The Canon EOS R1 is scheduled to become available in November for $6299 USD, and the camera is already in production at a supposed rate of 3700 units a month.
The EOS R1 was first used professionally Formula 1 races and the Paris games this past July, but it has continued to be professionally tested across the globe at many other events.
We have been told that there will be a few changes to the software related specifications of the camera and that we will see a couple of “new features” being added to the final version of the camera. There are also going to be a few changes to the known feature list based on feedback from the past few months.
One photographer who has had their hands on the EOS R1 told us that the autofocus has seen steady improvement for certain situations, and there will be a bit more separation between the EOS R1 and EOS R5 Mark II's autofocus capabilities when the EOS R1 finally ships. Whether or not these improvements appear in future EOS R5 Mark II firmware updates is unknown at this time, but it wouldn't surprise us.
There were no specifics given about the changes and improvements, but don't expect anything too groundbreaking. We suspect these changes will be more situational than broad stroke improvements to the camera.
Preorder Options
- Midwest Photo $6299
- B&H Photo $6299
- Adorama $6299
- Canon USA Store $6299
- Foto Koch €7499
- Foto Erhardt €7499
- Wex Photo £6999
- Camera Canada $8599
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Wonder what else they bring. Maybe teaching the AI some more sports? (though I imagine that might take a bit longer.)
Brian
I have shot sports with my R5 as well, and it really gives no benefit with the extra pixels. Stuff that's farther away you can crop down to, but in field sports there are few images where there aren't people or other things in the way so it ends up not being very many images. And for screen display or even large-ish prints (30x20), there is not a significant difference between it my 5DIII ad 22mp. So the shorter buffer and larger file size just feels like a pain to me. I'm fine with 24mp for most uses. I say 36 just because it would be a middle ground with a little more flexibility, but still reasonable file and buffer sizes.
Brian
You can choose to shoot RAW and have the maximum shadow information in case you need it, with a buffer of 230 (5.75 seconds at 40fps).
Or you can shoot CRAW and get a buffer of 420 frames (10.5 seconds at 40fps), and make sure your exposure is correct.
Or you can shoot RAW at 30fps and get probably more than 8 seconds of buffer (I imagine the buffer empties while it fills).
If you know that for a specific use case you need 10 or more seconds of buffer, make sure your exposure is correct and shoot CRAW. There's hardly any advantage for RAW vs CRAW if the image is somewhat properly exposed. Only if you start pushing it by like 2 or more stops of exposure do you really see a difference.
The camera meter is not perfect and I would shoot -1 EV or more to protect highlights. That’s when having the latitude of full RAW helps.