Industry News

Industry News: Nikon announces the entry-level full-frame Nikon Z 5, a new lens and teleconverters

Nikon Expands the NIKKOR Z Lens Lineup with the Addition of the Extremely Compact and Versatile NIKKOR Z 24-50mm f/4-6.3 as well as the new Z TELECONVERTER TC-2.0X and TC-1.4X; Nikon Also Announces Free Webcam Utility

MELVILLE, NY (July 21, 2020) – Today, Nikon Inc. announced the Z 5, the new full-frame (FX-format) entry-point into its award-winning lineup of Z series mirrorless cameras. The Nikon Z 5 combines sophisticated features inherited from the Z 7 and Z 6 with the benefits of Nikon’s next-generation Z mount at an unprecedented value. For those new to mirrorless or creators looking to push the limits of their craft with the power of full-frame, the compact Z 5 will exceed expectations. With an incredibly robust feature set, including in-camera vibration reduction (VR) image stabilization (IBIS) and the perfect balance of seamless automation and full manual control, creators can effortlessly share their artistic passions, travel adventures and so much more.

Nikon also unveiled the new NIKKOR Z 24-50mm f/4-6.3, the shortest, lightest, and most affordable full-frame zoom lens in the NIKKOR Z lineup. Designed for on-the-go creators, the 24-50mm lens is the ideal companion for Z series users who want to capture it all – from vast landscapes and cityscapes to street photography and striking portraits.

“The Nikon Z 5 offers the next generation of creators a gateway into the full-frame Z series lineup, opening the door to the limitless possibilities of mirrorless photo and video capture while providing the means to share their creativity with others,” said Jay Vannatter, Executive Vice President, Nikon Inc. “With the addition of the NIKKOR Z 24-50mm f/4-6.3, Nikon is introducing the smallest full-frame NIKKOR Z lens to date, providing an extremely lightweight, versatile option to help users pursue all creative endeavors, regardless of which Z series camera they use.”

Nikon Z 5: The Full-Frame Journey Starts Here
As the new entry point to Nikon’s full-frame mirrorless lineup, the Nikon Z 5 offers a lot of power and capabilities at an attractive price, empowering the next generation to begin their journey with the confidence to learn and grow as creators.

  • Incredible Image Quality: Featuring a powerful FX-format 24.3-megapixel CMOS sensor, the Z 5 is the gateway to the benefits of full-frame, helping creators to capture intensely detailed images, ultra-shallow depth of field and clean low-light shots with unrivaled consistency. From portraits that flatter, nighttime landscapes that astound and street shots that impress, the gorgeous tones, faithful colors, minimal noise, and revered Nikon color science all play a part to help users capture images that are true to their vision.
  • High-Speed Performance and Processing: Engineered with the EXPEED 6, Nikon’s fastest image processor to date, the Z 5 is a dependable, high-performance tool designed for content creation. EXPEED 6 allows for a boost in processing power and energy efficiency while rendering subtle textures and small details with amazing results.
  • Stellar Low-Light Performance: With an ISO range up to 51,200 (expandable to 102,400), the camera effectively reduces noise, maintaining both high sensitivity and resolution to excel in low-light situations, making it ideal for shooting everything from low-light events to an all-nighter under the Milky Way.
  • Capture with Speed: With shutter speeds up to 1/8000, the Z 5 can capture fast-moving subjects with clarity including fast-action sports and wildlife. This higher maximum shutter speed enables photographers to better tame even the brightest mid-day light to unleash the potential of fast-aperture NIKKOR glass. When the moment strikes, the camera can also capture full-resolution bursts at 4.5 fps with full AF/AE.
  • Silent and Smooth: The combination of the camera’s silent photography mode and In-Body 5-Axis VR stabilization provides quiet, stable shooting to document sensitive moments without distractions.
  • Vast Lens Selection: Whether shooting glamorous portraits from a studio on the sidewalk, long-distance wildlife, epic wide landscapes in the field or street photography, the growing lineup of NIKKOR Z lenses provides Z 5 users the versatility to capture incredible shots with sharpness across the frame and superior light gathering in any situation. For even more flexibility, the vast array of traditional F-mount NIKKOR lenses can be used via the Mount Adapter FTZ to enhance images with a unique focal length or beautiful bokeh, while gaining the benefits of in-body stabilization.
  • Dual UHS-II SD Card Slots: Equipped with two UHS-II card slots for overflow, backup or separating RAW and JPEG photos, the Z 5 enables photographers to shoot with extreme confidence when using widely available consumer SD cards.

Simple Yet Sophisticated for Expanding Creativity
A great option for emerging creators getting started, the Nikon Z 5 is packed with powerful tools and user-friendly controls to help users explore and capture their artistry with ease.

  • Focus Anywhere: The Z 5 boasts 273[1] on-sensor AF points, to quickly and accurately track subjects throughout the frame, while Eye-Detection AF capabilities help precisely capture the eyes of humans and animals. The wide array of AF points covers nearly the entire frame, and multiple AF modes allow the user to have pinpoint control or fully automatic assurance to easily lock onto a subject.
  • Easily Shift Gears: The Nikon Z 5 offers the ability to effortlessly switch between manual mode for the ultimate in control, as well as a large variety of automatic creative modes to help mirrorless users capture truly distinct images and video.
  • Creativity Built-in: Equipped with 20 Creative Picture Controls, and advanced features like Focus Shift Shooting and multiple exposure mode, users can compose unique images, produce extraordinary depth of field, or combine several shots and layer images on top of each other with the in-camera image overlay function.
  • Advanced Video Capture: The Z 5 makes it easy to document any creative vision in 4K UHD/30p[2] or in 1080/60p (full-frame). When recording video, the PDAF system is rapid to react, allowing users to quickly lock critical focus on subjects, and is fully customizable to fit any production style. In-camera VR image stabilization and electronic VR reliably eliminate the shake when shooting video, plus users get the added benefit of focus peaking and the ability to capture stills while recording.
  • Flexible Recording Modes: In addition to the traditional interval timer and in-camera time-lapse modes, the Nikon Z 5 is equipped with a new Time-Lapse Movie mode that gives users the best of both worlds for more streamlined movie making – the ability to use images from interval timer mode and create a time-lapse in-camera.
  • Unique Lighting Options: For enhanced creative control, the camera features a hot shoe, and is fully compatible with the Nikon Speedlight wireless lighting system.
  • Get Connected: The Nikon SnapBridge[3] app makes it easy to remotely control the Z 5 or seamlessly transfer and share content to a smartphone, tablet, Mac, or PC thanks to built-in Wi-Fi[4] and Bluetooth[5] connectivity.

Rugged Reliability and Engineered for Versatility
In addition to providing high-quality imaging capabilities, the Nikon Z 5 is compact and comfortable in-hand while promising the rugged reliability as well as innovative features and controls that Nikon is known for.

  • Legendary Nikon Build: Designed with a durable, weather-sealed exterior for worry-free use, the Z 5 employs the same magnesium alloy shell and robustness as the Z 6 and Z 7. Both the camera and NIKKOR Z 24-50mm f/4-6.3 lens are built with consideration for dust and drip resistance and are ready to tackle the next adventure.
  • Functional Operability: The camera sports a powerful, high-resolution 3.2-inch LCD monitor with the capabilities to tilt, touch, tap, swipe, and pinch for intuitive and flexible user experience. Meanwhile, the 3.6M-dot Quad-VGA EVF ensures users can see exposure, ISO, white balance, and creative picture controls in real-time, making the transition from optical viewfinders seamless for new mirrorless shooters.
  • Packed with Power: Powered by the new EN-EL15c battery, the Z 5 offers significant advancements in the number of shots per charge and is the first Nikon camera to enable constant power through the USB port, even with select portable USB power banks[6]. For added power and grip, the camera is also compatible with the MB-N10 hot-swappable battery pack.
  • Webcam Ready: When connected via the USB-C cord, the Z 5 can be used as a webcam, making the camera a great option for modern vloggers, influencers, and gamers looking to improve their live streaming capabilities.

NIKKOR Z 24-50mm f/4-6.3: Portable, Yet Powerful
The NIKKOR Z 24-50mm f/4-6.3 is the latest addition to the rapidly expanding lineup of NIKKOR Z lenses and is the smallest FX-format NIKKOR Z lens yet. Optically designed to take advantage of the advancements of the wide Z mount, this lens delivers sharpness across the entire frame and a versatile zoom range for everyday use. The 24-50mm is less than three inches long when retracted, making it the perfect lens for shooters seeking a versatile yet compact option for lightweight travel and street photography. When used together, the Z 5 and 24-50mm lens are the ideal discrete travel kit that can easily be packed and carried for all-day adventures. This compact NIKKOR Z lens is also an enticing option for Z 6 and Z 7 users who want a small all-around lens for portraits, landscapes, and street photography.

New Z Teleconverters Take NIKKOR Z Lenses to New Lengths
Designed for photographers and videographers who need more telephoto reach in their kit, the new Z TELECONVERTER TC-1.4X, and Z TELECONVERTER TC-2.0X bring added versatility with 1.4x and 2.0x magnification to select NIKKOR Z lenses. These lightweight teleconverters are great tools for those photographing sports, wildlife, and aviation, reducing the need to crop images and allowing for tighter compositions with maximum resolution.

The new TC-1.4X and TC-2.0X teleconverters maintain superior rendering performance and minimize various lens aberrations while retaining the focusing speed, VR functionality, and minimum focusing distance. As an added benefit, the new teleconverters allow Nikon Z series cameras to retain functionality on all focus points up to f/11, making it easy to focus on and track subjects throughout the entire frame. Featuring the same robust construction as NIKKOR Z lenses, the teleconverters are designed with a fluorine coating on the front and rear elements to resist dirt and smudges and offer a durable, weather-sealed body to protect against the elements.

When the teleconverters are used with the NIKKOR Z 70-200mm f/2.8 VR S (availability scheduled for late August), the focal length on the telephoto end is extended to 280mm (1.4x) or 400mm (2.0x) producing a significant expansion of this telephoto lens’ shooting range. These new teleconverters will also be compatible with applicable interchangeable lenses for Nikon Z mount mirrorless cameras that Nikon will release in the future.

New Webcam Utility Software for Nikon Cameras
In August, Nikon will release a beta version of the Webcam Utility software for many Nikon DSLR and Z series mirrorless cameras, including the new Z 5. Initially available for Windows 10, the free software will allow compatible Nikon cameras to be used as webcams. When connected via USB, this free software will provide users with incredible sharpness, clarity, and flattering depth of field for all of their live streaming needs including teleconferencing and gaming.

For more information on how to use your Nikon camera as a webcam, please visit https://www.nikonusa.com/en/learn-and-explore/live-streaming-with-nikon-cameras.page

Pricing and Availability
The Nikon Z 5 will be available in August in several configurations, including body-only for a suggested retail price (SRP) of $1,399.95*, a one-lens kit with the new NIKKOR Z 24-50mm f/4-6.3 for an SRP of $1,699.95* and a one-lens kit with the NIKKOR Z 24-200mm f/4-6.3 VR lens for an SRP of $2,199.95* for those seeking extra reach when photographing wildlife or travel adventures. Also available in August, the NIKKOR Z 24-50mm f/4-6.3 lens can be purchased separately for an SRP of $399.95*. The new Z TELECONVERTER TC-1.4X and TC-2.0X will have an SRP of $549.95 and $599.95 respectively and will be available in late August.

For more information on the latest Nikon products, including the new Z 5 and NIKKOR Z 24-50mm f/4-6.3 lens, as well as the full Nikon Z mount system, please visit www.nikonusa.com.

Codebunny

EOS RP
Sep 5, 2018
470
416
Looks like a lovely wee Camera, I just finished a wee over view video(Ricci Talks) on it and it seems to hit all the marks for a entry level FF. Still was hoping to see the Z6s and Z7s announced with it, but it looks like they'll be a longer wait before I can compare these to the R5 and R6.

The biggest flaw here with the Z5 is it just can't compete with the RP on price, and that is where I feel this could have been aimed more squarely at. Camera manufactures are going to be pushed kicking and screaming into the sub £1000 FF market.
 
Last edited:

Canon Rumors Guy

EOS-1D X Mark III
Jul 20, 2010
8,211
967
Canada
www.canonrumors.com
Looks like a lovely wee Camera, I just finished a wee over view video on it and it seems to hit all the marks for a entry level FF. Still was hoping to see the Z6s and Z7s announced with it, but it looks like they'll be a longer wait before I can compare these to the R5 and R6.

The biggest flaw here with the Z5 is it just can't compete with the RP on price, and that is where I feel this could have been aimed more squarely at. Camera manufactures are going to be pushed kicking and screaming into the sub £1000 FF market.
I agree, the price segment they went for is sort of in no-mans land.
 
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Codebunny

EOS RP
Sep 5, 2018
470
416
I agree, the price segment they went for is sort of in no-mans land.
It is currently more than I paid for for my new Z6 (£1,399.99). And if we compare the the Z5 is £1719 with the 24-50 and the RP is £1359 with the 24-105 IS 7.1 edition. So going into a camera shop to buy my first camera: Canon is cheeper, has a longer zoom, both have IS(I won't care what kind of IS), and both are SD(and I won't care that one has 2 slots).

From a pro point of view it could make a good second camera like the Z6 does, but the Z6 is still there.
 
Jul 9, 2020
7
2
Looks like a lovely wee Camera, I just finished a wee over view video(Ricci Talks) on it and it seems to hit all the marks for a entry level FF. Still was hoping to see the Z6s and Z7s announced with it, but it looks like they'll be a longer wait before I can compare these to the R5 and R6.

The biggest flaw here with the Z5 is it just can't compete with the RP on price, and that is where I feel this could have been aimed more squarely at. Camera manufactures are going to be pushed kicking and screaming into the sub £1000 FF market.
In few months the price of Z5 will go down as usual with Nikon.
 
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Chaitanya

EOS R
Jun 27, 2013
1,284
392
34
Pune
Canon was mocked for recycling 18MP sensor but no one seems to pay attention to recycling of 24MP sensor.
 

Chaitanya

EOS R
Jun 27, 2013
1,284
392
34
Pune
It is currently more than I paid for for my new Z6 (£1,399.99). And if we compare the the Z5 is £1719 with the 24-50 and the RP is £1359 with the 24-105 IS 7.1 edition. So going into a camera shop to buy my first camera: Canon is cheeper, has a longer zoom, both have IS(I won't care what kind of IS), and both are SD(and I won't care that one has 2 slots).

From a pro point of view it could make a good second camera like the Z6 does, but the Z6 is still there.
Dont forget Canon 24-105mm IS STM has very good macro mode and better build quality than Nikon's 24-50mm.
 

Codebunny

EOS RP
Sep 5, 2018
470
416
Canon was mocked for recycling 18MP sensor but no one seems to pay attention to recycling of 24MP sensor.
Its not the same sensor as the Z6, it isn't BSI and has 0.1MP less. But regardless, just because the 18MP sensor was mocked for being reused, doesn't mean we have to mock sensors.
 
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Codebunny

EOS RP
Sep 5, 2018
470
416
Dont forget Canon 24-105mm IS STM has very good macro mode and better build quality than Nikon's 24-50mm.
Making it a even better buy with the RP. Other on the Nikon side the 24-50mm seems hated. But honestly, if someone buys this or a RP I am not going to loose sleep, just let them take nice photos.
 
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Max C

Canon 60D
Feb 9, 2020
104
115
Looks like a lovely wee Camera, I just finished a wee over view video(Ricci Talks) on it and it seems to hit all the marks for a entry level FF. Still was hoping to see the Z6s and Z7s announced with it, but it looks like they'll be a longer wait before I can compare these to the R5 and R6.

The biggest flaw here with the Z5 is it just can't compete with the RP on price, and that is where I feel this could have been aimed more squarely at. Camera manufactures are going to be pushed kicking and screaming into the sub £1000 FF market.
I'd bet that there will be a rebate by end of year or sooner, it'll probably go down $200 to $300. Somewhere in the $1100 to $1200 price range seem about right
 
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Codebunny

EOS RP
Sep 5, 2018
470
416
I'd bet that there will be a rebate by end of year or sooner, it'll probably go down $200 to $300. Somewhere in the $1100 to $1200 price range seem about right
The RP is already down there, but I mean its not like this is even on a consideration list for most people that'll visit a photography forum. Still an odd ball position, it would have made more sense if it came with the Z6s and Z7s moving up market like the R5 and R6. As it stands the Z6 has the BSI sensor, better build, better storage, and it is cheeper. And compared to the RP, the RP is cheeper.

And as a cheeky aside. The more than fashionably late 70-200 S works with the extenders. But it looks way to big for the current Z bodies... The lens and body departments in Nikon and Canon seem to be really out of step with each other in some places. Like the range of 1.8 S lenses just feel perfect on the Z. The RF 70-200 is perfect on the R, but then the f/1.2 lenses are just massively unbalanced looking and dying for a bigger body behind them.
 

Codebunny

EOS RP
Sep 5, 2018
470
416
Does the 24-50mm range with the larger aperture seem pointless to anyone else? Sure it is a very compact lens but it doesn't seem that useful to me.
You have a wide and a 'portrait' end, very much like people are accustomed to on phones now. Taking it on holiday, you're unlikely to be disappointed in the results.
 
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