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Messages - Stu_bert

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136
EOS Bodies / Re: Canon EOS-1D X Delays
« on: April 13, 2012, 06:09:38 PM »
Hi - I know it is not a really fair comparison, but would you have any views on quality of 1D IV vs IDX or the 5D III please?

I won't comment anything about 1D X image quality yet, sorry.
Understand, any view cf 1D IV?

137
EOS Bodies / Re: Canon EOS-1D X Delays
« on: April 13, 2012, 04:46:29 PM »

So they are close then ...

 ;)

I didn't have much time do compare them more - I wanted to enjoy 1D X as much as possible, so I left 5D III behind :) But yes, 5D III's AF is great, I'm not afraid to say better then 1D IV.

Hi - I know it is not a really fair comparison, but would you have any views on quality of 1D IV vs IDX or the 5D III please?

138
EOS Bodies / Re: Canon EOS-1D X Delays
« on: April 13, 2012, 04:39:48 PM »
I'm still thinking (hoping?) that the delay is due to some incompatibility and Canon want to avoid further egg on their face. PreProd models are out there, and nothing significant has been reported, so would guess it is something to do with an add-on as this site reported.

I would be surprised if Canon are not loaning pre-prod models to press agencies and the like so they can get used to the camera and thus buy en-masse when the Prod models are released, with an appropriate "thank-you" discount.

UK CPS members have not offered any advanced orders...

Anyone know what discount Canon Canada gave CPS members off the list (Rob Galbraith reported significant)....

139
EOS Bodies / Re: Cinema EOS 1D & EOS C500 for NAB
« on: April 11, 2012, 06:53:05 PM »
Interesting, higher res than a 1DX - be interested to see how close it might be to the 5D III sensor and how it performs.....

How many 1DX pre-owners might have second thoughts??

140
EOS Bodies - For Stills / Re: 5D3 vs D800: Video 1 of 3
« on: April 06, 2012, 06:27:29 AM »
Also worth a view...

By Crisislab

141
Video & Movie / Re: 5DMkIII film shot in SoHo, NYC
« on: March 31, 2012, 02:51:34 PM »
nice work...

142
Macro / Re: 9:1 macro
« on: March 31, 2012, 08:16:19 AM »

143
ND Grad Filters are just another tool in the bag for making the photograph as close as you saw it. As others have said, ND Grads are good to bring the DR within the capabilities of the camera when the scene allows you to. I have the Lee system, but there are times where I will favour a 2 shot bracketed picture - typically when the part of the scene I wish to control is too irregular in shape.

Sometimes when I have used them, I will still correct the dark banding that you can often have on the scene as a result of the Grad overlapping with other elements of the scene. I will also use a Grad in LR to either lighten or darken a scene further (Lee grads only work in stop increments, sometimes I want finer control)

Bracketing, as people have pointed out, is more difficult with moving elements in scenes, but i find most of the time I'm either blending sky or water with the land, and therefore the moving elements (grass, water, trees), are limited to only one part of the scene and not impacted by the blend.

Bear in mind also, that if you can avoid a filter, even a Lee, that you will get sharper pictures so always check before you reach into your bag. How much does it blur? Put your camera on live view, 10x zoom, and put the filter in front and then away from a scene and see. It's not massive, and it can easily be corrected in PP. But if you don't need it, don't use it :-)

Your Lee circ pola will also be a good investment once you need to use it across a few lenses. And of course there are things a Circ Pola can do which you can't do digitally.

Finally, the other thing I like about the Lee system which I've used on occasion is their 2 rotation filter holder which allows you to independently rotate 2 filters. So you could use one Grad for the Sky and perhaps a 2nd for some water.

Like I said, filters - both real and digital are just tools in your bag to help create the scene you envisaged. Happy photography...

Oh ps. if you have not ordered them, get the £3 white plastic caps. I leave the adapters on all the time and therefore these are great protection...

144
EOS Bodies / Re: This web site is making me question why I lurk here
« on: March 29, 2012, 07:51:01 PM »
I actually do not think its game over or I need to switch.
In fact I don't think there would ever be any reason for me to ever sell and change
to another brand, save for maybe if Canon goes bankrupt -- which will not happen.

I just find it absolutely ridiculous that any sort of comment made that does not fall along
the lines of "oh Canon is so great" gets bashed. I mean... why? If one doesn't criticize oneself,
how will one improve? I simply mentioned a need that I have and that the current Canon
offering will not fulfil, so I will simply keep on waiting until it does get fulfilled, that is all.

The overwhelming hostility and brand affiliation on this site is almost as bad as POTN, and
probably is a predominate Canon-user trait. None of my Nikon friends exhibit this behavior.

The minute anyone criticizes Canon... or perhaps even Apple, someone immediately
jumps to a conclusion and starts being ultra defensive of their views. I thought forums were
for discussions? Clearly not.

By the way, I shoot with two 1D Mark 3s, surprised?
I shoot with a pair of 1Ds MK IIIs, so no, not surprised at all :-)

And I was not trying to defend Canon or bash you, so sorry if that is how it came across.... I said I understand your frustration, I felt the same when Canon released the MK II hence why I ended up with two 2nd hand MK IIIs.

I am surprised on how many people appear to think that Canon & Nikon will always release similar specs at almost the same time, as though the industry is "geared"...

I find the D800 appealing and interesting, and I will be closely watching to see where the market pans out. Photography is pleasure for me, and it is the longer term view I will take based on what I think both companies may offer, from bodies to lenses. I've also considered a Pentax MF and a 2nd hand Phase One....

145
Lenses / Re: Canon 200-400/1.4x vs. 600/4 II
« on: March 29, 2012, 07:43:02 PM »
Since you're not in a rush, and since you're considering spending over five figures on a lens...I'd suggest budgeting an extra grand (total) to rent each before you buy (based on a guesstimate of a few hundred each for a four-day rental). Or, at least, go to your local pro camera shop (if you have one) and play with them in person.

Either that, or figure out how much of a hit you'd take to sell one and factor that into your budget. Buy the one you think you're most likely to want, but don't worry about selling it and buying the second on your list if you're not happy (because you've already set that money aside); think of the loss for selling it as the rental price.

And, I gotta tell you...the 400 and the 600 most emphatically are not the sorts of lenses you just toss in a bag with the rest of your gear. They come with hard-shell cases big enough to fit at least a couple dozen laptops, and I wouldn't recommend transporting the lens outside the case. Think of them as watermelon-sized faberge eggs, though their fragility is more like that of the watermelon than the egg.

Frankly, there's no way I'd even think of taking my 400 anywhere unless I knew I was going to be shooting with it, and I doubt I'd be shooting with it on my lunch breaks unless it was part of a paying gig. Don't get me worng -- it's a hella fun lens, and I'm always looking forward to using it. But, at the same time, it's not something to take lightly (so to speak).

Cheers,

b&
I take mine (500mm IS) in a Lowepro bag and the only time I use the (original) case is when I'm at home.... Oh and for the 500mm, could not fit one of my laptops in there - can't speak for the 400 / 600mm versions :)

146
Lenses / Re: Canon 200-400/1.4x vs. 600/4 II
« on: March 29, 2012, 07:02:18 PM »
Thank you for all the replies.  The 400/2.8 II is definitely another strong option that I should consider.  Interestingly my main concern was that the 400/2.8 II + 2x extender would be considerably less sharp than the 600/4 + 1.4x but at least with the current 600 that does not appear to be the case - http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=741&Camera=453&Sample=0&FLI=2&API=2&LensComp=336&CameraComp=453&SampleComp=0&FLIComp=1&APIComp=0 One advantage that the 600/4 II does have though is it makes a nice 1200/8 - which perhaps will be more useful in the future when Canon releases a 1 series body again capable of focusing at F8.

Note that I currently own a 300/4 and a 70-200/2.8 II.  I plan to sell the 300/4 to help fund whatever I buy.  However, the earliest I will purchase something is the end of the year as I have quite a bit of saving to do (the 5D3 did not help here :))

In terms of lugging gear to work, I already lug a bag with a 7D, 5D3, 70-200/2.8 II, and six other L lenses to work every day.  I will need a bigger bag for either lens, but it isn't a big deal.
If birding priority has a significant gap over wildlife, then the 600mm is your choice. Not sure why you would sell the 7D unless you were considering a 1D IV, as the effective reach is better.

The 200-400 appeals more for when you want to frame the wildlife and you have more opportunity to. I find I have more time with animals than birds, unless you have some lure for them (ie food). Currently I have a 500mm and 70-300mm. I might supplement with a 300mm f/2.8 but the 200-400mm is a rental option only for me I think.

You're biggest gap appears to be the longer reach, so 600mm, 1.4x and 7D. Unless you find you need higher ISO capability than the 7D delivers for you. Rent the 200-400 for Safari's if you're not happy with the 70-200mm.

147
EOS Bodies / Re: This web site is making me question why I lurk here
« on: March 29, 2012, 06:47:42 PM »
Quote
The problem is that currently Canon no longer have a high megapixel offering.
What most of the replies here do not realize is that there are print sizes between
12x18 and billboards... such as 24x36 and 36x48, that 22mp simply is not enough for.


Medium Format cameras are made and used such neccessities. Most of he commercial ads I have been involved with or have witnessed were produced using medium format cameras.

Yes, this is the industry standard.

Most if not all 400ppi prints on commercial design work are using
photos shot with a MF camera.

But you do realize that smaller studios do not have that sort of budget
to be spending $20-40k on a back alone and upgrading it every few years.

High mp 35mm cameras are definitely feasible as shown by the D800,
I really dont see why there cannot be a shift away from shooting medium format.
Photo equipment is severely overpriced, whose to say that it cannot get cheaper?

The world should move forward, not sit back on
existing business models "that works."
Canon delivered what most of their users indicated they wanted, and where they thought the market was going. Whether there was some technical reasoning behind that we can't tell.

3 months ago, Nikon had the 24MP 3DX. Then they released a 36MP monster. Canon has not said they will not release such a camera (after all a 7D @ FF is > 45MP), but right now they have released what they thought the market wanted / needed 2-3 years ago.

I understand your frustration, but your phrasing appears to indicate game over, just 'cause Canon did not know Nikon would release a high MP camera... There is a short term game, which a lot of people here seem to be worried over, and thus are considering a switch. There's a longer term game also and by the end of the year, we will hopefully know where Canon thinks it will make the most impact (financially...), and can then see if it still aligns with our needs. If I switch, it won't be because I don't think Canon can deliver, but I do think they are somewhat conservative.

AnselA wrote a good piece which resonated with many members. Having an "outside / less regular" posters' perspective is good to make people step back and think. Maybe we should have a "Vent" category, where people can airs their gripes, irrespective of their abilities and everyone knows what these posts will contain.

For me, I get a lot of benefit from the site, and have learnt a lot of tech from people far more knowledgeable than I. And for me, that's why I frequent the site.... The flotsam is well... just that :)

149
1DX Sensor 18MP
7D AF
7D Body
Digic V not+
<$1999K

I would guess Canon will see how the market responds. Sub $2K vs high MP. Higher volume and Canon's own response to Nikon's disruptive 36MP, while they develop their own MP monster for 2013.

They've already shown they will encroach on the 1DX by putting the AF into the 5D MK III, so I don't think they will worry about using the sensor in a cheaper body. But I think they will want to protect their MK III sales. So it will have a lower MP than the MK III

I think this will mark the end of the APS-C with a xD numbering and there will be no 7D MK II, this will be handled by a 70D in 2013. With Canon shifting their prices up, then the xxD range will come in at the old price of the xD.

150
I don't find this review to be accurate, and some of the information in it is actual false.  Also, it is very emotional - why?  It's just a camera review for goodness sake.

The review is comparing a 5D3 out of the box to a GH2 that has been hacked... great review (i hope my sarcasm is coming through) ;-). 

It seems like the author is mostly upset about the price (as are lots of people).  He is mainly stating that, for the money, there are a bunch of different features that you can get on different cameras.  IE - Uncompressed 4:2:2 via HDMI.  I'm not saying I wouldn't want that in my 5D3, but add another $3000 to your GH2 set up for the AJA.  *Oh, you'll also be needing a rail support system and some Anton Bauer batteries to power the external recorder.

Also, he makes no statement as to the lenses he is using for the GH2/5D3 comparison.

I'm not going to lie, I personally would love a 1.6X crop from the sensor like on the Nikon.  That is a bummer.  But if that means I have to use Nikon glass... for get it.

Furthermore, as someone who used the 5D2 a lot for macro videography for the last 3 1/2 years...  I can say without a doubt that the "jello" rolling shutter issue is vastly VASTLY improved on the camera.

And shooting super clean 6400iso footage with the CineStyle gamma setting is great!

Go Canon! 

Harold.

i agree, but I'm also talking about the other review, i was so surprised how he jumped all over the 5D with out of the box settings and all. to get what we are getting today from the 5D and GH2 they are both essentially hacked, the 5D with the technicolor picture setting and the RGB transcoding software is the standard for professional use, do we forget that camera was delivered to us with no manual video settings and no 24p! and the GH2, well we all know how bad that delivery was, bottom line is it takes US to make them perform well, what we do with them and and what we make of them. out of the box no dslr is going to perform great, you have to know what do with all the settings for you particular application. seems to me he deliberately set off to write a bad review and purposely shot an out of the box factory settings dslr against a completely hacked camera. my first response is yeah i see that too, but i turn this off, disable this, customize my personal settings and the video seemed much better than any of the 30ish projects i shot on the previous version,no moire either... and stills, with HDR and 61 point auto focus, simply an amazing upgrade.
I think the other point to make, be it Nikon, Canon or whoever, is that they should open up the operations of both video and stills in their cameras, rather than have the tech community have to hack them to make changes. If Nikon & Canon differentiated their products based on the HW capability, and left the software features to software devs, then we would have a far richer feature set to leverage....

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