About the Canon Cinema EOS C200
Offering exceptional creativity and flexibility, the new 4K compact digital cinema camera is perfect for a broad range of imaging professionals.
As the first Cinema EOS camera to support the new RAW recording format – Cinema RAW Light – the EOS C200 provides the same flexibility in colour grading as Cinema RAW in a smaller file size, enabling filmmakers to record internally to a CFast 2.0™ card.
Newly developed Canon Dual DIGIC DV6 processors provide the ability to record internally 4K UHD/50P MP4, 4K DCI RAW and continuous 120fps High Frame Rate (HFR) in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus (AF) technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.
Capability Drives Creativity
Canon's Super 35mm CMOS sensor along with newly developed Dual DIGIC DV6 image processors deliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0 card. It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.
Supporting up to 15-stops of dynamic range in MP4 (Canon Log/log 3), the camera is perfect for capturing highlight and shadow detail.
Innovative Focus Control
With Dual Pixel CMOS AF, superb tracking and smooth autofocus ideal for video capture is possible. Using the LM-V1 touch-panel LCD monitor, users can intuitively select the subject they wish to focus on with simple touch operation.
4K / UHD
The 8.85M sensor supports 4K recording up to 4096 x 2160 for high quality images. 2K/HD recording (Over Sampling HD Processing) that takes full advantage of data from the 4K sensor.
DIGIC DV 6
Dual DIGIC DV 6 image processors are the core technology of this 3rd generation CINEMA EOS SYSTEM that offers wide-ranging expressive capabilities and stress-free operation in an compact body.
Cinema RAW Light – DCI 4K 60P/50P
New Cinema RAW Light format retains a high degree of post production freedom when colour grading similar to Cinema RAW while achieving between a one-third to one-fifth file size.
MP4 – 4K UHD 60P/50P
Support for UHD (3840 x 2160) 60P/50P makes long recording time possible on versatile SD cards while maintaining high image quality.
120fps – FHD
The C200 supports high-speed recording with a maximum 120fps in Full HD without cropping, realising even greater emotion in visual expression.
Dual Pixel CMOS AF
Ground-breaking AF technology that uses a CMOS sensor with a construction that combines the functions of both imaging and phase difference AF.
Features
- The C200's lightweight body of just 1.4kg is designed for comfortable hand-held shooting.
- Offering exceptional creativity, the compact size makes the C200 suitable for mounting onto a drone or gimbal.
- Combine Dual Pixel CMOS AF with the LCD Monitor LM-V1, with touch panel support, focusing becomes even more intuitive, with the capability to choose the subject for focusing with a touch.
- The C200 offers high-speed One-Push AF and continuous AF within a horizontal and vertical range of the screen of approx. 80%.
- The C200 supports a variety of output signals via HD-SDI and HDMI. High quality on-board audio is delivered via 2 x XLR terminals.
- An EVF LUT with partial HDR simulation enables a view close to an HDR display. HDR View Assist (400%/1600%) checking is also possible on the LM-V1.
Features:
- Professional UHD/50P camera with internal SD card recording and High Frame Rate option
- Enter the world of professional 4K filmmaking with a camera boasting a Super 35mm CMOS sensor capable of recording high definition UHD/50p MP4 footage internally to dual SD card and Full HD up to 120P with flexibility and ease
- Internal RAW recording to CFast 2.0 card
- Record 4k Cinema RAW light footage in 10 bit/50P OR 12 bit 24P/25P to CFast 2.0 card with simultaneous MP4 proxy
- Professional high quality image and audio
- Up to 13-stops dynamic range with Canon Log 3 Wide DR for ease of use and high sensitivity ISO 100-102,400
- Dual Pixel CMOS AF and extensive shooting functions
- Advanced autofocus options with touchscreen control plus HDR monitoring and 10 stop electronically controlled optical ND filters
- Easy operation and flexible configuration
- Robust, compact body featuring and EF mount supporting a huge range of EF and cinema lenses. Built-in Wi-Fi, Ethernet, SDI and XLR terminals for professional use
Benefits:
- Internal 4K recording with Cinema RAW Light and MP4 format
- Continuous 120fps (maximum) High Frame Rate with no cropping at Full HD
- Up to 15-stops dynamic range (Cinema RAW Light)
- Professional High Quality image and audio
- Dual Pixel CMOS AF with touch control and extensive shooting functions
- Easy operation and flexible configuration
Capability drives creativity
The EOS C200 features Canon’s 4K Super 35mm CMOS sensor with an effective pixel count of 8.85MP, along with the newly developed Dual DIGIC DV6 image processors. As a result, it can deliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0™ card. It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.
Supporting up to 15-stops of dynamic range with Cinema RAW Light and up to 13-stops of dynamic range in MP4 (Canon Log / Log 3), the camera is perfect for capturing highlight and shadow details.
The EOS C200 is also capable of delivering both slow and fast motion recording at up to 120fps with no crop in Full HD/MP4, ideal for those wanting creative slow motion capture.
An ISO range of 100 to 102,400 guarantees excellent performance, even in difficult lighting conditions, such as when quickly switching between locations. The built-in optical ND filters of up to 10 stops provide further flexibility and convenience, allowing filmmakers to shoot in bright light and expand the depth of field control.
Advanced operability and ergonomic design
Built for professionals and ideal for single shooters, the EOS C200 features an advanced AF system that provides reliability and accuracy when shooting 4K, as well as a touch screen LCD panel for filmmakers to easily select their subject. For those who need to switch effortlessly between several subjects in a single shot, the Dual Pixel CMOS AF enables smooth AF operation whilst the Manual Focus Assist Function, Face Detection with Face Priority and Face-Only options provide greater creative focus control.
Specifications:
| CAMERA | |
| Image Sensor | |
| Sensor | Super 35mm type CMOS |
| System | RGB primary colour filter (Beyer array) |
| Total pixels per sensor | Approx. 9.84 megapixels (4206 x 2340) |
| Effective pixels per sensor | Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution |
| Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution | |
| Dynamic Range | 13 Stops (Canon Log3) |
| Image Processor | |
| Type | Dual DIGIC DV6 |
| Lens | |
| Lens Mount | Canon EF Mount |
| Lens Magnification Factor (for EF Mount lenses, including Cinema Primes) | At 4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.460 |
| At 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.534 | |
| Changeable Lens Mount | Yes, mount change to PL mount possible via Canon Service centre (Paid for service) |
| Peripheral illumination correction | Yes with compatible lenses |
| ND filter | Clear, 2, 4 ,6, 8, 10-stop |
| Focus control | Manual via lens, manual via RC-V100 Auto Focus (Dual Pixel AF Approximately 80%(vert.),80%(horiz.)) |
| Iris control | Manual Via camera body or RC-V100, fine, 1/2 or 1/3 step increments, Auto (with compatible lenses), Push Auto Iris |
| Image stabilization system | Depends on lens used |
| RECORDING | |
| RAW Recording options | RAW (Cinema RAW Light) |
| Internal Recording | Cinema RAW Light, MP4 |
| Recording time (CFast 2.0card) | 128GB card 15 Mins (4K Cinema RAW Light 1Gbps VBR) |
| Recording time (SD Card) | 128GB card 110 mins (MP4, 150Mbps) 485Mins (MP4, 35Mbps) |
| Recording Formats | Cinema RAW Light, (CFast 2.0) MP4 XF-AVC (SD card. XF-AVC1) |
| Recording Frame Rate | (1) 59.94 Hz mode (59.94P/29.97P/23.98P) |
| (2) 50.00 Hz mode (50.00P/25.00P) | |
| (3) 24.00 Hz mode (24.00P) | |
| Slow/Fast motion | YES |
| Interval Record | YES |
| Frame Record | YES |
| Pre Record (cache record) | YES, 3 seconds |
| Relay Recording | YES, SD Card recording only |
| Double Slot (simultaneous) Recording | YES, SD Card recording only |
| Scan Reverse | NO |
| HD-SD conversion | NO |
| Photo storage media | SD Card |
| Photo Recording Size | 2048×1080 (when video image resolution is 4096×2160/2048×1080) |
| 3840×2160 (when video image resolution is 3840×2160) | |
| 1920×1080 (when video image resolution is 1920×1080) | |
| SYSTEM | |
| Wave Form Monitor | YES |
| Colour Bars | YES, SMPTE / EBU / ARIB |
| Peaking | YES |
| Zebra | YES. Zebra 1 Level 5 5% to 95 5% in 5 percentage point intervals (70 5%) |
| Zebra 2 Level: 0% to 100% in 5 percentage point intervals (100%) | |
| Markers | YES, Centre, Horizontal, Grid Aspect Ratio(4:3 / 13:9 / 14:9 / 16:9 / 1.375:1 / 1.66:1 / 1.75:1/1.85:1 / 1.90:1 / 2.35:1 / 2.39:1 / Custom), Safe Area (80% / 90% / 92.5% / 95%) |
| EVF | |
| Built- In EVF | YES. 1.77M dots |
| Optional EVF Accessory | Canon EVF-V70 (Also requires CL-V2 bracket) |
| Display Panel | |
| Display Panel | 4 inch/10.1cm diagonal LCD Monitor. Touch panel. Approx., 1.23M dots |
| Inputs/Outputs | |
| Audio in | XLR x2, 3.5mm Audio, AES/EBU digital or Analog Audio input, Line, Mic, +48V Phantom Power supported |
| Headphone output | YES |
| HDMI | YES, HDMI 2.0, output only. Max. output resolution 3840 x 2160.Timecode out compatible |
| USB | YES. Mini-B Hi-Speed USB |
| 3G/HD-SDI output | YES x 1.BNC jack |
| Video [HD]:SMPTE 292. [3G]:SMPTE 424, SMPTE 425 | |
| Audio [HD]:SMPTE ST 299-1. [3G]:SMPTE ST 299-2, Output impedance 75 , Output signal level 0.8 Vp-p | |
| Time code | NO |
| Genlock | NO |
| Synch | NO |
| Component out | NO |
| AV terminal | NO |
| DC Output | NO |
| DC input | YES, 14.4V DC (Battery), 16.7V DC (DC-In) |
| Power Consumption | 50.00P: Cinema RAW Light/MP4; 18.5W (Approx.) |
| Continuous Recording Time (battery) | BP-A30 (3100mAh) 130 Min (Approx.) BP-A60 (6200mAh) 280 Mins (Approx.) |
| Cinema Raw Light/4096 x 2160 or MP4/3840 x 2160 recording | |
| Remote Control Terminal | YES, 2.5mm proprietary connector |
| Wireless Control Terminal | Built-in Wi-Fi. FTP and Browser Remote/Preview |
| Lens terminal | NO |
| Ethernet terminal | YES. FTP CAPABLE, MP4 files only |
| Video connector (For Monitor or EVF) | YES, Canon proprietary connection |
| Misc. | |
| Tally lamp | YES |
| Custom Dial | YES |
| SHOOTING FUNCTIONS | |
| Exposure | |
| Exposure metering | (a) Standard (centre-weighted metering) |
| (b) Spotlight | |
| (c) Backlight (compensation) | |
| Exposure compensation | AE shift function . The target value (8 steps from centre) for the brightness can be set. Indicated as exposure values (EV). (2.0, 1.75, 1.5, 1.25, 1.0, 0.75, 0.5, 0.25, and 0) are displayed on the screen as AE |
| Push Auto Iris | YES |
| Exposure Lock | NO |
| Auto Gain Control setting | NO |
| Auto Focus System | Dual Pixel CMOS AF supported |
| Manual focus, one-shot AF, continuous AF, AF-Boosted MF, face detection AF (only lenses that support AF functions can be used in any of these modes), focus guide | |
| AF Frame Sizes | Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range; |
| Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range | |
| Auto Focus Modes | One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting. |
| One-Shot AF: AF is performed only while the one-shot button to which it has been assigned is held down. No further lens movement is permitted after focusing. | |
| Continuous AF: AF control is performed at all times. | |
| AF-Boosted MF | |
| Face Detection AF | Face Priority: AF is set to face frame when a face is detected, to tracking frame when tracking, and AF frame when there is no face or tracking. |
| Face Only: Switches to face frame when a face is detected, to tracking frame when tracking, and MF when there is no face or tracking. In both Face Priority and Face Only, the face to detect can be selected with the joystick. | |
| Focus Guide | Available; displays focus status or unfocused status using the AF signal. |
| Shutter speed | |
| Control Modes | Manual only |
| Shutter speed | 1/3 stop display: 1/1, 1/1.26, 1/1.59, —, 1/1600, 1/2000 (total of 34 settings) |
| 1/4 stop display: 1/1, 1/1.19, 1/1.41, 1.68 —, 1/1700, 1/2000 (total of 45 settings). | |
| The slowest speed will differ depending on the frame rate setting. | |
| Shutter Angle | 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25 |
| Also, angle values equivalent to 1/120, 1/60, 1/40, 1/30, 1/100, 1/50, 3/100, and 1/25 are selectable within the minimum angle range from 360. | |
| Custom Picture | |
| Stored Configurations | PRESET: Canon Log 3/Canon Log /BT.709/Off |
| GAMMA: Canon Log 3/Canon Log/Wide DR/Normal 1 (Standard)/Normal 2 (x4.0)/Normal 3 (BT.709)/Normal 4 (x5.0) | |
| COLOUR MATRIX: Neutral/Production Camera/Cinema EOS/Original /Video/ Off | |
| Storage Medium | Internal, SD Card |
| Master Pedestal | 0 50 |
| Master Black Red | 0 50 |
| Master Black Green | 0 50 |
| Master Black Blue | 0 50 |
| Black Gamma | 0 50 |
| Low Key Saturation | 0 50 |
| Knee Point | + 50 – 95 – +109 |
| Knee Slope | -35 – 0 – +50 |
| Knee Saturation | 0 – 10 |
| Sharpness Level | -10 – 0 – +50 |
| Noise reduction | Off / 1 – 12 |
| White balance Red/Blue Gain | 0 – +50 |
| Setup level | (0 – 50) |
| Wi-Fi & GPS Specifications | |
| GPS Information (Optional Accessory) | Location (latitude, longitude and altitude) and GPS information using Coordinated Universal Time (UTC) can be added to RAW movies, MP4 movies and photos. Satellite data acquisition status can be checked in camera mode. |
| W-Fi Specification | Standard: IEEE 802.11b/g/n (2.4 GHz band), IEEE 802.11a/n (5 GHz band) (not supported in Qatar, Indonesia or Iraq) IEEE 802.11b/g/n (2.4 GHz band) IEEE 802.11n/11a (5 GHz band): Differs depending on the models destination. |
| Authentication: Open system, WPA-PSK, WPA2-PSK | |
| Encryption systems: WEP-64, WEP-128, TKIP, AES | |
| White balance | |
| Auto | YES. Shockless WB available |
| Preset | Daylight (5600K), Tungsten (3200K) |
| Manual Setting | Preset A/B, Colour Temperature Setting: 2000K – 15000K |
| Black balance | |
| Black balance adjustment | Auto Black Balance Adjustment |
| Time code | |
| Countup system | Regen, RecRun, FreeRun, TC Hold. Drop Frame /NonDrop Frame ( DF/NDF) in 59.94P/29.97P mode only |
| Audio | |
| Recording | Cinema RAW Recording: Linear PCM: 16-bit / 48 kHz / 4 channels |
| MP4: MPEG-4 AAC-LC (16-bit / 48 kHz / 2 channels), Linear PCM (16-bit / 48 kHz / 4 channels) | |
| MISCELLANEOUS | |
| Dimensions (Main Body Only) | Approx. 144 x 153 x 179 mm (5.7 x 6.0 x 7.0 in) |
| Weight (Body Only) | Approx. 1430g (3.2lb) |
| Operating Temperature range | Approx. 0 to 40C, 85% (relative humidity) |
| Approx. -5 to 45C, 60% (relative humidity) |