Is ARRI Canon’s Biggest Obstacle in Professional Cinema?

Craig
1 Min Read

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Was there any doubt? :)

Setlife Magazine has posted a couple of graphics showing the technical specifications of cameras and lenses used in the making of the cinematography & best picture nominees.

EOSHD points out a very interesting observation. There isn't a single RED camera on the list. It's almost a clean sweep by ARRI.

Although, Canon should be happy with the C300's and C500's that have shown up in a few films. I think it's good news for Canon since Cinema EOS is still pretty infant, and as EOSHD points out, they're under-specced compared to their competition.

Something to build on for Canon.

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Craig is the founder and editorial director for Canon Rumors. He has been writing about all things Canon for more than 17 years. When he's not writing, you can find him shooting professional basketball and travelling the world looking for the next wildlife adventure. The Canon EOS R1 is his camera of choice.
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