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Messages - Canon Rumors
“Ultimately, this is still the best all-around DSLR in this price segment, pending our test of the Pentax K-3. The video quality is top notch, the still image quality only suffers in extreme low light, and Dual Pixel AF offers a usability advantage that nobody else can match. For a consumer-level shooter or hobbyist that wants a durable, control-laden DSLR that can do video and stills equally well, the 70D is the choice to beat.”
TOKYO, November 12, 2013—On November 8, Typhoon Haiyan, one of the most powerful storms ever recorded, struck the central Philippines, causing massive damage and loss of life.
We at Canon extend our heartfelt condolences to all those affected by this catastrophe and our thoughts go out to the victims and their families. Although the road to recovery will be challenging and take time, we hope that the region will soon be able to begin the rebuilding and healing process.
The Canon Group is aiding in the relief efforts for victims of the typhoon with a donation totaling 10 million yen (approximately US$102,000). The company is currently considering to which humanitarian aid organization the donation will be made.
Canon EOS 7D Mark II
The Canon EOS 7D will finally get replaced in the first half of 2014. The exact announcement and availability dates are unknown at this time, but we’re told it will come in the first half of 2014.
The new camera will be a “pro APS-C” camera and be priced around the $2000 USD mark. It will have a new sensor, as well as a variation of a new autofocus system that it will share with a new EOS-1 body.
Wifi, GPS and a the biggest LCD screen in Canon’s lineup will appear on the camera.
More to come….
BigValueInc is selling the Canon EF 24-105 f/4L IS for $720 with free shipping within the continental USA.
These lenses are brand new and are “white box”, which means they can from camera kits such as the EOS 6D or EOS 5D Mark III.
EOS Bodies - For Video / Canon EOS-1D C Meets EBU HD Tier 1 Imaging Requirements for Broadcast Production« on: November 12, 2013, 10:21:33 AM »
TOKYO, Japan, November 12, 2013 — Canon Inc. today announced that the EOS-1D C digital SLR camera, part of the company’s Cinema EOS System lineup of digital cinematography products, has been independently tested in accordance with European Broadcasting Union (EBU)1 standards for HD content acquisition.2 The tests found that the EOS-1D C is the first digital SLR camera to satisfy the stringent testing criteria for HD production.
Results indicated that the EOS-1D C provides “exceptional” HD resolution from a 4K source with “very low” aliasing, and “good” color performance and motion portrayal. The test results also confirmed that the EOS-1D C camera system and its imaging performance comply with the recommended specification for inclusion in HD Tier 1 for HD production.3
A new free-of-charge firmware update for the EOS-1D C to be made available on November 12 will enable the camera to correct for insufficient peripheral illumination when outfitted with supporting EF Cinema Lenses4 and make possible audio line input.
Additionally, an enhanced version of the EOS-1D C’s dedicated EOS MOVIE Utility software for Macintosh5 and Windows,6 scheduled to be made available free of charge in late December, adds a Mac-version video playback function and the ability to capture consecutive still images from a video file.
Canon will continue striving to enhance the functionality of its Cinema EOS System, contributing to further expanding the realm of visual expression and the development of cinematic culture.
The expected launch of the Canon EOS M2 appears to be happening in early 2014 according to a good source. The new camera won’t be much of a departure from the current EOS M, although it will be smaller and provide a better AF experience. It’s expected the 20mp sensor from the 70D will be present in the new camera.
Apparently this launch was delayed until the new year and was originally planned for August/September of 2013.
From Canon Japan’s Facebook
Canon Japan is now teasing us with a little promo called “White Kiss”. As you probably know, Rebel level cameras in Japan are called “Kiss”. So this is another sign that Canon will be launching a white Rebel of some kind. We’re not sure if this will be a global product, or just in select countries.
We’re told by B&H Photo that this deal on the EF 70-200 f/2.8L IS II will end very soon.
From B&H Photo
B&H Photo is selling the Canon EF 70-200 f/2.8L IS II for $1899 after rebates for a very limited time. You must begin the checkout process to see the $2199 in cart price. There is a $300 mail-in rebate to bring the price down to $1899
Lots of manufacturing delays
We’re told that Canon will be releasing a “flurry of new lenses in 2014″. There have been manufacturing delays as well as economic issues that have curtailed announcements of new higher end glass. There are “as many as 8 lenses” slated for release sometime in 2014.
We will see new lenses, as well as replacements to older lenses. What gets announced and when is unknown, as some lenses have been “delayed for more than a year”.
It’s vague, but at least it’s something. 2013 has been a very quiet year for Canon.
From B&H Photo
B&H Photo has the Canon EOS 6D body for $1649 when added to your cart. That’s a savings of $250. Also included in the deal is $146 worth of extras.
- SanDisk 16GB SDHC Memory Card Ultra Class 10 UHS-1
- Canon 200DG Deluxe Gadget Bag
- Oben ACM-2400 4-Section Aluminum Monopod
- Watson LP-E6 Lithium-Ion Battery Pack (7.4V, 1750mAh)
- 4% rewards
- Free USA shipping
Below is a link to the Canon Korea site showing a teaser for a new camera body.
It looks to be a camera the same size as the Canon EOS SL1, perhaps an entry level version of the camera to replace the 1100D? Or maybe just a white version of the SL1? Whatever it is, I wouldn’t get too worked up about it. It won’t be a cool full frame mini camera, or a $1000 1D X replacement.
More information and discussion at DicaHub
MELVILLE, N.Y., November 6, 2013 – As motion picture, television and commercial production continues to transition to ever-higher resolution digital video and CGI (computer graphic imaging) formats, color-grading and postproduction professionals increasingly rely on reference displays with exceptional detail, color and gradation accuracy. Developed in response to this trend is the new DP-V3010 4K Reference Display from Canon U.S.A., Inc., a leader in digital imaging solutions. The Canon DP-V3010 4K Reference Display measures 30 inches wide diagonally by 7.4 inches deep to help minimize space requirements and provides a 2000:1 DCI-compliant contrast ratio, uniform brightness, very wide viewing angles in all four directions, internal color calibration and additional advanced features. Designed for use in color-grading, digital intermediate (DI), CGI/animation/visual effects (VFX), and editing/finishing suites, as well as digital imaging technician (DIT) workstations on production stages and on-location “video villages,” the Canon DP-V3010 4K Reference Display provides full-screen 4096 x 2560 resolution with extremely high levels of color accuracy and fidelity.
“We are proud to continue the Canon tradition of providing our customers with complete solution technologies, providing them the option to work within a Canon ecosystem from input through output, and maintain the quality and reliability of our brand,” noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “These displays are the result of the enthusiastic response we received to the Canon Cinema EOS System of cameras and lenses, and we look forward to continuing to demonstrate our commitment to these markets with outstanding technology, quality and reliability to help creative professionals deliver and tell the stories as they envision them.”
The DP-V3010 4K Reference Display features a 16:10 aspect ratio for the display of video signal information essential to VFX creation. With a tightly packed “pixel pitch” of 157.5æm, the Canon DP-V3010 4K Display provides high-accuracy tonal gradations between darkest and brightest areas, with 1024 shades in each color channel. The technology enabling such performance is a new and proprietary display engine developed by Canon that helps maximize color accuracy and brightness uniformity. The actual panel employed by the DP-V3010 4K Display is an IPS (in-plane switching) LCD with full array RGB LED scanning backlight technology that delivers excellent color accuracy, and crisp video imagery without the perception of motion blurring between frames. By featuring an IPS LCD panel with polarizing and filtering film layers to prevent changes in color and contrast, the DP-V3010 4K Reference Display enables image viewing within a wide viewing angle, top to bottom and left to right.
The Canon DP-V3010 4K Reference Display is compatible with the five major color gamut standards – SMPTE-C, EBU, ITU-R BT.709, DCI, and AdobeRGB – as well as conforming to DCI standards for 4K display. These DCI standards include a 2000:1 contrast ratio, which the DP-V3010 4K Reference Display evidences in its faithful reproduction of detail in the shadows and accurate highlights. This high contrast accuracy is essential for critical assessment and mastering of high dynamic range cinematic imagery.
Also supported by the Canon DP-V3010 4K Reference Display is the ASC CDL (American Society of Cinematographers Color Decision List) format. The display controller provided with the DP-V3010 4K Display includes a dedicated CDL button. Color settings made at the shooting location can be stored on a USB flash drive and imported into the user’s color-grading system, which can then relay color correction parameters directly to the DP-V3010 4K Display in the ASC CDL format using slope, offset, power, and saturation parameter adjustments to the overall RGB image and/or separately to the individual R, G, and B channels.
The importation of LUT (Look Up Table) data created by third-party color-grading systems is also supported by the DP-V3010 4K Reference Display. The Display allows both 1D and 3D LUTs to be easily imported by operating the menus of the unit itself. This enables accurate color matching between displays and the ability to import customized “looks” created in third-party applications. In this way, the unique colors and gradations intended by producers can be easily reproduced.
Ready to support the wide dynamic range of Canon Log gamma video data recorded by the popular Canon EOS C500 and EOS C300 Cinema cameras, the Canon DP-V3010 4K Reference Display also comes pre-installed with the Cinema EOS Canon Log viewing LUT allowing those cameras to be integrated with the DP-V3010 4K Display for linear conversion and display in real time. Furthermore, using 1D/3D-LUT data, the display will be able to provide support for ACESproxy output from Canon’s EOS C500 digital cinema camera.
A wide variety of the full HD video production format resolutions, typically used for TV dramas, commercials and other TV content, can also easily be displayed by the new Canon DP-V3010 4K Reference Display. To accommodate HD formats, the DP-V3010 Display offers upscaling modes offering smooth and accurate rendering up to 4K resolution of DCI 4K (in up to 12 bit 4:4:4 color), 2K, 1080p, 1080i and 720p. Inputs include 3G-SDI, HD-SDI and DisplayPort connectors for compatibility within many different production, post and VFX workflow environments.
Calibration and Convenience
Each Canon DP-V3010 4K Reference Display undergoes high-precision calibration before shipment to help ensure high color uniformity between all units. Color accuracy is further improved by the Canon DP-V3010 4K Display’s control system, which continuously monitors internal conditions of the display which might affect color, uniformity and performance accuracy, like heat or aging of internal components and make corrections to help ensure long-term image stability and exceptional color consistency.
External calibration of the Canon DP-V3010 4K Reference Display can be performed without the need for a dedicated PC application through the use of a third-party spectroradiometer. Use of such an external sensor allows users of the DP-V3010 Display to maintain factory calibration settings as well as help adjustment for specific display applications or account for variations in ambient lighting.
The DP-V3010 Display features an easy-to-navigate on-screen display that can be controlled using the included display controller. Built-in carrying handles allow the display to be easily transported and positioned on top of a desk or a counter, or attached to a VESA-compliant bracket for easy wall or rack mounting. The accompanying display controller is designed to be used as both a desktop control device or to be rack-mounted for easy integration into suites, control rooms or mobile vehicle applications, such as HD sports production trucks.
Markers, time code display and test patterns are provided within the Canon DP-V3010 4K Reference Display. A variety of markers (aspect, safety zone, grid, and center) and test patterns (pluge, grayscale [20%], white, five-step, ramp, color bars, and black) are also built into the DP-V3010 Display.
The Canon DP-V3010 4K Reference Display is scheduled to be available in the first quarter of 2014 for a suggested list price of $40,000.
November 7, 2013, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Morio Ono), a leading manufacturer of precision optics, has announced the development of an innovative ultra-telephoto zoom lens with a focal length range of 150mm to 600mm for full-frame and APS-C format DSLR cameras. The lens sample will be on display in showcase at the Tamron booth at the Salon de la Photo 2013 which will be held from November 7 to 11 in Paris, France.
Tamron’s previously announced 200-500mm (Model A08), still currently available, is a popular, compact, easy-to-use ultra-telephoto zoom lens, but customers have shown great interest in having a lens that provide an even greater focal length range.
This all-new ultra-telephoto zoom lens features VC ( Vibration Compensation)*² image stabilization, speedy, precise USD ( Ultrasonic Silent Drive)*³, state-of-the-art eBAND (Extended Bandwidth & Angular-Dependency) Coating*1, which significantly reduces the unwanted light reflections that cause flare and ghosting, and, in addition a sophisticated and stylish new external finish.
Its 4x ultra-telephoto zoom capabilities, with a focal length range from 150mm to 600mm, enhance the creative potential of telephoto photography, a captivating feature for all photographers, particularly nature, wildlife, and sports shooters.
SP 150-600mm F/5-6.3 Di VC USD (Model A011)
4x ultra-telephoto zoom lens with a focal length range of 150mm to 600mm
The focal length range of this lens was extended by 50mm on the wide-angle side and 100mm on the telephoto side compared to the existing model (Model A08), making it possible to take even more striking photographs of birds, wildlife, sports, and other distant subjects. Mounted on APS-C DSLR cameras, it has a stunning equivalent focal length range of 233mm to 930mm, almost to 1000mm.
World class image quality
Employing 20 elements in 13 groups and boasting an advanced optical design, it delivers a superior balance of resolution and contrast for sharp, clear images. The front group contains three LD ( Low Dispersion) glass elements (two in the first group, one in the third) for enhanced optical correction effectiveness, enabling the lens to thoroughly compensate for on-axis aberrations at the telephoto end. The lens also adopts eBAND Coating*¹, developed from state-of-the-art coating technologies, and conventional BBAR(Broad-Band Anti-Reflection) Coating to greatly suppress ghosting and flare even when shooting under adverse lighting conditions.
Achieves a 600mm focal length in a compact easy-to-handle package
Ingenious optical design features minimize the movement of lens groups within the lens when zooming. This reduces the amount of barrel extension needed to cover the complete focusing range, making the entire lens more compact.
Beautiful background blur effects
Adopting a 9 blade circular diaphragm enables users to create beautiful background blur effects (bokeh), which provide even greater potential for creative expression. This circular diaphragm retains a nearly circular shape even at two stops down from its maximum aperture.
VC ( Vibration Compensation)*² mechanism creates greater opportunities for sharper handheld photography.
Tamron’s proprietary VC ( Vibration Compensation) image stabilization system uses a three-coil system, delivering significantly sharper images and creating greater opportunities for handheld ultra-telephoto photography.
Tamron’s new SP 150-600mm F/5-6.3 Di VC USD features a USD ( Ultrasonic Silent Drive) ultrasonic motor drive*³ for swift and accurate AF response, it delivers high torque, very fast response times, and very low noise. The full-time manual focus mechanism allows users to make fine manual focus adjustments at any time even when AF is engaged.
New elegant, high-class external finish
Tamron has upgraded the cosmetic design and finish of this lens to create a more sophisticated, high-end look in keeping with the demands of discerning full-frame DSLR users.
Employing a sophisticated linear pattern rubber grip on the zoom and focus rings and an attractive and stylish tungsten silver name-brand ring, this newly designed model accentuates its visceral presence with understated elegance and class.
Easy-to-use tripod mount
The tripod mount has been completely redesigned to provide superior stability, durability, ease of use, and portability.
Comes with “SILKYPIX Developer Studio for Tamron”, RAW image development processing software for Tamron’s SP lenses
The SILKYPIX Developer Studio software can develop high-quality images from RAW data, incorporating adjustments that can express the personal style and taste of the photographer. These include white balance, color, sharpness, and the tonal curves recorded by digital cameras.
The SILKYPIX Developer Studio for Tamron provides a range of functions, in addition to the basic adjustment capabilities, such as correcting aberrations (chromatic aberrations of magnification, distortion, peripheral light fall-off), based on the optical data. Used in tandem with Tamron’s SP series lenses – renowned for their high-depiction capability – this advanced technology efficiently produces images that meet photographers’ most exacting demands.