Do I need a better camera or a better pair of hands?

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I want to get out of my camera everything I can, but I feel that I cannot achieve level of few local photographers right now. I'm not sure whether the camera applies limitations or it is me who needs another way of thinking.

I own 7D, use fixed lenses and some additional tools (flashes, reflectors) to achieve the best results I can.

I've formed an opinion that better color transformation (making the colors richer, extending separate colors' depth) can be achieved only on a new camera. Could you please take a look at images below and say what I'm missing.



Here's how my images normally look like:

y_b45fee65.jpg


y_cbef0a24.jpg


y_7fd52585.jpg


y_8ddb5f37.jpg
 
I'm sure you'll get different views, but to me your shots look great in terms of colour reproduction and punch. If anything I guess you could push them harder in post if you wanted to, but that's down to personal taste. If anything, on the "other" guy's photos you posted - the shot of the bride next to the window shows some fringing along the left hand edge of the dress. Colours on yours look great to my eyes.
 
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Watch out for too shallow DOF ( #3 )

Give them space ( #3)

Avoid taking pictures up the nose ( #2, #5 )

Avoid taking wa pictures - unless they are very wa when it is obvious that is what you are aiming for

The 7D is nore than good enough for weddings but you will have to work on the pp to get the best images

5DII, 1Ds3, 1D4 are the only other options and they will introduce new issues, including a big cost.

Just remember that a wedding albumn is reportage, 90% 'standard' images, 10% 'artistic' images. Keep focussed on the standard images as they wont forgive you if the picture of mum and pop look bad.
 
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Thank you for your comments, I appreciate this. I just started shooting weddings, so budget of my clients does not allow celebrating in an extraordinary place. Here in Ukraine we have no many places good for shooting at – broken roads, lots of garbage all over the streets, people don't care. It's a challenge to find good composition in everyday conditions.

What I want to outline here is that on my photos colors look as close to each other in tone range (they are worm or cold). But what that guy does is playing with color warmth on the same picture.
 
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nightbreath said:
But what that guy does is playing with color warmth on the same picture.

His skin tones are just plain wrong on my calibrated monitor - they look like they've got Jaundice.

Yours are much, much better. I wouldn't try and emulate him if I were you...
 
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KeithR said:
nightbreath said:
But what that guy does is playing with color warmth on the same picture.

His skin tones are just plain wrong on my calibrated monitor - they look like they've got Jaundice.

Yours are much, much better. I wouldn't try and emulate him if I were you...

I don't like the skin color too, but if I can go that far with color temperature changes I'd be able to look it the way I want.
 
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Hey Nightbreak


well as others said I don't see much problems on your pics, they are nicely made.
If I may though I'll give you my critiques, personal critiques which is what maybe you're looking for.

1) I don't think it's primarily a "tool problem". to me it seems you can use your tools quite efficiently and good.
One point might be: are you sure you're doing everything you could on post?just explore that part of your process, because on the pre-production seems like you're squeezing all you can in a very good product already

2) and to me this is essential...
This might be what you're lookin for and therefore I will not critique this and say u don't have to do so but for me you're shots are too fashion-like...as for weddings I see that the most impact pics are the reportage-style ones.
Means you have to change your style?!nope, abs not, but it could be a frontier to analize and look after if you say you see "problems and limits" on your pictures.

3) the above point brings me to the most important thing: composition.
I would work more on the composition side, seeing that your tools are used well and considering you will analyze the post and picture style. The other thing to consider is composition. As some said above, some shots are cropped thight, maybe too much or are simply uninteresting because of the look you give to them...

Just my personal critique. Sometimes you might not agree with it but it opens windows or makes you think to some stuff you weren't considering. This happens when people critique me harsh...I see things I weren't considering which is deeply important

Cheers
 
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This is so much a matter of taste. I think color rendition of your images is better, more natural. It is more about post-processing than camera. It is only at (very) high ISOs and/or poor artificial lighting color capture can be a bit too poor to tune it well to your liking in post.

I'd prefer a full-frame camera like the 5D, but it is not so much for image quality (although it is indeed a little bit better at high ISOs), but because of very high usefulness a 70-200/2.8 gets (very nice field of view range on the fullframe, a bit too much tele on 7D) and also 50 and 85 gets more practical FoVs I think, and the shorter DoFs and nice "lofi" vignetted look you get with wide open primes, very nice for headshots. But that is also a matter of taste. I really like the short DoF looks on faces, like the bride headshot you have (I'd like to have a little bit more air around it though, and then full-frame is better since you can have more air and still have short DoF - f/2.8 on 5D is like f/2 on 7D for the same FoV), but as you see Brian here above thinks it is too short, so it depends on what you and your customers like.
 
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Nightbreath. The important thing is to get the exposure more or less correct in camera and then focus on your composition and subject content (DOF, capturing the perfect moment, focal length, lighting, etc.). Get the colors looking amazing in editing. Pictures like you've posted don't normally come of the camera like that. I think this is entirely the reason you are frustrated.

To think about the same thing in other words. If you can capture the content of those really nice shots you've posted more or less the same and only the colors are off, then you are doing things behind the camera just fine. If you want to test how well things are going behind the camera for you vs. what you are trying to match, take both your study images and some samples of your own images into an editor and Desaturate (Black and White) them all and you will see if there are other areas that you need to focus on as well. You also have a decent bit of play room in editing to re-adjust overall exposure as well as highlights and shadow areas, especially if shooting in RAW in case just a bit of curves or RAW sliders will get you the match you are looking for.
 
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Over all I think your shots are great. FF will give you a little more IQ and I find color, but I think for me, your shots are more composition choices like all center focus versus being more rule of 3rds. I would have cropped more of the right and a little of the top on the 2nd shot, and it gives the bride more sitting in light with shadows to the left and just draws me in more than sort of the tunnel dark to the left and right. It is a style preference.

On the other guys shots, I find them too blue. You may like that, some people prefer cooler to warmer pictures, and all you have to do with that is either add filters post-process or in light room shift the temp up a little higher.

I don't mind the DOF on the 3rd shot, that is closer to how I probably would have shot it, but I think I would have pulled it back a bit more to give some more space.

For the shots you are getting, I think you are doing fine
 
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JackSw1ss said:
2) This might be what you're lookin for and therefore I will not critique this and say u don't have to do so but for me you're shots are too fashion-like...as for weddings I see that the most impact pics are the reportage-style ones.
It's the only option for now. Many people in my country won't spend more than $2000 on their own wedding (average salary level is $325 a month). Wedding starts from an old-fashioned (soviet union style) registry office, includes a short journey over the city for photo / video shooting and continues in a cafe for 20-25 people. So one good thing I could do is to get some pictures that are different from what people see every day.

JackSw1ss said:
3) the above point brings me to the most important thing: composition.
I'm doing my best to get a good composition, but I feel that I'm not always getting the best one out of situation. Are there any recommendation on this? I've read some books about composition, so maybe I need time to practice more? I want full-frame anyway to make angle of view wider (it's a challenge to think about composition in a small room).
 
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nightbreath said:
I'm doing my best to get a good composition, but I feel that I'm not always getting the best one out of situation. Are there any recommendation on this? I've read some books about composition or maybe I need time to practice more?

I think practice is the best thing, photo a lot all the time (remember, it's digital, so it is cheap these day to practice), and in post-processing look at your own pictures and think "why is this good/bad?" and "how could this have been made better?" and try to find some key items to think about. Looking at other photographers pictures too to get inspiration, and also think about them what makes them good/bad. When I look at your pictures it seems to me that you have enough artistic talent to just let it grow by practice, you don't need to read that much, although that does not hurt of course. If you have friends/colleagues with good taste for photographs and good at giving constructive criticism it can be worthwhile too.

When working you probably don't have much time to think, and then you need good intuition and that you get by a lot of practice.
 
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I think your shots look great.

If I was to offer something, I would say that they look a touch overexposed to me... but I do not make money with a camera, and my monitor is not calibrated so take it for what it is worth.


nightbreath said:
I want to get out of my camera everything I can, but I feel that I cannot achieve level of few local photographers right now. I'm not sure whether the camera applies limitations or it is me who needs another way of thinking.

I own 7D, use fixed lenses and some additional tools (flashes, reflectors) to achieve the best results I can. The guy who's photos I've posted below uses 1D IV, 5D II, 1Ds III, fixed lenses, flashes and reflectors.

I've formed an opinion that better color transformation (making the colors richer, extending separate colors' depth) can be achieved only on a new camera. Could you please take a look at images below and compare the results we've got to identify what I'm missing.
 
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Jettatore said:
To think about the same thing in other words. If you can capture the content of those really nice shots you've posted more or less the same and only the colors are off, then you are doing things behind the camera just fine. If you want to test how well things are going behind the camera for you vs. what you are trying to match, take both your study images and some samples of your own images into an editor and Desaturate (Black and White) them all and you will see if there are other areas that you need to focus on as well. You also have a decent bit of play room in editing to re-adjust overall exposure as well as highlights and shadow areas, especially if shooting in RAW in case just a bit of curves or RAW sliders will get you the match you are looking for.

This shot was made at f/2 on 85mm:

_mg_raw.jpg


You can compare it to this one:

y_8ddb5f37.jpg


I've got a feeling that when I edit photos in Lightroom texture starts to disappear to soon comparing to what I could get on full-frame. Or it's self-deception, I don't know.
 
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For composition, you can take 2 'L' shaped pieces of non-transparent paper or cardboard, and place them at opposite diagonals, and then move them both up & down and left & right over your screen or print, thereby masking different amounts & areas of the photo, to see the effect of different compositions.

For instance in your 2nd photo (the one of the bride gazing off to the side) you could crop the entire left 3rd of the picture, that way the subject wouldn't be dead center, and with the left side of the picture cropped, the open space she is gazing into on the right side of the picture would gain more impact, creating a more wistful or dreamy look. BTW, I love the rich colors in this photo.

I like the shot through the foliage of the 1st photo, but again you could crop the right 1/4th and the bottom 1/6th to eliminate uninteresting detail & draw the eye more to the couple in the center.

The tight crop on the 3rd pic is fine, and the pic overall is nice, if not terribly exciting. It's a serene look, but I'd rather see her eyes or some emotion on her face.

I'm not a big fan of the 4th pic. I understand that maybe you/they were going for something fun, but by doing so they've completely covered their faces, thereby missing out on potentially the most interesting element of the shot (the expression/emotion on their faces).

Also, while I do think both sets of photos look great, they seem to indicate 2 slightly different styles to me. The 1st set are more classical, tender & serene; while the 2nd set seem more carefree & playful (except the shoe shot, of course). While some classical/wistful shots are great, you could also research some tips or strategies for bringing out some of the emotional or playful sides of your subject's personalities. Not always easy to do, for sure, but something worth considering.
 
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