RedTagCamera (100% approval) is selling the Canon EOS 5D Mark III body for $2819 (Reg $3399) via ebay.
Canon EOS 5D Mark III Body $2819 (Reg $3399)
RedTagCamera (100% approval) is selling the Canon EOS 5D Mark III body for $2819 (Reg $3399) via ebay.
Canon EOS 5D Mark III Body $2819 (Reg $3399)
New Compact Portable HD Lens for 2/3-Inch Imager Cameras Features High Peripheral Resolution, First-Class Magnification, Focal Length, MOD, and a New Drive Unit
MELVILLE, N.Y., April 2, 2014 – With an impressive design and competitive price, the new HJ18ex7.6B portable HD zoom lens from Canon U.S.A., Inc., a leader in digital imaging solutions, delivers superb optical quality and versatile operability, improving on the performance of its widely used predecessor, the HJ17ex7.6B lens. Utilizing a generous focal length range of 7.6mm to 137mm (15.2mm to 274mm with its built-in 2X extender) and a Minimum Object Distance (MOD) of 0.56m (10mm with Macro), this new member of Canon’s family of HD portable lenses enables shots to be taken four centimeters closer than with rival lens models, an advantage for camera operators working in tight locations such as studio spaces or on-site home-improvement reality television locations.
Designed with broadcast news gathering in mind, the HJ18ex7.6B portable HD zoom lens features an advanced new optical design that helps ensure high-peripheral resolution and contrast from its closest subject-focusing distance out to over 19 feet. This enables news shooters to capture “head and shoulders” shots from distances further away than previously possible with comparable ENG lenses. A new design for the Digital Drive Unit provides additional advantages including a more comfortable hand grip, simple display-based operations for improved operability, greater digital precision for integration with virtual studio systems, and reduced power consumption compared to predecessor Canon models.
MELVILLE, N.Y., April 2, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the introduction of the compact Canon XF205 and XF200 Professional Camcorders, building on technologies carried over from the XA25 and XA20 Professional Camcorders and offering improved performance and enhanced operability in response to industry feedback.
Positioned above the XF105 and XF100 Professional Camcorder models, the new Canon XF205 and XF200 Professional Camcorders are equipped with the upgraded zoom lens, CMOS sensor and image-processing platform featured in the XA25/XA20 High Definition Camcorders. The new camcorders have a compact, lightweight body design, advanced operability and expanded network connectivity, satisfying a wide range of professional shooting demands from the production of high-definition content for news gathering, documentaries, weddings and event videography.
The XF205 and XF200 camcorders each feature a wide-angle 26.8 mm (35mm film equivalent) 20x optical zoom lens with Hi-UD (Hi Index Ultra Low Dispersion) glass lens elements for compact size and reduced chromatic aberrations compared to prior models. Additionally, the lens is equipped with an eight-bladed circular aperture that employs the same EMD (Electro Magnetic Diaphragm) technology used in Canon EF lenses and creates natural, attractive blur characteristics. Differentiating the two models are industry-standard 3G-SDI and HD-SDI output terminals in addition to genlock in/SMPTE time code (in/out) terminals available on the Canon XF205 camcorders.
MELVILLE, N.Y., April 2, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, shared today that its parent company, Canon Inc., announced a software upgrade for the EOS C500 digital cinema camera (launched in October 2012), part of Canon’s Cinema EOS System lineup of professional digital cinematography products, that will enable users to more efficiently on-set production workflows. The Company plans to offer the free-of-charge Cinema RAW Development software upgrade* starting in October 2014.
The new Cinema RAW Development 1.3 software, currently under development, will deliver enhanced shooting workflows, including the on-set playback and confirmation of 4K RAW video, when using the EOS C500 camera.
Through collaboration with Intel, Cinema RAW Development 1.3 will deliver improved performance using a beta version of the Intel Media SDK 2014 Professional Camera Pack, making possible faster development of 4K Cinema RAW data when using a PC equipped with Intel Iris Pro graphics. Canon’s software upgrade will support greater workflow efficiencies for 4K RAW data by enabling real-time playback with playback speeds of up to 24 frames per second (fps). To date, previewing 4K RAW video footage on a notebook PC and other compact computer devices had been difficult because of the slow fps rate and the need for tremendous processing power, which was only available with a workstation PC. Now, with a combination of upgrades to Canon’s Cinema RAW Development 1.3 software, compatible with the Intel Media SDK 2014 Professional Camera Pack, and a PC with Intel Iris Pro graphics, Canon users will be able to more quickly preview their 4K video footage while on a shoot.
“Through our close collaboration with Canon, Intel is excited to be able to deliver highly accelerated 4K playback performance on a mobile PC with Intel Iris Pro graphics,” said Christos Georgiopoulos, vice president, Software and Services Group general manager, Developer Relations Division, Intel Corporation.
Cinema RAW Development software enables 4K Cinema RAW footage shot with the EOS C500 camera that has been exported to and recorded by an external recorder to be converted into DPX and other standard file formats and output for image previewing and editing.
Canon will demonstrate a trial version of Cinema RAW Development 1.3 using an Intel Iris Pro graphics-powered PC at the Canon NAB 2014 exhibit, Central Hall Booth No. C-4325 from Monday, April 7 through Thursday, April 10 at the Las Vegas Convention Center.
New Canon CINE-SERVO 17-120mm T2.95 Zoom Lens Features 4K Optical Performance, a Dynamic 17-120mm Focal Length Range, and Removable Digital Drive Unit for Cine-Style or Shoulder-Mounted Operation
MELVILLE, N.Y., April 2, 2014 – Shallow, creative depth of field, high-resolution and optimal low-light shooting capabilities are just some of the many reasons that large, single-sensor digital cameras have been kitted and rigged for use in nearly every application involving video capture. Further enhancing the versatility and adoption of these cameras into markets such as ENG (Electronic News Gathering), documentary, narrative production and special event coverage is the new CINE-SERVO 17-120mm T2.95 zoom lens from Canon U.S.A., Inc., a leader in digital imaging solutions.
Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 17-120mm T2.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. The new CINE-SERVO lens features high 4K optical performance throughout the broad focal length of 17mm to 120mm within its compact and lightweight body, a three-group inner focus system to help minimize focus breathing and provide a stable angle of view, an 11-blade iris to help achieve creative depth-of-field manipulation and natural “bokeh” background, user-friendly design features, support for matte boxes, follow focus and other accessories, and rugged reliability. Designed to work with single-sensor cameras, the lens will be available in either PL- or EF-mount.
“Since the launch of the Cinema EOS system, Canon has been a part of the large-sensor camera movement that has taken many video markets by storm. Each day the markets that employ these dynamic tools are growing, as is the way professionals are using them in the field,” explained Yuichi Ishizuka, president and COO, Canon U.S.A. “We remain dedicated to providing the equipment and service that enables professionals to reach the full potential of their talent. With the CINE-SERVO 17-120mm T2.95 zoom lens, we sought to arm them with a lens that is equally as versatile and adaptable as they are, and just as comfortable shooting a feature documentary as it would be shooting a corporate event or an interview for the evening news.”
We’re told to finally expect some significant camera announcements from Canon in May. There will be a couple of PowerShot’s announced, most notably the SX60 IS and its 100x zoom, as well as a DSLR. The assumption on the DSLR is that it will be the follow-up to the EOS 7D.
We should also expect at least 2 new lenses, with one possibly being EF-S.
There will be a bunch of announcements in August as well, as Canon gears up for Photokina 2014 in Cologne, Germany.
GetItDigital (99.4% approval) is selling the Canon EOS 6D body for $1567 (Reg $1899) via ebay.
There are a couple of lens deals from GetItDigital and BVI on ebay as well.
MELVILLE, N.Y., April 1, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the expansion of its service facilities with the opening of a new service and support center in Itasca, Ill. This facility, located just outside of Chicago, will provide comprehensive product repair and maintenance of Canon’s professional products to Cinema, Platinum, and Gold level members of Canon’s Professional Services (CPS) program, and owners of Canon professional broadcast lenses.
The Itasca facility features repair and maintenance operations for Canon’s extensive lineup of professional cameras, including Cinema EOS and EOS Digital SLR cameras, high-definition camcorders, and all of Canon’s lenses, including EF series photography lenses, Cinema lenses and broadcast lenses. Repair operations at the facility include four state-of-the-art camera body and lens adjustment rooms, Canon’s most advanced adjustment and calibration equipment, spare parts inventory, and experienced repair staff.
“The new Itasca Professional Service and Support Center is a testament to the growth and demand of Canon’s professional imaging products and the local support needed for imaging professionals working in or around Chicago,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “We believe in providing industry-leading support where our professional photography, cinema, broadcast and television production customers work so that we can return their products to the original factory condition and operation as quickly as possible.”
The Itasca facility is Canon’s third service facility exclusively available to professional clients, joining the Canon Hollywood Professional Technology & Support Center, located in Hollywood, Calif., and the New York/New Jersey service and support center, located in Ridgefield Park, N.J. These facilities provide local support to key markets and deliver an average in-house repair process time of less than three days.
An advance reservation is required for all service and support requests handled by the Itasca, Hollywood, and Ridgefield Park facilities. Canon Professional Services (CPS) Cinema, Platinum and Gold level members can make a reservation via the CPS hotline by calling 1 (888) CPS-4540. Non-CPS owners of Cinema EOS, professional video cameras and broadcast lenses can also request an appointment by calling 1 (855) CINE EOS.
Additional camera and lens service facilities for both professional and consumer clients are located in Jamesburg, N.J., Irvine, Calif., and Newport News, Va.
CANON U.S.A. INTRODUCES THE NEW CANON EOS-1D W DIGITAL SLR CAMERA, DESIGNED FOR “WILDLIFE”
Featuring Canon’s proven 61-Point High Density Reticular AF, Extreme Fast Shooting up to 24 fps, 39.9-Megapixel Near-Full-Frame CMOS Sensor, Outstanding ISO Sensitivity up to 204800, Dual Pixel CMOS AF II, Full HD Video Recording, Extreme-Durability Camouflage Finish, Development Announcement of EF 200-600mm f/4 L W IS USM/STM Lens
LAKE SUCCESS, N.Y., April 1, 2014 – Canon U.S.A., Inc. once again shows its leadership in digital imaging by introducing the Canon EOS-1D W “Wildlife” Digital SLR camera, the EOS-1D W is the world’s first professional DSLR designed specifically for the needs of wildlife photographers and videographers. A new addition to Canon’s arsenal of professional DSLRs, the EOS-1D W is a progressive EOS-1D series camera based on the EOS-1D X, but loaded with exciting new features.
According to Sakuichi Ishizukara, Canon’s Executive Vice President and General Manager, Imaging Technologies & Communications Group, Canon U.S.A., “Wildlife photographers make up a large percentage of DSLR camera users. These photographers have specific needs – needs that have long been overlooked.”
“That the new Canon EOS-1D W is going to revolutionize wildlife photography is unquestionable” says Martyn Culbreck after 3 months of field testing the new camera. Mr. Culbreck is the Director of Photography for BBC’s upcoming “Planet Life” series. “We spend weeks waiting for the an animal to be in the right position. When that perfect moment arrives, we cannot risk any camera-related issues causing a missed shot. The EOS-1D W is a game changer. It never misses.”
An article on Planet5D talking about Panasonic potentially dropping the Micro 4/3 system (except for the GH4) also mentions the possibility of Canon acquiring Panasonic’s camera division. We’ve heard various things in the past about Canon acquiring camera technologies and companies, but nothing has ever come of it. It’s usually been focused around medium format companies or print technology companies such as Kodak.
I heard from some very reliable sources that Canon is about to take over the Panasonic camera division. And that Olympus retreats from MFT too.
I have no idea what Panasonic has that Canon would want, perhaps there’s some video technology or patents that are of interest. I am reminded of a few articles I’ve read about the camera industry needing a giant shakeup. One of the suggested shakeups is less camera manufacturers. Panasonic, while making some very good products in the industry, seems to relegated to a niche market of budget conscience videographers and photographers.
Whether or not this is true doesn’t matter, it’s a telling reminder of the state of the industry. Some companies are going to be leaving the camera marketplace in the coming years, there just isn’t enough growth to keep companies profitable. Canon and Nikon are safe, though the latter isn’t exactly a profit machine. Sony seems content of giving it their all to find a place in the photography world and Fuji is making some cool niche products and are profitable. Leica has become a lifestyle brand, and the Louis Vuitton customer will continue to purchase the high margin German cameras. The rest? I’m not sure how much longer we’ll see Olympus, Panasonic, Samsung and Ricoh/Pentax in the game, I expect at least 2 of those names will be moving onto other things.