December 11, 2017, 04:42:40 AM

Author Topic: Canon’s ME20F-SH Multi-Purpose Camera Enables Viewers to ‘See in the Dark’ on National Geographic’s  (Read 5093 times)

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Canon Camera Technology Allows Television Audiences to Enjoy a Live-Broadcast First: Wildlife in Full Color at Night

MELVILLE, N.Y., August 2, 2017 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to congratulate the team behind the National Geographic’s live television special “Earth Live”. The two-hour broadcast featured a live-production first, by using Canon’s ME20F-SH Multi-Purpose Camera along with a variety of Canon lenses, including the CINE-SERVO 50-1000mm T5.0-8.9 EF to show television viewers live images of illusive nocturnal wildlife from around the world at night, in color, without using artificial lighting. Hosted by award-winning actress Jane Lynch and award-winning television personality Phil Keoghan, the unprecedented two-hour event gave viewers an unfiltered, real-time broadcast feed to see Earth’s wildlife in various natural habitats with the use of 51 cameras shooting simultaneously in 25 different locations across six continents. The show premiered on National Geographic, Nat Geo WILD and Nat Geo MUNDO on Sunday, July 9, and aired in 171 countries and 45 languages.

Working closely with National Geographic, executive producer Al Berman’s idea for “Earth Live” involved several locations that were in total darkness during the live production and those dark locations would either require lights that would disturb wildlife, or the use of infrared or thermal cameras, which didn’t suit Berman’s idea. It wasn’t until 2015 when Canon debuted the ME20F-SH Multi-Purpose Camera that Berman saw the opportunity to broadcast undisturbed nocturnal wildlife in color. The announcement of this revolutionary four million ISO, full-frame sensor camera that can shoot full-color video in extreme low-light conditions, immediately caught the attention of Berman, who approached Canon U.S.A. with his idea. The Company’s technical support team worked closely with Berman and his crew to provide and test equipment to help bring this concept to life.

“The Canon ME20F-SH camera made it possible to do the show, and we were awed by the footage this camera was able to capture in challenging low-light environments,” said Berman. “Through Canon’s ongoing, hands-on support, viewers were able to see Earth’s greatest wildlife and further deepen their understanding of the world.”

The incredible ISO capability of the ME20F-SH allowed for viewers to virtually see in the dark and watch—in full color—live wildlife lit only by the moon. Dubbed the “Canon Moon Cam” by cinematographers during the live production, filmmakers were awed by the footage they were able to capture and broadcast in color around the world.

“Using Canon’s ME20F-SH allowed viewers to see these marvelous creatures in their natural environment, opening a portal into this beautiful unknown world,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “We feel honored that National Geographic and Mr. Berman called on Canon to be a part of such a pioneering and magnificent piece of work, allowing the world to see what has never been seen before. This kind of innovation is the bedrock of our company, and we look forward to more opportunities to show the power of imaging.”

“Earth Live was an ambitious television special that allowed us to go beyond what we thought was possible” said Tim Pastore, president, original programming & production, National Geographic. “The footage and images deeply resonated with our audience, and we couldn’t be happier that Canon was a part of the incredible moment for our network and in television history.”

The broadcast featured live feeds from nine Canon ME20F-SH cameras positioned in the parts of the world that were in nighttime during the live broadcast. Additional Canon equipment used by the National Geographic Channel for the television special included the CN-E30-300mm T2.95-3.7 L SP Cinema Zoom Lens and the CINE-SERVO 17-120mm T.2.95-3.9 PL.

“Earth Live” is produced by Bunim-Murray Productions, Berman Productions and Plimsoll Productions for National Geographic. Al Berman, Gil Goldschein, Andrew Jackson, Martha Holmes and James Smith are executive producers. For National Geographic, Michael J. Miller is the executive producer; Kevin Tao Mohs is vice president, production and development; and Tim Pastore is president of original programming and production.

For additional information on Earth Live and to view the full show, visit natgeotv.com/EarthLive.

For more information about Canon EOS cameras and lenses, please visit the Canon U.S.A. website at usa.canon.com.

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Mt Spokane Photography

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This sounds fascinating.  It did occur to me that the human eye does not see color in the very low light / darkness, so I wonder if other animals are the same.  Seeing full color in the dark is amazing, but, that has me wondering if its the real world of vision in the dark as other animals with much better night vision see things.

Any experts?

Talys

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Wow, that sounds so cool.

When can we get 4 million ISO in xD and xxD bodies? :D   I would line up or one of those LOL. 

It would also be super-duper awesome to have these in security cameras.  Though, then, the problem is, people would all want to steal my security cameras.

rfdesigner

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This sounds fascinating.  It did occur to me that the human eye does not see color in the very low light / darkness, so I wonder if other animals are the same.  Seeing full color in the dark is amazing, but, that has me wondering if its the real world of vision in the dark as other animals with much better night vision see things.

Any experts?

http://northernwoodlands.org/outside_story/article/night-vision-how-animals-see
« Last Edit: August 02, 2017, 01:32:46 PM by rfdesigner »
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scyrene

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This sounds fascinating.  It did occur to me that the human eye does not see color in the very low light / darkness, so I wonder if other animals are the same.  Seeing full color in the dark is amazing, but, that has me wondering if its the real world of vision in the dark as other animals with much better night vision see things.

Any experts?

Some do, some don't. This is a good overview of those that can: http://www.bbc.com/earth/story/20141128-these-animals-see-colour-at-night.

It's worth pointing out that many mammals have much less wide colour discrimination than humans, even in daylight - some primates including our ancestors re-evolved a three-cone system, which had been reduced to two in ancestral (placental?) mammals (and one in some aquatic mammals, who are therefore essentially colourblind) - reptiles, birds, insects, fish and some crustaceans have three or more (most elaborate in the mantis shrimps), so many can see more colours than us, but which colours varies - some insects are blind to red, but can see UV, for instance.
« Last Edit: August 02, 2017, 02:38:56 PM by scyrene »
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BeenThere

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What is the DR at base ISO?  🤔

Mt Spokane Photography

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Wow, that sounds so cool.

When can we get 4 million ISO in xD and xxD bodies? :D   I would line up or one of those LOL. 

It would also be super-duper awesome to have these in security cameras.  Though, then, the problem is, people would all want to steal my security cameras.

They are a bit pricy.  I think Canon does make some see in the dark surveillance cameras.  They are likely uber expensive as well, and find use for high security applications.

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Sharlin

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Wow, that sounds so cool.

When can we get 4 million ISO in xD and xxD bodies? :D   I would line up or one of those LOL. 

Once Canon releases a xD or xxD body with 2Mpix resolution. Alternatively, you might be interested in the Nikon D5  ::)

crazyrunner33

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Wow, that sounds so cool.

When can we get 4 million ISO in xD and xxD bodies? :D   I would line up or one of those LOL. 

It would also be super-duper awesome to have these in security cameras.  Though, then, the problem is, people would all want to steal my security cameras.

The camera is only 5 grand on B&H, you can have that low light performance right now. But if you want that low light capability with a camera resolution higher than 2 megapixels, then noise will become your new best friend.

Sharlin

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Have you ever tried to film auroras in realtime? This is a camera to which such a trivial task is almost demeaning.

Have you ever tried to film the Milky Way in realtime? And pull focus, watching stars blur into bokeh disks?

With this camera you can.

scotsman

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Nit-picking, I know, but I think they meant "elusive" nocturnal wildlife.
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Khufu

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Nit-picking, I know, but I think they meant "elusive" nocturnal wildlife.

Ah, the rare and elusive adjective 'illusive', occasionally spotted where it shouldn't be... I mean, if it really is there; did I imagine it?
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OMG OMG - 70K$ lense... 50-1000k Awesome! Could this be used on DSLR?
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Sharlin

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OMG OMG - 70K$ lense... 50-1000k Awesome! Could this be used on DSLR?

Sure. It's EF - but the image circle only spans Super 35 which is roughly 24x13mm.

dsrlcamera

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