Canon has posted a bunch of images and videos made with the new Canon EOS 6D. As suspected, their results are terrific.
Have at it pixel peepers!
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Canon has posted a bunch of images and videos made with the new Canon EOS 6D. As suspected, their results are terrific.
Have at it pixel peepers!
MISSISSAUGA, ON, September 17, 2012 – Canon Canada Inc, a leader in digital imaging solutions, today announced the newest additions to the PIXMA PRO-series of 13-inch inkjet printers, the PIXMA PRO-10 and PIXMA PRO-100. Built with the same quality of output and design as the flagship PIXMA PRO-1 Professional Inkjet Printer, these two models produce excellent black-and-white and colour prints to help ensure what was captured through a camera lens is reproduced exactly as it was envisioned on paper. Canon has also worked to improve the printing workflow for end-users with the new Print Studio Pro plug-in software, wireless connectivity and faster printing speeds.
“The additions of the PIXMA PRO-10 and PIXMA PRO-100 printers to the PIXMA PRO-series lineup provide photographers with a number of options to satisfy their printing needs,” said Ian Macfarlane, Senior Vice-President of Sales and Service Operations, Canon Canada, a wholly owned subsidiary of Canon USA. “Canon is the only company that provides a complete imaging system from input to output for professionals, and these new printers along with the new EOS 6D Digital SLR Camera further illustrate our commitment to creating new technologies to help users get the most out of their images.”
Canon has created and included a PRO Mode for each of the new printers which maps colour gamut for optimum balance of brightness and saturation. This colour mode also helps adjust colours by taking into consideration the characteristics of human perception. The technology helps to create prints that accurately reflect the image as seen on a monitor without needing a high level understanding of colour management. In early 2013, this feature is expected to be available as a firmware upgrade for users of the PIXMA PRO-1 printer.
Quality of Results
The two new models complete the professional class of printers offered by Canon and deliver photographic prints of professional quality with predictable colour, smooth tonal transitions and precise detail. The Canon PIXMA PRO-10 printer utilizes a 10-ink tank system with LUCIA pigment-based inks to produce a wide colour gamut and exceptional print longevity on fine art and glossy paper. The printer employs three monochrome inks, including Matte Black, to generate deep, dark blacks when using fine art paper. A key component of the PIXMA PRO-10 is the addition of Chroma Optimizer to the ink system to further improve the quality of the print. In addition to increasing the colour gamut, this feature helps to enhance the black density when printing on glossy media types. After the ink is laid down, the printer applies the Chroma Optimizer to help eliminate gloss differential that at times can reflect light irregularly, resulting in a more uniform and aesthetically pleasing print on glossy-or semi-gloss type surfaces.
The eight-colour, Canon PIXMA PRO-100 printer utilizes the ChromaLife 100+ dye-based ink system1 to produce vibrant, saturated colours on fine art and glossy papers. Three monochrome inks are included to help enhance black density and produce accurate prints with smooth tonal gradations.
To help achieve accurate prints, each printer utilizes the Optimum Image Generating System which calculates the best results for each print mode and paper type. This system helps improve colour reproduction, tonal gradations and black density while reducing graininess and metamerism. Professionals will notice the benefits of this system when the image is printed and exhibited exactly as it was envisioned.
Quality of Experience
To help deliver a streamlined print workflow to aspiring and professional photographers, Canon is introducing the Print Studio Pro plug-in software specifically for use with the new PIXMA PRO-series printers. As part of the design process for this software, Canon interviewed a wide range of photographers at various professional levels to help determine what users want out of a printing application. The Print Studio Pro software is designed to provide a simple and seamless photo printing solution from a number of applications such as the Canon Digital Photo Professional and Adobe’s Photoshop, Photoshop Lightroom and Photoshop Elements. The Print Studio Pro user-interface has been designed to maximize ease-of-use with a number of options to adjust the page formats and layouts, accommodate for different user preferences and manage a number of variables including colour management and printer settings.
Because of the partnership Canon has established with major paper manufacturers, a significant number of ICC profiles are expected to be available at the time these new printers start shipping. Earlier this year, Canon expanded its media lineup for the PIXMA PRO-series to better meet the needs of professionals with Photo Paper Pro Luster, which delivers vivid colours, sharp details, and generates stunning black-and-white output with rich blacks and smooth tonality. The paper is designed to provide a consistent look and colour when viewed under various light sources and can help increase productivity through fast drying times and easy handling.
To further amplify the overall efficiency of both new models, Canon has added wireless connectivity, a first for the PIXMA PRO-series of Canon printers. Ethernet capabilities have also been included allowing multiple users to print high-quality images from one machine. Whether working on a project in a professional studio or as a student, users will find these connectivity options useful for completing projects in a timely manner without sacrificing image quality.
Both printers deliver impressive print speeds over and above previous generations of PIXMA PRO models through optimized carriage speed, the addition of the three monochrome ink tanks and maximum nozzle counts. As a result, the PIXMA PRO-100 printer can produce a 13” x 19” high-quality colour, bordered image in 90 seconds2 and create a high-quality, bordered black-and-white print 5.4-times faster than previous models, or just under three minutes2. In five minutes and 20 seconds2, the PIXMA PRO-10 printer can produce a 13” x 19” high-quality colour, bordered image in colour or a black-and-white. This increase in speed will help users improve productivity and better budget the time it takes to complete a project.
The estimated selling price of the PIXMA PRO-10 and PIXMA PRO-100 Professional Inkjet Printers are $799.99 CAD and $499.99 CAD.
LAKE SUCCESS, N.Y., September 17, 2012 – Designed for photographers of all levels, Canon U.S.A., Inc., a leader in digital imaging solutions, today announces the addition of three feature-packed digital cameras – the PowerShot G15, PowerShot S110, and PowerShot SX50 HS digital cameras – providing advanced features, greater focusing speed and multiple-shot speed in sophisticated, compact camera bodies. All three models include advancements in auto focus (AF) technology for high-speed responsive AF systems that capture the moment as it happens, with significantly reduced lag timeii. Both the PowerShot G15 and PowerShot S110 models include a newly designed 12.1-megapixel High-Sensitivity CMOS image sensor for exceptional light gathering and image quality. In addition to improvements to focusing speed and shooting speeds over their predecessors, each camera offers unique high-end features, such as an f/1.8-2.8 5x optical zoom lens on the PowerShot G15. The PowerShot S110 includes Wi-Fi connectivity for the ultimate in image quality and on-the-spot sharing, while the PowerShot SX50 HS boasts the world’s first 50x optical zoom in a digital camera to date.
“Art is the by-product of creativity and inspiration. With the introduction of the advanced features in these three new PowerShot models, our customers will have the right tools to put their creativity into action and produce images that they will share for a lifetime,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.
PowerShot G15 Digital Camera
The powerful new PowerShot G15 builds upon the success of the G-series providing some of the most advanced features in Canon’s PowerShot lineup. The PowerShot G15 continues this tradition with a new 28mm wide-angle f/1.8 – f/2.8 lens with 5x optical zoom, great for low-light shooting or dramatic shallow depth of field. The PowerShot G15 includes Canon’s HS SYSTEM where the camera’s DIGIC 5 image processor and newly designed Canon 1/1.7-inch 12.1-megapixel High-Sensitivity CMOS image sensor work in tandem to enhance low-light image quality at a maximum ISO speed of 12800. Enabling creative video capture, the PowerShot G15 shoots 1080p Full HD video with a built-in stereo microphone for great sound and zooming is enabled for optimal framing while recording.
The PowerShot G15 also features advancements in Canon’s AF system with improved AF times and reduced lag over previous G-series models. These AF improvements also enhance the High-Speed Burst HQ mode allowing for continuous capture of up to 10 frames at 12.1-megapixels. While shooting still images or recording video the camera also utilizes Canon’s Intelligent IS to stabilize the image and provide crisp photos and steady video.
The PowerShot G15 retains an accessory shoe for Speedlites and an optical viewfinder as an option to the bright 3.0-inch 922,000-dot LCD display. For even more creative options, the PowerShot G15 can accommodate additional optional accessories such as the Tele Converter Lens, a Conversion Lens Adapter to allow the attachment of a Macro Ring Lite or Macro Twin Lite to the camera, and a threaded Filter Adapter for 58mm lens filters. For the wet and wild underwater adventurer the new PowerShot G15 also has an optional WP-DC48 Waterproof Case, capable of diving to depths of up to 130 feet.
PowerShot S110 Digital Camera
Style, performance and wireless connectivity fit into your pocket with the new PowerShot S110 digital camera. Built-in Wi-Fi features allow the camera to share images and video to social networking sites through the Canon iMAGE GATEWAYiii or to Wi-Fi enabled devices such as iOS or Android smartphones and tabletsiv with the free download of the Canon CameraWindow appv, or to other select PowerShot cameras, or to a PC. The advanced wireless features let the camera act as a wireless network and record GPS datavi acquired from a smartphone using the free download of the Canon CameraWindow appvii, or send images directly to a Wi-Fi compatible printerviii.
The PowerShot S110 includes a 24mm wide-angle lens with 5x optical zoom and bright f/2.0 aperture ideal for low-light photography or soft backgrounds with shallow depth of field. Featuring Canon’s HS SYSTEM, the PowerShot S110 camera’s DIGIC 5 image processor and newly designed Canon 1/1.7-inch 12.1-megapixel High-Sensitivity CMOS image sensor work together to enhance low-light image quality at a maximum ISO speed of 12800. As with the PowerShot G15, the PowerShot S110 also features advancements in Canon’s AF system with improved AF times and reduced lag over previous S-series models. These AF improvements also enhance the High-Speed Burst HQ mode allowing for continuous capture of up to 10 frames at 12.1-megapixels. The video capabilities of the PowerShot S110 are equally impressive with 1080p Full HD video, built-in stereo microphone, optical zoom while shooting, and convenient playback via HDMI output. Camera menu navigation, image playback and viewing has been made simple and intuitive with a 3.0-inch wide capacitive touch panel LCD screen, along with Canon’s Touch Shutter feature, which makes shooting easy and interactive.
The camera’s Intelligent IS system matches the shooting conditions with one of six stabilization modes for smooth video and sharp images. Diving and underwater enthusiasts will enjoy the new optional PowerShot S110 waterproof case, the WP-DC47, capable of diving to depths of up to 130 feet.
PowerShot SX50 HS Digital Camera
The new PowerShot SX50 HS includes a high-powered 50x optical zoom (24-1200mm) and 24mm wide-angle lens with Optical Image Stabilization for clear steady images even at full telephoto. To help maximize the potential of the 50x zoom lens, are incredible 1080p Full HD video capabilities of the PowerShot SX50 HS with stereo sound and optical zoom while recording. The PowerShot SX50 HS includes Canon’s HS SYSTEM where the camera’s image processor and CMOS image sensor work together to enhance low-light image quality at a maximum ISO speed of 6400.
The PowerShot SX50 HS also features advancements in Canon’s AF system with improved AF times and reduced lag over previous SX-series models. These AF improvements also enhance the High-Speed Burst HQ mode allowing for continuous capture of up to 10 frames at 12.1-megapixels. For those tricky overhead or low-angle shots, the camera features a new 2.8-inch vari-angle LCD screen (461,000 dots) and Zoom Framing Assist to help users locate, track and capture subjects while using the extreme telephoto on the PowerShot SX50 HS. By pressing a button, the Zoom Framing Assist Seek function remembers your previous zoom position, zooms out to let you locate your subject, and zooms right back into the saved position when the button is released. A second Zoom Framing Assist Lock button allows the camera to lock the Image Stabilization onto the center of the frame for additional compensation of camera movement, making it much easier to keep the intended subject in frame. The camera also features an electronic viewfinder, ideal for shooting in bright outdoor conditions. To help make photography simple, Canon’s Smart AUTO mode intelligently selects optimal camera settings from 58 pre-defined shooting situations.
The PowerShot SX50 HS can be set to capture 12-bit RAW + JPEG image files for instant file back-ups and great latitude with post-processing and image modification. A hot shoe allows for optional accessories such as Canon Speedlites or additional lighting options.
Pricing and Availability
The new PowerShot G15, PowerShot S110 and PowerShot SX50 HS digital cameras are expected to be available in October 2012 for an estimated retail price of $499.99, $449.99 and $479.99, respectively.
Canon Announces Its Smallest and Lightest Full-Frame Digital SLR Camera For Serious Photographers
The EOS 6D Digital SLR Camera Includes a New Full-Frame Sensor, Built-in Wireless and GPS
LAKE SUCCESS, N.Y., September 17, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, today introduced the EOS 6D Digital SLR Camera, a versatile mid-range full-frame camera with the durability and performance professionals require and the creative imaging options serious photographers crave. Canon has coupled the incredible image quality of a newly designed 20.2-megapixel full-frame CMOS sensor and DIGIC 5+ Image Processor with the creative potential of built-in Wireless and GPS features. The camera also includes an 11-point AF array and 63-zone dual-layer iFCL metering sensor together with 1080p Full HD video capabilities, in an affordable camera body. Building upon the qualities that made the EOS 5D Mark II camera so successful, the EOS 6D bridges the gap for budget-minded photographers, videographers and cinematographers who are eager to step up into the world of full-frame imaging.
“The introduction of this camera completes a well-rounded ecosystem from input through output for Canon, allowing us to provide the right combination of features for every level of photographer. We believe the EOS 6D Digital SLR Camera along with our new PIXMA Pro printers will help unlock the creative vision of so many who aspire to capture and display their artistic abilities,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.
Designed for advanced amateurs and videographers making the move to a full-frame Digital SLR, the EOS 6D fits neatly into Canon’s professional imaging system with an advanced feature set including full manual options for creative control in addition to new and intuitive automatic settings to help even novice photographers capture great images. The camera’s construction helps meet the needs of professionals with a 100,000-cycle shutter durability and EOS Integrated Cleaning System for high-quality vibration-based dust removal. Among the many advancements in Canon’s new EOS 6D is the Company’s proprietary DIGIC 5+ Image Processor that powers the camera’s fast 14-bit analog-to-digital conversion for exceptionally smooth color tones and gradation. The camera offers a full-frame, 20.2-megapixel CMOS sensor and continuous shooting up to 4.5 frames per second (fps).
Thanks to the combination of its new CMOS image sensor and the powerful DIGIC 5+ image processor, the EOS 6D provides a wide ISO range from 100-25600 with a low setting, L: 50 and two high settings, H1: 51200 and H2: 102400. These outstanding low-light capabilities allow the EOS 6D to easily capture dimly lit scenes such as wedding ceremonies, indoor corporate events, or landscapes at dusk. To support the ample sensitivity of the new camera’s sensor, the EOS 6D camera’s Auto Focus (AF) system includes a newly-developed 11-point AF sensor featuring a high-precision center cross-type point with an exceptional EV -3 sensitivity rating for accurate focusing even in extremely low-light conditions.
The EOS 6D has a large 3.0-inch Clear View LCD monitor with 1,040,000 dot VGA resolution and 170 degree viewing angle, with high-transparency multicoating for maximum protection and clarity when viewing images or navigating menu screens. When used for Live View shooting, the camera’s bright high-performance LCD screen provides 100 percent coverage, for easy focusing and framing.
Full-Frame 1080p Full HD Video
Videographers, student filmmakers, and creative independent spirits will appreciate the full-frame video capabilities of the EOS 6D in an affordable and compact body. Borrowing from the best of the EOS 5D-series, the EOS 6D provides full manual control over exposure and audio levels while recording video. The camera features NTSC and PAL video modes at multiple frame rates, recording 1080p at 30 (29.97), 24 (23.976) and 25 fps, 720p at 60 (59.94) and 50 fps and standard video at 30 (29.97) and 25 fps. The camera provides up to 29 minutes and 59 seconds of continuous recording (with 4GB automatic file partitioning) in selectable All i-framei or IPB compressions with embedded timecode. Especially when used with large aperture lenses, the EOS 6D camera’s full-frame sensor offers a tremendous degree of creative control over depth-of-field, helping users to achieve pro-quality cinematic effects in Full HD video recordings.
Built-in Wireless and GPS
For the ultimate in DSLR connectivity and control, the EOS 6D features a built-in wireless transmitter which allows the camera to share images and video with the user’s choice of wireless devices such as select PowerShot cameras, smartphones, or tablets, as well as cloud-based destinations including social networking sites through the Canon iMAGE GATEWAYii iii. A very intuitive and useful wireless feature is the new, free Canon EOS Remote app available for iOS and Android systems which will allow a smartphone or wireless device such as a tablet to remotely connect, control and operate the connected EOS 6Div. This seamless connection and control will open new opportunities for professional photographers shooting weddings or remote wildlife, without the need for tethered operation or accessories.
For on-location shooters, landscape photographers or enthusiast photo travelers, the EOS 6D features a built-in GPS receiver to record longitude, latitude, elevation and Coordinated Universal Time (UTC) as EXIF data for seamless geo-tagging while shooting. The GPS coordinates are appended to each image and easily syncs with Canon software or mapping apps on social network sites to show image locations. Use of UTC data allows images to be chronologically mapped and trails plotted and recorded.v
To help photographers unlock their full creative potential and explore all the different avenues of digital photography, the EOS 6D includes several creative modes for image capture. First is the HDR (High Dynamic Range) mode allowing the camera to capture three separate exposures and combine them in-camera for a stunning image capturing both enhanced shadow detail and bright highlights. Next is the camera’s Multiple Exposure mode where users can combine up to nine individual images into a single composite image, with no need for later computer post-processing. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 6D will even allow photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image. In addition to HDR and Multiple Exposure modes are Canon’s standard Scene Intelligent Auto and special scene modes to capture great images with ease. The camera is compatible with SD, SDHC, and SDXC memory cards including the new Ultra High Speed (UHS-I) cards.
Pricing and Availability
The EOS 6D Digital SLR Camera will be sold in a body-only configuration at an estimated retail price of $2,099.00 and it will additionally be offered in a kit version with Canon’s EF 24-105mm f/4L IS USM zoom lens at an estimated retail price of $2,899.00. Both configurations are expected to be available in December 2012.
|Body type||Mid-size SLR|
|Image ratio w:h||3:2|
|Effective pixels||20.2 megapixels|
|Sensor size||Full frame (36 x 24 mm)|
|ISO||Auto, 100 – 25600 in 1/3 stops, plus 50, 51200, 102400 as option|
|White balance presets||6|
|Custom white balance||Yes|
|JPEG quality levels||Fine, Normal|
|Optics & Focus|
|Number of focus points||11|
|Lens mount||Canon EF mount|
|Focal length multiplier||1×|
|Screen / viewfinder|
|Screen type||Clear View II TFT LCD|
|Viewfinder type||Optical (pentaprism)|
|Viewfinder coverage||97 %|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/8000 sec|
|Manual exposure mode||Yes|
|Subject / scene modes||Yes|
|External flash||Yes (Hot shoe)|
|Continuous drive||Yes (4.5 fps)|
|Self-timer||Yes (2 or 10 sec)|
|Exposure compensation||±5 EV (at 1/3 EV, 1/2 EV steps)|
|AE Bracketing||±3 (3 frames at 1/3 EV, 1/2 EV steps)|
|WB Bracketing||Yes (3 frames in either blue/amber or magenta/green axis)|
|Resolutions||1920 x 1080 (29.97, 25, 23.976 fps fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (25, 30 fps)|
|Videography notes||1080 and 720 intra or inter frame, 480 inter frame|
|USB||USB 2.0 (480 Mbit/sec)|
|HDMI||Yes (HDMI Mini)|
|Remote control||Yes (Remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-6)|
|Environmentally sealed||Yes (Splash and dust resistant)|
|Battery description||Lithium-Ion LP-E6 rechargeable battery & charger|
|Weight (inc. batteries)||770 g (1.70 lb / 27.16 oz)|
|Dimensions||145 x 111 x 71 mm (5.71 x 4.37 x 2.8″)|
|Timelapse recording||Yes (by cable and PC)|
|GPS notes||Image tagging and tracking modes|
A Plug for friend: Birds, Birds, Birds!
My good friend and Canon shooter, Ethan Meleg will be hosting a bird photography workshop on Ecuador this February. I spent time in Ecuador last year with Ethan, and shot an abundance of birds and learned a ton. It’s a wonderful rainforest experience. Hummingbirds, toucans, Cuckoos and all sorts of other species. I went almost everywhere he’ll be going this February. The accomodations and people were wonderful.
Ethan actually makes a living in outdoor photography, and that’s pretty rare. He’s well known around Canada as a speaker and teacher. He also likes Oreo’s, and anyone that likes Oreo’s is a good person.
A Brief outline
“Ecuador is much more than just the site of the equator. It is the perfect setting for wildlife and landscape photography. Not only is it home to a variety of spectacular birds and wildlife, but there are several diverse habitats in close proximity to each other. This tour focuses on photographing Ecuador’s diverse birds and wildlife, including some of Ecuador’s 50 species of hummingbirds. Outdoor Photographer and birder Ethan Meleg will provide personalized instruction, to help you get that perfect shot.
This 10 day tour explores two major regions in Ecuador, all within a comfortable driving distance Quito, Ecuator’s capital.”
Canon will be announcing their Photokina products on September 17, 2012. We’ll be around to cover the new gear that will get announced.
What to expect
There has been very little mention of new EOS lenses, though we do expect some before the end of 2012.
My first impression of the lens is very positive. I love the feel, weight and size of the lens. I actually have an event this weekend that I’ll be shooting, so I can put the lens through the paces in a real world situation. I’ll have it paired with the EOS-1D X, apparently they were born to be together.
I still get a lot of people asking why the lens has no IS. I’m of the belief a medium range lens such as this doesn’t require it. This lens is going to be most used in event photography, or portrait and that kind of thing. If you’re looking for a walkaround tourist lens, then the EF 24-105 f/4L IS exists for that purpose. When you see the ISO performance of the EOS-1D X, that’s another reason not to care much about IS. That’s just my opinion!
Canon EOS 6D Specs?
I received this spec list this morning, and it seems to have also appeared at Digicame-info.
September 13, 2012, 4PM JST, Saitama, Japan – Tamron Co., Ltd. (President and CEO: Morio Ono / Headquarters: Saitama City), a leading manufacturer of optical equipment, announced the development of a full-size, high-speed telephoto zoom lens equipped with VC (Vibration Compensation)2 image stabilization, and USD (Ultrasonic Silent Drive) that achieves leading-edge image quality while boasting the most compact design in its class. The SP 70-200mm F/2.8 Di VC USD will be available in Canon, Nikon and Sony mounts. The lens is expected to ship by the end of 2012. Pricing information will be announced at a later date.
Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD September 13, 2012, Saitama, Japan—Tamron Co., Ltd. (President and CEO: Morio Ono / Headquarters: Saitama City), a leading manufacturer of optical equipment, announced the development of a next generation 90mm Macro lens for full-size SLR cameras. The lens features completely redesigned optics, a proprietary VC (Vibration Compensation)*1, and USD (Ultrasonic Silent Drive)*2.
Tamron has updated their legendary 90mm Macro lens with a new, state-of-the-art optical design. The lens, reborn for the age of digital photography, offers VC (Vibration Compensation) and USD (Ultrasonic Silent Drive).
Samyang 10mm 1:2.8 ED AS UMC CS is a prototype of the ultra wide-angle prime lens designed for use with cameras fitted with APS-C/DX sensors. Its extremely short focus length and rectilinear imaging system ensure extra wide angle of view amounting to 110 degrees (~107 degree for Canon version). As a result the lens is a comprehensive tool for architecture and landscape shooting. New Samyang 10mm 1:2.8 ED AS UMC CS is similar to the 35mm system lens with 15mm or 16mm focal length in the case of Canon APS-C cameras.
All details concerning the optical construction of the lens and available mounts will be published at a later date. The lens will be introduced for sale either at the end of 2012 or in the first days of 2013.
Canon PowerShot G15
I’m not sure where the G13 and G14 went, but they will definately be missed. Here’s an image of the imminent G12 replacement.
It’s pretty closely specced to the G12. Add DIGIC V and a faster lens, the f/1.8 looks good. The flash is now a popup as well. Here’s hoping the viewfinder is a bit better.
Roger over at LensRentals.com ran the new EF 24-70 f/2.8L II through an Imatest session and found it to be a stellar performer as far as resolution goes.
“This is short, sweet, and simple. The resolution absolutely, positively kicks butt and takes names. It is way better than the lens it replaces. It’s better at 70mm than the best Canon zoom I know of, the 70-200 f/2.8 IS II. It’s even better at 24mm than the sharpest 24mm prime we have, the Canon 24 TS-E. In the center, in the corners, it doesn’t care. We only had 5 copies to test, but they were all very similar with little copy-to-copy variation.
Resolution is not everything, of course. But it’s certainly an important thing. Unless the real lens reviewers find some dramatic problems with this lens, I’d have to lean towards worth-the-money on this one. I can’t believe I’m saying that a $2,300 standard zoom is worth the money. But then again, I can’t believe I’m seeing a zoom lens out resolve a $2,000 world-class prime, either.”
|Lens||24mm Ctr||24mm Avg||70mm Ctr||70mm Avg|
|Canon 24-70 f/2.8 II||954||831||950||809|
|Canon 24-70 f/2.8||730||605||705||570|
|Tamron 24-70 f/2.8 VC||815||765||735||655|
|Canon 70-200 f/2.8 IS II||xx||xx||885||765|
|Canon24 f/3.5 TS-E||915||775||xx||xx|
As you can see, the new EF 24-70 f/2.8L II is an absolute resolution monster. It really looks like it’s the best zoom Canon has ever made optically. There is a small note that distortion at 24mm is slightly worse than version 1, but that’s what software is for. :)
As far as the EOS 6D goes, I’ve been told a few things about the specs previously posted.
It’s possible that 2 cameras are being mixed up and showing up in one spec list.
More talk about an upcoming 6D
We have received a larger spec list in regards to a forthcoming Canon EOS 6D. This camera will come in between the 7D and the 5D Mark III and replace the 5D Mark II
This looks similar to what [NL] also received. I also agree with Northlight that the camera spec rumors don’t quite feel “real” yet. Take this spec list with a grain of salt.