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Messages - drmikeinpdx

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121
The first Yongnuo product I got was a simple RF-600TX radio trigger set that I use with my Alien Bees.  I've had it for over two years, used it weekly and had no problems of any kind.  I can't see a need to upgrade to the big name triggers, at least for my needs.

I have two of their speedlights, the manual  YN-560 and the YN-568 EX.  I'm not an advanced speedlight user, so I can't comment on the fancy features, but they have been reliable in light use.  My main complaint is that the instruction manual is almost useless.

I took the 588 EX along on an outdoor shoot a month ago, because I knew I'd need fill light and didn't want to carry an Alien Bee w/ stand and battery.  Here's the first test shot.  Do you see what's wrong?  I had the swivel head tilted up one or two clicks. 



When a model shoot is going really well, I like to click about every 1-2 seconds.  I was hoping that with the speedlight on manual at 1/2  or 1/4 power, that it would keep up, but it didn't.  I lost about one shot out of every 3 or 4 when it didn't fire.  That was with alkaline batteries.  I later tested with eneloops and it worked a little better. 

Obviously I'm still learning about speedlights.  :)

122
Lenses / Re: Do you usually shoot your lenses wide open?
« on: September 30, 2013, 03:58:02 PM »
I shoot mostly people, not sports and I use the Sigma 50 1.4 and a Canon 85 1.8 a lot.  They are both soft wide open, the 50 much more so than the 85.  I make use of that to soften the faces a bit in feminine portrait work.  The shallow DOF and nice bokeh look pretty too!

They both sharpen up dramatically at F/2.8, but you can still get some bokeh and subject isolation.

I don't think I ever use them at apertures smaller than 2.8 unless I'm in the studio and have to stop down because the strobes are already at minimum power.

My canon 24-105 is a different animal altogether.  It is plenty sharp wide open at F/4, so I pretty much just leave it there.  If I want serious bokeh, I'll grab a prime lens.

Each lens has its own personality, so you can't really generalize.  Oh, that reminds me, I should say that I'm shooting with a 5D3.  That makes a difference too. :)

123
Lenses / Re: Canon IS BINOCULARS
« on: September 28, 2013, 02:11:36 PM »
I've never tried stabilized binoculars.  How well do they work?

124
Lenses / Re: 70-300mm IS
« on: September 15, 2013, 02:42:48 PM »
I picked one up a few months ago when PriceWatch said the price dropped to around $400 at one of the second tier online retailers.  I figured for that price it would be a good backup or I could use it for rough outdoor situations where I did not want to risk my better lenses.

I wasn't too impressed with it on the 5D3, but a few weeks ago I took it to Portland International Raceway where there was a British Car Field Meet going on.  I put in on my 7D to extend the reach and kept it at F8.  Here is an example taken at 300mm, F/8, 1/400, ISO 200.

Full frame:





(some sharpening applied in LR)

I later switched to my 200 2.8 L and it was noticeably sharper.  I used it wide open, but with a much faster shutter speed, which more than made up for the lack of stabilization.

My conclusion is that you get what you pay for!

125
Lenses / Re: How much are you using the 40mm pancake?
« on: September 14, 2013, 11:25:55 PM »
I use it as a walking around lens on my 5D3 when I don't want to have the weight and bulk of my 24-105 on my neck.  I find that the light weight makes it easy to stabilize the camera and give me sharp images.  I used to think that a heavy lens did that!

With the resolution of the 5D3, I can crop to simulate the FOV of a longer lens.  I can also use the high ISO capability to compensate for the modest aperture.

Here are some shots I took with the 40 several months ago.  It turned out to be the perfect focal length for an indoor motorcycle show.

1/200  F/3.2  ISO 3200



1/200  F/3.2  ISO 1600

126
Lenses / Re: Which Lens Canon 85mm 1.8 or 135 L
« on: September 14, 2013, 12:35:27 PM »
I have both of these lenses and sometimes use both as portrait lenses in the same photoshoot on my 5D3.  What I find is that I use the 85 1.8 a lot more than the 135L.

They both create nice bokeh, it just depends on how far away you are going to be from your subject and how much of the person you want in the frame.

Here's an outdoor portrait I did a few days ago with the 85 at F/2.0:



If I had used the 135, I would have had to stand too far away from the model. :)

127
Lighting / A timely topic for me!
« on: September 14, 2013, 12:20:32 PM »
I had a shoot in the Columbia River Gorge on Wednesday that would need some portable lighting.  The hike to the photo spot is a bit tricky, so I decided to take a speedlight instead of my usual Alien Bee w/battery pack, umbrella and stand.  The amount of light was fine as you can see in the test shot below...



Unfortunately, my rate of fire was a bit limited with the YN568EX.  I was only using 1/4 power (on manual) but I was shooting about one shot every second or two and exceeded the recycle speed.  So I lost about one of every three or four shots when the flash didn't fire. 

I haven't been a big speedlight user, so I've just been using disposable alkalines purchased in large quantities at Costco. 

Some research on the net tells me that speedlights will cycle faster with Eneloop type batteries, so I'm making the switch to Eneloops with a Maha 8 circuit charger.  Adorama and B&H had the best price on the C801d model, which has lots of good reviews on the net, including one by a Strobist contributor that was pretty convincing. 

I'm anxious to try out the Eneloops and see just how much faster they can make my speedlight cycle.

128
Sports / Horse Photography as a business?
« on: August 24, 2013, 11:57:17 AM »
Lots of great photos in this thread!  I'm interested in expanding my part time photo business into horse photography.  There are many horse owners in my area and my friends in the horse culture tell me that a photographer might find a good market for his or her services here.  I recently picked up a book on horse photography that is old, but very helpful.  It's "Photographing Horses and other livestock" by Darol Dickinson.  Apparently, doing good horse photography is pretty complex, which appeals to me.

Anyway, I'd like to know if any of you are doing horse photography as a business?  And if so, do you have any tips to pass along?  I have no idea at this point about what to charge and how to package my services to appeal to horse owners.

Here's a portrait I did last month.  This was inside an arena which was open on one side, providing nice soft light.  I used a Sigma 50 at 1.4 on my 5D3.  BTW, Darol Dickinson is a big proponent of using long lenses for horse photos in order to properly show the proportions of the horse.  He likes 135 and 200 mm lenses.  I was rather surprised at that. 



I guess I'll need a different business name and logo for the horses.  LOL

129
Lenses / Re: Help with a potriat lens
« on: August 17, 2013, 12:14:24 AM »
The combination of the 85mm 1.8 and the 135 2.0 is very hard to beat for people photography.  I also have the 100mm F/2.0 and it doesn't get used much any more.  I made an effort to find a job for it recently and found one... taking pix of classic hood ornaments at an antique car show!

The Sigma 85 F/1.4 is interesting.  I've been reading consumer reviews and there seems to be a high percentage of bad lens reports out there.  You would definitely want to buy it from a place with a liberal return policy and be prepared to test it extensively on receipt.

Here is a shot with the 85 1.8 at F/2.0 on my 5D3



Here is a shot with the 100 2.0 at F/2.8



And here is one with the 135L at F/2.8




Basically, any of the lenses will allow you to easily separate your subject from the background with shallow DOF.  It just depends on how big your subject is and how far away you want stand.

130
Would not a crop sensor body give more depth of field than a FF body, all else being equal? 

You are going to be stopped down a lot, so autofocus accuracy is not a big issue.

I think the OP mentioned HDR, which kinda moots the noise argument.

The more I think about it, any body that lends itself to tethered work would be usable.  I'd spend more on the lens.

131
Lenses / Re: What is the deal with Canon 135mm f/2.8 soft focus?
« on: August 16, 2013, 12:23:53 PM »
Neuro has a good point.  If the manual focus lends itself to video techniques, it could be a very nice option for soft focus video.

I've seen this lens listed many times and wondered what on earth anyone would use it for today.

132
I was just thinking about sharpness yesterday when I was processing some studio portrait shots of a woman in her 40's taken with the 5D3.  LR has default sharpening set to 25 and I was thinking that I needed to do some retouching on this lady.  Then I just moved the sharpness slider to zero and she looked fine! 

Sometimes I miss my old 5D classic for portrait work.  Sure, the autofocus was all over the place, but it did made skin look great.


133
EOS Bodies - For Stills / Re: Strange Image Artifact on my new 5D III
« on: August 06, 2013, 12:24:05 PM »
I would also vote for a memory card problem.  I haven't had one for many years, but I remember it well!

134
Lenses / Re: Canon primes
« on: July 31, 2013, 12:06:17 AM »
If I were in your shoes, I'd buy the intermediate grade primes and shoot with them for a year or so to see how much I used them.  If you use them a lot and feel you need slightly better image quality (and substantially more mass) you can easily sell them to help fund your L glass.

I do love the 85mm F/1.8, such a sweet lens.  Light, sharp and fast focusing

135
Third Party Lenses (Sigma, Tamron, etc.) / Re: Sigma 50mm f/1.4
« on: July 30, 2013, 09:17:17 PM »
Great Sigma 50 pix folks!  I especially like the self portrait.

It looks like this thread could use an update.  Here is one I took in the Portland train station with the Sigma 50 at F/2.0, 1/160, ISO 400, 5D3.  Minimal crop, minimal post.



Let's see some more Sigma 50 images!

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