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Messages - unadog

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EOS Bodies / Re: More 6D sample images - with RAW files.
« on: November 30, 2012, 04:44:40 PM »
Here is a screen shot at 100% of two files in Photoshop CS6.

6400 ISO is on the left, 50 ISO on the right. Opened in PS with all defaults, no NR, exposure, or other adjustments.

EOS Bodies / Re: More 6D sample images - with RAW files.
« on: November 30, 2012, 04:38:48 PM »
I was able to open the Tiff's in Photoshop CS6.

I had to "unblock" the file in Windows 8 to be able to open the file, but it opened with no problem.

I just downloaded an updated version of all of my CS6 aps yesterday - I am not sure when the actual version was updated. But I think that might not be important, as it is likely the .cr raws were converted to Tiff in DPP.

You could also try downloading the latest version of DPP. Canon must have updated that?  I don't have it installed on this laptop.

Lenses / Re: tilt-shift question
« on: November 28, 2012, 07:50:55 PM »
I think I will get the 24mm - the focal length will fit the majority of shots I want to do.

You can probably stitch in the few cases where you might need the 17 then. That is quite a big investment to keep in your bag for occasional use.

Or rent if ever needed.

I loved my 45 mm TS-E. I still have the 90, never had the 24 or 17. 

Lenses / Re: Canon 5D Mk III and Zeiss Lenses
« on: November 28, 2012, 05:32:53 PM »
I would look for a bit more balance.

Say, a couple of the Zeiss primes, in the focal length that you wind up using most.

Then, one **really** good auto focus zoom, like the 24-70 2.8, version 1 or 2. The 24-70 and 70-200 are bread & butter working lenses that a pro almost has to own.

Then one or two decent auto focus primes. A 40 mm 2.8, 50 mm 1.8, or 85 mm 1.8 are all good, inexpensive lenses for low light, street use, portraits, etc. That camera will be able to nail focus at times that you can barely see the subject.

You might want to play with tilt/shift lenses for a while if you get a chance. Maybe buy used, then sell or trade if you cant justify keeping tyem in the kit. The older 24, 45, and 90 are unique, high quality lenses at around $850. The newer 17 & 24 are killer, but expensive. They are also great for video, with a 270 degree throw and a fixed infinity.

I started all manual, B&W only, a purist.

But as a 20+ year pro, my 24-70 stayed on my camera about 85% of the time, even though I had at least 14 mostly "L" lenses in my cabinet.

There is "theoretical" perfect, and there is day to day utility. Don't become too obsessed about the technical. In the end, content is much more important! High quality is a given. But quality without content is dead boring. Great content will get you a contract like Robert Rodriguez for El Mariachi. Because technical can be tought or bought, and is trivial in the end.

Have fun, relax, experiment and learn! Make images, look at them. Find what excites you in your images, make more of those. Repeat = a career.

Cheers! Michael

EOS Bodies - For Stills / Re: T3i vs T4i for first dslr
« on: November 27, 2012, 11:13:38 PM »
I would recommend the T4i simply for the much higher quality focus system

Agreed!  The T4i is a much better camera than the T3i because of the focus system.  It has the same auto focus as the 60D - much, much better than the T3i.

The other features are also nice - touch screen LCD, face tracking auto focus, auto focus during video with the STM lenses.  I replaced my camcorder with the T4i with the auto focus.  Not great, but good enough for many things.

Your price comparison up top is not apples-to-apples. The 18-135 STM is a much better - and more expensive - lens than the 18-55.  It is a great lens for a beginner.

Sop the T4i body is about $600 new, around $950 with the lens.  Although I saw it elsewhere at $900 today.

I am a 20+ year pro. I have owned the T4i with 18-135, 1DX, and 5DIII this year, as well as a Nikon D3200, NEX 7, NEX 5n.

I could use the T4i quite happily for most of my work, except for high ISO/low light - at 6400 ISO or above.  I bought a 5DIII for event work for those cases.  Otherwise the T4i is  great camera, and the 18-135 is the **only** non-L lens I have used in many years.

The net cost to own a T4i for 1 year might be about $100 to $125 max.  I know someone who recently sold a T3i body on Craigslist for $600, though $500 is more reasonable.

I'd say go for the T4i and don't look back!  Your call on the 18-55 versus the 18-135 STM, although the latter is a great lens.

EOS Bodies - For Stills / Re: T2i vs T4i for sports
« on: November 18, 2012, 11:18:26 AM »
The T4i is a **great** camera.  T

The biggest advantage over the T2i or T3i for sports is auto-focus. No comparison!  in my mind there is no question at all.  Make sure to get feedback from people that have actually used both!

It has the 9 points, all cross auto focus system of the 60D, plus the double cross central. 

I was frustrated by the auto focus on the T3i. I **LOVE** my T4i.  I had a 1DX for a few months and I actually prefer the T4i to the 1DX for everyday use! Although the 1DX is a much better camera in many ways of course.

The 18-135 STM is  a decent kit lens.  It is especially good for video. I am selling my camcorders and keeping the T4i to use in their place for all around, lower end video with the auto focus.

The touch screen LCD is very nice. The in camera multi-shot noise reduction, HDR, etc. are also nice, as is the face tracking auto focus.

No question in my mind! 


Canon General / Re: Amazon policies.
« on: November 06, 2012, 01:23:48 PM »
Looks liker Calumet has it at the same price, $12,999.

Check store inventory and then call.  Real salespeople from the floor ...  Or one of their "professional services" reps, that is a big ticket item.

Share your studio/etc info,, let them know who you are.  Smaller retail stores are better at some things (specialized customer service), the big, automated retailers at others (standard order, lowest price.)

FWIW, the owner of Midwest Photo Exchange in Columbus, Ohio gave me his personal cell phone number and his **home phone number** and offered to come into the store on Thanksgiving for me to pick up a printer. (I actually needed it that weekend, not on Thanksgiving day.)

that is the kind of **great** customer service that the smaller independent shops can deliver, and which is worth paying a bit more for if necessary.  Support them if they help you out!

Cheers. Good luck.


Canon General / Re: Amazon policies.
« on: November 06, 2012, 01:13:44 PM »
In addition to the above, low level CSR's (Customer Service Reps) have no authority or ability to alter standard processes.

They are basically just 1 step ahead of you in reading the text on the web site. Anything. more complex is just out of their realm.

In most places the CSR turnover is about 200% per year (average of 6 months on the job.) Unless it is outsourced to India, etc., in which case they are even more remote from any of the company management..

You can often identify alternate sellers on Amazon - Adorama, JR, etc. Call one of their stores, talk to someone who works retail there, they will help you

I have the T4i with the 18-135 STM.

I had all "L" glass in the past, and would never use a kit lens. But the 18-135 is much improved over previous versions.  I use it for both stills and video.

With the STM and auto focus on the T4i, I can also use the T4i in places where I would usually use a camcorder. At ISO 3200, the T4i is much, much better than my Canon Vixia.

I have used the T4i for 1.75 hours on 1 battery with no heat problem.  The only mild irritation is the 4GB files it splits into.

The T4i is also a much improved stills camera over the T3i, with the 60D auto focus in stills mode. the 18-135 is a very good, fast focusing stills lens.

The touch screen is also very nice.  The T4i is a very, very good upgrade over the T3i.

You should be able to find the kit for around $1,000 or so.  The 40 mm STM is also a great lens.

Good luck!

EOS Bodies / Re: just got a US 1DX for $6422, delivered --
« on: October 31, 2012, 05:48:41 PM »
Except the D800.

Someone posted a graph from CanonPriceWatch recently The decline in D800 prices was about the same as the 5DIII, etc.

I don't know if you saw that Adorama had D800 refurb bodies at $2,500 last Friday.  I almost bought one, but only 90 day warranty.

EOS Bodies - For Stills / Re: AdobeRGB VS sRGB
« on: October 30, 2012, 11:47:51 AM »
Three things really

1) You always want to use sRGB for any images that go to the web, or they won't display very well.  They will look flat - low saturation - and lower contrast/gamma.

2) You usually want to use AdobeRGB for printing. That is a "larger" color space that most printing equipment - like Epson photo printers - can make use of. Some of the less sophisticated labs will ask for images in sRGB, but you are better off finding a lab that can handle AdobeRGB.

3) I usually shoot RAW+JPG.  When I am going to use the JPG directly on the web, I will shoot with sRGB and appropriate settings. When I am going to process the images in Lightroom, etc., I use AdobeRGB and set Saturation, Contrast, and Sharpening to low, so that the LCD reflects what I will be able to "pull out of" my RAW.  The immediate representation in Lightroom (based on the camera settings) will also be much closer to my final image.

So, basically, you can either adjust your camera so that a) The LCD reflects the wider range that you can get from RAW, or b) The JPG straight out of camera looks the way you want it to, for minimal processing prior to posting online (or sending to print, with adobeRGB, etc.)

This is a quick overview, obviously there are lots of details around each area/point.

Good luck!

Lenses / Re: B&H Issues!!!
« on: October 12, 2012, 05:04:38 PM »
I shipped 2 packages overnight by Airborne a few years ago from our business, to 2 separate businesses..

The next day they weren't there.  I had my secretary call Airborne, they gave her the names of the people who had signed for the packages, and the times that they had signed - from Airborne.

The next day, the packages actually **did** arrive - 1 day late!  Where in the h* Airborne got those false names and delivery information I have no idea.

Once it is there, you should be able to see the whole history in the UPS system. That should help clarify what **really** happened.

Both companies are legit. Either could be mistaken. Exactly how remains to be seen.

Good luck!

EOS Bodies - For Video / Re: The Three Best Lenses for Filmmaking?
« on: October 09, 2012, 09:00:28 PM »
Yawn ....

EOS Bodies - For Video / Re: The Three Best Lenses for Filmmaking?
« on: October 09, 2012, 02:48:39 PM »
You are being a troll here. I haven't challanged you on a single point. You chose to take exception to small details of my statements.

You are slamming technology that you have never used, because it can't do everthing, in all situations.

I am sorry that you are old and cranky and set in your ways.  I am also older. I have 20+ years of expereince, as well as a degre in photography. But I am still willing to try new things and to continue learning.

EOS Bodies - For Video / Re: The Three Best Lenses for Filmmaking?
« on: October 09, 2012, 12:10:36 PM »
I am a purist, and I may chafe at AF for video.  But I've tried it the other way, and it just doesn't work.

Do you realize that there is new full time auto focus technology for video that has just been released? Which of those cameras have you used?

Newer cameras from Sony, Canon, and Panasonic have Phase Detection auto focus (the kind normally used for still images) built in to the sensor for use during live view and video, in addition to the older Contrast Detection auto focus.

Stepping mechanism focusing is also new. For Canon, that is new with the T4i body as of approximately June 15, and with the 18-135 STM as of August of this year. If your experience is with cameras prior to that, this is totally different technology.  It is desined to move more slowly and cleaning toward teh direction of focus only, without hunting.

Even the high end Canon C300 will have auto focus enabled via a firmware update for the 18-135 STM. That means there are also likely to be a lot of other, higher end lenses in the pipeline with STM.

It is not perfect, but it is very good. Succeeding generations will improve on the technology. 

The new IS on the STM lenses is also calibrated to reduce vibration from hand held use in video mode.  New tools create new possibilities. They don't work in all situations, but for people who are creative, they do open up new ways of working. 

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