The 1 Series Arrives for the RF Mount

Richard Cox
12 Min Read

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Canon previously gave a development announcement of the EOS R1 but was light on the details. Now we know it all, and it's glorious. Canon has always made the 1 series the best possible camera they could at the time, and the Canon EOS R1 is no different – and carries on the tradition of the 1 series digital cameras going back nearly 25 years.

Pre-Order the Canon EOS R1

Canon EOS R1 Specifications

Lens MountCanon RF
Sensor ResolutionActual: 26.7 Megapixel
Effective: 24.2 Megapixel
Image Sensor36 x 24 mm (Full-Frame) BSI Stacked CMOS
Image StabilizationSensor-Shift, 5-Axis
ISO Sensitivity Range100 to 102,400 (Extended: 50 to 409,600)
Continuous ShootingMechanical Shutter
Up to 12 fps at 24.2 MP
Electronic Shutter
Up to 40 fps at 24.2 MPShow More
Internal Recording ModesRaw 12-Bit
6000 x 3164 at 23.98/24.00/25/29.97/50/59.94 fps
MP4/XF-AVC S/XF-HEVC S 4:2:2/4:2:0 8/10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/120 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120/200/240 fpsShow More
External Recording Modes4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
Media/Memory Card SlotDual Slot: CFexpress Type B
Video I/O1x HDMI (Unspecified Signal) Output
Audio I/O1x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output
1x 1/8″ / 3.5 mm TRRS Headphone/Mic Microphone Input
Power I/O1x USB-C Input
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input)
1x RJ45 (Ethernet) Data Output
Wireless6 GHz Wi-Fi 6 (802.11ax) Control
Bluetooth 5.0 Control
Display TypeArticulating Touchscreen LCD
Battery Type1x LP-E19 Rechargeable Lithium-Ion, 10.8 VDC, 2750 mAh

Imaging

Lens MountCanon RF
Sensor ResolutionActual: 26.7 Megapixel
Effective: 24.2 Megapixel
Image Sensor36 x 24 mm (Full-Frame) BSI Stacked CMOS
Sensor Crop (35mm Equivalent)Crop Factor: 1x
Additional Modes: 1.6x
*Additional Crop Occurs in Select Video Modes
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNo
Capture TypeStills & Video

Exposure Control

Shutter TypeMechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter SpeedMechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 30 Seconds
1/16000 to 30 Seconds in Manual Mode
1/16000 to 30 Seconds in Shutter Priority Mode
Bulb/Time ModeBulb Mode
ISO Sensitivity Range100 to 102,400 (Extended: 50 to 409,600)
Metering MethodCenter-Weighted Average, Evaluative, Partial, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range-3 to 20 EV
White BalancePresets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous ShootingMechanical Shutter
Up to 12 fps at 24.2 MP
Electronic Shutter
Up to 40 fps at 24.2 MP
Interval RecordingYes
Self-Timer2/10-Second Delay

Still Image Capture

Image Sizes3:2 HEIF / JPEG / Raw
24.2 MP (6000 x 4000)
Aspect Ratio3:2
Image File FormatHEIF, JPEG, Raw
Bit Depth14-Bit

Video Capture

Internal Recording ModesRaw 12-Bit
6000 x 3164 at 23.98/24.00/25/29.97/50/59.94 fps
MP4/XF-AVC S/XF-HEVC S 4:2:2/4:2:0 8/10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/120 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120/200/240 fps
External Recording Modes4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
Fast-/Slow-Motion SupportSlow-Motion Only
Gamma CurveCanon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020
Recording LimitNo
IP StreamingUVC/UAC
3840 x 2160
Built-In MicrophoneStereo
Audio Recording4-Channel 24-Bit LPCM Audio

Interface

Media/Memory Card SlotDual Slot: CFexpress Type B
Video I/O1x HDMI (Unspecified Signal) Output
Audio I/O1x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output
1x 1/8″ / 3.5 mm TRRS Headphone/Mic Microphone Input
Power I/O1x USB-C Input
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input)
1x RJ45 (Ethernet) Data Output
Wireless6 GHz Wi-Fi 6 (802.11ax) Control
Bluetooth 5.0 Control
Mobile App CompatibleYes: Android & iOS

Monitor

Display Size3.0″
Resolution2,100,000 Dot
Display TypeArticulating Touchscreen LCD
Secondary DisplayTop: LCD Status Display

Viewfinder

TypeBuilt-In Electronic (OLED)
Size0.5″
Resolution9,440,000 Dot
Eye Point25 mm
Coverage100%
MagnificationApprox. 0.9x
Diopter Adjustment-4 to +2

Focus

Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhoto
Phase Detection: 4897
Video
Phase Detection: 4067
Autofocus Sensitivity-7.5 to +21 EV

Flash

Built-In Flash/LightNo
Maximum Sync Speed1/320 Second
Flash Compensation-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash SystemeTTL
External Flash ConnectionShoe Mount

Environmental

Operating Temperature32 to 113°F / 0 to 45°C
Operating Humidity0 to 85%

General

Battery Type1x LP-E19 Rechargeable Lithium-Ion, 10.8 VDC, 2750 mAh
Shoe Mount1x Intelligent Hot Shoe
Tripod Mounting Thread1x 1/4″-20 Female (Bottom)
Material of ConstructionMagnesium Alloy
Dimensions (W x H x D)6.2 x 5.9 x 3.4″ / 157.6 x 149.5 x 87.3 mm
Weight2.5 lb / 1115 g (With Battery, Recording Media)
2.0 lb / 920 g (Body Only)

Canon EOS R1 Press Announcement

MELVILLE, N.Y., July 17, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today launched two new professional full-frame mirrorless cameras, the EOS R1 and EOS R5 Mark II. The EOS R1 camera is designed for both professional still photographers and video creators in a wide range of fields including sports, news reporting and high-end video production. The EOS R5 Mark II camera features improved video focused features for the advanced creators and real-time multi recognition tracking system for those who focus on still photography.

Canon EOS R1 Camera is “Ahead of the Game”

Canon’s EOS 1-series legacy continues with the unveiling of the flagship EOS R1 camera. This high-performance, reliable, and weather-resistance camera is designed for professionals in the photojournalism, sports and wildlife fields. Key features of the EOS R1 camera include:

  • Back-illuminated stacked 24.2 megapixel full-frame sensor and new processing system for extremely fast reading
  • Increased read-out speed, reducing “rolling shutter” distortions
  • Still-image shooting speeds up to 40fps
  • “Cross-type AF” imaging sensor for more positive focus on subjects with linear detail
  • Strong video capabilities, up to 4K (also 6K RAW video options)

Canon EOS R5 Mark II Camera helps users “Master the Moment”

For the professional who demands high-quality still and video output, the EOS R5 Mark II camera is ready to deliver. Designed with performance and image quality at its core, the EOS R5 Mark II camera offers the fundamental elements in one package for sports/wildlife photographers, journalists/producers, video producers and visual creators. Key features of the EOS R5 Mark II camera include:

  • Back-illuminated stacked 45 megapixel full-frame sensor and new processing system for extremely fast reading
  • When compared to previous EOS R camera models, more advanced and powerful AF system including Eye Control AF and new subject tracking technologies
  • Cinema EOS video features such as:
    • Custom Picture color profile including Canon Log 2
    • False Color Wave Form Monitor
    • 4CH Audio with 24bit LPCM
    • Pre-recording up to 5 seconds

Accessories for the EOS R5 Mark II camera were designed thoughtfully with the end-user in mind. There is a new, more powerful battery. The LP-E6P battery, when compared to previous battery versions, features higher continuous power and two-times the amperage. Optional battery grips were also thoughtfully designed, and there are three options:

  • BG-R20– For vertical operability
  • BG-R20EP with Ethernet – Port enables high-speed wired communication
  • CF-R20EP with Cooling Fan and Ethernet – Cooling fan helps maximize movie performance

Both cameras feature the new DIGIC Accelerator, which is an addition to the DIGIC X processor. The DIGIC Accelerator assists with deep learning processing which helps to quickly analyze large volumes of data and supports the next-gen AF system, Dual Pixel Intelligent AF. Dual Pixel Intelligent AF is based on Accelerated Capture and deep learning, allowing end-users to experience tracking advancements, such as body, joint and head area estimation and focus on people other than the main subject.

Price and Availability

The Canon EOS R1 camera is expected to be available in the Fall of 2024, for an estimated retail price of $6,299.00*. The Canon EOS R5 Mark II camera is expected to be available in August 2024, for an estimated retail price of $4,299.00* for the camera body only. The EOS R5 Mark II camera kit, which will include the RF24-105mm F4 L IS USM lens, will have an estimated retail price of $5,399.00*. The estimated retail prices for the optional battery grips are:

  • BG-R20– $560.00*
  • BG-R20EP – $750.00*
  • CF-R20EP – $600.00*

For more information, please visit www.usa.canon.com.

About Canon U.S.A. Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean markets. With approximately $29.4 billion in global revenue, its parent company, Canon Inc. as of 2023 has ranked in the top-five overall in U.S. patents granted for 38 consecutive years†. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To learn more about Canon, visit us at www.usa.canon.com and connect with us on LinkedIn at https://www.linkedin.com/company/canonusa.

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Richard has been using Canon cameras since the 1990s, with his first being the now legendary EOS-3. Since then, Richard has continued to use Canon cameras and now focuses mostly on the genre of infrared photography.

129 comments

  1. Canon Europe has the specs as well.

    Some errors/omissions in the specs on the main post (which match B&H). Canon Europe has the full list.

    For example, max shutter speed is 1/64000 like the R3 (not 1/16000), and flash sync with electronic shutter is 1/400 s (the 1/320 is with EFCS). Means at most a 2.5 ms readout speed.
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  2. R1 is flagship only within the Canon ecosystem, not the world mirrorless market. They want you to believe that megapixels don't matter.

    One thing I have understood.
    Canon will not do what you want them to do, Canon will do what they want to do.
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  3. One thing I have understood.
    Canon will not do what you want them to do, Canon will do what they want to do.
    Canon doesn’t care what you want them to do. They care what camera buyers in aggregate want them to do. Their domination of the market with nearly 50% share says their understanding of the market is vastly superior to yours.
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  4. And, once again, Canon are milking European customers.
    B&H: $6299
    Foto Koch: Euro7499
    No comment! 😡

    there's VAT on top of that but it's about 500 euro more it seems. you have to realize that it's more costly to do anything in Europe.
    • 0
  5. 40 fps @ 24MP also seems a touch low for a speed focused camera, especially since the R6II and R8 do the same speed (with worse AF I am sure, but the headline number does count for something).

    The R5 Mark II ends up with a higher pixels/second count (45 x 30 = 1350 MP/sec) over the R1 (24 x 40 = 960 MP/sec).
    • 0
  6. This is definitely targeted at the exact same market segment as existing R3 users. R3 is likely a one-and-done camera.
    Sure glad I have a one and done camera already... lol
    • 0
  7. The R1 is pretty disappointing but im not the target market anyway. But after years of rumors, development announcement and fanfare, we basically got a 24MP R3 mark II.
    The R5 is a solid update, just shame for the price increase.
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  8. This is definitely targeted at the exact same market segment as existing R3 users. R3 is likely a one-and-done camera.
    The R3 might get an update in a few years. For example the smaller size and a global shutter would be enough differentiation from the R1.
    • 0
  9. R1 is quite disappointing! R1 was released 3 years after others, but it was actually 2 years behind others' technology. R1 only has 24MP and requires AI forgery to reach 64MP. I feel that even the entry-level machine is better than R1!
    • 0
  10. R1 is flagship only within the Canon ecosystem, not the world mirrorless market. They want you to believe that megapixels don't matter.

    One thing I have understood.
    Canon will not do what you want them to do, Canon will do what they want to do.
    yes!
    • 0
  11. R1 is flagship only within the Canon ecosystem, not the world mirrorless market. They want you to believe that megapixels don't matter.

    One thing I have understood.
    Canon will not do what you want them to do, Canon will do what they want to do.
    I don't think that is true anymore with the cinema and 5 series. They seem to be trying to give us new features that people ask for since the R5. For the 1 series you are probably correct. I also don't think the 1 series is their big seller like the rest of their line up and maybe suited just for pros that need a camera that works and works fast. It's funny how much crap Canon gets for a camera people aren't going to buy.
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  12. It's funny how much crap Canon gets for a camera people aren't going to buy.
    ^^This. The people who are the target audience, will buy the camera. I’d guess that 99% of the people complaining about it on the Internet we’re never going to buy it anyway.
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  13. The R3 might get an update in a few years. For example the smaller size and a global shutter would be enough differentiation from the R1.
    With 2.5ms readout or less, a 50 year old global shutter technology is irrelevent in 2024. And a lost of 2 stops of dynamic range is rediculous. Global shutter is fine if ya can only readout in slow 4ms and above. 2ms readout approaching 0 secs is damn near gs speed without all the DR loss of a 50 year old Kodak technology.
    • 0
  14. ... R1 only has 24MP and requires AI forgery to reach 64MP....
    I think it gets to 96MP, not 64MP, but on the understanding the camera is simply doing software up resolution (as against pixel shift or something like that), I am disappointed to see that on a camera like the R1. I know resolution can be increased in post processing on a computer anyway, computational photography and AI may be the future (for better or worse), and I may be in a minority in feeling as I do, but personally I am very unimpressed to see this sort of fabrication (it's the best term I can think of right now!) of an image coming out of this sort of camera. I am not in the R1's target market and I was never going to buy one anyway, so my view is irrelevant in that sense, but that feature really puts me off it. (Yes, I appreciate that if it's in the R1 it may well become a common camera feature over time.)
    • 0
  15. It's funny how much crap Canon gets for a camera people aren't going to buy.
    Yeah people are complaining about 8k60 but all they do is post low bitrate 1080p Instagram reels 🤣
    • 0

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