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Messages - UrbanVoyeur

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31
EOS Bodies / Re: Canon BG-E11 Making its Way to Retailers
« on: May 18, 2012, 04:10:45 PM »
Why does Canon insist on making a new battery adapter for every slight body variation?  They size every body revision just a little larger or smaller, which necessarily requires a new adapter. What a waste.

I think they could standardize to 3 body sizes and maintain them year to year with very little effort. It would simplify their supply network and show some long term planing.

(yes, i know the obviously trite answer is "they do this to make money")

32
Canon. We're not the best, but we're good enough for you.

Available everywhere better cameras are sold.

33
They may not adopt the same Sony technology, but Canon will be forced to respond with higher MP, lower noise, higher DR sensors, or face losing upper end DSLR market share to its competitors.

Canon may not feel the sales effect immediately, but they will if they continue the price/performance lag behind the D800 and D600 (if the rumors are true).

I'm interested to see what kind of camera Sony releases next, using its own top end sensors. Will they go lower in price than D800 and D600 with same sensors? Will they try to compete against the D4 and 1D? or will they just tread water and track Nikon ins prices and features.

Whichever way it falls, Canon needs to hurry up.

34
Lenses / Re: Selling Lenses to Adorama Used Store
« on: May 11, 2012, 12:33:28 AM »
They told me they had dozens of that lens, and the the prices were soft, so they offered me much less than 70% retail value. 
I've dealt with them over the years. I think they say that to everyone about everything. It's there job to spend as little as possible for your gear.

35
If you had read dpreview's commentary on how they score a camera, you'd know how they score cameras.

Given that it seems you haven't, I thoroughly recommend that you do.
I did. It didn't quite answer my question of whether the 7D would still score a 84% today as it did 3 years ago. I will take up the question in their forums, where it is more appropriate.

36
How has no one pointed out that the 7D scored an 84% and the D800 scored an 82%.  The 7D wins!!!!  It must be the best camera.
Yeah, there is something strange going on with their scores. I wonder if the bar keeps moving higher - if the 7D would score a 65% if reviewed today vs  the 2012 cameras.

37
EOS Bodies / Re: Up the game
« on: May 10, 2012, 07:05:53 AM »
Yep, just what I thought, UV - not a damn' thing that justifies your opinion of yourself or your oh-so-high expectations.

To be absolutly clear about this: if you can't do everything you'd ever want to do photographically with the 5D Mk III, the camera's not the problem.

Face it - you're just a troll. You and your opinions certainly have zero credibility with me...
Ok. Your opinion is your own and is as valid as anyone else's. And I did say that I am sure that others could do what I do better and with lesser equipment. Fine with me.

But you toss about fair amount of inflammatory language, along with not a few personal insults. I've got a thick skin, so the stuff rolls off. Nevertheless, it coarsens the discussion and sucks the fun out a free flowing exchange of ideas. It might be worthwhile to consider how others read your posts and what you would think if the same level of vitriol was directed at you.

38
Quote
After DPREVIEW of D800 would you still get the Canon 5d mark iii?
No, I will not.
But then I didn't think the 5DMkIII was worth the price before the review either.

39
EOS Bodies / Re: Up the game
« on: May 07, 2012, 03:41:51 PM »
How many stops do you think there are in a typical concert setting?
40? 60 ?
Every real world scene vastly exceeds the dynamic range of film or digital sensors. The trick is figuring out which real world values you want to map to the range of the sensor/film, and how much relative distance (contrast) you want between them That is the essence of the Zone system.

For example, your film or sensor may be able to capture 12 stops of range. Any object relatively brighter than six stops from the middle is a solid blown out highlight and any thing below stops from center is a solid blocked up shadow.

So you decide that the whitish flower in the hair of the singer should have detail (+6 to +4), the dress (+3) and the skin (+1 to -1) can fit in the scale too. Mic handle (-4) and the hair of the background singer (-6).   The rest falls outside the range.

This is a crude example, and not meant to be a real world condition, but it illustrates the idea.

Greater DR at a given ISO is important because it allows me to pack more tonal information into a representation of a scene.

40
EOS Bodies / Re: Up the game
« on: May 07, 2012, 12:31:53 PM »
But I think it's a dis-service to others to throw out what seems like a blanket statement that it is a disappointing and underwhelming camera just because you feel that it does not meet your needs/expectations.
I think the 5DMkIII is a very impressive camera, with a less than impressive sensor. Therefore, I am underwhelmed. :-)

41
EOS Bodies / Re: Up the game
« on: May 07, 2012, 12:29:38 PM »
Care to let us see an example of your work? It must be extraordinarily demanding, if you can only accomplish it when all of those criteria are met - in fact I can hardly believe that you've been able to make a single image so far.

www.urbanvoyeur.com
Please note that the work on UrbanVoyeur prior to about 2005 was done primarily on Fuji Chome film and EOS film bodies.

http://www.amazon.com/Young-Dancer-Life-Ailey-Student/dp/B005M4RQGU/ref=sr_1_1?ie=UTF8&qid=1336408030&sr=8-1
This book was shot on various Canon digital EOS bodies.

Edit:
My work is not any more demanding than anyone else's. And I am sure that many others can do what I do better and with lesser equipment. I just know what I want and how like to work, and if a truly superior sensor is out there, I want to use it my system, because I know I can do with it. Like film, a sensor is only a tool.

42
There may not be anything revolutionary about EXMOR but it is better than what canon has today... Then there are patent issues we don't know about. Canon may be able to make an equal sensor but then why didn't they?

I suspect there was a quality control/yield issue. Yes, the sensor worked, but not enough of them were coming off the production line that met their standards - too many rejects in each batch.
Unless you have evidence, there is little to suggest this is the case. If your premise was that there was nothing special about the D800 exmor then why would canon not be able to manufacture it with similar yields to Nikon/Sony? This seems contradicting to your prior point.

I did say this was pure conjecture, right? :-)

I don't think the Sony senor is revolutionary because it is not based any break through in physics or CMOS design. It uses the same basic materials in the same layers and circuitry as before. (silicon, gallium oxide, etc) It is evolutionary - a dense packing of sensors over a large area.  That's why I don't think there in anything special about making one, other than manufacturing technique.
(for example, revolutionary would be using buckey ball nano tech coated with room temp superconductors :-P )

Increasing the size of a chip or the density of devices on it is always difficult in semi-conductor manufacture. Both factors multiply to increase the likelihood of failure or at lest than ideal performance. The cost of a chip with a new design is never a function of the materials or the process to make the actual chip being sold. It is measure of how many chips were rejected to get one that works.

Perfecting a semi-conductor production line for higher yields is as much an art as a science. Just because it is not new science, there is no reason to believe that every manufacturer can do it.  AMD struggled for years with Athlon chip yields, where for Intel, fabricating CPU's with equivalent complexity seemed effortless. Likewise, Nvidia vs ATI on graphics chips. Or it could just be bad luck. A fire. The Thai floods. Contaminants. It has happened to others.

Nobody gets it perfectly right the first time, and sometimes, companies only break even or take a loss on the runs in the early years to be first to market with a performance boost. As I mentioned, Sony did this with the cell processors for the PS1 and PS II and Intel has done it repeatedly over the years with various Pentiums.

Because large, high density CMOS chips have low yields, Sony may have gambled that with big enough production runs, they could produce enough chips that meet the 36 MP, FF Nikon spec. One percent of 1,000,000 chips attempts is still 10,000 good sensors. And there may be enough market for the various types of rejects to offset the cost of some of the discards. 

It is not a rip off in any way for Sony to charge a premium to Nikon for the "cream of the crop". Sony says: we're planning to attempt 1 million chips. Out of that, 5,000 will meet your strictest criteria, and another 5,000 will come really really close. Nikon replies: rather than attempting 1 million chips, we'll pay the extra cost for 10 million chip attempts so we can have our pick of the best, and you're free to use any we pass on it any way you want.

That's why I don't think Sony necessarily got any better yields than Canon - with a much larger semi conductor business, Sony may have been willing to float much larger runs at the same low yield as Canon.

I am sure Canon knew about the Sony chip years ago - the may even have considered using it. They certainly saw the specs, if not the chip itself.

Why do I think the Nikon price caught Canon off guard? Retail price is one of the last things a company set when releasing a new product. There are cost targets during design and manufacture, but actual retail price is set very late. The fact that the D800 preceded the 5DMkIII by a few weeks didn't lessen the surprise, and at that point, Canon's promotional material and product channels were already set up for $3500. It takes a little while to turn a ship that big. Nikon may have even faked Canon out by preparing two sets of channel materials - one with the higher price in the weeks leading up to release, and one with the real price, released at the last minute. It's been known to happen. But I do agree with you, there is a bit of Canon hubris in that $3500 price tag.

I honestly think that talk about said cheaper canon FF camera is just a bunch of nonsense in reaction to Nikon's alleged D600, which still just a rumor. The next canon FF body will likely be a big MP 1Ds4 to compete with nikon's upcoming D4X.

Maybe. I think the next Nikon FF will have fewer MP's (18-24) and will be made from the same production runs as the 36 MP sensor, and will therefore exhibit the same DR, noise and color capabilities.

Here's why:
Just because you can't get 36 perfect MP's with low noise and high DR, doesn't mean the chip isn't good. The pixels of many 10-12 MP chips are not actually 10-12 million single sensors, but  grouped sets of 18-24 million sensors, which taken separately, have less than ideal performance, but taken together, produce very good results. One pixel in the group may give you great DR info, another, the best noise floor. Taken in combination, they produce perfect, if lower resolution results.

So a rejected 36 MP FF sensor may make a perfect 18 MP FF.  And the yields will be much higher, and therefore the cost of the sensor much lower because you don't need 36 million perfect sensors.

If Canon releases a FF 18-20 MP at substantially less than the 5DMkIII (with fewer bells and whistles of course) then it would be a good indication that they are on their way to a high MP FF like the Sony, and these these are the rejects from that line.

In any case, I think Canon is working extremely hard to get it's high MP, high DR senor production to scale.

43
EOS Bodies / Re: Up the game
« on: May 07, 2012, 10:24:11 AM »
It sounds like the D800, or Nikon crop bodies like the D7000 or D5100, are the ideal tools for your needs, then. If DR impacts your images that much, and you're willing to deal with the hassle of switching systems, the choice seems pretty clear at this point :) Or you can just pick up some Nikon gear, go dual systems, and decide if you're going to go all Nikon at some point later down the road. I just don't see this issue as something to lose sleep over :)
L lenses and their Nikon equivalents are $2,000+ a piece. And it's not one body, it's two or three. It's not a small investment or a trivial decision. But yes, if Canon continues to lag behind on senor quality over the next few years, then switching will make be more attractive.

44
EOS Bodies / Re: Up the game
« on: May 07, 2012, 01:09:53 AM »
If Canon put a high DR sensor packaged with a POS AF system, lethargic burst rate, and poor weather sealing in the 5DIII, I'd be shooting Nikon right now. It just so happens that Canon created an extremely well balanced machine in the 5DIII, so I cancelled my D800 order.
I am quite the opposite. I'd snap it up. A body is just a vehicle to get the best sensor behind my L glass, nothing more. I don't need fancy metering or AF modes. I don't care about burst rate or weather sealing. I don't even care whether the AF works at less than f/2.8. The lenses I use regularly are all 2.8 or faster.

I just need the best "film". And by best I mean the sensor with the highest resolution, widest DR, widest color gamut and lowest noise in my primary shooting range - 100-800. More DR means I have more zones to work with before I clip. That's vital.

45
EOS Bodies / Re: Up the game
« on: May 06, 2012, 09:07:03 PM »
The 5DMkIII is disappointing precisely because it is a very good body, with an excellent feature set, joined to a less than impressive sensor that is well behind the competition.

It was easier with film - you picked a body on one set of criteria and the film on another, selecting the best tool in each category. Taking advantage of film improvements was painless.

Now we have to trust that our system manufacturer will always give us the best digital "film" (sensor) in each body revision. When they don't, we are faced with the unpalatable choice of taking a loss on thousands of dollars in glass, or hoping they get their sensor act together in next revision, before they (and we) fall too far behind.

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