Canon Announces the Canon RF 14mm f/1.4L VCM

Richard Cox
13 Min Read

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This is certainly the lens that astrophotography landscape photographers have been waiting for Canon to make, as today Canon has announced the Canon RF 14mm f/1.4L VCM. This lens is the latest in the lineup of Canon’s f/1.4 L series VCM lenses that feature the Voice Coil Motor for extremely fast autofocus suitable for both video and stills photography.

This VCM includes the 85, 50, 35, 24, 20, and now the 14mm. With an extremely fast aperture of f/1.4 – this is the fastest 14mm available today. Canon certainly knows how to flex.

Unlike the other VCM lenses, this lens also supports rear filters, making it simpler to use filters with the 14mm field of view. The lens, like the others, is weathersealed with Fluorine coatings on the front and rear elements to ease in keeping the lens clean.

This lens is approximately the same size as the other VCM lenses at a lens length of 109mm (it has a built-in lens hood) and weighs in at 475 grams. This is similar in size and weight to the other VCM lenses, which have all strived to maintain the same weight and size for easier lens swapping on gimbals and rigs.

The declickable aperture dial is usable on newer Canon professional and prosumer camera bodies; otherwise, you leave it on the “A” automatic setting and control the aperture through the camera, as you do with other EOS-mount lenses.

The Canon RF 14mm f/1.4L VCM also includes a custom control ring and a function button to round out its impressive suite of features in a small package.

Canon RF 14mm f/1.4L VCM Key Features

  • Full-Frame | f/1.4 to f/16
  • Ultra-Wide Hybrid Lens for Photo & Video
  • Voice Coil Motor + Nano USM AF System
  • De-Clickable, Manual Aperture Ring
  • Custom Control Ring and Function Button
  • BR, Fluorite, UD, & Aspherical Elements
  • Super Spectra, SWC and ASC Coatings
  • Rounded 11-Blade Diaphragm
  • Weather-Sealed Design & Fluorine Coating
  • Built-In Lens Hood, Rear Gel Filter Slot

Pre-Order

I think it’s really safe to say that Canon coming out with the fastest super wide-angle lens in the mirrorless realm is going to be a huge hit. So this is certainly a lens that you’ll want to preorder as quickly as possible, or be prepared to wait until the heat death of the universe to acquire.

Lens Construction and MTF

It’s not often we get a cut-in-half image of a new lens, instead of simply the lens optical diagram that comes out with the lens announcement, and it’s very quickly apparent why this lens carries with it the price tag that it does, as it’s an extremely complicated element design.

There are limited lenses that are as wide and fast as the Canon RF 14mm f/1.4L VCM – the only one I can think of is the Sigma 14mm F1.4 DG DN Art, but it’s a monster of a lens made for EF mount and adapted for mirrorless mount cameras. The sigma lens is 1160g, and with a diameter of 101mm and a lens length of 150mm, the Canon 14mm is impressively compact. Sigma and Sony both make smaller 14mm f/1.8 lenses, but nothing to match the speed of Canon’s newest VCM lens.

As far as the elements, Canon threw in all its tech to make this lens, including three elements that have air sphere coatings and subwavelength coatings, three glass molded apherical optical elements, and 5 UD elements. Just to round it out, there’s a BR element in there, too, to control chromatic aberrations.

I honestly don’t think we can marvel at this enough. This lens is a modern optical engineering accomplishment for its size, weight, and aperture speed, and now we talk about its MTF, which is where you see where Canon really flexed its optical engineering muscle.

This MTF diagram, assuming that Canon’s quality assurance matches it, is extremely impressive, with contrast near perfect across the entire field of view, and resolution exceptional across the entire frame. As well, coma looks reasonably controlled as well.

I remember when Canon released the EF 14mm f/2.8 and was roundly trounced by the Nikkor 14-28 f/2.8 zoom lens in terms of optical performance. Those days are long over, and this lens shows that Canon, unlike in past eras, can create ultra wide angles without peer.

Press Release

Canon Continues Wide Angle Optical Excellence with Launch of RF7-14mm F2.8-3.5 L Fisheye STM Zoom Lens and RF14mm F1.4 L VCM Prime Lens

MELVILLE, N.Y., February 4, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and the RF14mm F1.4 L VCM prime lens. Building on Canon’s legacy of innovative optics, these new RF-mount lenses expand the diverse lineup for professional photographers, videographers, and hybrid creators. The RF7-14mm F2.8-3.5 L Fisheye STM zoom lens introduces the world’s widest angle zoom lens1 with a 190° field of view, ideal for dynamic fisheye imagery in sports, landscapes, and virtual reality. The RF14mm F1.4 L VCM prime lens delivers Canon’s brightest ultra-wide1 angle interchangeable lens ever produced, a 14mm lens with a bright f/1.4 aperture, perfect for astro, architecture, and video applications.

Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens redefines versatility in ultra-wide angle fisheye imaging. Continuing the heritage of the groundbreaking EF 8-15mm f/4L Fisheye USM, the world’s first fisheye zoom lens2, this new RF lens pushes boundaries further for professionals seeking impactful, distorted perspectives. It supports a wide range of unique use cases including sports, landscapes, starscapes, video, and virtual reality.

Key features include:

  • Canon’s widest single lens3 with a maximum 190° field of view, achieving both circular 190° fisheye at 7mm (wide), and diagonal 180° fisheye at 14mm (telephoto), with its’ 7-14mm zoom range.
  • Variable maximum aperture of f/2.8 at 7mm (wide) and f/3.5 at 14mm (telephoto), brighter than its EF predecessor for enhanced low-light performance and background separation.
  • Built-in support of Canon EF-to-EOS R mount adapter drop-in filters (Clear, CPL, Variable ND) plus Lens Lock/Limit, Lens Function button and Control Ring.
  • High image quality with 5 UD lens elements, 2 replica aspheric lenses, and Air Sphere Coating (ASC) applied in 3 locations to reduce ghosting.
  • Leadscrew-type STM focus drive with position sensors for smooth, video-capable operation and reduced focus breathing (0.4% at wide, 1.5% at tele).
  • Fisheye images shot with the RF7-14mm F2.8-3.5 L STM zoom lens can be converted using Canon EOS VR Utility for viewing on a PC or head-mounted display. Conversion of 2D VR images is possible with cameras such as: EOS R5C, EOS R5 Mark II, EOS R5, EOS R6 Mark II.
  • This lens appeals to professional photographers and videographers seeking dynamic imagery and VR studios desiring a lens for monoscopic shooting, offering wider angle zoom, brighter aperture, and more video capabilities than the EF 8-15mm.

The Canon RF14mm F1.4 L VCM prime lens empowers professional photographers, and hybrid creators with Canon’s brightest ultra-wide-angle interchangeable lens ever produced, an extremely compact and lightweight ultra-wide lens with incredible optical performance. Updating the legacy of the EF 14mm f/2.8L II USM, this lens provides ultra-wide angle views with a fast f/1.4 aperture and controlled distortion and rectilinear characteristics from the center to image. It’s designed for pro still photographers capturing landscape, astro, and starscape imagery, as well as architectural and real estate shooters, and videographers and time-lapse creators.

Key features include:

  • Canon’s brightest ultra-wide-angle (14mm) interchangeable lens for hybrid Photo / Video use.
  • Ultra-wide 14mm prime with f/1.4 aperture for outstanding low-light performance and background separation, brighter aperture than the EF 14mm f/2.8. Dual VCM (Voice Coil Motor) focusing for fast, precise autofocus in photo and video, with reduced focus breathing (3.0%, or 2.3% up to f/20).
  • Compact and light weight at 4.4” (L) x 3.0” (D) and just 1.27lbs, providing a similar size, weight and design complimenting the comprehensive F1.4 L-series lens series (RF20mm/24mm/35mm/50mm/85mm F1.4 L VCM lenses).
  • Amazing optics for high image quality and sharp rendering of point light sources with Canon’s first Fluorite element in an ultra-wide-angle lens, and featuring BR Optics, 1 UD lens, and 3 GMo aspheric lenses, plus Sub-wavelength coating in 1 location and Air Sphere coating in 2 for minimized ghosting.
  • 11-blade aperture for smooth, circular bokeh.
  • Iris ring compatible with EOS R1, EOS R5 Mark II, and EOS R6 Mark III cameras; plus Lens Function button and Control Ring.

Availability

The Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and RF14mm F1.4 L VCM prime lens are currently expected to be available by the end of February 2026, for estimated retail prices of $1,899.00 and $2,599.00 respectively4. For more information about Canon’s latest innovations and products, please visit www.usa.canon.com.

1 As of February 3, 2026 according to Canon data

2 As of August 23, 2010 according to Canon data

3 Among full-frame lenses manufactured by Canon with a focal length wider than 20mm

4 Specifications, availability and prices are subject to change without notice.

Specifications

Principal specifications
Lens typePrime lens
Max Format size35mm FF
Focal length14 mm
Image stabilizationNo
Lens mountCanon RF, Canon RF-S
Aperture
Maximum apertureF1.4
Minimum apertureF16
Aperture ringYes
Number of diaphragm blades11
Optics
Elements18
Groups13
Special elements / coatings1 flourite, 1 UD, 1 BR, 3 aspheric, SWC, ASC, flourine coatings
Focus
Minimum focus0.24 m (9.45″)
Maximum magnification0.11×
AutofocusYes
Motor typeLinear Motor
Focus methodInternal
Distance scaleNo
DoF scaleNo
Physical
Weight578 g (1.27 lb)
Diameter77 mm (3.03″)
Length112 mm (4.41″)
SealingYes
ColourBlack
Filter notesSlot for rear gelatin filters
Hood suppliedYes
Hood product code14B
Tripod collarNo

Pre-Order

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Richard has been using Canon cameras since the 1990s, with his first being the now legendary EOS-3. Since then, Richard has continued to use Canon cameras and now focuses mostly on the genre of infrared photography.

20 comments

  1. RF 14mm f/1.4L VCM preordered at 11:03 PM EST. Right at 11p the top banner on the B&H site changed to show the new lenses, but the Preorder button just delivered a generic search for 'canon-lenses' and even searching for 'Canon 14mm' did not bring up the lens. A minute later the email from B&H hit my inbox, and the preorder button in that worked properly.

    Screenshot 2026-02-04 at 11.04.07 PM.png
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  2. As Richard points out in the article, that's a lot of glass inside the barrel, including fluorite and some 'blue goo'.

    The surprising thing to me is the end of February availability date, sooner than I had expected.
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  3. I'm excited to acquire the 14mm to complement my RF 24L which I've been quite happy with. Sold my Sigma 14mm nearly 2 years ago in aniticipation for this lens. The price is steep but it was expected and will be worth it when it goes on a sale. I'm thrilled to see it maintain similar dimensions to the RF 10-20L.
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  4. Comparing the new fisheye vs the EF8-15mm... it looks like about the same length as the adapted EF version which would account for including the filter options.
    4.4” long vs EF 3.3" + 0.9" adapter if my non-metric is correct.
    Same weight (unadapted) though so saving the adapter weight.

    Would you use the circular polariser drop in filter with a fisheye? I've never tried it.
    The variable NF filter is normally problematic for wide angled but this would be next level.

    Nice to add 11 blades vs 7 for the EF version.

    My EF8-15/4 does suffer from bad CA around the outside so I normally have to circular crop part of the field of view as I can't correct it. Hopefully the new one is better.
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  5. I don't shoot Canon anymore and don't really care that much but why would someone spend nearly 3k on this lens when the old sigma version is almost certainly as good. Astro isn't exactly a run and gun genre. It's almost always planned, with a car, on a tripod. Native mount and smaller size doesn't really do much for you here. IDK I'm sure people will defend it but yeah.
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  6. I don't shoot Canon anymore and don't really care that much but why would someone spend nearly 3k on this lens when the old sigma version is almost certainly as good. Astro isn't exactly a run and gun genre. It's almost always planned, with a car, on a tripod. Native mount and smaller size doesn't really do much for you here. IDK I'm sure people will defend it but yeah.
    There are plenty of scenarios where you can't use a tripod or it isn't practical to do so. For example, I'm a pilot and for cockpit photos during low light I absolutely need f/1.4 handheld. Using the 24 f/1.4L now as my widest option, the performance and quality differences between f/1.4 and my 14-35 f/4L is absolutely tremendous. I for one will need this lens for my type of shooting and it will be phenomenal for astro. I actually may sell my RF 10-20 now and just stick with a 14L/24L/24-105L combo for travel.
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  7. I don't shoot Canon anymore and don't really care that much but why would someone spend nearly 3k on this lens when the old sigma version is almost certainly as good. Astro isn't exactly a run and gun genre. It's almost always planned, with a car, on a tripod. Native mount and smaller size doesn't really do much for you here. IDK I'm sure people will defend it but yeah.
    The Sigma Art DG DN 14mm f/1.4 isn't available for Canon (in EF or RF mounts) – it's just not an option for Canon shooters.

    Sigma makes an older 14mm f/1.8 that is available in EF mount. But of course, as good as f/1.8 is, it isn't f/1.4, so we can't compare price directly. There may be other technical differences in terms of AF performance, weather sealing, size & weight as you noted, and so on that also matter to some people in some circumstances... we'll have to see how this new lens reviews first.
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  8. I don't shoot Canon anymore and don't really care that much but why would someone spend nearly 3k on this lens when the old sigma version is almost certainly as good. Astro isn't exactly a run and gun genre. It's almost always planned, with a car, on a tripod. Native mount and smaller size doesn't really do much for you here. IDK I'm sure people will defend it but yeah.

    The sigma 14/1.4 was never out in the EF mount. Only the 14/1.8 was released for the EF mount, and it's not even available anymore. Do you propose to take a time machine back and purchase one?

    Not to mention that this simply is not "just" an astro lens

    But using your astro example, in many cases, you need to hike to your location. I'm sure a few people wouldn't mind shaving bulk and weight off their kit if it even was available, or the poor disadvantaged person decided to use the sigma 14/1.4 with a Sony camera.
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  9. we're ignoring that for now. Craig is going to write that one up because he doesn't trust me to do so 😉

    I have to really dive into how the "twill front ring" will change everything.
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  10. I'm excited to acquire the 14mm to complement my RF 24L which I've been quite happy with. Sold my Sigma 14mm nearly 2 years ago in aniticipation for this lens. The price is steep but it was expected and will be worth it when it goes on a sale. I'm thrilled to see it maintain similar dimensions to the RF 10-20L.
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  11. I think the RF 14mm is the lens I had been holding out for several years ago, but ended up getting the RF 15-35mm. I only ever used it for landscape and a bit of astrophotography when I could. I'm currently planning to sell the 15-35mm and use it to subsidize the 14mm. Outside of it being a zoom lens, is there any advantage of the 15-35mm over the 14mm that I may be over looking?
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