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EOS Bodies - For Stills / Re: 5D Mk III with 50mm f/1.8 II - bad images?
« on: June 14, 2013, 06:21:44 AM »
First off, I probably would have suggested the 40mm 2.8 pancake lens.
Although it only costs $50 more, it is much less likely to be a lens you will "grow out of" as it is sharp as a tack and short to boot.
That being said however, the 50mm 1.8 is a perfectly fine lens.
There is a belief that runs rampant in the DSLR / high-end camera community: buying stuff makes you a better.
Unfortunately (or fortunately, depending on who you ask) this is not the case.
Your 50mm 1.8 on any DSLR is capable of brilliant results, but it won't do the work for you.
Before I go on, check out these results from your same lens.
http://dinablaszczak.hubpages.com/hub/Canon50mm18RevieworFactsaboutNiftyFifty
In the hands of a skilled photographer, much better results than those exemplified in the link above are well within reach.
The 50mm is by no means the limiting factor in these images.
Subject, composition, lighting, exposure settings, post processing, the list goes on; until you understand some of the basics, there isn't an L lens in production that will breathe life into your photos.
They will only raise the ceiling of what it possible.
If food photography is your thing, read up!
http://fstoppers.com/an-introduction-to-restaurant-food-photography
http://fstoppers.com/when-and-where-to-style-your-food-photography
Although it only costs $50 more, it is much less likely to be a lens you will "grow out of" as it is sharp as a tack and short to boot.
That being said however, the 50mm 1.8 is a perfectly fine lens.
There is a belief that runs rampant in the DSLR / high-end camera community: buying stuff makes you a better.
Unfortunately (or fortunately, depending on who you ask) this is not the case.
Your 50mm 1.8 on any DSLR is capable of brilliant results, but it won't do the work for you.
Before I go on, check out these results from your same lens.
http://dinablaszczak.hubpages.com/hub/Canon50mm18RevieworFactsaboutNiftyFifty
In the hands of a skilled photographer, much better results than those exemplified in the link above are well within reach.
The 50mm is by no means the limiting factor in these images.
Subject, composition, lighting, exposure settings, post processing, the list goes on; until you understand some of the basics, there isn't an L lens in production that will breathe life into your photos.
They will only raise the ceiling of what it possible.
If food photography is your thing, read up!
http://fstoppers.com/an-introduction-to-restaurant-food-photography
http://fstoppers.com/when-and-where-to-style-your-food-photography



