The full specifications for the upcoming Panasonic S5 have leaked out ahead of the official announcement. The S5 will be Panasonic's entry-level L mount full-frame camera body.
There are currently three L mount Panasonic Lumix bodies, the S1, the video focused S1H, and the high-resolution S1R.
Pansonic S5 Specifications:
Type
Digital Single Lens Mirrorless camera
Lens mount
L-Mount Image Sensor Type
35mm full-frame (35.6mm x 23.8mm) CMOS sensor Camera effective pixels / Total pixels
24.20 megapixels / 25.28 megapixels Aspect ratio / Color filter
3:2 / Primary color filter Dust reduction system
Image sensor shift type Latitude
14+ stops (V-Log)
Still Image Recording file format
Still image: JPEG (DCF, Exif 2.31), RAW, HLG Photo (CTA-2072)
6K PHOTO / 4K PHOTO: 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))
4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
Extracted still images: JPEG (DCF, Exif 2.31) Aspect ratio
4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
File size (Pixels)
When using full-frame lenses 3:2
6000×4000(L) / 4272×2848(M) / 3024×2016(S) / 12000×8000(XL) / 8496×5664(LL)
5184×3456(6K PHOTO) / 3504×2336(4K PHOTO) / 5984×4000(HLG PHOTO, Full-Res.) /
3232×2160(HLG PHOTO, 4K-Res.)
4:3
5328×4000(L) / 3792×2848(M) / 2688×2016(S) / 10656×8000(XL) / 7552×5664(LL)
4992×3744(6K PHOTO) / 3328×2496(4K PHOTO) / 5312×3984(HLG PHOTO, Full-Res.) /
2880×2160(HLG PHOTO, 4K-Res.)
16:9
6000×3368(L) / 4272×2400(M) / 3024×1704(S) / 12000×6736(XL) / 8496×4784(LL)
3840×2160(4K PHOTO) / 5888×3312(HLG PHOTO, Full-Res.) / 3840×2160(HLG PHOTO,
4K-Res.)
1:1
4000×4000(L) / 2848×2848(M) / 2016×2016(S) / 8000×8000(XL) / 5664×5664(LL)
2880×2880(4K PHOTO) / 4000×4000(HLG PHOTO, Full-Res.) / 2144×2144(HLG PHOTO,
4K-Res.)
65:24
6000×2208(L)
2:1
6000×3000(L)
When using APS-C/Super 35mm lenses 3:2
3984×2656(L) / 2880×1920(M) / 2064×1376(S) / 3504×2336(4K PHOTO)
4:3
3536×2656(L) / 2560×1920(M) / 1840×1376(S) / 3328×2496(4K PHOTO)
16:9
3984×2240(L) / 2880×1624(M) / 1920×1080(S) / 3840×2160(4K PHOTO)
1:1
2656×2656(L) / 1920×1920(M) / 1376×1376(S) / 2880×2880(4K PHOTO)
Image quality
RAW / RAW+Fine / RAW+Standard / Fine / Standard Color space
sRGB, AdobeRGB
Motion Picture Recording file format
MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit)) MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch))
Switch NTSC / PAL
Yes (NTSC (59.94Hz) / PAL(50.00Hz)) MOV: NTSC (59.94Hz)
Full-frame
[4K] 3840×2160
29.97p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM
[FHD] 1920×1080
59.94p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP)/ 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
APS-C / Pixel by Pixel [4K] 3840×2160
59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[Anamorphic 4K] 3328×2496 (4:3),
29.97p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[FHD] 1920×1080
59.94p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
MOV: PAL (50Hz)
PAL (50.00Hz)
Full-frame
[4K] 3840×2160
25.00p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[FHD] 1920×1080
50.00p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
APS-C / Pixel by Pixel [4K] 3840×2160
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[FHD] 1920×1080
50.00p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
MP4: NTSC (59.94Hz)
Full-frame
[4K] 3840×2160
29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
3.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
APS-C / Pixel by Pixel [4K] 3840×2160
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920×1080
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) MP4: PAL (50.00Hz)
Full-frame
[4K] 3840×2160
25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920×1080
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
APS-C / Pixel by Pixel [4K] 3840×2160
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)<
25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920×1080
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
Slow & Quick
MP4: NTSC (59.94Hz)
Full-frame
[FHD] 1920×1080
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
1, 2, 5, 10, 15, 30, 60, 100, 120, 150, 180 fps
Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more
APS-C / Pixel by Pixel
[4K] 3840×2160: 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
1, 2, 5, 10, 15, 30, 60 fps MP4: PAL (50.00Hz)
Full-frame
[FHD] 1920×1080: 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
1, 2, 5, 10, 15, 30, 60, 100, 120, 150, 180 fps
Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more
MP4: PAL (50.00Hz) (Contd.)
APS-C / Pixel by Pixel
[4K] 3840×2160: 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60 fps
Viewfinder Type
OLED Live View Finder
Pixels
Approx. 2.36 million dots
Field of view / Magnification
Approx. 100% / Approx. 0.74x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2
Eye point / Diopter adjustment
Approx. 20 mm at infinity; -1.0 m-1 / -4.0 – +4.0 (dpt) Eye sensor
Yes Display speed
120fps / 60fps Display time lag
Approx. 0.005sec Rear Monitor Type
TFT LCD monitor with static touch control Monitor size
Free-angle, 3.0-inch (7.5cm), 3:2 aspect
Pixels
Approx. 1.84 million dots
Field of view
Approx. 100% Focus Type
Contrast AF system DFD technology
Yes
Focus mode
AFS (Single) / AFC (Continuous) / MF AF mode
Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Face, Eye, Body, Animal)
/ Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3
AF detective range
EV -6 – 20 (F1.4, ISO100 equivalent, AFS)
AF custom setting
AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction AF assist lamp
Yes AF lock
Set the Fn button in custom menu to AF lock Post Focus / Focus Stacking
Yes / Yes
Others
AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF-Point Scope Setting, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock, Show/Hide AF Mode, 1-Area AF Moving Speed, Loop Movement Focus Frame, AFC Start Point (225-Area), Lens Focus Resume, Focus Ring Control
Light metering system
1,728-zone multi-pattern sensing system Light metering mode
Multiple / Center Weighted / Spot / Highlight Weighted Metering range
EV0-18 (F2.0 lens, ISO100 equivalent) Exposure mode
Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure ISO sensitivity
Auto / 50 / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400 /
204800 (Changeable to 1/3 EV step) (Standard output sensitivity)
Dual Native ISO
[Normal] Native ISO: 100, 640
Auto: Auto / 50 / 100-51200 / 102400 / 204800
[V-Log] Native ISO: 640, 4000
Auto: Auto / 320 / 640-51200
[HLG] Native ISO: 400, 2500
Auto: Auto / 400-51200 / 102400 / 204800
[Cinelike D2 / Cinelike V2] Native ISO: 200, 1250 Auto: Auto / 100 / 200-51200 / 102400 / 204800
Exposure compensation
1/3 EV step +/-5EV ( +/-3EV for motion picture) AE lock
Set the Fn button in custom menu to AE lock Image Stabilization
Image sensor shift type (5-axis / 5.0-stop) Dual I.S. (6.5-stop Dual I.S. 2 compatible)
White balance
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
White balance adjustment
Blue/Amber bias, Magenta/Green bias Color temperature setting
2500-10000K in 100K
Shutter Type
Focal-plane shutter Shutter speed
Still image: Bulb (Max. 30 minutes), 1/8,000 – 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 – 60 Electronic shutter: Bulb (Max. 60 sec), 1/8,000 – 60
Motion picture: 1/16,000 – 1/25
Creative Video M mode / MF mode: 1/16,000 – 1/2 Self timer
10sec, 3 images / 2sec / 10sec Remote control
Remote control by DMW-RS2 (sold separately) Silent mode / Shutter type
Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) AE bracket
3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. +/-3 EV, single/burst Aperture bracket
3, 5 or all positions in 1 EV step Focus bracket
1 to 999 images, focus steps can be set in 10 levels White balance bracket
3 images in blue/amber axis or in magenta/green axis, color temperature setting Burst speed
Mechanical shutter/Electronic front curtain shutter: AFS/MF: H: 7 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
Electronic shutter: AFS/MF: H: 7 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
Number of recordable images RAW/RAW+JPEG: More than 24 images
Number of recordable images RAW/RAW+JPEG: More than 24 images
6K Photo / 4K Photo Burst speed 6K PHOTO: 30 frames/sec
4K PHOTO: 60 frames/sec, 30 frames/sec Exif information
Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.) Flash type
TTL External Flash (sold separately) Flash mode
Auto / Auto/Red-eye Reduction/Forced On/Forced On/Red-eye Reduction/Slow Sync./Slow Sync./Red-eye Reduction/Forced Off
Flash synchronization
1st Curtain Sync, 2nd Curtain Sync Flash output adjustment
1/3EV step +/-3EV Synchronization speed
Less than 1/250 second
The guide number decreases at 1/250 second. Only when set to M mode or S mode Wireless control
Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
Extra Tele Conversion
2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M)
Photo Style
Standard / Vivid/Natural/Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Standard (HLG) / Monochrome (HLG) / Like2100 (HLG) / My Photo Style 1-10
Picture adjustment
Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Sharpness / Noise Reduction / ISO / WB
Adjustable settings vary depending on the Photo Style mode
Filter
Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome / Silky Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus / Fantasy / Star Filter / One Point Color / Sunshine
Luminance level
8-bit: 0-255 / 16-235 / 16-255
10-bit: 0-1023 / 64-940 / 64-1023
Wave form monitor Yes
LUT display
LUT View Assist (Monitor) / LUT View Assist (HDMI) Time code
Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When NTSC (59.94Hz) is selected.)
Knee control
Yes (in Like709 mode)
REC
Play
Exposure Comp./Sensitivity/White Balance/Photo Style/Metering Mode/Aspect Ratio/Picture Quality/Picture Size/HLG Photo/High Resolution Mode/1 Shot Spot Metering/Long Exposure NR/Min. Shutter Speed/1 Shot RAW+JPG/i.Dynamic Range/Filter Effect/One Push AE/Touch AE/Exposure Mode/AF Mode/AF Custom Setting(Photo)/AF Custom Setting(Video)/Focus Peaking/Focus Peaking Sensitivity/1-Area AF Moving Speed/Focus Ring Lock/AE LOCK/AF LOCK/AF/AE LOCK/AF-ON/AF-ON: Near Shift/AF-ON: Far Shift/AF-Point Scope/Focus Area Set/Flash Mode/Flash Adjust./Wireless Flash Setup/Drive Mode/1 Shot 6K/4K PHOTO/Bracketing/Silent Mode/Image Stabilizer/Shutter Type/Ex. Tele Conv./Live View Composite/Post-Focus/Motion Pic. Rec File Format/Motion Pic. Rec Quality/Slow & Quick Setting/Time Code Display/Sound Rec Level Disp./Sound Rec Level Adj./Sound Rec Level Limiter/Special Mic. Directivity Adjust/Image Stabilizer/E-Stabilization (Video)/Boost I.S. (Video)/Image Area of Video/Live Cropping/Q.MENU/Rec/Playback Switch/Video Record
/LVF/Monitor Switch/Operation Lock/Dial Operation Switch/Preview/Preview Aperture Effect/Constant Preview/Level Gauge/Histogram/Luminance Spot Meter/Frame Marker/Photo Grid Line/Live View Boost/Monochrome Live View/Night Mode/LVF/Monitor Disp.
Style/Photo/Video Preview/Zebra Pattern/LUT View Assist (Monitor)/LUT View Assist (HDMI)/LUT Select/HLG View Assist(Monitor)/HLG View Assist (HDMI)/Sheer Overlay/I.S. Status Scope/Waveform Monitor/Anamorphic Desqueeze Display/Focus Ring Control/Zoom Control/Destination Card Slot/Wi-Fi/No Setting/Restore to Default
Magnify from AF Point/LUT View Assist (Monitor)/HLG View Assist (Monitor)/Anamorphic Desqueeze Display/RAW Processing/6K/4K PHOTO Bulk Saving/Delete Single/Protect / Rating 1, 2, 3, 4, 5/Copy/Rec/Playback Switch/LVF/Monitor Switch/Video Record/Night Mode/Card Slot Change/Wi-Fi/Send Image (Smartphone)/LUT View Assist (HDMI)/HLG View Assist (HDMI)/6K/4K Photo Play/No Setting/Off (Disable Press and Hold)/Restore to Default
Level Gauge
Yes
Print USB HDMI
PictBridge compatible
SuperSpeed USB 3.1 Gen1 Type-C Monitor-through:
When a mode other than [4K/60p]/[4K/50p] is selected for [Picture Quality]: 4:2:2 10bit, 4:2:2 8bit, 4:2:0 8bit
When [4K/60p]/[4K/50p] mode is selected in [Rec Quality]: 4:2:2 10bit, 4:2:0 8bit
Info Display: ON / OFF (selectable):
HLG View Assist (HDMI): AUTO / MODE1 / MODE2 / OFF (selectable) Playback:
microHDMI TypeD / VIERA Link, Audio: Stereo:
NTSC (59.94Hz): Auto / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p PAL (50.00Hz): Auto /4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p
Remote Input
Dia.2.5mm
External Mic & Audio Device Input
Dia.3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE is selectable.
Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately)
Headphone Output
Dia.3.5mm Microphone
Stereo, Wind Noise Canceller: OFF / Low/ Standard / High (sold separately) XLR Microphone
Yes with DMW-XLR1 (sold separately) Speaker
Monaural SD Card Slot
SD Memory Card, SDHC Memory Card, SDXC Memory Card
Slot 1: Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.
Slot 2: Compatible with UHS-I UHS Speed Class 3 standard SDHC/SDXC Memory Cards
Wi-Fi
2.4GHz (STA/AP) (IEEE802.11b/g/n)
5GHz (STA) (IEEE 802.11a/n/ac)
5GHz Wi-Fi is not available in some countries
Bluetooth
Bluetooth v4.2 (Bluetooth Low Energy (BLE)) Dust And Splash Resistant
Yes Battery
Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging
Battery Life (Cipa Standard)
Approx. 440 images (rear monitor), 470 images (LVF), 1,500 images (Power Save LVF mode) with S-R2060
Continuous Recordable Time
MP4 [4K/60p]: Approx. 110 min (APS-C, Pixel by Pixel) (LVF), 110 min (APS-C, Pixel by Pixel) (rear monitor)
MOV [4K/60p/4:2:0 10-bit/LongGOP]: Approx. 100 min (APS-C, Pixel by Pixel) (LVF), 110 min (APS-C, Pixel by Pixel) (rear monitor)
Actual Recordable Time
MP4 [4K/60p]: Approx. 55 min (APS-C, Pixel by Pixel) (LVF), 55 min (APS-C, Pixel by Pixel) (rear monitor)
MOV [4K/60p/4:2:0 10-bit/LongGOP]: Approx. 50 min (APS-C, Pixel by Pixel) (LVF), 55 min (APS-C, Pixel by Pixel) (rear monitor)
Battery Grip
DMW-BGS5 (sold separately) Operating Temperature
0 Degree C to 40 Degree C Operating Humidity
10%RH to 80%RH
Dimensions (W x H x D)
Approx. 132.6 x 97.1 x 81.9mm (excluding protrusions)
Weight
Approx.: 714g (SD Memory Card x 1, Battery, Body) Approx.: 630g (Body only)
I wouldn't hold my breath for it, but would be pleasantly surprised if that changed. The Panasonic contrast AF I'm used to works well for setting up your shot, but not for tracking. It surprises me that they can't get an amazing auto focus system considering they've been able to produce reliable oversampled 4K since 2014.
As I answered myself it won’t, and I know what it works for, and it’s about damn time it gets good AF, or at least their attempting at it..
Canon has had good video AF for a looong time, Nikon has had since Z6, Sony for longer.
I imagine a decent chunk of video people went with them who dont care as much about video AF and want max video quality, but thats not a big niche long-term.
The S1R and S1 are good cameras but the market is demanding faster AF even if the bulk of shooters don't need much in terms of performance. The IQ is unassailable and the lenses are excellent but history will lament the loss of the line due to the poor sales.
I also wonder if Sony is now concerned that making that off the cuff decision to use an APS-C mount for their FF mirrorless products was such a good idea after all. If so, can they really have another mount, and another line of lenses? They’ve just thrown mounts around like they can be made on lathes, or something.
I think the cost of developing a FF line with lenses implies an optimistic commitment to a long range strategy. The market may have other ideas though.
Sony may be regretting their choice of mount size but it doesn't seem to have stopped people from buying the cameras or from Sony and others delivering a range of interesting lenses. The difference between them and their full frame competitors is not all that different in the actual optical performance. In fact the ratio of diameter to flange distance for Sony is actually comparable to the Canon RF while the Z mount is a lot greater.
They should have made the move before Canon and Nikon entered the mirrorless FF market IMO. I’m sure it took years to set up the alliance and design the cameras, but I can’t see how they’ll make an impact.
Nikon seemingly got so frustrated with F mount that they felt it was necessary to even go 1 mm wider than Canon EF / RF, just to make sure they'd never have to face those design constraints again.
Sony may not regret their mount choice, as it at least allowed them to establish the FF mirrorless market quickly before any competition arrived. But it will impact them in the long term. What is more frustrating to me is that it will also impact the third party manufacturers if they want to serve all major mounts.
sigma can’t really lose with this, even if it doesn’t really work out, and Panasonic can afford to play around for some time.
its not as though there aren’t monitors that can show it. That was true, other than for Apple’s equipment, years ago. I can see an improvement when shooting with my iPhone, as opposed to my 5D mk IV.
what’s the holdup?, this is cinema standard, and 4K Tv standard, so it’s not as though it’s an oddball gamut that no one other than Apple uses.