can anyone share a basic easy multicam video set up with 5d3s?

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cayenne said:
Cgdillan said:
Oh! and i would definitely shoot IPB

Why IPB rather than ALI?

I've shot with both and have found that ALL-I is not any better in terms of quality, but is only better for editing, and only if you edit with the raw footage and don't do any transcode or conversion. If you do transcode the for editing, then save the space on your memory card if your shooting a long day and use IBP. I have found ALL-I doesn't help color correction and actually has more artifacts than IBP. If you are editing in FCP X or Premier, and only use the the h.264 footage for editing out of camera, then ALL-I will be more friendly for editing - for the most part the only benefit, which is great for come people. Someone else's opinion may differ from mine, but that is just my experience.
 
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Cgdillan said:
cayenne said:
Cgdillan said:
Oh! and i would definitely shoot IPB

Why IPB rather than ALI?

I've shot with both and have found that ALL-I is not any better in terms of quality, but is only better for editing, and only if you edit with the raw footage and don't do any transcode or conversion. If you do transcode the for editing, then save the space on your memory card if your shooting a long day and use IBP. I have found ALL-I doesn't help color correction and actually has more artifacts than IBP. If you are editing in FCP X or Premier, and only use the the h.264 footage for editing out of camera, then ALL-I will be more friendly for editing - for the most part the only benefit, which is great for come people. Someone else's opinion may differ from mine, but that is just my experience.

Hmm....well, I just dump my 'raw' footage from the camera into FCPX and try to do roundtrip with Davinci Resolve Lite. I don't do any transcoding.

On one thread on the forums here, I'd found that you didn't need to transcode anything before using FCPX (I believe it was Axelrod that told me about that).

So, if doing it the way I do it...ALI-I is the way to go?

C
 
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cayenne said:
Cgdillan said:
cayenne said:
Cgdillan said:
Oh! and i would definitely shoot IPB

Why IPB rather than ALI?

I've shot with both and have found that ALL-I is not any better in terms of quality, but is only better for editing, and only if you edit with the raw footage and don't do any transcode or conversion. If you do transcode the for editing, then save the space on your memory card if your shooting a long day and use IBP. I have found ALL-I doesn't help color correction and actually has more artifacts than IBP. If you are editing in FCP X or Premier, and only use the the h.264 footage for editing out of camera, then ALL-I will be more friendly for editing - for the most part the only benefit, which is great for come people. Someone else's opinion may differ from mine, but that is just my experience.

Hmm....well, I just dump my 'raw' footage from the camera into FCPX and try to do roundtrip with Davinci Resolve Lite. I don't do any transcoding.

On one thread on the forums here, I'd found that you didn't need to transcode anything before using FCPX (I believe it was Axelrod that told me about that).

So, if doing it the way I do it...ALI-I is the way to go?

C

Exactly, you technically don't need to transcode, but if you do, then rending is faster and final export is faster. So it's really just opinion based. I prefer IPB to save space on cards for long days of shooting (I primarily shoot weddings = long days and lots of footage) that way I only need 1/3rd the number of cards. but then I put the time in for transcoding.. So it goes both ways and just depends on where you want to invest.

I think shooting IPB for long events and long "uncontrolled" shoots is best to save you card space.

I think ALL-I is better for shorter and controlled shoots to save time in post.

I've noticed just a couple more artifacts in ALL-I so I always use IPB and just deal with the transcoding time so I can be editing in FCPs "true" native format.

And again neither way is wrong. It's all just about preference.
 
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Why are you answering this thread if you do not know? lol

Are you one of those people calling your self professional because you got a expensive camera with time code you never use or need to synchronize anything for film or TV?, well let me tell you that its not a thrill to work for other people unless you love it and do what you like, if you are told what to do its not at all fun, why the hell wanna be professional exists beats me, but whatever we all did this before i guess.

Listen the 5dmkiii dos have a problem with time code, any changes you make to it are un responsive unless you shut off the camera and turn it back on, this is another bug on canons part, why we have to wait until april for a update is just a scam, canon seems to be obsessed with competing with their own higher quality cameras rather then the market itself, i hope they stay in tune and do not fall off a clif.
 
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I answered a thread with a question about "a basic easy multicam video set up with 5d3s". The easiest method with 2 or 3 5D mkIIIs is to capture half way decent audio on each camera and record audio to a separate continuous audio recorder to use as your main sync track. Then use pluraleyes to auto sync, which only takes a few minutes on the computer.

Trying to do anything with timecode on a Canon DSLR, for now, is only going to cause trouble. With other cameras and other situations, timecode is better. NOT with a Canon photography camera.

Yes I have made commercials for TV and full 30 minute spots... Yes I have had to sync 5 continuous cameras for 2 hours running time... And I don't work for other people, because I don't like to work for other people, and I love what I do.

I am sorry your DSLR that shoots video doesn't run timecode professionally =-( it probably never will.. your probably better off selling it and getting the VERY least a c100 or some other super 35 video camera..
 
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ok i missed your post obviously, allot of responses with work arounds or jokes lol

So your saying time code on a 5dmkiii is actually false and no less then a marketing scheme, which means it does nothing but tell me about a start and finish time of a video, but yet is useless since i dont even see the current time lol

Japanese thinking can be very confusing

thanks
 
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