Canon officially announces the EOS R1 and EOS R5 Mark II

Craig
5 Min Read

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MELVILLE, N.Y., July 17, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today launched two new professional full-frame mirrorless cameras, the EOS R1 and EOS R5 Mark II. The EOS R1 camera is designed for both professional still photographers and video creators in a wide range of fields including sports, news reporting and high-end video production. The EOS R5 Mark II camera features improved video focused features for the advanced creators and real-time multi recognition tracking system for those who focus on still photography.

Preorder the Canon EOS R1 and Canon EOS R5 Mark II

Canon EOS R1

Canon EOS R5 Mark II

Canon EOS R1 Camera is “Ahead of the Game”

Canon’s EOS 1-series legacy continues with the unveiling of the flagship EOS R1 camera. This high-performance, reliable, and weather-resistance camera is designed for professionals in the photojournalism, sports and wildlife fields. Key features of the EOS R1 camera include:

  • Back-illuminated stacked 24.2 megapixel full-frame sensor and new processing system for extremely fast reading
  • Increased read-out speed, reducing “rolling shutter” distortions
  • Still-image shooting speeds up to 40fps
  • “Cross-type AF” imaging sensor for more positive focus on subjects with linear detail
  • Strong video capabilities, up to 4K (also 6K RAW video options)

Canon EOS R5 Mark II Camera helps users “Master the Moment”

For the professional who demands high-quality still and video output, the EOS R5 Mark II camera is ready to deliver. Designed with performance and image quality at its core, the EOS R5 Mark II camera offers the fundamental elements in one package for sports/wildlife photographers, journalists/producers, video producers and visual creators. Key features of the EOS R5 Mark II camera include:

  • Back-illuminated stacked 45 megapixel full-frame sensor and new processing system for extremely fast reading
  • When compared to previous EOS R camera models, more advanced and powerful AF system including Eye Control AF and new subject tracking technologies
  • Cinema EOS video features such as:
    • Custom Picture color profile including Canon Log 2
    • False Color Wave Form Monitor
    • 4CH Audio with 24bit LPCM
    • Pre-recording up to 5 seconds

Accessories for the EOS R5 Mark II camera were designed thoughtfully with the end-user in mind. There is a new, more powerful battery. The LP-E6P battery, when compared to previous battery versions, features higher continuous power and two-times the amperage. Optional battery grips were also thoughtfully designed, and there are three options:

  • BG-R20– For vertical operability
  • BG-R20EP with Ethernet – Port enables high-speed wired communication
  • CF-R20EP with Cooling Fan and Ethernet – Cooling fan helps maximize movie performance

Both cameras feature the new DIGIC Accelerator, which is an addition to the DIGIC X processor. The DIGIC Accelerator assists with deep learning processing which helps to quickly analyze large volumes of data and supports the next-gen AF system, Dual Pixel Intelligent AF. Dual Pixel Intelligent AF is based on Accelerated Capture and deep learning, allowing end-users to experience tracking advancements, such as body, joint and head area estimation and focus on people other than the main subject.

Price and Availability

The Canon EOS R1 camera is expected to be available in the Fall of 2024, for an estimated retail price of $6,299.00*. The Canon EOS R5 Mark II camera is expected to be available in August 2024, for an estimated retail price of $4,299.00* for the camera body only. The EOS R5 Mark II camera kit, which will include the RF24-105mm F4 L IS USM lens, will have an estimated retail price of $5,399.00*. The estimated retail prices for the optional battery grips are:

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Craig is the founder and editorial director for Canon Rumors. He has been writing about all things Canon for more than 17 years. When he's not writing, you can find him shooting professional basketball and travelling the world looking for the next wildlife adventure. The Canon EOS R1 is his camera of choice.

236 comments

  1. Ok. Time for the moaners to bitxh 24MP/45MP is not enough for them
    Oh man, 24/45MP is not enough for me 😈 Not that I would ever be able to afford any of these, but now I don`t even want to be able to afford them.
  2. Both cameras sound very good. I pre-ordered both. Having x-type AF on the R1 is going to be a huge improvement in AF capability vs. the R3.
    The R3 is already excellent, but any improvement is always good. The bigger problem I have with AF on the R3, is when the tracked object goes behind another object, but that's an AI issue, not physical AF.
  3. For those that are interested the flash sync speed for the R1 is 1/320 and for the R5 Mk2 it is 1/160 when using the electronic shutter. Taken from the Canon Japan website.
  4. For those that are interested the flash sync speed for the R1 is 1/320 and for the R5 Mk2 it is 1/160 when using the electronic shutter. Taken from the Canon Japan website.
    Canon Europe lists the R1 at 1/400 s with electronic shutter, 1/320 s with EFCS.
  5. Only 12 bits per RGB colour channel and NO Sonar/Lidar/RF Z-axis Depth channel value for every pixel?

    Canon is soooooooooooo DOOOOOOOOOOOOOOMMMED !!!!

    Apple is about to eat their lunch!

    V
  6. Both cameras sound very good. I pre-ordered both. Having x-type AF on the R1 is going to be a huge improvement in AF capability vs. the R3
    My R3 does not miss a a frame when locked on, so I don't get the "huge" improvement comment.
  7. Is it me or Canon R5 mk2 is more of a flagship Camera than the R1 have to say I’m impressed with R5mk2 and it is basically what I needed but definitely canon needs a camera that can compete with fx3.
    I would like to see a camera with r1 sensor and R5 mk2 body with smaller sensor in that body I presume the overheating would be avoided. The numbers for 4K120 on the R5 mk2 are not that great even with the cooling grip. That is my only disappointment especially since it seams that it’s not oversampled 120k. For some reason canon struggles with 120k even the c400 can’t do it oversampled.
    The R1 is a great agency camera but considering how great R3 is it definitely doesn’t seams that it made a big enough gap between them considering how big the price gap is.
  8. The R5 II is the more exciting camera here, and more versatile. The R1 will dominate the press galleries of sports and media events but there isn't much reason to need it outside of those niches.
  9. So disappointed in Canon, so far behind the game in Megapixels.

    An overlay in photoshop of two images, 1 taken on a 5DSR the 2nd on a 5DIV, both images used the same 600mm F/4 lens.
    I had to upscale the 5DIV image by 34% to overlay perfectly with the same image taken on the 5DS.
    So in the real world this shows me for my 5dIV to have the same subject size I would need a 800mm lens on the 5DIV to match that of the 600mm lens on the 5DS.
    From this point of view Megapixels very much matter with lens costs so high.

    I think this has done it for me, I held back for a long time for this release hoping the R5 II would break the 50mp barrier in order to replace my 5DSR, I would have pre-ordered the camera today if it had.

    Now I have decided after 30 years of only using and owning Canon I will make the leap to mirrorless with Sony, the Sony Alpha a7R V a 2 year old camera with a 62.5MP sensor and capable of 10FPS RAW, are you hearing this Canon?

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