. Usually one card is enough for one event and then some, but last weekend I had to switch to SD only after filling up 2 cards.
 
Upvote 0
YuengLinger

YuengLinger

Print the ones you love.
CR Pro
Dec 20, 2012
3,773
2,301
USA
amacrobert said:
Of course we get Lightroom support the morning after I edit 250 photos from 2 events in JPEG form.

Oh well, glad it's here now. Also glad that they didn't delay the release to give DP Raw support.

On another note, I just upgraded to the 5DIV from a 6D. Between the larger file sizes and the extra 2.5 fps, I'm surprised how fast by 64GB CF cards fill up. Usually one card is enough for one event and then some, but last weekend I had to switch to SD only after filling up 2 cards.
Click to expand...

Early adopter clearly grateful for having the resources to enjoy the newest from Canon. ::)

Maybe just worn out from events? Such grueling work!
 
Upvote 0
cayenne

cayenne

CR Pro
Mar 28, 2012
2,869
797
So...I've been pondering upgrading from LR 5 to LR6.

Would this be a good time to do so? I'm thinking by now, it is reasonably stable.....

I don't want to rent my software with CC, so looking to go for LR6.

Is there any scuttlebutt on a LR7 release soon? Or, any rumors if Adobe will finally make LR CC rental only instead of a buy perpetual license?

Just trying to plan where to go with LR from here. I don't see myself getting the 5D4 for at least a year and see if the price drops a little, etc....but I would like a couple of the new "toys" LR6 had over LR5.....

Thoughts?

cayenne
 
Upvote 0
Morku

Morku

Jul 11, 2016
5
1
jtaylor2 said:
Morku said:
Wait... Adobe supports iPhone now but on Nokia/Microsoft only 1020? Oh common Adobe, 1520/930/950(XL) do have superior cameras with DNG support.
Click to expand...

If they have DNG support aren't they already supported by default?

Also nobody in their right mind buys Microsoft phones anyways.
Click to expand...
And 1020 does not have DNG? I think it's DNG either. Whats the file on iPhone?
Lens correction, correct colors... Like on cameras would be nice.

If someone is serious about phone shooting, they should have Microsoft in mind:
https://mspoweruser.com/lumia-950-holds-iphone-7-day-light-comparison/
and here:
http://allaboutwindowsphone.com/features/item/21719_Camera_phone_zoom_test_Lumia_1.php

Not everyone is buying phones for funapps.
 
Upvote 0
KeithBreazeal

KeithBreazeal

Jan 16, 2014
1,329
298
www.kbvp.com
Here's a real world test. This shot was the best example I could find for a test run.

5-stop push

Canon 5D Mark IV 5 stop push LR6 3379 © Keith Breazeal by Keith Breazeal, on Flickr

Now the real world process.
First I profiled the Canon 100-400L(old version) and then selected "Auto" to see where the software would take it. After that, I just tweaked it.

Canon 5D Mark IV test LR6 3255 © Keith Breazeal by Keith Breazeal, on Flickr

Here's my final product. This is about how the eye would see it in person.

Reno 2016 Steve working on Voodoo 4255 © Keith Breazeal by Keith Breazeal, on Flickr
 
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cayenne
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