It looks like Nikon has released a “baby” version of their fantastic Nikon Z 9 flagship camera body. For the most part, the Z 8 matches the features of the Z 9, and does so in a much smaller body and at a much lower price.

Along with the camera body, Nikon has also announced a dedicated battery grip, the MB-N12 that has some nice features that some shooters may find beneficial. One that we like is the ability to charge batteries inside the grip when it's not attached to the camera. Another bonus of the battery grip is the ability to “hot swap” batteries in the grip without losing power or functionality to the camera. Obviously you'll need to change one battery at a time.

Take note Canon EOS R5!

Nikon Z 8 Buying Options

Nikon Z 8 Key Features

  • 45.7MP FX-Format Stacked CMOS Sensor
  • Lightweight Design, 30% Smaller than Z9
  • 8.3K 60p N-RAW, 4.1K 60p ProRes RAW
  • 8K30p and 4K120p Video, 10-Bit Internal
  • Up to 20 fps Raw, 30 fps JPEG Shooting
  • 493-Point AF, AI-Based Subject Detection
  • Blackout-Free Real Live Viewfinder
  • 3.2″ 4-Axis Tilting Touchscreen LCD
  • CFx Type B & SD Memory Card Slots
  • 5 GHz Wi-Fi and Bluetooth

Nikon Z 8 Press Release

TOKYO – Nikon Corporation (Nikon) is pleased to announce the release of the full-frame/FX-format Nikon Z 8 mirrorless camera.

The Z 8 condenses the advanced functionality and performance of the flagship Nikon Z 9 into a compact and lightweight body while also maintaining superior robustness and reliability. The Z 8 is ideal for a variety of image creators who seek new possibilities for visual expression in a wide range of genres and subjects, such as landscapes, wild birds, airplanes, portraits, and weddings. Whether shooting stills or video, the excellent agility of the Z 8 enables nimble camerawork, realizing superior operability that allows users to push their creativity further. On top of this, its reliable performance allows users to capture decisive moments and achieve outstanding image depiction.

Nikon will continue to pursue a new dimension in optical performance while meeting users' needs, contributing to the development of imaging culture, with the hope of expanding possibilities for imaging expression.

Primary features

1. Comfortable operability that is ideal for diverse shooting situations

The advanced functionality and performance of the Z 9 are incorporated into a compact camera body that is approx. 30% smaller than the flagship model. The downsized body has been engineered to retain the easy-to-hold grip as well as comfortable operability. This enables agile and stable camerawork in a wide variety of shooting scenes, even with a super-telephoto lens attached. In addition, the 4-axis tilting monitor delivers high operability when shooting from high and low angles in both horizontal and vertical positions.
For video recording, the Z 8 can record 12-bit RAW and 10-bit Apple ProRes 422 HQ video in-camera, allowing users to take advantage of a minimal video recording system that does not require an external recorder. The flexible combinations of shooting equipment suit various shooting styles to streamline operations. With the MC-N10 Remote Grip (sold separately) attached, solo videographers can take advantage of having more control over how they can operate the camera — in a way that was previously difficult on their own. Furthermore, by taking advantage of the wide-ranging accessory lineup and high compatibility with products from accessory brands, users can operate the Z 8 as comfortably as if it were a dedicated video camera.

2. The capability to securely capture decisive moments

The Z 8 can record up to approx. 125 min. in 4K UHD/60p*1 and up to approx. 90 min. in 8K UHD/30p*2, which is a great benefit for a wide range of shooting situations, such as for documentaries or wedding shooting, where extended recording time is required. The same nine types of subjects are detected in stills and video as the Z 9, while also featuring a new dedicated airplane detection mode. With this subject detection mode, users have more powerful detection and tracking performance when shooting airplanes — whether near or far, in low light, or against busy backgrounds. In addition, the camera realizes high-speed, high-precision AF performance equivalent to that of the Z 9, and can also detect subjects down to the low-light limit of -9 EV*3. These features support the improvement of autofocus for subjects in dark environments, as well as the effective focus on subjects in backlit situations, by separately controlling the exposure of the live-view image and the AF image.
For still shooting, the Z 8 features Pre-Release Capture*4, which allows the capture of images up to one second before the shutter-release button is fully pressed. For example, when shooting wild birds, the exact moment a bird suddenly takes flight can be captured while only half-pressing the button — even if the user only fully pressed the shutter-release button after the bird took off.

  • *1H.265 8-bit (MOV), [Extended oversampling]: [OFF], [Auto temperature cutout]: [Standard], at 25°C/77°F, using a Nikon MC-CF660G memory card and external power source.
  • *2H.265 8-bit (MOV), [Auto temperature cutout]: [High], at 25°C/77°F, using a Nikon MC-CF660G memory card and external power source.
  • *3With Starlight view. Photo mode, single AF servo (AF-S), ISO 100, f/1.2 lens used, at 20°C/68°F.
  • *4Pre-Release Capture can be set only when shooting in High-Speed Frame Capture+, which enables continuous shooting at the frame rate of 120 fps.

3. Superior image depiction that enhances users' expression in both still and video shooting

The Z 8 supports the HEIF format, which records high-quality still images while reducing the amount of file data. This file format enables the impressive expression of scenes that have rich tones, such as sunrises and sunsets, as well as scenes that feature highly illuminated subjects, such as nighttime parades, by utilizing 10-bit rich tonal gradation. In addition, when shooting HEIF images (via live view) or playing the images back, the user can get a good idea of how those images will look on an HDR (HLG)-compatible monitor with the camera's 3000cd/m2 compatible EVF and 900cd/m2 high-luminance image monitor.
The Z 8 can record in various types of video formats depending on the purposes or workflow of the shoot, including high-definition 4K UHD/60p*, 50p*, and 30p oversampled from 8K, providing the opportunity to shoot in high-definition video that can be enjoyed on a large screen. Furthermore, with portrait shooting, the camera helps achieve the intended result with the portrait impression balance function, as well as a newly added skin-softening function. Additionally, in order to maximize the potential of fast NIKKOR Z lenses, a combination of ISO 64 and 1/32000 sec. shutter speed can be used.

  • *Supported when [Extended oversampling] in the video recording menu is [ON], image area is [FX], and frame size/frame rate is 3840×2160 60p/50p. Note that battery power consumption increases when [ON] is selected.

4. Additional features

  • 45.7 effective megapixels deliver outstanding resolution maximizing the superior performance of NIKKOR Z lenses.
  • Real-Live Viewfinder continuously displays the actual motion of a subject without blackout or skipped/repeated frames.
  • 3D-tracking keeps the target subject in focus even if it moves rapidly or erratically.
  • Custom wide-area AF supports various autofocus area patterns.
  • Synchro VR*1 achieves powerful vibration reduction up to approx. 6.0 stops*2
  • Supportive functions for shooting in dark locations, such as starlight view and illuminated buttons are equipped.
  • Vertical-orientation playback of images/display of the i menu during playback efficiently support vertical shooting.
  • Hi-Res Zoom*3 allows zooming in high definition during video recording — even when using a prime lens.
  • Timecode synchronization facilitates the operation of synchronizing video footage from multiple cameras and audio data from audio recorders, which is immensely beneficial for video editing*4.
  • Durability for operation in freezing conditions down to -10°C/14°F supports professional shooting in extreme environments.
  • Elimination of the mechanical shutter enables shooting without worrying about shutter wear.
  • Double coating and a sensor shield are adopted to protect the image sensor from dust.
  • Two USB terminals, one for power charge/supply and the other for communication, allow communication while charging/supplying power.
  • Adoption of magnesium alloy and a new professional-grade carbon-fiber composite material realizes superior robustness and reliability.
  • NX Studio ver. 1.4.0 displays HDR*5, which enables display and editing of stills taken in HLG tone mode. It also supports portrait impression balance customization and the skin-softening function.
  • *1When combined with lenses compatible with Synchro VR.
  • *2Based on CIPA Standards. When using the telephoto end of the NIKKOR Z 70-200mm f/2.8 VR S with NORMAL mode.
  • *3Hi-Res Zoom is available only with video recording in the following codecs: at ProRes 422 HQ 10-bit (MOV), H.265 10-bit (MOV), H.265 8-bit (MOV), or H.264 8-bit (MP4) — with image area set to FX (36 x 24). Restrictions apply to some camera features.
  • *4Dedicated accessories are required.
  • *5For system requirements, please refer to the guide manual for system preferences.

Primary features of the MB-N12 Power Battery Pack

The MB-N12 Power Battery Pack is an optional power battery pack for the Z 8 that enhances vertical shooting operation while extending* the battery endurance by approx. 1.8x. Concentrating on vertical shooting becomes effortless with the easy-to-hold grip. Excellent drip- and dust-resistance enables operation in temperatures as low as -10°C/14°F, allowing users to rely on the grip as much as the camera. The MB-N12 Power Battery Pack also supports hot swapping, in which the power supply continues uninterrupted even when one of the two batteries is removed, as long as the other still has remaining charge. In addition, it allows the batteries to be charged inside even when not attached to the camera body. All of these features are ideal for extended recording, such as when shooting weddings or time-lapse videos of landscapes.

Nikon USA https://www.nikon.com/company/news/2023/0510_mirrorless_01.html
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139 comments

  1. I wonder if their AF has caught up to the R5, or even R6II level of tracking yet?

    We could play a fun game - if Canon released this camera what specs would it be panned for? I'll start -

    - Too slow at 20fps
    - wrong bit depth on 8k video
    - mis-matched card slots
    - no pre-shoot buffer



    All that aside i'm sure this will be a great body. I'm not super willing to swtich or maintain two systems though. My R6 is meeting all my needs, but I might like a stacked sensor to avoid the few rolling shutter artifacts i see in a few of my sports images.

    -Brian
  2. I wonder if their AF has caught up to the R5, or even R6II level of tracking yet?

    We could play a fun game - if Canon released this camera what specs would it be panned for? I'll start -

    - Too slow at 20fps
    - wrong bit depth on 8k video
    - mis-matched card slots
    - no pre-shoot buffer



    All that aside i'm sure this will be a great body. I'm not super willing to swtich or maintain two systems though. My R6 is meeting all my needs, but I might like a stacked sensor to avoid the few rolling shutter artifacts i see in a few of my sports images.

    -Brian
    I agree, I'm a little baffled by this new Nikon.
    I'm struggling to see what the fuss is about.
    To me it looks like Nikon have placed a similar camera to the Canon R5, at 1$K expensive and 3 years late.
    I'm not seeing much benefit over the Canon and the Canon is due for replacement...and it's cheaper...and it's been around for a while....and...it's very similar specced.
  3. I agree, I'm a little baffled by this new Nikon.
    I'm struggling to see what the fuss is about.
    To me it looks like Nikon have placed a similar camera to the Canon R5, at 1$K expensive and 3 years late.
    I'm not seeing much benefit over the Canon and the Canon is due for replacement...and it's cheaper...and it's been around for a while....and...it's very similar specced.
    Stacked sensor is the reason for that $1k price increase over its direct rivals.
  4. I agree, I'm a little baffled by this new Nikon.
    I'm struggling to see what the fuss is about.
    To me it looks like Nikon have placed a similar camera to the Canon R5, at 1$K expensive and 3 years late.
    I'm not seeing much benefit over the Canon and the Canon is due for replacement...and it's cheaper...and it's been around for a while....and...it's very similar specced.
    It looks a bit weird with that tall fake pentaprism (which seems to have a built-in flash).
    The specs look like a minor upgrade over what Canon has in the R5.

    I'd expect the R5ii to have a very similar specification, but I think Canon will retain a mechanical shutter.
  5. Now if only Canon would give as an R5ii at a competitive price to the Z8 maybe around $3500.
    Won't happen. Don't get your hopes up. The "R5ii" will probably launch at $4500.
  6. Won't happen. Don't get your hopes up. The "R5ii" will probably launch at $4500.
    For that price bump from current $3800, it better come with a stacked sensor(A9 and Z8 both have stacked sensors at that price points), else it will a meh upgrade and metoo attempt from Canon.
  7. I agree, I'm a little baffled by this new Nikon.
    I'm struggling to see what the fuss is about.
    To me it looks like Nikon have placed a similar camera to the Canon R5, at 1$K expensive and 3 years late.
    I'm not seeing much benefit over the Canon and the Canon is due for replacement...and it's cheaper...and it's been around for a while....and...it's very similar specced.
    it has the stacked sensor going for it. I guess until we see some real world reviews it'll be hard to tell what other improvements it has in real use. It doesn't ring out 'R5 killer' to me based on the spec sheet though.
  8. Canon shooters: "This is basically the R5, a few years later and more expensive. What's the point?"

    Nikon shooters: "This is basically the Z9, but smaller and much cheaper. Awesome!"
  9. I was referring to the announced closure of DPR, Amazon shutting them down. Seems that's still happening, just no longer on the stated date.
    Most likely keeping it online for the ad revenue while putting in minimal effort in upkeep(also staff seem to have been downsized massively).
  10. I started a thread on this, but as this one has taken over, mine is now redundant and I have deleted it.
    "Nikon Z8 is announced: price $3997 in USA and £3999 in UK. The UK and US prices are basically the same as 20% taxes are included in the UK. Kudos for Nikon for not price gouging the Brits, and so it's £300 cheaper than the R5 for us. I hope Nikon is successful and keeps up the competitive pressure. It looks like a great piece of kit with the performance of the Z9 but cheaper and considerably lighter."

    The Z9 is a really good camera but is as big as a tank and weighs about the same. The Z9 has an AF that is as least as good as the R5, and if the Z8 is as good, as it should be, Nikon now have an excellent rival to the R5, which is still larger and heavier, but more up to date in some respects, but not enough that would tempt me back.
  11. I agree, I'm a little baffled by this new Nikon.
    I'm struggling to see what the fuss is about.
    To me it looks like Nikon have placed a similar camera to the Canon R5, at 1$K expensive and 3 years late.
    I'm not seeing much benefit over the Canon and the Canon is due for replacement...and it's cheaper...and it's been around for a while....and...it's very similar specced.
    The R5’s MSRP is only $100 less than this, yes there’s a rebate on it right now but I feel like it’s unfair to factor that in to the equation considering it will probably be $3899 again before the end of the month. The stacked sensor alone is worth that premium though, I barely use my R5 anymore since getting the R3 over a year ago because I don’t have to worry about rolling shutter or any of the weird IBIS wobble effects that I’d see in bursts with the R5. I’d still take the R3 over a Z8 though, the R3 is a better camera in every way aside from resolution (but what it loses in res it makes up for with its insane low light performance).

    It’ll be interesting to see how Canon follows this up when the R5 Mark II is finally released. If they stick with a conventional sensor that’s going to be a big mistake IMO. I guess it’ll come down to what the resolution of that camera ends up being and whether or not it would cannibalize R1 sales (which I highly doubt).

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