Messages

1

6D Sample Images / Re: Anything shot with a 6D

« on: May 24, 2013, 06:54:00 AM »

I use the 6D along with the 5D III for portraits at the moment (doing a 365 portrait series), and my new favorite setup is the 6D and the Sigma 35 1.4 DG HSM.

Although the image posted here is not high-ISO the 6D produces at least as good if not slightly better high-ISO results compared to the 5D III, and the general dynamic range and file detail is more than enough for me to tweak things in loads of ways via ACR7.4 and CS6.

When I bought the 6D it was meant as a backup camera for backcountry work (sold my 5D II - which, looking back, was a really good decision especially considering noise performance), but it has quickly become a worthy portrait partner to the 5D III and when I work with lights using a radio transceiver makes the lack of a dedicated flash sync port less important.

2

EOS Bodies - For Stills / Re: Please share your camera settings

« on: April 13, 2013, 06:42:29 AM »

On my one-slot bodies (7D and 6D) I shoot RAW and Jpeg Large, but honestly that's force of habit more than anything else since it's probably been a couple of years since I last used a jpeg file from the 7D, and I've never used jpegs from the 6D... I really should just change it to RAW-only on both, I guess...

On my 5D III I now shoot RAW + RAW, so both cards record the same files, simply as a card failure safety thing.

On the X-E1 I actually find myself using the jpegs from time to time so the dual file type recording is more handy there.

So you own both Mk3 and 6D? I've never seen someone who has both. If you have Mk3, why would you want 6D? Just curious.

I think he use it as a backup or second camera.  Primes on 6D and Zooms on 5D3 when shooting a wedding. 

I use the 6D as a backup (used to be a 5D II but I got the 6D mainly for low light capabilities because it's so dark up here much of the year). I live in a very remote Arctic environment and when we shoot stuff in the backcountry and something goes wrong with just one body you might as well just go home (which is often way more expensive than having a backup body, btw.).

3

EOS Bodies - For Stills / Re: Please share your camera settings

« on: April 12, 2013, 09:11:11 PM »

On my one-slot bodies (7D and 6D) I shoot RAW and Jpeg Large, but honestly that's force of habit more than anything else since it's probably been a couple of years since I last used a jpeg file from the 7D, and I've never used jpegs from the 6D... I really should just change it to RAW-only on both, I guess...

On my 5D III I now shoot RAW + RAW, so both cards record the same files, simply as a card failure safety thing.

On the X-E1 I actually find myself using the jpegs from time to time so the dual file type recording is more handy there.

4

Third Party Manufacturers / Re: Which camera brand you actively use, other than Canon?

« on: March 14, 2013, 01:18:57 PM »

Fuji X-E1.

Fujinon 18-55mm and 35mm lenses + Rokinon 8mm fisheye.

5

Lenses / Re: 16-35L or related primes

« on: February 12, 2013, 01:02:04 PM »

Just thought I'd give an update on the choices I made since so many people decided to respond to this thread. Thanks for all those comments!

For now I've bought:

Canon 24mm 1.4L II
(24L and night skies is a (well known) amazing combo. Love it: http://500px.com/photo/25441431)

Sigma 35mm 1.4
(Getting some really nice (for me, at least) wideangle portraits out of this one: http://500px.com/photo/22584789)

And I kept the Canon 16-35L for the versatility of the WA-zoom.

6

Software & Accessories / Re: Which iMac

« on: January 31, 2013, 09:12:13 PM »

I am running a 2012 8GB RAM 256SSD 2Ghz i7 Macbook Air and a thunderbolt display at home - which is my way of having a 27" iMac that I can downsize to my pocket when I go on the road. (The TB display is chained to an 8TB Thunderbolt G-Raid drive for home storage). The Air sits in a BookArc on the bookshelf.

Up until a month ago I used a 17" MBPro, 8GB 2.8GHz Core 2 Duo machine.

I do lots of Photoshop and Illustrator work with both apps open at the same time, and often more than one PSD file in the process, and with Bridge running, as well as a webbrowser or two - and the Air is just so stupendously much faster than the 2009 MBPro. I mean... saving 500MB PSD files is about... well... 10 times as fast, if not more, in CS6.

I know you're looking for a desktop solutions - I just wanted to let you know that the Air + TB setup will get you very far in terms of desktop+mobility. Even into pretty heavy film editing as far as I understand:

CS6 Macbook Air (Photoshop and After Effects)	Small | Large

7

Lenses / Re: How many times did you return (L) lenses to get a good copy?

« on: January 11, 2013, 08:04:56 AM »

Actually I'll be going to the post office in 5 minutes to send back my new Sigma 35mm 1.4 because it can't lock focus properly (changes between front, back, and no proper focus at all), and AMFA seems to be unable to correct the irregular focus (obviously since the lens can never decide what to do). But I am definitely getting a new copy and not just making a return - the shots I did manage to get were amazing, and the lens holds a lot of promise.

Btw - that was my first Sigma lens in a lineup of Canon and Tokina lenses - none of which have ever had to be returned.

(But judging from the general comments all over the place I got a very rare lemon).

8

Third Party Manufacturers / Re: Sigma Launches the 120-300mm F2.8 DG OS HSM

« on: January 08, 2013, 09:25:10 AM »

@Bob Howland - that's true, the built-in 1.4TC on the 200-400 plus the likely much better optical quality is probably going to be worth a lot more money... still... 11k. Yikes

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Third Party Manufacturers / Re: Sigma Launches the 120-300mm F2.8 DG OS HSM

« on: January 08, 2013, 08:45:07 AM »

Obviously we're not seeing any tests with this lens yet, but if it performs well with a 1.4x TC I could see this standing in as my poor-man's 200-400mm-ish (168-420mm FF) type of lens for some of that distant action and animal stuff that I.... never do

Anyway - I MIGHT do more of that, and with the Canon 200-400 rumored around 11k I can only hope for the Sigma to deliver decent quality and sharpness - even with a 1.4TC. (The point being that I often work in environments where trying to change lenses is not just a hassle but close to stupid, and so with a Canon 70-200 2.8 IS II and this Sigma on two FF bodies I could cover a good range of distant subjects with very little focal distance overlap).

But... yeah well. Let's see about that once we get some tests (now get us some tests, already!).

10

EOS Bodies - For Stills / Re: Snow tubing with 5D III + 24-70 II

« on: December 31, 2012, 09:50:20 PM »

I wouldn't worry about that at all. We have 7 months of winter and a month before and after of freezing-melting waves, and I shoot in all conditions. That body-lens combo is weather sealed.

Granted, there's hardly any humidity here, but I still have to consider bringing the camera out in the cold and then back inside on many days - but as long as I let the camera warm back up and dry out before I turn it on, I have never had problems no matter how cold it has been (as cold as -36 celsius).

11

Canon General / Re: Record Spending Into Camera Gear - HIGHEST

« on: December 30, 2012, 09:58:21 PM »

I struck a deal with my wife (which is probably overplaying my part in the final agreement) about a year ago that all cameragear I were to buy from that point onwards was to come from the extra income I have doing a few photo- and web-related jobs for locals here in town.

Turns out I spent every cent on the stuff below - organized more or less chronologically starting around January 10, 2012, where I sold my Nikon D90 with a Tamron 18-270 lens (man, I hated that lens):

5D Mark II
16-35L II f/2.8
50 f/1.4
70-200L f/2.8 IS II
85 f/1.8
100L Macro f/2.8
24-105 L f/4
7D
40 f/2.8
Rokinon Fisheye
300L f/4 IS
Fuji X-Pro1
Fuji 35 f/1.4
Fuji 18 f/2
5D Mark III
85L f/1.2 II
Sigma 35 1.4 (in the mail right now)

- plus a couple of tripods, flashes, bags and cases, and all that peripheral stuff.

...actually. Writing out this list makes me think I might not need that kind of spending spree in 2013... (Think again).

 

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EOS Bodies - For Stills / Re: Natural Progression of Camera Bodies. Type Your story below.

« on: December 25, 2012, 07:29:23 PM »

2003 - Canon G3
2006 - Sony DSC-N1
2009 - Nikon D90
2011 - Canon 7D
2012 - Canon 5D Mark II
2012 - Fuji X-pro1
2012 - Canon 5D Mark III

13

Lenses / Re: 16-35L or related primes

« on: December 10, 2012, 07:59:11 AM »

Thanks for all the feedback, guys

I might just, as one of you suggested, hold on to the 16-35L II for now to keep the wider end of the range covered (even if not at 14mm), and then move into the 24L 1.4 and the Sigma 35 1.4 to begin with, while I consider the 14mm options.

My challenge in all this is that I have no access to testing/renting lenses, since I live in a tiny town above the Arctic Circle in Greenland and rarely get to go to Europe or the States (about once a year to Europe - where the lens prices are just ridiculous anyway compared to shipping options from the US).

So I am having to rely on stuff like your great feedback - thanks!

14

Lenses / Re: 16-35L or related primes

« on: December 09, 2012, 08:34:12 PM »

If wide your thing is mainly landscapes and the night sky I would switch to the 24mm f/1.4L or the TS-E.
You will get better image quality and control and be giving up the zoom range. It is the way I would go, but if you need the range you might think differently.

Actually it's more:

Either the one wide zoom or the full combo of the 14, 24, and 35 primes (not just one of them). That's why I also would like to know how people feel about juggling more lenses versus a slower zoom.

At the 24 and 35 lengths I also do the odd street, sports, and environmental portrait stuff.

15

Lenses / 16-35L or related primes

« on: December 09, 2012, 08:04:10 PM »

I own the Canon 16-35L (and a bunch of other lenses for that matter), and basically I'd love som feedback on a choice I feel I'd like to make.

Either

1) keep the 16-35 and be happy with a really good all-round wide zoom which is quite sharp, has fast autofocus, and is often stuck on one of my camerabodies (mostly the 5D Mark II),

or 2) Sell the 16-35 and buy the following setup:

• Canon 14L 2.8 / Zeiss 15 2.8 / Rokinon(Samyang) 14 2.8 (autofocus not a must for me at this focal length)
• Canon 24L 1.4
• Sigma 35 1.4 (decided I prefer to get this one over the Canon 35L after reading reviews and seeing samples of image quality on FF

Setup is for full frame. Currently the 5D Mark II and III.

Keep the price out of this equation. I have just decided that if photography is what I want to do as much as I can, even if it's purely as a hobby, why not invest more in fast lenses, since I love the aperture versatility of 1.4s (and 1.2s for that matter).

Also, in theory I don't mind having more lenses to swap between in the 16-35 range if it means better glass and more possibilities in terms of lens speed. But what's your take on the combo of faster-glass-but-more-lenses-to-swap versus the walk-around-wide-zoom?

Has anyone else gone through this process, and do you have thoughts about making a change like this?

I am not going to keep the 16-35 . It doesn't make sense to me to have it if I buy the primes - even if it has a nice walk-around kind of versatility. I just have a feeling I wont use it with the primes hanging around.

Oh - and at these wider focal lengths I shoot mainly landscapes, night skies, and some action sports (snowmobiling, bmx).

Thanks!

Mads