I'm glad my words have resonated with a few here... While I'm not against innovation and these new features and things like HD video has been taken well with many of my clients and have given me a new skill set and allowed new products to offer my clients, these extra things (AF points, Video, Horizon Level, FPS, MP) are here to enhance our capabilities as photographers. Seriously though, if you cannot get the shot you were seeking with 9 focus points, what makes you think you would have made it with 19 or 45? I would have loved to ask Annie Leibovitz how many AF points she had when she photographed John Lennon... Or all the National Geographic photogs how often they really use AF or their opinions of the needs of horizon levels or GPS as many have suggested. I would like to see the 5D series to move up to about 24MP or so just to get to the max resolution a 35mm film could produce so the conversion to digital wasn't all lost and downgraded to what film had to offer back in the day... If you dont want to use all 24MP... then you dont have to use it all, but that way it is no worse than what photos had to work with when we were shooting velvia ISO 50 slide film... I would also like to see the 1Ds series move up to challenge more of a medium format class even if that means inventing more lenses to accommodate. It was designed to be the flagship and designed to be the best quality studio camera... back in the day, studio photogs rarely used 35mm... they used medium format... 645, 6x7, and even 4x5 if they knew what they were doing... There is no reason they couldn't at least give us a square sensor to get close... In my feeble mind, that would be the flagship... not a glorified 5D with a built in battery grip and trumped up AF. Once they get to that level, then the rest would be gravy...