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Messages - AlexB

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Hi guys

For all you out there doing landscape photography; I'm very interested in hearing about what would be your choice if you could only use one lens for shooting landscapes. Whether it would be a super wide angle, telephoto, something in between, zoom, prime, or maybe a specialty lens such as a tilt shift or macro?

(One other point that is beneficial to note is what sensor size you would use that with; full frame, 1.3x crop, 1.6x crop.)

And to try to avoid this being just another thread where various people list all the lenses in Canon's lineup, I would be very interested in why you would choose that particular lens for your needs.

Hope this is not another dreadful repetition. I couldn't find anything like this in regards to landscape photography.

- Alex

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Canon non-EF Lenses (TS-E, FD, etc.) / Re: Canon TS-E 24mm f/3.5L II
« on: January 01, 2015, 01:55:49 PM »
Is it possible to stack two 82mm circular filters (ND and Polarizer) on the TS-E 24mm f/3.5L II without vignetting when using the tilt/shift?

Yes, at least with my B+W filters.

Are those slim or regular filters?

F-Pro (regular) ND, slim CPL.

Great, thanks!

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Canon non-EF Lenses (TS-E, FD, etc.) / Re: Canon TS-E 24mm f/3.5L II
« on: January 01, 2015, 12:49:23 PM »
Is it possible to stack two 82mm circular filters (ND and Polarizer) on the TS-E 24mm f/3.5L II without vignetting when using the tilt/shift?

Yes, at least with my B+W filters.

Are those slim or regular filters?

4
Thanks everybody, you've been of great help.

I'm now pretty much set on going with the 70-300L. I decided that the extra reach is worth it, and I prefer a more compact lens over a slightly lighter one for carrying around in my backpack. Will try it without the collar first and see how it balances on my tripod.

Someone mentioned that they don't like this lens because it extends and have a variable aperture. I can understand that, but for my application and use I don't think it will be an issue.

Thanks again
- Alex

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Canon non-EF Lenses (TS-E, FD, etc.) / Re: Canon TS-E 24mm f/3.5L II
« on: December 31, 2014, 10:16:46 PM »
Is it possible to stack two 82mm circular filters (ND and Polarizer) on the TS-E 24mm f/3.5L II without vignetting when using the tilt/shift?

6
Thanks everyone for your replies.

First, I think I will eliminate the 70-200 F/4L USM from my list since it has no weather sealing. I also suspect the image quality is not on par with the IS version (please correct me if I'm wrong).

So, then it's the 70-200 F/4L IS USM and the 70-300 F/4-5.6L IS USM left to choose from. Reading the comments it seems the difference in image quality is so minor that I shouldn't worry about that, something which makes this decision a whole lot harder for me (I would just pick whichever has the better image quality).

70-300 advantages:
Longer reach
Slightly more compact

70-200 advantages:
Lighter
Less expensive
Constant aperture (not very important)
Does not extend (not very important)

All the time I've been leaning slightly towards the 70-300L, but I'm not sure exactly why. The extra reach and slight more compactness (for carrying the lens) are great pro's, but then again the 70-200 is a bit lighter and less expensive.

One of my concerns in regards to the 70-300 is if it's prone to zoom creeping, especially if the lens is tilted slightly up or down.

Secondly, I'm also thinking that if I get the 70-300L I need to purchase the optional tripod mount ring ($165) and a RRS plate ($55) for my tripod, but with the 70-200 I may get away without it. If that's the case then it puts the 70-300 at about $370 more total.

Regarding the extra reach, I've shot using a 70-200 F/2.8 on my 5D III several times, but never with anything at 300mm. I don't really know how much of a practical difference there is between 200 & 300mm and if it should be a major concern in regards to landscape photography.

Again, thank you all for your input and advice.

7
Hi guys

I'm trying to decide on a telezoom that I will be using for landscape photography.

I shoot on a tripod whenever possible, and mostly stopped down to the lens' optimal aperture. The lens will be with me in my backpack whenever I go out to photograph, so size and weight is also of concern. It will be used in foul weather so it must have weather sealing.

The lens will for now be used on a 5D Mark III and a 6D, but when Canon release their high resolution body I will most likely jump on that wagon.

Most important factors:
- Image quality, especially stopped down
- Resolution (for when I upgrade to the high resolution body that is rumored, but not sure if this really should be a concern)
- Weight and portability
- Weather sealing

Less important:
- Fast aperture
- Super quick auto focus
- Image stabilization (will be used on tripod in most cases)

So far I'm considering the 70-300 F/4-5.6L IS USM, 70-200 F/4L USM and 70-200 F/4L IS USM.

I don't have any first hand experience with either one of these, so I really don't know how they compare in terms of image quality, which is my main concern. The extra reach of the 70-300 is very tempting and the maximum aperture does not worry me. However if the 70-200 F/4L's provide better image quality then I would rather go for one of those.

So what do you guys think, pro's, con's for either one? Any other lens I maybe should consider?

Any input is greatly appreciated.

8
It seems that to get the time of day from anybody willing to pay for advertising photos, you must have a referral from somebody else who you've done commercial work for. It's a catch-22: you must have experience and a reputation to get a contract to gain experience and a reputation.

You have to do a job, or two, or three, for free.

Even pitching jobs for free may not be easy, and some may be sceptical. Be honest with your client, explain to them that you have years of experience by doing this as a hobby, but now you're working on turning it into a full time job and need to build a reputation/portfolio and that's the reason you're doing it for free. Most will understand this. Try to select your "free clients" by finding someone who may use your images several places like magazines, flyers, posters etc, and not just online.

Then when you later sit down with clients discussing paying jobs, you can say "Here's an example of a job I did recently..." and show them the website/poster/flyer/whatever where your pictures were used. Just don't mention to them that you've done things for free...

9
Lenses / Re: Downgrading my equipment - looking for advice
« on: May 22, 2013, 10:26:15 AM »
Thank you guys for the replys

I feel I should clarify about me falling down the stairs and hitting my head before I go any further. It has really nothing to do with why I am downgrading my equipment, it was my vague attempt to open with a joke on why I am taking this path rather than upgrading my gear. It was an accident not related to photography at all, and it doesn't really belong in this post. I apologize, my sense of humar is rather, special. But I'm fine now, tank you for your concern.

I realise I was unclear in my original post as to why I am doing this. The short answer is cost. I will try to clarify a little further.

I can't justiify to myself owning all this expensive gear when I only use it for what it's worth 1-3 times a year. It is great having one of the best camera bodies and some of the finest glass available at my disposal, but I know I don't really need it for what I am shooting, so I am looking to get by with cheaper equipment.

Size and weight has never been an issue for me, so I am definetly staying with the DSLR platform.

As one of the most significant things I shoot is for a local music festival I was thinking to concentrate my new, cheaper collection, around this. I have sort of already decided on a 1D Mark III, so that part is alright. But I am not sure about which lenses to get. I do want low light capability, so primes are my first thought. I have never really used prmes before except for my 50mm nifty-fifty. I am mainly looking for advice regarding the more affordable Canon primes, not excluding the 135mm f/2L as it is not too expensive to buy used. But the likes of 24 1.4, 35 1.4, 50 1.2, 85 1.2 etc are all out of the question due to price.

I know that for concerts I want something wide, and I want something for tighter shots close or equal to 200mm on full frame (135mm f/2L with 1D3?). I am thinking of keeping the 24-105 so I have at least one lens that is weather sealed. But other then that I am pretty clueless on which of the Canon non-L lenses to aim for.

I hope I managed to elaborate a bit better on what my goal is.

Again, thank you for your help.


-AlexB

10
Lenses / Downgrading my equipment - looking for advice
« on: May 21, 2013, 01:31:42 PM »
I fell down some stairs a few weeks ago and hit my head pretty bad. Now I'm in the process of reducing and downgrading my camera gear collection.

My issue is that I have all this great and expensive gear, but I feel that most of the time it's a complete overkill. I have come to realise that, while it's fun to have, I do not need all of this. Therefore I have decided to sell it and replace it with something more affordable which is "good enough".

I have already sold away most of my lenses (8-15, 16-35, 24-70, 70-200 and more), fortunately for about the same price as I purchased them for. I am now left with my 5D mark III and a 24-105mm F/4. The 5D will be gone within the week as I already have a buyer for it. I haven't decided if I'm going to keep the 24-105mm yet.

My plan is to spend the money I get for the 5D III to purchase my "new collection". I already know I want a 7D or a 1D mark III (I have owned both before), but I am not so sure about which lenses to get. I am going to get mainly primes as I want the low light capability for the few times a year I photograph concerts/festivals. I'm planning to purchase most if not all of the gear 2nd hand.

I am not too familiar with Canon's non-L lineup and I am looking for advice on which lenses I should look for and which I should keep away from, if there are any "underdog" lenses that I must have, etc... I am also looking on advice regarding purchasing a 135mm f/2L USM & 200mm f/2.8L II USM vs a similar non-L counterpart.

So here's what I'm thinking:
- Body: 1D mark III or 7D (have owned both before, so I know what I get)
- Wide-angle: Tokina 11-16 f/2.8 (don't see any other options here as I don't want the slower Canon)
- Normal: 50mm f/1.4 (other suggestions?)
- Medium tele: 85 f/1.8, 100 f/2 or 135 f/2L (not sure where to place myself here, suggestions / recommendations?)
- Tele: 200mm f/2.8L II (any other options?)

Regarding focal lenghts and what I use most: When I were shooting with zooms I was all over the place. However I do especially like the 200mm end of a 70-200. I am also fond of the wide angle end of a 24mm on full frame. All in between is based on need. The concerts I shoot normally have quite large pits, and is not of the indoor club type where you have to crouch down on one knee to avoid blocking the view for the audience. I am going to base my selection mainly on what I need for concers as I figure if I can fullfill that I can probably make due with that gear for the rest of my photography.

Any help / advice is greatly appreciated


- AlexB

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EOS Bodies - For Video / Re: Problems with Canon mk3 locking up
« on: September 11, 2012, 11:49:47 AM »
Sorry to hear about your lockup issue, but very glad that you have made a post about it here.

I just ran a test on my 5D3 and had no problems going through the whole 29 minutes 59 seconds cycle before I got a message that video recording was auto cancelled.

I recorded in ALL-I, 1920x1080p, 24 fps, manual mode 1/50, f/4, ISO5000. Recorded to CF card type Sandisk Extreme 16gb, 60mb/s. I don't have any 32gb card to use for testing.

Camera was stationary the whole time on my desk pointed towards my NAS, so the only movement in the image was a small blinking LED.

I will try another test later with movement in the picture to see if it makes any difference.

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EOS Bodies / Re: Your Canon EOS 5D Mark III user tips
« on: August 23, 2012, 06:19:34 PM »
Long time reader, first time poster here. Might aswell try to make it something constructive and hopefully helpful.

My tip: AE lock & Hold

I normally shoot in manual mode, but sometimes it happends that I wander into the lands of Av.

My problem with Av (and any other auto-exposure functions) is that whenever there is a big variation in the amount of light on your subject and on the surrounding scene and background, it tends to either get overexposed or underexposed. Now I can always go in and use exposure compensation, and I will in most cases do that before I even take the first shot judging by the scene. Sometimes I'll go bingo and other times I'll take another shot.

With the 5D Mark III came a rather interesting feature - AE lock and Hold.

Like the normal AE lock function it will lock your exposure, Very handy to use with spot metering in the situation I described above. But unlike it, there is no auto cancel after a set period of time or after the shot is taken. It will simply lock your exposure untill you press the button again and unlock it. Fancy, eh?

The function can be set in the custom controls panel.

Video explaining it:
http://youtu.be/DY5LPX52d70

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