December 21, 2014, 11:50:53 AM

Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Messages - Canon Rumors

Pages: 1 ... 3 4 [5] 6 7 ... 180
61
Lenses / Did Canon Leak the EF 11-24mm f/4L?
« on: November 11, 2014, 07:33:23 AM »

Over at the German site for the Canon CPN network, we can see the Canon EF 11-24mm f/4L listed. This lens has been previously rumoured, but no announcement date has been set. We’ve heard the price for this lens will be around $2899 USD and it will be a stellar performer.


Click for Larger

Click for Larger


The Google Translated text reads

“The EF11-24mm 1 : 4L USM is the longest ultra wide -angle zoom lens for Volformat cameras by Canon . It is characterized by the completely new design , new lens coating and its unrivaled performance .”


thanks Thomas


cr



62

New Super-Telephoto Zoom Lens Delivers an Enhanced IS System Providing Four Shutter Speed Steps of Correction, a Rotation-Type Zoom Ring, and New Optical Element Formula to Help Maximize Image Quality


MELVILLE, N.Y., November 10, 2014 ─ Canon U.S.A., a leader in digital imaging solutions, today announced the highly anticipated  Canon EF 100-400mm f/4.5-5.6L II USM lens, a second generation compact super-telephoto zoom lens featuring significant advancements in optical quality, image stabilization performance up-to-four steps, and rotating-zoom-ring design. This new L-series super- telephoto zoom lens features Canon L-series weather resistance and rugged magnesium housing to meet the needs of wildlife and sports photographers or photojournalists working out in the elements. Fully compatible with all EOS cameras, the EF 100-400mm f/4.5-5.6L II USM features a completely redesigned optical formula containing one Fluorite and one Super UD lens element ─ a combination unique to lenses in this focal range ─ to help deliver sharp images with high resolution and contrast. This combination of elements helps thoroughly suppress chromatic aberration throughout the entire zoom range.


ET-83D Lens Hood which allows easy access to your filters such as a Circular Polarizer.

ET-83D Lens Hood which allows easy access to your filters such as a Circular Polarizer.


“The Canon EF 100-400mm f/4.5-5.6L II USM is the logical evolution of the very popular EF 100-400mm f/4.5-5.6L IS USM introduced 16 years ago,” said Yuichi Ishizuka, President and COO of Canon U.S.A., Inc., “This long awaited, next generation lens was developed to be a highly portable and adaptable telephoto zoom lens for today’s modern professional and advanced amateur photographers.”


For photographers who want to work as closely as possible to their subjects, the minimum focusing distance of the lens has been reduced to just 3.2 ft. (0.98m), resulting in maximum magnification of 0.31x.  The original EF  100-400mm f/4.5-5.6L IS USM was well known for its push-pull zoom adjustment, but the EF 100-400mm f/4.5-5.6L II USM uses a rotation-type zoom ring similar to the one found on the EF 70-300mm f/4-5.6L IS USM lens that allows for more precise adjustments, easier handling, and consistently excellent weight balance during handheld photography. In addition, the lens features an improved zoom torque adjustment ring that allows for the easy setting of zoom tension based on personal shooting preferences. The Canon EF 100-400mm f/4.5-5.6L II USM also features an inner focusing system, a powerful yet quiet Ring USM, a high-speed CPU and optimized auto focus (AF) algorithms for fast and accurate autofocusing in various shooting situations.


Canon EF 100-400mm f/4.5-5.6L IS II MTF Chart - Click for Larger

Canon EF 100-400mm f/4.5-5.6L IS II MTF Chart – Click for Larger


The Canon EF 100-400mm f/4.5-5.6L II USM features three Image Stabilization (IS) modes ─ standard, panning, and during exposure only.  Each IS mode is individually engineered to help provide outstanding results in a wide variety of shooting situations, and all serve to satisfy the personal preferences of photographers based on the type of IS they desire. The optical IS provides up to four shutter speed steps of correction, increased from 1.5 steps in the previous model*. In addition, the EF 100-400mm f/4.5-5.6L II USM features Canon’s newly developed Air Sphere Coating (ASC) which helps to reduce backlit flaring and ghosting significantly, as well as a 9-bladed circular aperture Electro-Magnetic Diaphragm that helps to enhance beautiful, softly blurred backgrounds.


As with all L-series lenses, the Canon EF 100-400mm f/4.5-5.6L II USM is highly resistant to dust and water, with excellent durability in even harsh conditions, ideal for wildlife photographers even in rainforest environments, or sports photographers on the sideline grabbing action shots of the big game. Fluorine coating on the front and rear surfaces of the lens can repel dust particles and water droplets. It also makes smears and fingerprints easy to remove without the use of lens cleaning fluid. Included with the lens is the new ET-83D lens hood, that features a cleverly placed and convenient side window allowing the user to easily adjust specialty filters while the lens hood remains in place. In addition, the EF 100-400mm f/4.5-5.6L II USM is equipped with a newly designed detachable tripod mount which can be removed to reduce weight during handheld operation.


Pricing and Availability 


The Canon EF 100-400mm f/4.5-5.6L II USM Super-Telephoto Zoom Lens is scheduled to be available in December 2014 for an estimated retail price of $2,199.00


Canon EF 100-400 f/4.5-5.6L IS II $2199: B&H Photo | Adorama | Amazon


cr



63
Lenses / Preorder: Canon EF 100-400mm f/4.5-5.6L IS II
« on: November 10, 2014, 11:00:23 PM »

Canon EF 100-400 f/4.5-5.6L IS II $2199: B&H Photo | Adorama | Amazon



64

Breakthrough Photography announces a new line of professional Neutral Density and UV filters with ‘Traction’ frame designs, glass from Germany and Japan and more


SAN FRANCISCO, CALIFORNIA – Nov. 10, 2014 – Breakthrough Photography announced a new line of 3.2mm ultra-slim ‘Traction’ filters featuring glass from Germany and Japan, advanced coatings and weather-sealed construction.


Aimed at professional as well as amateur photographers, the new X-Series filter lineup features a new ‘Traction’ frame design with state-of-the-art optics and coatings.


The X-Series filters are immediately available for pre-order on Kickstarter with a December 2014 delivery schedule. Pre-ordering and product information can be found by visiting the companies website at http://www.breakthrough.photography/



THE X-SERIES FILTERS


The X-Series filter lineup consists of 3 different models:



  1. X3 Traction Filter features the companies signature 3.2mm ‘Traction’ frame CNC machined from brass, SCHOTT B270 glass from Germany, MRC16 and dual nano coating layers. Available in 3-stop, 6-stop Neutral Density and UV.

  2. X2 Traction Filter features a 3.5mm ‘Traction’ frame CNC machined from aluminum, AGC glass from Japan, MRC8 and dual nano coating layers. Available in 3-stop, 6-stop Neutral Density and UV.

  3. X1 Flat Black Filter features an ultra-slim 3.5mm standard flat black frame with and MRC4. Available in UV.


All X-Series filters are double-threaded, weather-sealed and backed by a 25 Year Ironclad Guarantee.


TRACTION FRAME DESIGN


“We really tried to take the legacy standard flat black filter design back to the drawing board to really understand what it was that photographers needed in order for a filter to be most effective. Of all the various prototypes and frame materials, the ones with texture in the metal were the clear winners among photographers” said founder and photographer Graham Clark.


The X2 and X3 filters feature a new filter design which incorporates texture in the metal achieved by CNC machining brass and environmentally friendly aluminum.


“When I first felt these traction filters I thought, ‘Why don’t all filters have this?’ It makes getting filters on and off a whole lot easier.” said acclaimed outdoor and nature photographer Art Wolfe.


DESIGNED FOR WIDE-ANGLE FULL-FRAME SETUPS


“During our extensive field tests we found 4mm filters on 16mm lenses produced on average +1 stop of light falloff. At 3.7mm the vignetting was entirely eliminated on our full-frame setups. Our standard flat black X1 and X2 traction filters have 3.5mm, whereas our X3 traction filters are machined down to 3.2mm.” says Clark.


Worldwide Pricing and Availability


The X-Series filters will be available for pre-order on Kickstarter on November 6th, 2014.


Breakthrough Photography will be offering a one-time launch price of 50% off MSRP. The X-Series filter lineup will be sold through B&H, Adorama and Amazon.com in December, 2014.


Pricing & Availability



  • $109 X3 Traction ND in 3-stop or 6-stop (Available in January 2015)

  • $79 X3 Traction UV (Available in December 2014)

  • $59 X2 Traction ND in 3-stop or 6-stop (Available in January 2015)

  • $39 X2 Traction UV (Available in December 2014)

  • $25 X1 UV Standard Flat Black (Available in December 2014)


Click here to learn more information about the X-Series filters: http://breakthrough.photography


Tech Specs


X3 Traction Filter



  • 3.2mm Traction frame CNC Machined from brass

  • SCHOTT B270 optical glass made in Germany

  • State-of-the-art 16-Layer Multi-Resistant Coating

  • nanotec® Nano Coating Layers to repel dirt and water

  • Weather-sealed construction

  • Available in either 3-stop or 6-stop Neutral Density and UV

  • Available in 49mm, 52mm, 55mm, 57mm, 62mm, 67mm, 72mm, 77mm and 82mm


X2 Traction Filter



  • 3.5mm Traction frame CNC Machined from aluminum

  • AGC glass made in Japan

  • State-of-the-art 8-Layer Multi-Resistant Coating

  • nanotec® Nano Coating Layers to repel dirt and water

  • Weather-sealed construction

  • Available in either 3-stop or 6-stop Neutral Density and UV

  • Available in 49mm, 52mm, 55mm, 57mm, 62mm, 67mm, 72mm, 77mm and 82mm


X1 Flat Black



  • 3.5mm Standard Flat Black aluminum frame

  • State-of-the-art 4-Layer Multi-Resistant Coating

  • Weather-sealed construction

  • Available in UV

  • Available in 49mm, 52mm, 55mm, 57mm, 62mm, 67mm, 72mm, 77mm and 82mm


Media Contact


Name: Graham Clark


Company: Breakthrough Photography


Phone: +1 707 702-2116


Email: media@breakthrough.photography


Company website: http://breakthrough.photography


Press Info & Product Images: http://breakthrough.photography/press-info-product-images-media/


Kickstarter Campaign: https://www.kickstarter.com/projects/breakthrough/x-series-traction-filters


 



65
Lenses / Introducing the Canon EF 100-400 f/4.5-5.6L IS II
« on: November 08, 2014, 01:20:44 PM »

36341_1_xl


36341_2_xl


36341_3_xl


36341_4_xl


Price: $2199 USD | Preorder the Canon EF 100-400 f/4.5-5.6L IS II: B&H Photo | Adorama | Amazon

Release Date: November 11, 2014

Ship Date: Unknown



  • Focal Length & Maximum Aperture: 100-400mm 1:4.5-5.6

  • Lens Construction: 21 elements in 16 groups

  • Diagonal Angle of View: 24º-6’10’

  • Focus Adjustment: Inner focus system / USM

  • Closest Focusing Distance: 3.2 ft. / 0.98m

  • Filter Size: 77mm

  • Max Diameter x Length, Weight: 3.7 in. x 7.6 in. / 94mm x 193mm; 3.46 lbs. / 1,570g


Overview

The Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens delivers a superb combination of cutting-edge performance, compact construction and brilliant resolving power that’s great for sports and wildlife photography.


The telephoto lens features one fluorite and one super UD element to help provide impressive contrast and resolution with reduced chromatic aberration across the entire zoom range. Canon’s new Air Sphere Coating (ASC) helps significantly reduce backlit flaring and ghosting, while fluorine coatings on the front and rear lens surfaces help lessen smears and fingerprints.A 9-blade circular aperture renders beautiful, soft backgrounds, and a 3 mode (standard, panning and exposure only) Optical Image Stabilizer provides up to 4 steps* of image correction.


The Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens is equipped with a new inner focusing AF system to help ensure fast and accurate focus down to 3.2 ft. with a .31x maximum magnification. Usability enhancements include a rotation-type zoom ring with adjustable zoom torque for more precise, customizable zoom performance, a redesigned tripod mount that can be attached and detached without removing the lens from the EOS camera, and an all-new lens hood with a side window that makes it simple to adjust specialty filters-like polarizers-without the need to remove the hood.


Ruggedly constructed with advanced dust and water sealing for durability in a range of environments, the Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens is a stellar performer with refined controls for a wide variety of situations.


Preorder the Canon EF 100-400 f/4.5-5.6L IS II $2199: B&H Photo | Adorama | Amazon


cr



66

The Canon Experience Center in Costa Mesa, California and Canon Information Technology Services in Albuquerque, New Mexico Celebrate Grand Openings


MELVILLE, N.Y., November 7, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the grand openings of two new Customer Service and Support Operation Centers – the Canon Experience Center in Costa Mesa, California and the Western expansion of Canon Information Technologies Services, Inc. (CITS), a customer call center in Albuquerque, New Mexico. The openings of these centers symbolize Canon’s commitment to providing customers with top-quality service, support and education from coast to coast.



The Canon Experience Center, a new branch of the Canon Americas Marketing Engineering Technology Center (METC), opened its doors on November 5 to celebrate the grand opening of the facility and the customer-focused features and offerings within the space. Following the opening of the Canon Experience Center, the Company celebrated the grand opening of the CITS customer call center on November 6. Albuquerque Mayor Richard J. Berry marked the occasion, along with Canon executives and staff.


“The grand openings of the new Canon Experience Center and the additional CITS call center are a testament to Canon’s commitment to our customers,” said Yuichi Ishizuka, president and COO, Imaging Technologies & Communications Group, Canon U.S.A., Inc. “These facilities will allow us to connect with our customers on the west coast and further support the needs of all our customers, no matter where they are located in the U.S.”


The opening of the 38,000 square-foot Canon Experience Center in Costa Mesa signifies the completion of a renovation of an existing Canon owned facility, which now offers innovative, meaningful face-to-face service and support experiences to customers, clients and partners. The new facility features comprehensive and high-quality customer experiences, including an education center and 35-seat theater where Canon Live Learning, Explorers of Light (EOL) and Canon Professional Services (CPS) events will be held throughout the year. The Canon Experience Center also has a nearly 5,000 square-foot, state-of-the-art showroom that displays Canon products ranging from the Canon PowerShot family to the Cinema EOS lineup to large format imagePROGRAF printers. A CPS members-only lounge where members can relax while their equipment is being cleaned or repaired, as well as a photo studio providing even more onsite convenience to Canon customers are housed within the building.


Throughout the facility there are a number of image galleries that feature images taken by Canon EOLs, along with several images that were captured by Canon customers, including two Canon CPS members and four participants of a Canon Live Learning Destination Workshop.


“I feel honored to have my work recognized by Canon and showcased in the gallery at the Canon Experience Center,” said Chris Martin, photographer and Canon Live Learning participant. “The resources Canon provides to me as a photographer run the full spectrum, from video tutorials to instruction manuals, covering not only the nuts and bolts of the cameras, but also how to use these features to produce optimal results. Even more invaluable, though, was the hands-on instruction during the Live Learning event that brought out a creative side of me that I never knew I had.”


The Canon Experience Center will be home to approximately 75 experienced employees when fully staffed, and will host ongoing Canon employee training. In addition, the Canon Experience Center features repair and maintenance operations for Canon’s extensive lineup of consumer and professional products, including Cinema EOS and EOS Digital SLR cameras, PowerShot Cameras, high-definition camcorders, 4K reference displays and all of Canon’s lenses, including EF series photography lenses, Cinema lenses and broadcast lenses. Repair operations at the facility include 10 state-of-the-art camera body and lens adjustment rooms, Canon’s most advanced adjustment and calibration equipment, and a spare parts inventory.


The new 33,682 square-foot CITS call center in Albuquerque, which officially began operations in June 2014, provides support to Canon’s growing professional photographic, cinema, printing and office solutions customers. By spring 2015, the center will also support customers using small office and consumer imaging products, including digital cameras, camcorders, large format printers and copiers. Canon’s customer focused investment in the new call center includes state-of-the-art data center technology that help ensure the Albuquerque, New Mexico and Chesapeake, Virginia locations are able to conduct uninterrupted operations 24 hours a day, 365 days a year.


The expansion of the CITS service and support footprint to the west coast demonstrates Canon’s dedication to providing high-quality customer service with 100 percent U.S.-based Canon employees. The Albuquerque location was specifically chosen because it will help better serve customers from coast to coast. The area has a stable climate, the ability to service multiple time zones and a well-educated largely bilingual workforce. It is anticipated that the support center will create at least 150 customer service, direct sales and technical support positions over a three-year period.


“We are thrilled to have Canon ITS here in Albuquerque,” said Mayor Richard J. Berry. “By selecting Albuquerque, Canon capitalized on a qualified and culturally diverse workforce and a location with a stable climate for business operations. They have made a strong commitment to our community and have proven to be a great fit in our growing business sector. We thank them for their many contributions to our community.”


Canon’s commitment to providing award-winning, 100 percent U.S.-based support will be highlighted in a new advertising campaign launching mid-November. This entertaining campaign, titled “Rigorous Training,” features real employees at the east coast call center in Chesapeake, Virginia. For a sneak peak at this campaign please visit https://www.youtube.com/watch?v=yjflqWUuaPU.


Additional camera and lens service facilities for both professional and consumer clients are located in Jamesburg, New Jersey, Itasca, Illinois, and Newport News, Virginia.


For more information about Canon’s Customer Service and Support offerings visitusa.canon.com/satisfaction.


For additional information about the Canon Experience Center visit usa.canon.com/cec.



67
Canon General / Canon Cinema EOS C300 Mark II Will be 4K [CR2]
« on: November 07, 2014, 10:02:28 AM »

We’ve been told by a couple of people that the Cinema EOS C300 will be replaced in time for NAB 2015 in Las Vegas this coming April. The Mark II version of the C300 will indeed be 4K, which I think would have been assumed, though you never know with Canon. We’re told there will also be a “bunch of other improvements”, but what those additional improvements would be wasn’t specified. I suspect the C300 Mark II is going to be a bigger upgrade than the C100 Mark II was to the original C100.


We’re also told there will be some kind of an announcement for an over the shoulder style Cinema EOS camera to compete directly with Alexa. The hope is for that camera to be ready for NAB, but it could come after.


cr



68
Pricewatch Deals / Deal: Canon EOS 6D $1349 & EOS 5D Mark III $2492
« on: November 07, 2014, 09:53:57 AM »

GetItDigital (99.3% approval) is selling the Canon EOS 6D body for $1349 (Reg $1699 after $200 MIR) via ebay.


Canon EOS 6D Body $1349 (Reg $1699 after $200 MIR)


AllNewShop (99.1% approval) is selling the Canon EOS 5D Mark III body for $2492 $2529 (Reg $3199 after $200 MIR) via ebay.


Canon EOS 5D Mark III Body $2492 now $2529 (Reg $3199 after $200 MIR)


*as always with ebay, these items are likely grey market and may not be covered by a Canon USA warranty)


cr



69
Lenses / First Image of the EF 100-400 f/4.5-5.6L IS II Lens
« on: November 06, 2014, 07:51:29 AM »

canon_ef100-400mmII_001


Judging by the image, everything we were told recently about the EF 100-400 f/4.5-5.6L IS has been correct. I’m sure we’ll see more photos of the lens shortly, as I expect it to be announced very shortly.


Source: [DCI]


cr



70
EOS Bodies / The Canon EOS 7D Mark II Jumps Out of a Plane
« on: November 06, 2014, 07:47:55 AM »

The Redbull Skydive team took the Canon EOS 7D Mark II to the skies and did what anyone would do, jumped out of a perfectly good airplane to capture some fun raw and graded video that really shows off the autofocus capabilities.



Canon EOS 7D Mark II: B&H Photo | Adorama | Amazon


cr



71

London/Oslo, 4 November 2014 – Canon is proud to announce that it can include Walt Disney Studios Park among the prestigious users of its Cinema EOS system products. A series of videos for the new Ratatouille: L’Aventure Totalement Toquée de Rémy attraction have been shot in 4K, using the combination of five EOS C500s and EOS-1D C SLR cameras, as well as a wide range of Canon lenses, including over 20 EF L-series and EOS Cine lenses.  The videos were shot by acclaimed French director, Sébastien Devaud, who was among those to pioneer the use of SLR cameras to shoot video.



The attraction, Ratatouille: l’Aventure Totalement Toquée de Rémy, is based on the most French of all Disney-Pixar animated films (released in 2007) and opened on July 10th 2014, after five years of construction work. Considering the challenge, Disneyland Paris immediately decided to shoot in 4K. Ultra High Definition has a resolution of at least 8 megapixels, four times higher than current High Definition (HD), providing total immersion in the action. In 2014, sales in market increased significantly and in May 2014 more Ultra High Definition TVs were sold than throughout 2013 combined.


Canon pioneered the development of 4K cameras with the release of the EOS C500 and the EOS-1D C SLR in 2012, which rapidly became popular in the broadcast market. After testing the different brands and products available, Disney finally chose both Cinema EOS cameras for the project, as they were best placed to produce a professional quality result and tackle the challenging filming environment (light, 3D projection, etc.). Thanks to its compact size, the EOS-1D C was attached to the attraction’s ratmobiles, bespoke vehicles shaped as rats, with on-board devices specially designed for this work.


Stéphane Dery, Canon France Professional Imaging Group Director comments: “We are very honoured to count Disneyland Paris as one of the brands that has decided to rely on the Canon Cinema EOS system for its new attraction. This partnership once again demonstrates the unquestioned know how of Canon in the imaging and optical industry, and particularly in 4K.”


Source: [MND]


cr



72
EOS Bodies - For Stills / EOS C300 Firmware for Dual Pixel Upgraded Cameras
« on: November 06, 2014, 07:32:07 AM »

Firmware Version 2.1.3.1.00 incorporates the following improvements and fixes



  • Supports exFAT file system of CF cards over 128 GB, which decreases the waiting time required for accessing the card before being able to record footage.

  • Simplifies the process when fine-tuning the preset White Balance values.


Note

Firmware Version 2.1.3.1.00 is only for EOS C300 cameras with the Dual Pixel CMOS AF Feature Upgrade applied. If the EOS C300 camera does not have Dual Pixel CMOS AF Feature Upgrade applied, please download Firmware Version 1.1.3.1.00.


Download firmware | Canon EOS C300 at B&H Photo


cr



73

Our friend Glenn Bartley has completed his first review of the Canon EOS 7D Mark II through the eyes of a birder. He will be doing a more intensive review once he returns from a 3 week trip to Cuba in December. Glenn is is one of the top bird photographers in North America and is a great resource if bird photography is one of your interests.


Glenn previously reviewed the Canon EF 600mm f/4L IS II for us.


From Glenn about the EOS 7D Mark II

“The Canon 7D mark II brings a lot to the table. Between the fantastic autofocus system, impressive build quality, video features and the improvements in image quality it is an incredible value.”


Read the full review | EOS 7D Mark II: B&H Photo | Adorama | Amazon


 


Canon EOS 7D Mark II Setup Guide for Bird Photography by Glenn

If you have purchased or will be purchasing the Canon EOS 7D Mark II, Glenn’s setup guide for the EOS 7D Mark II for bird photography will be a great way to hit the ground running.


The setup guide includes

The Canon 7D mark II is a phenomenal tool for image making. To ensure that you get the most from your new camera you must be sure to first set it up correctly!


The purpose of this guide is to help you to set up and understand the features, functions and settings of your new Canon 7D mark II. I have tried my best to simplify things and make the choices clear. In some cases the best setting is an obvious one. Other times there are options based on personal preferences. In each case I have tried to make this clear and provide the information that you need in order to get the absolute most out of your new camera.


This guide is for you if you want to:



  • Quickly set up your Canon 7D Mark II exactly like mine

  • Ensure you have the correct settings

  • Learn to use your camera to its full potential


You can purchase the setup guide e-book here for $5.00


cr



74
Lenses / Re: Another EF 100-400 f/4.5-5.6L IS II Mention
« on: November 05, 2014, 08:57:09 AM »
Okay, enough. I wish everyone will just stop posting anything at all about the (maybe) new 100-400 until Canon announces it. Do these websites do this just to to get hits? Too many years of false rumors, give us a break!

canonrumors.com


75
Lenses / Another EF 100-400 f/4.5-5.6L IS II Mention
« on: November 05, 2014, 08:39:05 AM »

The reliable Digicame-Info has given a mention to the coming announcement of the EF 100-400 f/4.5-5.6L IS II. This backs up our recent posts (here & here) stating the lens would be coming in November.


Below is a rundown of what we’ve been told about the lens.



  • Smaller than the current EF 100-400 f/4.5-5.6L IS

  • Will retain the same aperture range of 4.5-5.6

  • Zoom ring design instead of push/pull

  • Similar design to the EF 70-300 f/4-5.6L IS (zoom ring at front of lens)

  • Lens hood is designed to make using polarizers easier

  • Lens hood will be ET-83D (from DCI)

  • New thumb screw design on the foot of the lens

  • Obvious optical, AF and IS improvements


We’ve had no mention of filter size, or more importantly the price of the lens. I suspect it’s going to cost a fair bit more than the EF 70-300 f/4-5.6L IS just to separate the two lenses in the lineup.


cr



Pages: 1 ... 3 4 [5] 6 7 ... 180