I have heard claims that "Dot Tune" was a reliable method to AFMA a lens. I have also heard claims to the contrary. Most of those claims have been long on opinion and short on data, so I decided to give it a try myself on a 7D2.
The results are as follows: (under incandescent lighting)
150-600: dot tune (150 +9) (600 +14) - Reikan (150 +5) (600 +6)
70-200: dot tune ( 70 +7) (200 +4) - Reikan ( 70 +2) (200 +3)
17-55 : dot tune ( 17 +4) ( 55 +3) - Reikan ( 17 +5) ( 55 +9)
10-20: dot tune ( 10 +4) ( 20 +9) - Reikan ( 10 +5) ( 20 +17)
100: dot tune (100 -8) - Reikan (100 +5)
30 : dot tune ( 30 -2) - Reikan ( 30 +1)
I changed locations, repeated the test and got the following: (under flourescent lighting)
150-600: dot tune (150 +11) (600 +17) - Reikan (150 +5) (600 +6)
70-200: dot tune ( 70 +7) (200 +5) - Reikan ( 70 +2) (200 +3)
17-55 : dot tune ( 17 +4) ( 55 +3) - Reikan ( 17 +5) ( 55 +9)
10-20: dot tune ( 10 +3) ( 20 +7) - Reikan ( 10 +5) ( 20 +17)
100: dot tune (100 -10) - Reikan (100 +5)
30 : dot tune ( 30 +1) - Reikan ( 30 +1)
The observations are:
1) The Reikan values stayed the same between the runs
2) The Dot Tune values varied up to 3 units between runs
3) Reikan and Dot Tune only agreed once.
4) Reikan and Dot Tune can disagree by up to 15 AFMA units
If you look at the discrepancies under the two runs.
incandescent - 4, 8,5,1,1,6,1, 8,13,3
fluorescent - 6,11,5,2,1,6,2,10,15,0
it appears that Dot Tune is affected by fluorescent lighting.
A quick visual verification of the extreme cases indicates that the Reikan values are far more accurate that the Dot Tune values.
My conclusion. At least on a 7D2, don't waste your time using Dot Tune on your lenses, get Focal and do it right.
The results are as follows: (under incandescent lighting)
150-600: dot tune (150 +9) (600 +14) - Reikan (150 +5) (600 +6)
70-200: dot tune ( 70 +7) (200 +4) - Reikan ( 70 +2) (200 +3)
17-55 : dot tune ( 17 +4) ( 55 +3) - Reikan ( 17 +5) ( 55 +9)
10-20: dot tune ( 10 +4) ( 20 +9) - Reikan ( 10 +5) ( 20 +17)
100: dot tune (100 -8) - Reikan (100 +5)
30 : dot tune ( 30 -2) - Reikan ( 30 +1)
I changed locations, repeated the test and got the following: (under flourescent lighting)
150-600: dot tune (150 +11) (600 +17) - Reikan (150 +5) (600 +6)
70-200: dot tune ( 70 +7) (200 +5) - Reikan ( 70 +2) (200 +3)
17-55 : dot tune ( 17 +4) ( 55 +3) - Reikan ( 17 +5) ( 55 +9)
10-20: dot tune ( 10 +3) ( 20 +7) - Reikan ( 10 +5) ( 20 +17)
100: dot tune (100 -10) - Reikan (100 +5)
30 : dot tune ( 30 +1) - Reikan ( 30 +1)
The observations are:
1) The Reikan values stayed the same between the runs
2) The Dot Tune values varied up to 3 units between runs
3) Reikan and Dot Tune only agreed once.
4) Reikan and Dot Tune can disagree by up to 15 AFMA units
If you look at the discrepancies under the two runs.
incandescent - 4, 8,5,1,1,6,1, 8,13,3
fluorescent - 6,11,5,2,1,6,2,10,15,0
it appears that Dot Tune is affected by fluorescent lighting.
A quick visual verification of the extreme cases indicates that the Reikan values are far more accurate that the Dot Tune values.
My conclusion. At least on a 7D2, don't waste your time using Dot Tune on your lenses, get Focal and do it right.