May 25, 2013, 04:57:33 PM

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Messages - smithy

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16
Software & Accessories / Re: Adobe to Stop Making Packaged Software
« on: May 13, 2013, 04:32:32 PM »
From what I've read since this little side topic began, I'm convinced that using my wife's student version of CS6 Design Premium on a shared household computer is legal and not a form of 'piracy'.

After checking Adobe's rules on educational use, I've found that they are even more relaxed than they were 5 years ago when I bought CS4.  As mentioned by someone else, you can now use the student version for commercial purposes (this was expressly forbidden in CS4), you can install it on 2 computers (used to be 1), and you can upgrade it.  It also clearly states that you can continue to use the student versions after you've finished your time as a student.

Another point is that you don't need to have an educational requirement for one of their products in order to purchase (e.g., you don't have to be a photography student to buy Photoshop - just a student).

Still, I'm glad 'Meh' made me explore the legalities further, and now I can sleep easier.

17
Software & Accessories / Re: Adobe to Stop Making Packaged Software
« on: May 13, 2013, 09:58:25 AM »
Hmm... in 2008 I bought CS4 Design Premium for around $400 (as a student).  I still use it five years on.

With the new CC subscription, the cost of ownership by now would have been around $1800.  If I had remained a student from 2008 until now it would have cost me $720 (they offer 60% discount for students).  But I was only a student for one year (mid-life crisis), meaning the price from then until now would have been $1584.

I know which model I prefer.

As a side note: to those that had CS4, but now use CS6, are there many improvements between the two versions?  If there's enough incentive, I'll just buy a student copy of CS6 DP while I still can (my wife's now the student)... it's still $400...

Having your wife buy PS at the student price for you, who is not a student, is essentially pirating the software.  If you're willing to pirate the software part way, why not just go all the way and download it from the net for free.
Honestly?  So you're saying that if you came to my house and logged onto my computer and used my student copy of CS4, which I purchased LEGITIMATELY, you are pirating the software?  My wife and I live in the same house and share the same computer... I have the license for Windows 7 and Office on my computer, but my wife also uses that software - is she pirating from Microsoft now?  I think you've got it really quite wrong.

18
Software & Accessories / Re: Adobe to Stop Making Packaged Software
« on: May 13, 2013, 07:14:40 AM »
Hmm... in 2008 I bought CS4 Design Premium for around $400 (as a student).  I still use it five years on.

With the new CC subscription, the cost of ownership by now would have been around $1800.  If I had remained a student from 2008 until now it would have cost me $720 (they offer 60% discount for students).  But I was only a student for one year (mid-life crisis), meaning the price from then until now would have been $1584.

I know which model I prefer.

As a side note: to those that had CS4, but now use CS6, are there many improvements between the two versions?  If there's enough incentive, I'll just buy a student copy of CS6 DP while I still can (my wife's now the student)... it's still $400...

19
Interesting. I just tried my 70-200 Mk II 2.8 with my YN622c output AF assist trigger and it's definitely faster too. Used to get focus lock confirmation in 1 to 1.5 second range in a totally dark room, now it's half a second or so.

My 24-70 Mk II 2.8 is a bit faster as well. Previously locked in the .5 to 1 second range (usually closer to the half second, now it's in the bit less than half a second range.

Both of them, in short, feel snappier - the 70-200 more than the 24-70 - when using the YN622c AF assist beam capability.
+1

I jumped in the deep end the other day and did a shoot using my FW 1.2.1 5D3 with YN622c/YN568EX (plus two studio strobes), and it worked really, really well.  My 24-70 (Mark I) 'seemed' to focus faster and more reliably.  There was hardly an out-of-focus shot in the entire batch, and the shooting took place in very low light with a fast-wriggling subject.

20
Hard to not love the lens when it produces images like this  8)
I think you give the lens too much credit here.  You clearly have photographic and post-processing talent (don't let it go to your head), so I'm sure you could've achieved the same thing with a different lens.  :)

IMHO, compositionally the top of this image is distracting - I can't stop looking at the leaves at the top.   I'd suggest that you consider a landscape crop of the lower section containing the flowers.  (Sorry I spend far too much time critiquing photos).

21
Lenses / Re: Lens Not Focusing
« on: May 11, 2013, 08:04:59 PM »
It's an interesting problem.  I'd recommend simply sending it to Canon for repair.

During a location shoot about a week and a half ago, my 50/1.8 started malfunctioning... again, it was a focus issue.  It was 'missing' focus on every shot.  Luckily my client (and subject) is a photography teacher and knew that gear sometimes failed.  I changed to my 24-70mm/2.8 and got the shots I needed, in perfect focus, so everything was fine in that regard.

I won't be repairing the 50mm.  I bought it during a trip to the US in 2004 (from B&H), and it has served me well.  Now, if only Sigma would release a new 50mm Art Series lens, I'd be a happy chappy.

22
Technical Support / Re: Which RAW processing software do you use?
« on: May 04, 2013, 08:20:34 PM »
DPP+Photoshop CS4.

Prior to owning the 5D3 I used Bridge CS4+Photoshop CS4, but Adobe doesn't update the Camera RAW plugin for older Creative Suites, hence DPP.

23
Heh, it appears that this firmware has been on Canon New Zealand's website since 18 April... I should have checked earlier, but I had a bunch of paid shoots to do and it wasn't the right time to mess around with firmware.

24
The rock on the right hand side of the image bothers me.  Damn nature, getting in the way of aesthetics.

25
EOS Bodies - For Stills / Re: 5D 3 sales
« on: April 11, 2013, 06:34:10 PM »
I got my 5D3's for 3000$ and 2499$. This was little over 6 months into the release and I'm glad I waited for a good deal. The 5D3 is nearly the perfect camera for me, and currently see possibly never upgrading.
I paid about $4450 for my 5D3 body, and it's awesome.  It needs a couple of minor improvements but nothing that firmware couldn't fix.

26
Reviews / Re: Most Objective and Less Objective REVIEWER?
« on: April 08, 2013, 09:03:48 PM »
I'd have to agree overall really good but he is a bit brutal on 3rd partys
It was The Digital Picture's review of the Sigma 85mm f/1.4 lens that convinced me to go ahead and buy one (and as you know it's awesome).  Perhaps the reason he is a bit harsher on third party lenses is because of what he says at the bottom of that particular review, meaning these lenses need to justify their value proposition beyond mere image quality:
Quote
My standard disclaimer: There are some potential issues with third party lenses. Since Sigma reverse engineers (vs. licenses) manufacturer AF routines, there is always the possibility that a DSLR body might not support a (likely older) third party lens. Sometimes a lens can be made compatible by the manufacturer, sometimes not. There is also the risk of a problem that results in the lens and body manufacturers directing blame at each other.

27
I thought about buying a kit but i got a very good deal for a 2 month old 6D body.
But now i need a good standard zoom for my new FF camera.
So what is the best choice for best quality at the short end?
1000 euro maximum.
You want the best quality standard zoom? A few posts have suggested a 24-70 f/2.8 series-1. Right zoom range....wrong lens. While good copies of this lens are known to exist, most of them are mongrels. I had five over a number of years. Avoid them. They highly likely to disappoint.

You've got yourself a great body, so back it up with a truly phenomenal lens, the new 24-70 f/2.8II. Everything positive you have read about this lens is true. As I mentioned on another thread, photographers including myself are disposing of L primes in the 24-70 zoom range...the new zoom makes them obsolete. It's just that good.

-PW
But where can you get one for less than 1000 Euros?

28
I would consider the 24-70 2.8L.  You should be able to find one for ~ $1000.  If I could only have one lens and could not afford the II, this is the one I would get.  It may not be quite as sharp as the new version, but it is a great lens.  I use mine all of the time and get fantastic results.
+1.  This is exactly what I was about to post.  Although if you could find a 16-35mm for $1000 or less then that would also be worth considering if landscape is going to be your main interest.

29
EOS Bodies / Re: Canon 5D MK3 or 6D Replacements... when?
« on: April 05, 2013, 06:11:44 AM »
Save yourself some pain and buy a 5D3 now.  Otherwise you'll chew your fingernails off every time Canon makes an announcement for the next 2-3 years.

30
Speedlites, Printers, Accessories / Re: need advise on what speedlite?
« on: March 21, 2013, 06:23:14 AM »
The YN's do have an annoying powersaver feature, but it's manageable.

I am thinking about augmenting my two 580exII's with a couple of YN-560 or YN-568ex2 combined with my YN-602 and 622c's and get rid of my old Nikon SB-28's for background.

- What is the issue with the sleep-mode with the YN's?
The issue I have with sleep mode on my YN-568ex is that when it goes to sleep, you have to fire a shot first before it wakes up.  So you miss the first shot.
The wake-up can happen from the camera position though, right? You don't need to physically touch the flash, correct?
That's correct - I never have to physically touch the flash.  But then you need to consider that I'm not leaving them for more than 10-15 minutes, so I haven't experienced a 'deep' sleep like the type that Chris Burch has described.  Or maybe that issue has been resolved with the 568ex?

BTW, the 622c is an excellent trigger - amazing really when you consider the price.  I was using a Pixel branded trigger before, and couldn't get a shutter sync faster than 1/125th (on my 5D3).  With the 622c I can sync at 1/200th easily and with HSS have shot at 1/2000th.

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