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Messages - digital paradise

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106
That is the whole thing. LR/ACR NR is excellent. You might be able to a difference that the pixel level but at the end of the day will another person notice the difference. I have not touched either NIK Dfine or Topaz in a year. Workflow is so much easier working with Adobe products.     

107
For me, overall, I prefer the 24-105L for portrait work, but for more general purpose work, the 24-70L II is probably the better lens, over all.

Not sure whether to be frustrated or grateful after reading this.  ;)  I'm getting the 24-70 II, and had planned to sell my 24-105 this week.  But you've got a great point - the flexibility to go from wide to a headshot is very useful.  I'd not use it outdoors (where I prefer fast primes to blur the background), but rather indoors with a backdrop and monolight+Speedlites in softboxes.  In that situation, I'm stopped down a bit because I've got plenty of light and no need for background blur, and as you say, perfect sharpness isn't usually necessary or even desirable. 

If nothing else, I suppose I should hang onto the 24-105 for a while.

(By the way, I'm grateful - thanks!)

I would have kept my 24-105 if I had not needed funding for the new lens. Actually I did a lot of upgrades last fall.   

108
I had the 24-105 for about 5 years. Just sold it for the 24-70 II. The 24-105 did me well but it IMO was it was pretty bad @ 24 on a FF. Lots of distortion and soft corners. You can fix barrel distortion but people on the outsides still looked like they weighed an additional 30 lbs.

I had been looking for a landscape lens for years for my FF for years. Used a Tokina 11-16 on my crop in the meantime. I rented the 24 TSE II and Zeiss 21. Both excellent but one was a specialty lens, the other a little costly for the the features. I'm glad I held out. The 24-70 II is not perfect but it is pretty good. Has some barrel dist and vignetting but corner to corner a very decent lens. Sold my Tokina and now I have a versatile workhorse. I'm upset it did not come with IS but have found I'm not really missing it. Still would have liked it for the price.

24mm 2.8



You might want to check this out. Sample shots get better after several posts.

http://photography-on-the.net/forum/showthread.php?t=1225646

I posted some shots on Post #308   

109
Canon General / Re: your scariest photography moment?
« on: March 11, 2013, 01:38:06 AM »
Every time I talk to my wife about purchasing new equipment.

+1 lol

Mine is whenever my wife logs into our amazon account after I've ordered a new lens.  Tomorrow should be fun... Just ordered the 135mm f/2L yesterday.  :-)

Good luck!

110
Canon General / Re: your scariest photography moment?
« on: March 11, 2013, 01:04:17 AM »
Every time I talk to my wife about purchasing new equipment. 

111
NIK will. Not sure about the other.

112
Same process applies when using DPP. I stopped using 3rd party NR software because it just slowed down my workflow. Using Lr or ACR I can just adjust one image the way I like and just sync the rest or in DPP's case use the recipe. Careful when using DPP recipes as it will make across the board changes if you make any other changes to the original image. Using Lr/ACR you can select which adjustment or adjustments you want to sync.

Oh yeah. Do NR adjustments at 100% like in the sample images.         

113
Lr4 and CS6(ACR) are very good. Both the same. I have Dfine and Topaz and don't use them anymore. I noticed that you mentioned Lr3. Not familiar with it as I did not get into it until Lr4. Liked it so much I started using CS6 as well.

As how to use it correctly. ISO 12,800. No NR applied. The image looks both noisy and the colour is splotchy. LR and ACR colour noise defaults to 25 so put it back to zero for this demo.   



First you adjust the colour noise until the colour no longer looks splotchy. When you achieve this stop as there are no benefits to go any further. DPP calls it Chrominance which is technically the correct term.

   

Then you adjust the Luminance until the noise or grain is acceptable to you. This adjustment effects image sharpness. The higher you go the less sharp. It is a juggling act between the two and it is to your taste.

   

Final results



114
Software & Accessories / Re: Which wireless radio control for the 5D3?
« on: March 08, 2013, 06:53:23 PM »
Sorry to the OP. I misunderstood the question  :-[

115
Software & Accessories / Re: Which wireless radio control for the 5D3?
« on: March 07, 2013, 08:08:24 AM »
Check out Phottix Odin. I went with Canon RT (600EX-RT and STE3) but if I had not then I would have went with Phottix. Half the cost of PW and they work better.

By the way there is no specific wireless for your camera. The 5D3 has no wireless features. The only advantage with going Canon RT is you can access and control flash menus for on and off camera flash via LCD screen. Any 3rd party RT will just say for Canon. Canon RT is rated at 100ft.       

117
Your welcome.

119
Lighting / Re: Which flash for a 5d mkIII
« on: March 04, 2013, 03:13:16 PM »
Another vote for the 600. 

120
Lighting / Re: Bounce flash with YN-568 question
« on: March 03, 2013, 01:09:45 PM »

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