Too much chroma?

Feb 26, 2012
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Thanks for letting us play w your raw file.
I don't know how the scene really appeared to you so I had some fun with it.
Some soft, romantic lighting, a little more of a skyscape to set the mood.. ;)
I compressed it a but too much but used 4:4:4 to maintain the quality a bit for the size.
I didn't bother with any NR, just a few basic tweaks and 2 grad's in LR5
 

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Jan 22, 2012
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Aglet said:
Thanks for letting us play w your raw file.
I don't know how the scene really appeared to you so I had some fun with it.
Some soft, romantic lighting, a little more of a skyscape to set the mood.. ;)
I compressed it a but too much but used 4:4:4 to maintain the quality a bit for the size.
I didn't bother with any NR, just a few basic tweaks and 2 grad's in LR5

Thanks Aglet for your time and expertise.
a) Does the image look to orange or in other words is blue missing.
b) Is the foreground bit too much?

Thanks for setting the mood. Lol.
 
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Since I like playing with these things, I gave it the old once-over. Composition is the most difficult part of this problem. We want the lions to be the focus, yet the eye goes directly to the sunset because of the brightness and contrasts. I think processing has to go toward minimizing the sunset and maximizing the lions. Essentially what I've tried is a subtle diagonal line of light connecting the sunset and the lions. Trying to keep a natural look, I don't know how else to address it.

First is LR5 only.

Second is LR5 + ColerEfexPro4

Third is same as second, but with cropping.

_70C0768-L.jpg

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_70C0768-Edit-L.jpg

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_70C0768-Edit-2-L.jpg
 
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Sanjay, here's how I'd do it - pano crop to balance the composition (weight of sun vs. lions). WB was rather tricky, I ended up at 9335K / +22 (magenta). From there, focused on lions (main subject) to get them and the grass as natural looking as possible. Lot's of tweaking to get this one right, or as close to how I imagine it looked. Might have gone a little overboard on the contrast, perhaps, but I think it's the right mood.
 

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rpt

Mar 7, 2012
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Sanjay, may be this is not the answer you are looking for but I'll just say it the way I feel. I have been struggling with this image (in my mind that is) from the time you posted it and am not able to come up with a satisfactory solution. The way I see it, this one frame has two pictures in it. Make a vertical cut in the middle of the frame around the clump of trees in the centre of the picture and you get two pictures. One with the beautiful Sky and the other with the lions. Unfortunately, there is no cloud pattern or any other entity leading the eye from the sky to the lions so my eye jumps from the top right to the bottom left and back. The sky is beautiful and so the eye gets dragged there even if you want to look at the lions. For me it is a loosing battle so I'd just cut it into two pictures.
 
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rpt said:
Sanjay, may be this is not the answer you are looking for but I'll just say it the way I feel. I have been struggling with this image (in my mind that is) from the time you posted it and am not able to come up with a satisfactory solution. The way I see it, this one frame has two pictures in it. Make a vertical cut in the middle of the frame around the clump of trees in the centre of the picture and you get two pictures. One with the beautiful Sky and the other with the lions. Unfortunately, there is no cloud pattern or any other entity leading the eye from the sky to the lions so my eye jumps from the top right to the bottom left and back. The sky is beautiful and so the eye gets dragged there even if you want to look at the lions. For me it is a loosing battle so I'd just cut it into two pictures.
rpt, I agree and tried multiple crops as I worked on this image. The real issue for me is that the lions are looking out of the frame and are too close to the edge of the frame. If you crop vertically, however, a bright portion of the sky remains, otherwise the crop is too tight. Also, the other side is a decent, but not too exciting landscape. A tight crop of the three lions works okay, but the light is a bit flat and without the sky, it loses something. The real solution would have been to pull the jeep forward so the lions were in front of the setting sun, or to the right of it, so they would be looking into the frame. Of course there may not have been time, or there may have been obstacles in the way, so I won't criticize.

In the end, I think the image works, but isn't the strongest way of seeing this scene, to paraphrase Edward Weston.
 
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Feb 26, 2012
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sanj said:
Aglet said:
Thanks for letting us play w your raw file.
I don't know how the scene really appeared to you so I had some fun with it.
Some soft, romantic lighting, a little more of a skyscape to set the mood.. ;)
I compressed it a but too much but used 4:4:4 to maintain the quality a bit for the size.
I didn't bother with any NR, just a few basic tweaks and 2 grad's in LR5

Thanks Aglet for your time and expertise.
a) Does the image look to orange or in other words is blue missing.
b) Is the foreground bit too much?

Thanks for setting the mood. Lol.

HI Sanj
You're welcome, but I won't call me an expert, just implementing my version of how it could look. :)

Yes, i took a lot of the blue out of the image for a number of reasons.
I started by warming the whole image, then adding a lot of magenta to the terrain to get the grass to look yellow-green like it should. This also complements the color of the copulating cats.
But that left the look of the light from the sky being too cold to match the color of the foreground so I ran a warming filter on the sky as well.

My inspiration is where I live and shoot; we often get some very rich sunset colors bursting thru clouds like that. That light can reflect off clouds above and-or behind, filling the scene with a very warm glow that doesn't have the coolness of shade or shadow that it otherwise might.
It's just my personal taste but I think the warmer rendering of the scene helps tell the story of the lions a bit more, it's a setting we may not necessarily associate with cold looking light.

I didn't want to crop the image as I've left that to your discretion. Personally, I would remove the bottom 20% or so to eliminate all that flatness at the bottom. That would help bring your focus to the cats and the wider aspect ratio would give the viewer a few things to look at in the whole setting. This isn't a sterile or controlled studio shot and I think it shouldn't try to look like one. This is a type of documentary image, but you can tweak it to make it tell the story the way you saw it.

FWIW, here's my fully cropped version. I liked the wider crop with just the bottom removed, but there's a dead-patch in the right foreground that kept pulling my gaze to it.
So I carved some off the right side but left the crepuscular ray intact so it finishes in the upper right corner.
IMO, this gives the viewer a few things to look around at in the whole setting, but now the cats are prominent.

EDIT - hmmm this was just a quick hack crop using Preview and both images look the same using Preview on my system but now my FF browser is showing a different sort of gamma between my original and the crop, the latter looking darker. ah well, you get to see the crop.
 

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Jan 22, 2012
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sanj said:
Thank you so much Mackguyver.
I put both photos side by side and notice:
1. I did over do the chroma.
2. There is more contrast in my version which gives it a pop your version looks more natural.
3. The lions merge more in your version.

Great. I will wait a bit to see if anyone else gives me suggestions. After that I will re do this photo.

SORRYYY I meant to write Private. Thank you much... :)
 
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Jan 22, 2012
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Distant Star. Yes, this helps a lot. Here are a few thoughts:
1. There are comments on the original photo - valid comments - that the lions are too bright because the sun is behind them. You have made them even brighter. So I take it you do not believe the lions should be 'backlit'.
2. The lions in your photo are too white. They are looking albino. They need to be darker.

Your thoughts? Thanks for your time.
 
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StudentOfLight

I'm on a life-long journey of self-discovery
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I guess others may have already suggested something on these lines... but here's my input anyway.

Increasing exposure reduces saturation. Since you've got the sun in frame and I assume you don't want to blow highlights, you could try applying a curve to selectively brighten the shadows and midtones while leaving the highlights as shot.

The lower portion of the image is darker than the sky so the lower half of the image will be more affected by a curves adjustment. By raising the shadows one of the side-effects is increased noise. With a linear gradient mask you can apply some noise reduction to the image and correct WB/tint if you think there is a significant color shift in the shadows.
 
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I always enjoy a RAW editing exercise, and this one is particularly interesting. Thanks sanj for sharing this image !

For me the problem, or rather the bit of disconfort I have, looking at the original image, is with the way colors clash between the blueish sky behind the tree, the orange part around the sun, and the green in front. So I went ahead and took one of those areas out, replacing the blueish part of the sky :-[

I'm curious to see what people think of this. Does this cross some sort of line? It clearly changes the atmosphere of the shot, and probably does not match anymore the scene as you witnessed it. But it makes in my view for a more balanced picture, and I like the way the lions integrate into this picture.

(Although the color replacement was done quick and dirty in PS, so forgive the imperfections that may remain ...)

Other adjustments remain along the lines of what was already suggested: warmed up, bit of contrast and clarity added, enhanced the sky, burned the foreground a touch.
 

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sanj said:
Mackguyver! I hope you managed to save a lot on your tax refund. :)
I do like what you did. I like contrast personally (many times over do it) so it works for me.
THANKS.
I do find the overall red cast a bit monotonous, but only when I compared it to how I had processed it. :)
Sanjay, I wish I was getting money back! Right now, I'm trying to find all of the credits and deductions I can to pay less.

I understand about the color balance and found the white balance particularly tough to pin down on this photo. Without any neutral gray or white objects in the frame, it's tough to get it just right. I have a Whibal card that I plan to use more now as I have the same struggles with nature photos.

On my calibrated monitor, this is as neutral as I could get without losing some of the warmth of the photo. I found your version too cool / blue and thought the grass looked a little unnatural. I may have gone too far in the other direction! You were there, however, so your memory of the scene is what is most important, so it should reflect what you saw.
 
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sanj said:
Distant Star. Yes, this helps a lot. Here are a few thoughts:
1. There are comments on the original photo - valid comments - that the lions are too bright because the sun is behind them. You have made them even brighter. So I take it you do not believe the lions should be 'backlit'.
2. The lions in your photo are too white. They are looking albino. They need to be darker.

Your thoughts? Thanks for your time.

1. A naturalistic expression would back-light the lions, yes, but I don't think that makes a very effective image. As is often the case with wildlife they have a natural camo that tends to blend them into their background. If that blending isn't offset, you may as well just throw a blanket over them.

2. I failed to bring natural color back into the lions after brightening. Looking at Macguyver's rendition, he gets that color (and probably brightness) just about right.

Overall, I think the folks saying this is jamming together two different pictures may have the best point. There may be a way to blend it, but it's beyond any creativity I possess. But it's always fun playing around with such things -- thanks.
 
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