Here are a lot of official specifications for the Canon EOS R5 C from Canon.
Compact and lightweight, the EOS R5 C is a true hybrid camera, boasting many of the video formats and features from the Cinema EOS lineup as well as many of the still capabilities of the EOS R5 camera in a beautifully designed body. The EOS R5 C is a complete package that offers filmmakers, multimedia journalists, and advanced amateurs a cost-effective 8K, 4L, and FHD camera to help unlock their creative potential.
Canon's 45 Megapixel full-frame, CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for an impressive 8K/60P RAW cinematic video shooting. Focus and speed are paramount in the EOS R5 C camera, providing impressive continuous capture at speeds of up to 20 frames per second and with Dual Pixel CMOS AF II capability to track split-second movements of even the most elusive subjects. With 1.053 Automatic AF zooms. It is easy to photograph people with the use of Eye, Face and Head Detection AF, or intuitively track the whole body, face, or eye of cats, dogs, or birds with Animal Detection AF. For those with the need for speed. Canon has also included vehicle subject detection to assist with accurate tracking of cars and motorcycles.
Here are images of the Canon EOS R5 C
As previously reported, the biggest difference in the bodies is that the LCD sits out further and resembles the Canon EOS C70 in that regard.
Canon EOS R5 C Specifications
- Supports 8K/60P Internal RAW or Cinema RAW Light Recording. HDMI 8K RAW output to compatible records.
- 8K/30p 12-bit RAW recording (8K/60p via external power source)
- 8K HDR recording (PQ/HLG)
- Internal cooling fan enables non-stop 8K/60P recording.
- Advanced connectivity and Multi-Function Accessory Shoe
- Expanded interface for professional needs
- Carries on the ergonomic EOS design
- Full-featured 13 assignable buttons
- 8K sensor with DIGIC X processor with 4K and 2K oversampling
- Simultaneously records different formats
- Timecode IN/OUT Terminal
- XF-AVC and MP4 codecs for 10-bit 4.2.2 video
- Up to 4K 120p slow and fast motion recording mode in 4:2:2 10-bit
- Simultaneous audio record enabled with HFR
- Wide variety of recording formats
- Canon Log 3 Expands Expressive possibilities
- Enhanced Image Stabilization
- THE REST WAS CUT OFF
Canon EOS R5 C Accessories
I have been told that there will be a special wall power accessory for the Canon EOS R5 C. I don't have any more information on this.
Recording Media
- CFexpress Slot – Type B
- SD Card – UHS-II
Recording Formats
8192×4320 (Full Frame)
RAW LT
- 2570 Mbps (59.94P) / 2140 Mbps (50.00P)
- 1290 Mbps (29.97P) / 1070 Mbps (25.00P)
- 1030 MBps (23.98P / 24.00P)
RAW R8
- 1980 Mbps (29.97P) / 1650 Mbps (25.00P)
- 1580 Mbps (23.98P / 24.00P)
5932 x 3140 (Super 35mm)
RAW LT
- 1260 Mbps (59.94P) / 1140 Mbps (50.00P)
- 679 Mbps (29.97P) / 566 Mbps (25.00P)
- 544 MBps (23.98P / 24.00P)
RAW R8
- 2090 Mbps (59.95P) / 1750 Mbps (50.00P)
- 1050 Mbps (29.97P) / 871 Mbps (25.00P)
- 836 Mbps (23.98P / 24.00P)
RAW HQ
- 2120 Mbps (29.97) / 1770 Mbps (25.00)
- 1700 Mbps (23.98P / 24.00P)
2976 x 1570 (Super 16mm)
RAW LT
- 344 Mbps (59.94P) / 287 Mbps (50.00P)
- 172 Mbps (29.97P) / 221 Mbps (25.00P)
- 212 MBps (23.98P / 24.00P)
RAW R8
- 529 Mbps (59.95P) / 441 Mbps (50.00P)
- 265 Mbps (29.97P) / 871 Mbps (25.00P)
- 212 Mbps (23.98P / 24.00P)
RAW HQ
- 1080 Mbps (50.94) / 896 Mbps (50.00)
- 537 Mbps (29.97P) / 448 Mbps (29.00P
- 430 Mbps (23.98P / 24.00P)
CFexpress Card Recording Time
512GB Card
Cinema RAW Light
- 2570 Mbps: 24 minutes
- 2120 Mbps: 30 minutes
- 2090 Mbps: 30 minutes
- 1980 Mbps: 32 minutes
- 1700 Mbps: 37 minutes
- 1580 Mbps: 40 minutes
- 1360 Mbps: 47 minutes
- 1290 Mbps: 49 minutes
- 1080 Mbps: 59 minutes
- 1030 Mbps: 62 minutes
- 836 Mbps: 76 minutes
XF-AVC
- 810 Mbps: 79 minutes
- 410 Mbps: 156 minutes
- 310 Mbps: 207 minutes
- 260 Mbps: 246 minutes
- 160 Mbps: 401 minutes
MP4
- 540 Mbps: 118 minutes
- 400 Mbps: 160 minutes
- 225 Mbps: 285 minutes
- 170 Mbps: 377 minutes
- 150 Mbps: 428 minutes
- 135 Mbps: 475 minutes
- 100 Mbps: 642 minutes
- 50 Mbps: 1284 minutes
- 35 Mbps: 1834 minutes
There will be more to come throughout the day as information rolls in before the official announcement on January 19, 2022 at 7 AM EST.
Guess we're really waiting to see what the price and actual availability are....
- Expanded interface for professional needs
- Carries on the ergonomic EOS design
- Full-featured 13 assignable buttons
That does not sound like an R5 with a fan. More like a C70. Going to be somewhere in between perhaps?Also, love that it has 2k oversampled from 8k - that will be EXCELLENT. Not many mirrorless cameras have had good 2k/HD in the past few years.
And... the price?!
Is the 20FPS also only with C-raw?
Unless Canon has some surprises on the 19th I feel its a real shame......... :(
Sounds like a great video rig, but all I can say is thank goodness I'm not primarily a video shooter, as this would slurp up so much $. Very happy to keep doing my 4k clips at two minutes or under with the R5. Long-form interviews I use Ninja V's. Gets the job done for a couple hours at a go, provided adequately sized SSD drives.
The thing I can't do with the R5 that th R5c can do is the slo-mo stuff at that 120p. If I shot action, it would be interesting. Thank goodness I don't!
- 60fps in 8k
- Raw LT
- 5.9k raw internal
- Downsampled 2k
- Timecode in/out
- Adaptable hotshoe for Tascam XLR module
- XF-AVC - HUGE, because the h265 from the R5 is impossible to edit
- Unlimited recording - and this is a big one. As someone who owned the R5, I could not use it in professional environments because it does overheat in many situations.
- Surely some more video-focused monitoring tools
If you're mostly a photographer, then no, this isn't a big update. But this is a professional video tool, whereas the R5 is not.
But the real test for me will be if the ibis wobble is still there or if we can select between no stabilization, ibis, Lens, digital or digital enhanced. They all have their advantages for me and it’s always been frustrating the way it’s setup.
if I do I feel like I’ll be swapping which one is A cam & which one is B cam rather often depending on the shoot. Right now my c70 is solid A cam with an R6 being used here and there. My R6 doesn’t do DCI though, so on shoots that need that it’s not very helpful. I get that request fairly often.
I'm guessing it will look like a baby C70.
8K-2K downsample seems like it could even be a decent recording mode for lowlight. That will squash a lot of noise.