Panasonic Announces the Panasonic Lumix S 100-500mm F5-7.1 OIS

Richard Cox
8 Min Read

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Today, Panasonic has announced the Panasonic Lumix S 100-500mm F5-7.1 OIS. This is Panasonic’s entry-level offering in super telephoto zooms for those who have never owned one before. It’s a perfect entry into longer focal lengths without breaking the bank.

This lens matches up almost identically to the Canon variant of the lens, the Canon RF 100-500mm f/4.5-7.1 L IS USM, which Canon released on July 9, 2020, as its first super zoom for the Canon RF mount.

Specification-wise, the Canon starts at f/4.5, instead of f/5 for the Panasonic, but both lenses slow down to f/7.1 at 500mm. Physically, the Panasonic is also very similar to the older Canon lens, as it’s slightly smaller and lighter. The Canon is a somewhat more complex lens optically, with 20 elements in 14 groups versus the 16 elements and 12 groups in the Panasonic lens.

Canon RF 100-500mm f/4.5-7.1 L IS USMPanasonic Lumix S 100-500mm F5-7.1 OIS
Dimensionsø: 3.7 x L: 8.2″ / ø: 93.8 x L: 207.6 mmø: 3.6 x L: 7.7″ / ø: 92 x L: 196.1 mm
Weight3 lb / 1365 g2.8 lb / 1.3 kg

The Panasonic Lumix S 100-500mm F5-7.1 OIS will go on sale September 25th for a retail price of $2099.

Lumix S 100-500mm f/5-7.1 O.I.S.
Lumix S 100-500mm f/5-7.1 O.I.S.

Lens Construction and MTF

The lens is constructed of 19 elements and 12 groups, and appears to have a large number of elements in the front end. I wonder how front-heavy this is, especially when extended to 500mm. The lens contains two Ultra Extra-low Dispersion (UED) elements, one extra-low dispersion (ED) element, and two Ultra-High Refractive (UHR) elements.

Panasonic has added a high-resolution optical encoder, which assists with autofocus accuracy that may be affected by varying temperatures. With the optical encoder, Panasonic felt it was okay to make this lens all black, instead of the traditional light color of super telephotos, which aids in decreasing thermal expansion and contraction.

The MTF appears decent, with slightly less performance on the wide end and slightly better on the telephoto end. However, both offer a 5x zoom range, and the price point appears very reasonable. There’s nothing glaringly wrong with the MTF. At 100mm, there’s less astigmatism, and there may be more coma at the long end. Contrast is excellent at both extremes.

Press Announcement

Panasonic Introduces the First*1 Ultra-Telephoto Zoom Lens in the LUMIX S Series

LUMIX S 100-500mm F5-7.1 O.I.S. (S-R100500)

Newark, N.J. (September 24, 2025) – Panasonic is proud to introduce the new LUMIX S 100-500mm F5-7.1 O.I.S. (S-R100500) interchangeable lens based on the L-Mount system standard.

As the first*1 ultra-telephoto zoom lens in the LUMIX S Series lineup to cover a focal length of up to 500mm, this lens supports lens teleconverters*2 (sold separately), enabling ultra-telephoto shooting with a combined focal length of up to 1000mm. It delivers high resolution and beautiful bokeh across the entire zoom range, enabling photographers and videographers to capture stunning images and footage in a wide variety of shooting scenarios, including wildlife, motorsports, and landscapes.

With an optimized lens element arrangement and Dual Phase Linear Motor, the lens achieves a remarkably compact design with an overall length of just 196.1mm, while delivering impressive ultra-telephoto performance. High-speed, high-precision, and silent autofocus, combined with Dual I.S. 2 image stabilization supporting up to 7.0 stops*3, ensures exceptional portability and handheld shooting support, expanding creative possibilities in the field.

The lens is also designed for intuitive operation, featuring a customizable focus ring and a focus button. The focus ring can be used as a control ring, by assigning preferred settings such as aperture or other customizable parameters*4, while the focus button allows users to assign their preferred functions, enabling a highly personalized and responsive shooting experience. To meet the growing demand for video production, the lens also incorporates features such as focus breathing suppression and micro-step aperture control for smooth exposure transitions, supporting high-quality video performance.

With this product, Panasonic aims to expand the creative scope by providing a compact yet powerful ultra-telephoto shooting experience for both enthusiasts and professionals.

Main Features 

1. The First*1 Ultra-Telephoto Zoom Lens in the LUMIX S Series Covering Up to 500mm

  • Maintains high resolution across the entire zoom range, delivering sharp detail and beautiful bokeh even at maximum aperture
  • Covers focal lengths from 100mm to 500mm; compatible with lens teleconverters*2 (sold separately) for ultra-telephoto shooting up to 1000mm

2. Powerful 7.0-stop Dual I.S. 2 for Unshakable Stability and Enhanced Mobility

  • Achieves highly effective image stabilization with 7.0-stop*3 Dual I.S. 2
  • Ultra-telephoto zoom reaches in a remarkably compact 196.1mm design
  • High-speed, high-precision AF powered by a Dual Phase Linear Motor

3. Intuitive Operability for Focused Shooting

  • Focus ring can be assigned to control shooting settings such as aperture (Control Ring function) *4
  • Focus button can be assigned to support intuitive operations such as Hybrid Zoom*5

Price and availability

The new LUMIX S 100-500mm lens will be available for pre-order on September 25th for $2099.99 at valued channel partners.

*1 As of September 24, 2025. Among interchangeable lenses for AF compatible full-frame mirrorless cameras.

*2 With optional teleconverter DMW-STC20 attached. The maximum aperture becomes two stops slower. When a teleconverter is attached, the focal length of this lens is limited to 150–500mm.

*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=500mm. When LUMIX S1RII is used.]

*4 Compatible cameras: DC-S1M2, DC-S1M2ES, DC-S1RM2 (Firmware version 1.2)

*5 This function combines optical zoom and crop zoom, allowing you to extend the telephoto range using only the zoom ring without changing the focal length at the wide end.

Specifications

Principal specifications
Lens typeZoom lens
Max Format size35mm FF
Focal length100–500 mm
Image stabilizationYes
CIPA Image stabilization rating7 stop(s)
Lens mountL-Mount
Aperture
Maximum apertureF5–7.1
Minimum apertureF29–40
Aperture ringNo
Number of diaphragm blades11
Optics
Elements19
Groups12
Special elements / coatings2 UED, 2 ED, 2 UHR
Focus
Minimum focus0.80 m (31.5″)
Maximum magnification0.36×
AutofocusYes
Motor typeLinear Motor
Full time manualYes
Focus methodInternal
Distance scaleNo
DoF scaleNo
Focus distance limiter5m-Infinity
Physical
Weight1285 g (2.83 lb)
Diameter92 mm (3.62″)
Length196 mm (7.72″)
SealingYes
ColourBlack
Zoom methodRotary (extending)
Power zoomNo
Zoom lockUnknown
Filter thread82 mm
Hood suppliedYes
Tripod collarYes

Preorder

Lumix S 100-500mm f/5-7.1 O.I.S.
Lumix S 100-500mm f/5-7.1 O.I.S.

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Richard has been using Canon cameras since the 1990s, with his first being the now legendary EOS-3. Since then, Richard has continued to use Canon cameras and now focuses mostly on the genre of infrared photography.

11 comments

  1. I bet that the interwebs suddenly find f/7.1 not unusably dark anymore 🙂
    The “dark” and the “it is not an internal zoom” comments are remarkable by their absence 😉 . I have not seen “Panasonic is d**med” either, only praise for compact size and price.
    • 0
  2. The MTFs are clearly not corrected for diffraction. Weight doesn't include tripod ring or lens hood - same as for RF 100-500mm. It will go very nicely with the G9ii, which outresolves the R7.
    • 0
  3. I bet that the interwebs suddenly find f/7.1 not unusably dark anymore 🙂
    f7.1 on M4/3 is equivalent to f/14.2 on FF! But, that is if you are comparing using the whole of full frame vs the whole of M4/3 sensor. However, if your are cropping the FF image to the same size as on M4/3, there is the same effective aperture on both.
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  4. f7.1 on M4/3 is equivalent to f/14.2 on FF! But, that is if you are comparing using the whole of full frame vs the whole of M4/3 sensor. However, if your are cropping the FF image to the same size as on M4/3, there is the same effective aperture on both.
    The Panasonic 100-500mm lens is an L-mount lens, for FF, not M4/3.
    • 0
  5. The Panasonic 100-500mm lens is an L-mount lens, for FF, not M4/3.
    Thanks - that saves me going out and buying it and a G9ii! It might be an idea for them to make a version with the M4/3 mount.
    • 0
  6. I've always wondered if Canon will come up with a mkii of the 100-500mm because of its few shortcomings. Now, as there is a competitor that has a lens which at least on the spec sheet "beats" the the RF version, it might actually happen. TC availability throughout the zoom range is a big plus! The other pros are just slightly/ marginally better (weight/ max magnification) so I don´t think Canon will/ should bother.

    I love my 100-500mm (one of two or three lenses I´d never ever sell!) but I could imagine Canon could try for:

    - weight at 1.2 kg
    - TC throughout the zoom range
    - may f6.3 at the long end

    I wouldn't expect a mkii before 2030. There are lenses in need of a mkii before this great lens 🙂
    • 0
  7. I've always wondered if Canon will come up with a mkii of the 100-500mm because of its few shortcomings. Now, as there is a competitor that has a lens which at least on the spec sheet "beats" the the RF version, it might actually happen. TC availability throughout the zoom range is a big plus! The other pros are just slightly/ marginally better (weight/ max magnification) so I don´t think Canon will/ should bother.

    I love my 100-500mm (one of two or three lenses I´d never ever sell!) but I could imagine Canon could try for:

    - weight at 1.2 kg
    - TC throughout the zoom range
    - may f6.3 at the long end

    I wouldn't expect a mkii before 2030. There are lenses in need of a mkii before this great lens 🙂
    You won 't get 1.2 kg and f/6.3 at the long end with L specs.
    • 0
  8. 1,25 and F6.7 then please 🙂 if Panasonic can do it 1.3, Canon should be able to top that. even if it is f7.1...
    f/6.3 is 0.34 stops faster than f/7.1, and f/6.7 is 0.17 faster. I personally wouldn't appreciate a 0.17 stops increase enough to upgrade to that alone.
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  9. f/6.3 is 0.34 stops faster than f/7.1, and f/6.7 is 0.17 faster. I personally wouldn't appreciate a 0.17 stops increase enough to upgrade to that alone.
    I agree. The Panasonic lens weighs 1285 grams, the Canon weighs 1365 grams. As you have stated, it is unlikely that a significant weight saving is possible while keeping the same build quality. From the LensRentals teardown: “The rest of the teardown is what we expect from an RF L series lens. It’s filled with very robust construction, neatly and clearly laid out in a modular manner. It’s a very well-built and sturdy lens with cutting edge technology.”

    See: https://www.lensrentals.com/blog/20...ement-a-canon-rf-100-500mm-f4-7-7-1-teardown/
    • 0

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