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The return?
Received an email today discussing an upcoming Canon Pro2. It's been a long time since the pretty successful Pro1.
Specs
Fixed-lens
2.5x crop factor sensor (~13.8×10.4mm).
5x zoom (26-130mm)
f2.8-4 IS L lens
The form factor is similar to the Pro1
Articulated Screen
800×600 EVF.
CMOS made by Canon
High FPS
1080p video like that of the SX1-IS.
Such a camera would be a good seller I think.
cr

awesome
Good seller? Depends on the price point.
If it is fixed lens and ends up selling against the likes of the 4/3 cameras, the target market may ignore it due to it being too inflexible with lenses.
isnt it a big camera, same size as a Canon 500D?
It probably will be smaller as a 500D if it has the size of th Pro 1. But definitely not a small camera.
I personally would welcome such a camera and I don’t think the market is that much into 4/3 with interchangeble lenses. Or at least, I personally think that there’s a market for good compact cameras with large sensors but without interschangable lenses. ;)
When, are we going to see a really small full-frame body? Over 50 years ago Rollei introduced the tiny Rollei 35, and in 1971 they made the S-version with a 40mm f/2.8 (see http://en.wikipedia.org/wiki/Rollei_35S). It even had a hot shoe! For those in the know, what technological hurdle stands in the way for a compact with a sensor larger than 4/3″?
Those are the specs the G11 should have had.
Oops, my Christmas brew is imparing my ability to do simple math — I meant “over *40* years ago”
I still use my Pro1 from time to time for long backpacking trips. The 28-200/2.4-3.5 is darn nice as is the built in ND filter. I would love to see a new version with better high ISO, HDV, and slightly faster shooting.
I’ve wondered this myself. Don’t forget that zillions of 35mm compacts before digital took over the scene either. The best answer I’ve gotten is that such small lenses would not produce images acceptable by today’s standards or be much too slow. Makes sense; most consumers wouldn’t care (just as they didn’t care with the film compacts) but they wouldn’t care about the advantages of FF either. And for the pros/enthusiasts that want FF, crappy lenses would kill the deal.
So would you be happy with only a 5x zoom (26-130mm) in replacing it?
Dont hold your breath, If they didn’t manage it on the 7D I doubt they’ll put it in a sensor any time soon
Didn’t the Pro1 have some wacky non-standard
CCd design?
A
I really liked my Pro1. Except for ISO above 200 and the fact that it took so long time to focus that when taking pics of my kids, they had run out of the scene and were long gone. So I upgraded to 400D and then to 50D.
I look forward to seeing the possible Pro2, but I’m not going to buy one. My next cam will most probably be 5D mkII
Hej, can’t really believe those specs…, mostly because 130mm is really short for a cam the size of a bridge camera. So yes it would rock for low-light pictures but compare it to a GH1 : not smaller but smaller sensor, very limited range for the size it would be. And price ? Prolly no less than 800 euros, prolly more cause it says L lens.
I’d like to see the GH1 with 14-140mm beside a Pro1, is that much bigger ?
What about the 15… hmm 18 Mpixels ?
As others have said, whether it would sell well would depend on its price. At this point it would be competing against the micro-4/3 cameras such as the Olympus E-P1 and the Panasonic GF1, both of which are pretty strong, though handicapped by the lack of really good lenses. There is also higher-end competition from the Leica X1, a fixed-lens APS-C model. If this product is real (I kind of doubt it), Canon will need a good story for why anyone should buy their camera instead of these.
Is this a real rumor or just a wish list?
Sounds pretty good to me also. Love that the articulated screen is on board. Should be lower noise than G11, and addresses its limitations in video. Pending price and reviews, this could be my A620-successor at last.
Funny — number of MP is not even mentioned, as a “given” it is a secondary marketing bullet at this point. Here’s hoping for 8-10 MP, surely no more than 12, please!
The PRO1 was a $1000 camera, I hope prices drop.
Since Canon is not likely to come out with a micro 4/3 competition soon, this may be something to take some of the micro 4/3 potential buyers away.
I hope it has a viewfinder and a flash. I’m not too worried about lack of interchangable lenses, a 5x is OK as loong as image quality is excellent.
No, it used the same 2/3″ CCD as KMA2/A200, Nikon 8800, Sony 828 and some other models
This sounds too good to be true, but maybe Canon has started to take the mFT-competition serious. With slightly smaller sensor than mFT and a 5x zoom they might be able to make it similar to SX1 IS in size. Fixed lens is a disadvantage though, it will be interesting tomorrow to see how small the new Ricoh with interchangeable lenses is.
If this is true then i’m going to be really dissapointed in my G11 i just bought.
The lens make a GH1 a lot bigger than a Pro1.
yes well, a rangefinder can be very small, its the mirror assembly that makes full frame much bigger
It all depends on how much it sells for. When the Pro1 was around, DSLRs are arms and legs. Now the cheapest DSLR are just about the price of a high end P&S. If the potential Pro2 is close to the same price as a beginer DSLR kit, how come I would like to have a Pro2 instead of a DSLR?
Now even Ricoh (http://photorumors.com/2009/11/09/ricoh-gxr/) jumped on the “small sensor DSLR” bandwagon, I wonder what Canon is waiting for, hopefully not for Sony and Nikon to beat it and grab a big slice of the market.
Why isn’t this sensor in the G11… and the pro-2 is the ugliest camera I’ve ever seen. I’m about to walk away from canon. they are too conservative. I want more innovation.
With a LARGE CMOS sensor that clean images at ISO800-1600, I don’t mind paying $1K for it, as a backup/HD video companion to current Canon EOS system. (Large aperture + larger sensor will make it more attractive than M4/3 with those small-aperture zooms.)
As for the claimed ’26-130/2.8-4L IS’ lens, sounds fantastic (and too good to be true). I’d LOVE to have it rather than something like 28-200 or 28-300 that has tiny aperture.
130mm is short-telephoto, longer than EF 24-70/105L on FF DSLR!
Wider than 28mm will be definitely valuable and appreciated!
4/3 is cool but it needs the power of a canon to really takeoff. But since it will cut into canon’s sales they wont do it I think.
Right now 4/3 is way too expensive and there aren’t many lenses for it unless you have some leica glass. Then 4/3 is a nice toy.
It’ll be in G12, i guess. G11 is pushed out only to test the market response to ‘low MP count’, and to win back some digicam users who’s been waiting to dump G10 for LX3.
If Pro2 does come out early next year, G12 will be out in summer for Photokina. One is all-rounder flagship Canon digicam, the other is lower-priced high-end cam with more compact size.
Oly E-P2 and Panny GH1 are sold for $1.2-1.5K with kit lens, I think $999 is a reasonable price if the camera does indeed give better image and video quality.
Of course, Canon will likely cut the price down to $799-899 to compete fiercely and prevent its digicam market from being eaten up by those EVIL cams (electronic viewfinder interchangeable lens).
Like many other Canon users, I’ve been waiting to see a compact mirror-less interchangeable Canon camera that’s compatible with current EF/EF-S lenses.
But for the moment, I guess the technology is not mature to get quick enough response and AF on that. (Just check how SLOW it is to do contrast AF on current DSLR’s LiveView mode.)
In order to get decent result similar to GH1, there has to be new system (lens, mount, etc.) The huge R&D cost aside, it’ll definitely eat up Canon’s own DSLR market when it comes out. That’s the first thing Canon wants to avoid. (See how long it took them to produce a high-end APS-C 7D, feared it’d steal their highly-profitable FF market. They eventually made it because market share indeed shows enthusiasts and advanced users switching to Nikon D300 over the time.)
Oly, Panny and Sammy don’t have an established lens system for more than a decade. What they have is a similar system (same size sensor, similar lens mount, etc.) therefore, they could go ahead and create M4/3 to compete in the low-end of DSLR market.
Canon (and probably Nikon), will stick to their current system for a while; competing with advanced digicams without interchangeable lens.
You have made a few very good points, the issues was discussed to death on this and other forums and I’m not arguing with you but it’s just the frustration speaking :) It’s one thing to want something but than the reality bites back…
“It’ll definitely eat up Canon’s own DSLR market when it comes out. That’s the first thing Canon wants to avoid”
Sorry but that does not compute, it’s still the same money just coming to a different bucket.
Same money coming to a different bucket – that’s right. But someone as ambitious (and greedy) as Canon, what he wants to do is EXPAND market-share, instead of dividing its current market-share into several segments that add up to the same amount.
Creating a new system costs tons of R&D, if they can’t possibly create a new market while keeping what they’re already making out of, they wouldn’t do so.
It’s the same-old ‘customer wants vs manufacturer needs’ thing. Look what they did to 1D4? Even after years of challenge by D3 and their own AF fiasco, they still managed to stick with 1.3x APS-H, just because they knew Nikon ain’t getting any higher-res chips.
When I think of an old Minolta SLR of a friend of mine, I really wonder, why it schould be a problem to build a 500D-sized full frame camera. Maybe it’s because of the electronics…? Digic & Co, display etc needs space too…
Not really; but I then assume it will bring the size down and that I may be able to live with. It is a small solution for those days with more than 15-20+ miles and it is a great camera for that.
The PRO1 struck me as combining most of the size disadvantage of a DSLR with the lens non-interchangeability disadvantage of a P&S. Sorry, but I’m sticking with the G-series.
As specified, the lens focal length range is too small. I’d rather have a really small EVIL camera along, the same lines as the M4/3, that will take EF and EF-S lenses, using an adapter.
“…I’m sticking with the G-series.
As specified, the lens focal length range is too small…”
the current G series is 28-140, so i am trying to understand why are you sticking with the G-series exactly is it because it has 140mm instead of 130mm, not a big difference I thought?!
There is market share and there is market share :) Canon might have chosen to concentrate on increasing or rather re-capturing the market share in the DSLR space they have lost to Nikon and Sony and it’s all good but they might be losing some of the total market share to m43 (and similar) cameras that they have, for now at least, chosen to ignore.
I agree with you that the whole mini-DSLR concept is still very immature and different manufacturers are looking for the correct formula so Canon might have adopted tactics of “do it last and do it well” instead of “do it first and be the innovator”. Both strategies are sound and have their advantages and disadvantages, look for example at Apple who got burned with a lot of brilliant and innovative products that were brilliant concepts but just not quite properly executed on the other hand Apple waited very long to enter the mp3 player market and the mobile phone market, and really scored with their “killer aps”. Guess we’ll just have to wait and see.
If I’m going to have a smaller focal length range, I’d like it to be in a smaller camera, although by some people’s standards the G10 is still too large for a pocket camera.
if it will be price higher than 500D then who would buy it? technically the 500D is much better and the flexibility is there.
Have you considered an SX1 IS? 20x zoom, 28-560mm. Pretty sweet range and it’s easily backpackable.
As much as I’d like this game to be about technical merits, I think the key success factor of a camera in this emerging “between SLR and compact” is the form factor. The GF1 is a better camera, but people are going nuts about the Pen because it’s small & sexy.
If this rumor is indeed true, then Canon would certainly have an ace in this game with a 2.5x crop sensor. 10MP at this sensor size would only be slightly smaller than 7D pixels, which are pretty nice pixels. If this yields the IQ of, say, a 350D, I think that most consumers would be pretty happy with that. I think it’s pretty clear that Canon has the IQ department basically nailed when they have the sensor real-estate to get the job done.
24mm f/2 wideangle has a lot to do with why the Pana LX3 is still hard to find in stock more than a year & a half after launch. An equivalent 24-120 f/2.8-3.5 IS USM lens would be a gem on this thing.
Now, the form factor of this camera is a much bigger question, and frankly I think will play a much larger role in its success or failure. It will need to be very Pen-like in order to sell well. Another chunky monster like the Pro1 isn’t what the market wants, folks want SLR quality at high-ish ISOs that is vaguely pocketable and handles great, preferably with sexy rangefinder-reminiscent features and available in black & silver.
pro 0-
I tend to disagree with you. The m4/3 market has not expanded very much at all because Olympus and Panasonic are controlling the inventory and the price. It is the right time for a competitor camera, and the proposed Pro 2 would be perfect.
The original Pro-1 enjoyed a good market. I am still using my Pro-1. The original Pro-1 was physically a bit smaller than the Canon S-5. Keep in mind that Kodak is also poised to enter the m4/3 market place with a totally new camera to be introduced in January 2010. So the iron grip that Olympus and Panasonic will soon be broken, and the m4/3 market and other allied cameras will expand rapidly.
ProCameraUser
500D does sport much bigger sensor and capability to take any EF/EF-S lenses, on wait… it doesn’t have tilt-swivel LCD, nor does it feature fast-enough LiveView contrast AF that tracks subject while filming. Did forget to mention the 12min time limit for 1080p recording?
Pro2 (whenever it becomes real) is never meant to replace any entry-level DSLR, same as Pro1 and all those G5-G11 high-end digicams. (Pro2 will probably be $200-300 pricier than G12 due to bigger sensor and better lens.)
Much more compact SIZE, lower weight, versatility with one lens that gives wide range, and integration are the key features that no DSLRs can compete. Of course, if Canon really makes a mirrorless interchangeable lens system, there’s not much need for Pro2.
“people are going nuts about the Pen because it’s small & sexy.”
Dunno about sexy as we all like different things but “small” it is not:
*Panasonic Lumix GF1 – 119 mm x 71 mm x 36.3 mm, body only 285 g
*Olympus E-P1 – 121mm (W) x 70mm (H) x 36mm (D) (excluding protrusions), weight (no battery) 335g
So it’s almost the same size as Panasonic (excluding protrusions :P), I guess not only beauty and sexiness is in the eye of beholder but also perceived smallness…
if the lens is collapsible and the grip is not a very fat one, the size difference between G11 and this rumored Pro2 may be not so big. i know that the described pro2 sensors is about 3.5x the area of the G11 sensor, but look at the size difference between some FF cameras (eg A900) compared to some crop cameras (eg Oly E3).
i guess he meant GH1, and GF1 was a just typo!
This is an excellent point and as an economics professor of mine once said: “If you can’t find any really good rational answer to a question, the answer is most likely ‘money’.”
I was talking with a friend who still only uses film and has never bought more than a digital P+S about the price of the 5Dii. It astonished him that it is about five times the price of the F1. Considering the price difference between the 7D and 5Dii, the price difference between FF and 1.6 crop is essentially $600. Yes, I realize there are additional differences between the cameras, but this is a good estimate.
Canon is essentially saying that to put a FF sensor into a P+S makes it into a camera worth at least $600 and they probably don’t see enough of them being sold to make it worth their while. Leica can do it because people are used to paying large sums of money for their gear, Canon just isn’t a high-end brand in the same manner.
It’ll probably have 16+ MP.. LoL
Then it makes even less sense, the GF1 is still about the same size as E-P1.
No, he said “The GF1(or GH1 presuming a typo) is a better camera, but people are going nuts about the Pen because it’s small & sexy”. Indeed GH1 is far more full featured than EP1, but people put so much emphasis on the size and style that they forgot about the missing features. it is the GF1 that would not make sense because the size is virtually the same and wouldn’t be worth mentioning in such a context.
my dream is a global shutter cmos
All these P&S wannabe DSLR’s or rangefinders from Canon are boring; G11…yawn, SX series…ehh, at least the S90 isn’t pretending to look like more than it is, no wonder it’s selling well.
No, it takes a company like Ricoh, WTF??? Ricoh??? Where the hell did they come up with true innovation?
The GXR is finally something new. Still remains to be seen how many lens/sensor options it’ll have, but that 50mm Macro 2.5 is the smallest APS-C camera in the world, hope they make a bunch of lenses with that sensor and watch the G11 go crying home to Obsoleteville.
Canon is missing out on a whole new market, compact interchangeable lens cameras like GXR, EP1, EP2, and GF1 are a wanted niche between DSLR and P&S. There’s times I want a P&S and nothing more, times I want my DSLR’s, and times I want something in between and the G11 does not cut it.
…and no, I do not believe Canon making a new line of EVIL cameras will cut into any DSLR or other Canon sales, because people who want something like a EP2 or GXR are going to give their money to Olympus, Pannsonic or Ricoh, so Canon loses that money for not having one.
Sounds like almost the perfect “compact”, hope the rumour is true.
Well, a few things:
– on most of the compact zoom 35mm film cameras, the zooms were short without much wideangle, and the glass was not particularly good because it didn’t need to be as most people were shooting cheap film and making their “large” 5×7″ prints at wal-mart. Remember that towards the end of the film days, all the really small consumer zoom cameras used APS film. Now, as you say, exceptions to this rule were cameras like the tiny fixed-focal Rolleis (my GF has a Rollei 35), but the market today is even less interested in fixed-lens cameras than they were in the film days.
– I think one thing keeping the size of most cameras up is consumer desire to have a huge folding screen on the back. Film compacts certainly didn’t have to worry about that. The batteries also have to be a LOT larger than the little N cell in a film compact.
– If they make a nice 2.5x crop camera with IQ as good as, say, a 350D, and sell it at “consumer” prices (e.g. well under a grand), I think the remaining market potential for a $1500 FF compact would be very small, unless it looks and feels like a Leica or Contax or something.
I meant the GF1: http://www.dpreview.com/reviews/PanasonicGF1/
There are two principle differences:
– Though you folks are right that the dimensions are very close, the GF1’s looks say “butch” and the Pen says “svelte”. Give me a sec, I’ll ask the GF…
“The Oly reminds me of my Rollei 35S; the GF1 definitely looks bigger”. There you go. Guess which one she’d buy. (BTW was Panasonic subtly indicating that the “GF1” is the “girlfriend” model? )
– Panasonic’s lenses are a lot bigger than Oly’s because Oly has the IS in the body. Compare the two 14-42 kit zooms and guess which one most potential buyers would rather carry around.
1) those who choose EP1 over GF1 must have something other than size/weight in mind ‘cos size is the same and weight is in favor of GF1. so it was confusing when you mentioned size as an advantage -in ppl’s minds- for EP1 over GF1.
2) 14-42 is smaller than 14-45 because of collapsible vs non collapsible designs not because of non-IS vs IS. you can compare OIS/IS/VR to their equivalent non stabilized versions and you’ll find virtually no change in size, just a tiny increase in weight. same goes with bodies (check pentax K100 vs K110 tiny weight increase in the former due to SR), we have to carry the weight of IS with us anyway, unless the feature is missing from both body & lens we are carrying.
and now Ricoh has made one smaller with an APS-C sized sensor, the GXR with the 50mm Macro 2.5 & 12 MP sensor, demonstrating that compact interchangeable lens cameras don’t have to be stuck with micro sensors.
Who really wants this Pro2? The SX series is already the same thing for the most part, and they have three versions of it.
I’d rather Canon get in the EVIL game. Leica, and now Ricoh, have shown these small interchangeable cameras don’t have to be stuck with tiny micro43 sensors. Ricoh GXR offers a new and unique approach, and for a LOT less than Leica, an APS-C sized EVIL compact for under $1000.
Leica M9 is full frame in a compact body, they don’t have to be big.
Ricoh’s weird idea of gluing the sensors to lenses has absolutely turned many off. you want to use your lenses for the rest of your life, or at least for decades to come on updated sensors, and their stupid idea makes this impossible. they are either unwilling or incapable of creating a full line of lenses for their new APS format, so they resort to this thing in order to fill the gaps in their APS lens lineup with things like the compact zoom they introduced. “you are an APS user and you want a zoom that we can’t make, we will give you a zoom that goes with the same camera body”, from there comes their idea of tying lenses to sensors. Basically unifying unrelated multiple format (APS & 1/1.7″ so far) in one system.
I don’t think it’s been out long enough to have turned many people off, and you’re making a lot of assumptions about the smaller sensor zoom I don’t think are accurate, but I’m not sure I’d buy one at this point. A lot depends on what the rest of their lens/sensor units look like. What if they have 5 or 6 APS-C primes selling for under $500 and a couple of larger zooms with APS-C sensors too? I’d take the Ricoh over the G11 in a heart beat now though. But like I said, my interest would depend on where they go with it and the lens/sensors coming, but I’m keeping an open mind. It may in fact offer some unique advantages when optimizing a lens with a dedicated sensor package, but we’ll see.
Still, whether you like Ricoh’s design or not, it demonstrates that small interchangeable lens APS-C sensor cameras are possible and do not need to have the high Leica price tag.
“Still, whether you like Ricoh’s design or not, it demonstrates that small interchangeable lens APS-C sensor cameras are possible…”
No it doesn’t. It demonstrates that a small APS-C camera with a (relatively) large, fixed 50mm macro lens is possible. If you change to the 24-70mm lens, it is not an APS-C camera any more, as that lens comes with a much smaller sensor.
There isn’t really any problem making the cameras small. The problem is that size of the lens is related to the size of the sensor, not to the camera body.
I have a Minolta SR-1 35mm cam I bought in the ’60s. Using, not a scale, but switching from hand to hand, it seems like my 40D is about the same weight as the Minolta. The 40D is bigger and fits my hands easier and takes *much* better pictures.
bookmark this page and come back to it later, any lens that is going to be heavy weight in APS-C is not going to be made in APS in the Ricoh system. Already a 50mm prime could have been made f1.4/f1.8, it’s not, why?! And as for sensors adapted to lenses, this is not realistic when they are simply using ubiquitous Sony APS-C lenses that has been around before they even plan to do APS.
sorry i meant ubiquitous Sony APS-C sensor (not lenses).
Who really wanted the 5D II? The xxD series is already the same thing for the most part, and they have many versions of it.
also please note Leica X1 is not interchangeable lens camera so not EVIL, the Ricoh can only change lenses by changing an important component of the body, so it’s half fixed half interchangeable. you mean you want to see a large sensor camera like these i guess, you feel the difference in sensor size between APS (23mm wide) and 2.5x crop (13.8mm wide), but you dismiss the difference between SX sensor (6mm wide) vs 2.5x crop (13.8mm wide)!!!
LOL you have to compare this to EP1/EP2/GF1, which are micro43 sensors, a lot smaller than APS-C, and their 17mm is only f/2.8, not 1.4. Personally I find a 50mm 2.5 Macro APS-C far more useful than the 34mm the 17mm provides on micro43.
Yeah, the S10 24-72mm f/2.5-4.4 is a small sensor, but it’s very compact, when powered down it’s slimmer than EP1/EP2/GF1 making it more pocket friendly. For P&S purposes this would be a decent option, for more advanced shooting use the prime.
Like I said though, a lot depends on what the other “units” end up being. If it includes a nice set of APS-C primes it could be very cool as an alternative to micro43.
All the extra batteries you’ll be bringing will weigh you down however. I have one and it chews through four AAs in a day of shooting.
A lot of people wanted an update to the 5D, and no the xxD series is not the same thing.
I’m quite sure Canon discontinued the Pro 1 due to soft sales. Now, the competition for a Pro 2 is way more intense with cameras like the GH1 and all the micro43 cameras that are also appealing to those wanting more advanced compact cameras to with out big DSLR’s.
I’m not dismissing anything. The M9 is EVIL, lol. And I’m not saying Canon should do what Ricoh is doing by packaging the lens/sensor, other than to recognize there is a market for large sensor interchangeable lens compact systems that Canon is ignoring, and this boring Pro 2 and the G11 are paltry offerings in the face of more innovative EVIL cameras on the market.
this is a cr1 rumor , right ? some guy is really getting a laugh ! while we’re at it , then I’d like video in M mode with 24, 25 , 30 , and 60 fps
One could do rechargable AA, add one of those solar chargers and it might be ok for backpacking. But I’m not a fan of AA either, wish they would not make cameras that use them.
Olympus, Panasonic, Leica, Ricoh now have EVIL cameras out, certainly many more to come with Kodak, rumors of Nikon and others following suit. This Pro 2 with 5X fixed lens, which is a nice sounding lens, is still gonna have a hard time facing all these new compact interchangeable lens systems. If you’re gonna carry something the size of the Pro 1 wouldn’t you like interchangeable lenses? I sure would, great for travel and backpacking, or any time you want to take something between P&S and DSLR with you.
Ok, Bob. Please explain the Leica M9 with it’s FULL FRAME sensor in a compact body WITH interchangable lenses.
Obviously, if Leica could do it with a FF sensor, and Ricoh managed to put a APS-C sensor in a compact body, it is clearly doable.
As for the Ricoh 24-72mm zoom, that unit is a small sensor, obviously designed to be as compact and slim when powered down as possible, but that does not mean they are not going to make other zoom lenses with APS-C sensors.
There’s no more excuses for people to say you can’t make larger sensor compact interchangable lens cameras in compact m43 size bodies. It’s been done. Now we just need Canon to walk and smell the development coffee and see the money they losing by giving us more fixed lens compacts and ignoring the market.
Everything sounds reasonable except the sensor size:
2.5x crop factor sensor ~13.8×10.4mm ?!
I know of no camera that uses a sensor that size, it’s between the 1″ and 4/3″ sizes and keeps the 4:3 ratio. Granted it does make sense for camera companies to start increasing the sensor sizes of their compacts, especially if they want to ramp up the megapixels, but this a strange size indeed – if it were true (I have serious doubts) I’m guessing it would have to be an inside production job by Canon since no company offers anything remotely like it for sale AFAIK.
I’m sure Canon (and other companies) are probably gearing up for the switch to video and with this may come some new sensor sizes. Two-thirds sensors were pretty much dead in the still camera world but may have some use in a video-still hybrid camera.
So far Sony has been the only company that has made video-still combo sensors, most notably the 6mp 1/1.8″ sensor that is (incredibly) going on 3 years old this winter and used in the Casio EX-F1. It can read EVERY PIXEL on its sensor 60 times per second, that’s really an incredible number, and a camera company could do well to develop a slightly larger version of one that could give better dynamic range and a shallower depth of field.
From the specs in the rumor it may be that the source had a peek at such a potential upcoming hybrid camera (and no, I don’t consider anything like the GH1 to be a true dual camera; it will need to be able to sample every pixel for video to be considered the real deal. The EX-F1 comes closest so far)
You seem to have an extreme high standard for what constitues a real dual video/still camera. By your criteria no one should be shooting video with a 5D2, 7D or 1D4, none of which sample every pixel. The fact is, those cameras, and the GH1 as well, are making outstanding video productions. Did you see the video shot using the GH1, 5D2 and RED ONE? If not for titles telling you which is which anyone would be hard pressed to tell them apart.
LOL, no I think most people have just have had very low standards with what passes for high-definition video in the past. For scenes with little detail there probably is little difference
The technology is almost there – Sony’s sensor certainly delivers the goods, there apparently just aren’t consumer level processors that can handle all that data for realtime video. For the next couple of years such high-quality video may be restricted in length to the camera’s buffer size but it is certainly possible today if you don’t require it to be done on the fly
the main difference between 5d and xxD series is sensor size.
the main difference between SX and Pro series is also sensor size (+ also build quality and lens quality is far better in Pro sereis).
You seem to put%
Explain the M9? Sure.
The M9 has interchangeable lenses. None of the lenses contains an autofocus motor (nor any autofocus drive screw), electro-mechanical aperture diaphragm, or image stabiliser. This makes the lenses a bit slimmer.
Only one Leica lens has a focal length longer than 90mm, the 135mm f/3.4 (in its current incarnation), hardly a fast lens, but faster than every other Leica 135mm to date.
To compare to the Canon line-up, I’ll take the Leica 90mm f/2 and the Canon EF 85mm f/1.8, as they have a similar focal length and aperture. The Leica lens is slimmer, but longer and heavier. However, the differences are not much more than 10%. So, for a similar full-frame lens, the size is similar. (We can ignore the price difference, as that is irrelevant to this discussion.)
Just because all Leica lenses are small and some Canon lenses are huge, does not mean that Leica have some special ability to build smaller lenses than anyone else. Leica simply don’t make fast, long lenses. Like-for-like, a Leica lens is about the same size as a Canon lens.
So, let me repeat myself, “there isn’t really any problem making the cameras small.” The problem is that you cannot make the lenses smaller to match. Once you go for fast, long lenses, the size of the camera body does not make much difference to the size of the overall package.
as i said in another reply, Leica M9 is not relevant to this dicussion at all because of the price and lack of AF.
the GF1’s 20mm pancake is F1.7:
http://www.dpreview.com/lensreviews/panasonic_20_1p7_o20/
I’m not saying the Pro 1 is not a better camera than the SX series. The camera got discontinued, presumably because of soft sales. I question whether there is good market for it and if it’s coming out as an attempt to compete for more advanced shooters like many who are interested in the EP1/EP2/GF1/GH1 than I doubt it will sell very well. Yeah, nice L lens, but it’s fixed, and not much on the tele end. The SX1 IS is $599, that’s already in the Rebel price range. Now, presumably with this CR1 rumor, they’re going to pro it up by adding a bit bigger sensor and a relatively fast 5X fixed lens, for what will surely put the camera near $1000? I think these Pro 2 specs are what the G11 should have been and would have made it sell better.
David-
I believe that you are going to see a bifurcation of the m4/3 market place. If Kodak jumps into the m4/3 market place, it will not be with interchangeable lenses. Instead they will create the first entry in a fixed lens m4/3 marketplace, a totally new market segment for m4/3 cameras.
That will allow Sony and Nikon to also jump in fixed lens m4/3 cameras, as well. I don’t realistically see that Sony or Nikon want to create a whole new series of lenses just for the m4/3 marketplace.
The fixed lens m4/3 market is exactly where the Canon Pro-2 will eatablish it own beach head, and prosper. It will be very viable in exactly that market.
Adair
You are making a lot of assumptions about Leica design decisions and why there is no AF, which from my perspective has nothing to do with your reasons, and everything to do with Leica’s M series been MF since it came out in 1954 and it has just become a part of it’s alure and mystique setting it’s far above the plethora of P&S cameras. I don’t believe AF accounts for much of a size difference, that has more to do with focal length, aperture and if it’s a zoom or a prime. Obviously, dropping such a system down to APS-C would mean smaller lenses than Leica’s are possible. I see no reason such a system could not be made to compete with m43.
Sure it’s relevent. You’re only assuming the reason the M series does not have AF is for size reasons and I think you are incorrect about that. If they could make such a camera in FF, it’d be even easier in APS-C. You assume it’s not been done because it’s not possible, and I think your assumptions are mistaken and the only reason it’s not been done, yet, is because there was no reason to until the micro43 EVIL cameras identified the market.
oh boy, one lens. You can’t judge this Ricoh off only two lens units. You have no idea if there will be some fast lenses for it or not at this point. As I said before, it all depends on where they go with this. Right now they are introducing it with a 50mm prime with an APS-C sensor, and a zoom designed for compactness with a smaller sensor. If they end up with a nice selection of APS-C primes and some APS-C zooms it could be a nice system.
I have no doubt they will be putting larger sensors in fixed lens P&S cameras and that will likely include some m43 sensors. I think there are limits to what people will pay for in a fixed lens camera, and Canon’s surprize over softer than expected G11 sales shows they are still figuring out what people are wanting and willing to spend money on. Canon doesn’t need m43 sensors, there’s nothing magical about them apart from the interchangable lenses in a compact form with bigger than P&S sensor, and Canon can already make their own bigger sensors.
I don’t believe this Pro 2 rumor is legit, and if they did make it at the above specs, it would not sell very well in todays market place. Perhaps if they made it a 10X L zoom it might have a chance. The place for such a nice 5X lens was on the G11.
Well, from what I can tell the end quality has a lot to do with how/where it is delivered. These cameras all have wonderful detail, but the difference between the cameras would show up on a movie theater screen, but not on most HDTV’s, and definately not when delievered on the web in 720p. For cinema I agree with you, for HDTV & web I think the Canon DSLR’s and GH1 are more than good enough.
As for recording length on DSLR’s, it’s a restriction of FAT32’s 4 gig size limit which all the CF and SD cards use. The solution is to simply split the files every 4 gigs, but like getting more framerates in a firmware update, it’s like pulling teeth to get them to do it.
my pessimism is based on what we have now, your optimism is based on what?????
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At David: (a misplaced reply due to difficulties in posting in the right sub-thread above):In the your posts above you lumped the Pro2 with all other compacts, and I just would like you to notice the sensor size mention in the rumour, it%2
@ david misplaced reply due to CR posting glitches: In the your posts above you lumped the Pro2 with all other compacts, and I just would like you to notice the sensor size mention in the rumour, it is 2.5 times the area of the pro1’s sensor and 64% the area of 4/3 sensor, so it is closer to SLR/EVIL sensor sizes than it is to compact/bridge sensors. I agree it would be nicer to have interchangeable lenses, but if we can’t get that, because Canon thinks differently, then this Pro2 is the next best thing. The price is a very dynamic thing, and i don’t believe Pro2 was discontinued because of bad sales, it was removed to give the Rebels better selling chances, and now the rebels are threatened by m4/3 et al so canon doesn’t mind Pro series cannibalizing Rebel sales anymore.
The Ricoh 50mm is f/2.5 because it’s a macro lens :-)
It’s pretty clear that the smallest lens mount Canon will make for the forseeable future is EF-S. No μEF coming any time soon, and they certainly won’t join μ4/3. Many upper management types have said this on multiple occasions.
But they’ve also said that they’re very keen on this between-SLR-and-compact market, and have all but thanked Oly & Pana for opening up a new market where there was basically nothing before, and are considering how and when they would enter this space.
So, given Canon’s rich history and conservative design philosophy, what do YOU think that they would come up with that would be the strongest entry into this new market?
Personally, I feel this format is perfect for retro designs, as a lot of the design criteria are similar to the criteria that brought many of the great cameras of the ’70s to light:
– fits in a large coat pocket
– solid as the proverbial brick latrine
– good enough for professional use, but affordable for many enthusiast consumers
– availability of excellent optics
Now, we know that Canon hasn’t been known for producing retro designs. They pretty much chunked out the ’70s style SLR when Colani showed up (and gave us that lovely T90!), and never looked back. But I think in general there’s a certain “nostalgia” movement at the moment, and some companies capitalize on it better than others (Leica being the ultimate breadwinner in this department).
But who here wouldn’t love to see something reminiscent of the AE-1, or one of the Classic Canon rangefinders? Especially the feel, rather than the look. When I spend a wad of money on a small camera, I want something that feels like it’s cut from a nice solid chunk of metal, even if it actually isn’t. I think that if the build and handling are excellent, the looks will follow naturally.
I’m neither pessimistic or optimistic about the GXR, as I’ve said, it will depend on what other lens units they deliver. I think they are showing some interesting innovation in what they have announced so far, an APS-C with a 50mm prime is unique for the size of the camera, and the price is reasonable. If it was just the 24-72mm zoom with the smaller sensor I would not be much impressed. The m43 cameras are not very impressive either beyond being cute, so anyone offering APS-C sensors with interchangable lenses I’ll pay attention to.
It has nice bokeh from the large sensor too, not a bad portrait lens unit.
I dont think Pro1 had any impact on Rebel sales, it was the other way around.
About the Pro2 sensor listed, am i supposed to be impressed? It’s only 13.8×10.4mm, which is way smaller than even m43 which is 18×13.5mm, and that is way smaller than APS-C.
My thoughts about this camera are given the specs listed, if it was an APS-C sensor I’d be more positive about it, but an L designated lens for such a tiny sensor is joke.
Canon is not always conservative. They dumped the whole FD lens line and introduced the EF mount and redesigned every single lens in their lineup. Had Canon listened to those in rumor forums claiming Canon will not make a third lens line because it would be too costly, surely we would still have FD lenses today. I don’t believe Canon is affraid of making a third lens line, it’s just a matter of when.
As for entering the compact EVIL market, they can’t do it by offering up nothing but fixed lens glorified P&S’s like this Pro2 spec.
david-
The Pro-2 rumor may indeed be false and I can see your point that with the S-90 and the G-11 already in production, a Pro-2 would only fracture that market even further, which would not make much marketing sense.
The S-90 and the G-11 really do amount to some real time market research for Canon. Based on what I have read, the S-90 is actually doing a bit better than the G-11.
Adair
Sticking an L designated lens on a tiny sensor like this Pro2 spec does not “good enough for professional use” make. It’s still a glorified P&S.
I’d like an EP2-like in a metal body with a significantly larger than m43 (preferably APS-C) 12 MP sensor and good solid lenses (not craplastic) with a set of nice primes and zooms.
4/3″ is 17.3x13mm not 18×13.5, you can check that on the official manufacturer’s specs of any 4/3 or m4/3 body.
Were there rumor forums in the mid eighties when the FD mount was ditched?!
The EP2 has much P&S options as the Pro1/2, and the latter have manual controls just as the EP2 has. “[you]’d like an EP2-like in a metal body”, others would like different things and canon is world-wide corporation.
I think that’s the actual usable part
The CBBS (Computer Bulletin Board System) started in 1978 and by 1980 Commodore, Tandy, Apple and others had computers out for the general public with modems and you could go to bulletin boards and do much the same things you can on modern forums.
not talking about options, even my 1Ds3 has program modes and that doesn’t make it a P&S, I’m talking about the Pro2 specs listed is still a P&S shoot sensor even if it’s slightly bigger. My point is, Canon has no “other things” for anyone interested in a EP1/GF1 type of camera and there are lots of people in the world buying those instead of a Canon, and I suspect if Canon did make make such a camera I would not be the only one buying it.
I suspect when the market research and design decisions were made on the G11 it was before the EP1 came out, so the only m43 camera consumers new about was Panny’s G1. Problem was the EP1 came out before the G11, and it’s about the same size as the G11, and of course there are numerous review comparisons between them. My speculation is Canon looked at the G1 and went “so what, buy a real DSLR like a Rebel,” but then the EP1 came out looking like a rangefinder, and lot like the G11, and they didn’t expect the EP1/GF1 to change the market and open up a whole new segment in which Canon has nothing to offer but tiny sensor fixed lens cameras.
The S90 is cool because it’s still a pocket cam P&S with some fun extra features, there will always be a good market for that.
Equally Oly, Pana & Ricoh miss many v important features and combinations of features (eg lens quality, range, speed & stabilization) which this Pro2 will deliver all in one package, if true. What is the point of 8 lenses or so, if each of which is a let down one way or the other?!
Check out the profile on the Pro 1, not so sure it is smaller than the GH1, lol.
http://www.dpreview.com/reviews/canonpro1/
It takes more than an L lens to make great pictures. Sensor size and quality plays a huge role in that. I can stick my L lenses on my old 10D and they will look like crap compared to my 5D2 with the same L lens on it. So just having a great lens is not enough. Like I said in other comments, if these specs included a sensor bigger than m43 instead of much smaller, you might have a competitor for the m43 cameras in terms of image quality – though not in terms of interchangable lenses.
BTW, no one lens can effectively cover all the bases, and that is the big downside to a fixed lens camera. You’re stuck with what it is. Being able to switch lenses gives you choices and options, and I don’t see how that is a bad thing even in compact cameras. It also gives the company more sales as the average interchangable lens buyer might buy two or three lenses for the camera, maybe a flash, where an all-in-one camera buyer makes one purchase and that’s about it.
have you ever used a Pro1 more than briefly? I own a Pro1, 40D with L glass and some small Canon compacts (A series). and I know exactly what each of these can produce, the biggest advantage of a larger sensor is high iso noise, when it is not a low light situation,… and the pro2’s sensor is 143mm2, Pro1 is 58mm2 (do you realize how much of a difference that is?!), a large sensor is good for image quality but at the cost of many other things, and if in the end most people most of the time leave the large sensor at home and take the small one with them, that means we ought to update the small one.
no there is a very big difference, pro1 thickness or profile is 90mm (lens retracted but all other protrusions included), GH1 body only thickness is 66mm, the 14-140 is 84mm of which 8mm will be shared with the grip so the thickness of the combo GH1+14-140= 66+84-8=142mm (same method of measurement, lens retracted but all other protrusions included). even the G1+14-45 combo at 117mm is much thicker than pro1.
http://a.img-dpreview.com/reviews/CanonPro1/Images/allroundview.jpg
http://farm4.static.flickr.com/3017/2856341745_a44edb2843_o.jpg
http://www.dpreview.com/news/0903/09030314panasonic14-140mmhd.asp
The most important question is, is Canon willing to start a third line of lenses for a new mirrorless system? If you think the answer is yes, then the door is open to anything including mirrorless FF. If you (like me) think the answer is no, then the choices are much limited and point to something along the lines of this Pro2 specs, especially the size determining specs of the sensor format, lens range and speed.
You talk about Canon making more lenses to sell as if they think that would be a bad thing, yet I’m sure their huge profit margins are coming in large part from the lenses.
Canon is doing what they always do; act like they have no reason to compete in other companies markets until they settle on their own design and they don’t say a word about it until launch. The 7D is a perfect example, keeping in mind that camera likely began it’s design/production process about two years ago, right about when the D300 came out.
I disagree with you in that I think Canon is in that design decision stage as to how to enter the EVIL market, and it’s only a matter of time before they do.
Also, you keep saying Canon will not create a whole new line of lenses, but put some context on that, all of these companies are launching new cameras lens systems with only two lenses, and they trickle out more each year to increase their sales and get old buyers to get the new lens out. So Canon doesn’t have to launch 15 lenses, just two along with an EF or EF-S adapter, and then build on it each year.
I didn’t buy the Pro 1. There is visible noise on everything over 100 ISO, and it vinettes at maximum aperture. I’d rather take my large sensor and big lenses out, which I’m about to do in 10 minutes.
“a large sensor is good for image quality but at the cost of many other things”
Like what? Oly and Panny have a larger sensor in cameras the size of the G11, and hey, if you really want to stick a Canon L lens on one, you can do that too. You keep saying there’s all these disadvantages to larger sensors but you don’t say what those are other that pointing to the bulk of a 40D. We’re not talking about 40D’s, we’re talking about EVIL cameras that are in the same size range with larger sensors and interchangable lenses.
we will see what happen, what canon will decide, interchangeable or fixed lenses for the foreseeable future. if i hear soon that canon is going to make APS or larger mirrorless with interchangeables, i’ll be very happy with that, happier than with the pro2 described above. but I make distinction between what I wish for and what I expect. Canon usually wait until new ideas and technology mature before they start to implement them, specially when it comes to introducing a new system which will be hard to change once introduced (because of backward compatibility issues), that’s why i don’t see canon doing it soon (read within the next 3 to 5 year at least). The autofocus and video of a mirrorless system are not yet very fully decided & integrated in large sensored mirrorless camera, so it is wiser not to decide a new system’s standards of these things now in a hurry. Also canon is still selling T1i & XSi better than pana and oly are selling their m4/3 models.
Get your size comparisons right, so that you don’t inadvertently mislead the uninformed readers!!! Some posts above, you said that GH1+14-140’s size/profile is same as Pro1 while in reality the profiles are 142mm vs 90mm respectively, and now you say EP1 is same as G11, this is only works if you stick a pancake prime to the EP1 and even then the EP1+prime is heavier than the G11 by the weight of the prime and a little extra (100-150g on top of ~350g).
About 40D vs a hypothetical Canon APS EVIL, of course the latter would be lighter, but here again the question is whether or not canon is willing to introduce such new system in the near future. I believe not, for the reasons that i have just explained above in another reply to you (basically canon is waiting for the tech of EVIL systems to mature, to note here is that every m4/3 lens so far has been compromisingly designed to make its AF elements light weight so that they can be moved by CDAF, this has meant either slow max aperture or limited zoom power or both to keep the weight down, a different AF solution may emerge in future that established systems like m4/3 won’t be able to switch to). If you can imagine for a second that canon doesn’t want to start now, and think about what they can do meanwhile instead as an answer to the likes of GF1, EP1 & GXR, you’ll see that they better have something than nothing, and that they need their answering camera to (1) have a lens with some good focal range and aperture speed because it’s a fixed lens, and (2) be as compact as possible in the same time ‘cos that with a large sensor is the main point of the new segment. (3) #1+ #2 dictate that the sensor MUST be RELATIVELY small. Something along the lines of this pro2 would serve both as a field of (R&D) experiments and a stop gap. No matter how unsuccessful a fixed lens camera may turn out to be, it is many magnitudes less of a problem than a system whose standards are bad as a result of being set too early in a hurry, and then can’t be changed without a PR disaster.
Do not misrepresent my comments and then call your misrepresentations of them misleading, mr. anonymous who’s too affraid to make such accusations with your own name on them.
I made no absolute direct comparison of the GH1 with the 14-140mm lens to the Pro 1, I only pointed out the Pro 1 is not a pocket camera and has a protruding lens even when turned off, as does the GH1.
You want to knit pick over weight of the EP1 & G11, whatever…
You, again, make wild claims of alleged compromises on m43 lenses…what are you talking about specifically? At least they don’t vinette like the Pro 1’s L lens when wide open.
The fake specs of this Pro 2 are not a stop gap or any kind of competition to EVIL cameras, which have the benefit of multiple lenses as well as adaptors for EF and other lenses. If you don’t like interchangable lenses that’s your problem.
You want to spend $1000 for a fixed lens camera, have at it, you and two other guys I’m sure will run out and spend your dollars on it.
Now, as far as misrepresentations go, you write “basically canon is waiting for the tech of EVIL systems to mature…” – you don’t know squat about what Canon is doing so stop representing that you do. ALL of my comments are my own opinions and I make that clear, yet you are here telling us all what Canon is doing as if you know.
Besides, you can’t even tell the difference between noisy small sensor Pro 1 shots and those from your 40D…nice.
At one time I had both a digital and film Rebel. They were pretty much the same body except the film one had a large mirror box. Shove the digital rebel guts over a bit and I’m sure they could make a full frame in that size.
Optics challenges aside, I don’t see the need for the “brains” of the camera to be that much more than the SD series. So making a APS-C or FF compact would be more about fitting all those buttons and features on a body that still handles relatively well.
I am not misrepresenting anything, it’s just your habit of putting words in others mouths (otherwise quote me, where did you find that i “can’t even tell the difference between noisy pro1 [and 40D] sensors”?!, i said exactly the opposite). You also have a habit of forgetting your own words eg WRT to pro1 and GH1 kit size comparison you wrote “Check out the profile on the Pro 1, not so sure it is smaller than the GH1, lol”, in reply to someone who said “The lens make a GH1 a lot bigger than a Pro1”.
Your comment about the name i use here is just silly, i didn’t know that telling your first name is bravery, the only things that these user names serve is that you can follow who said what and my name being different from the anonymous (no name) default is enough for that.
There is no knit picking about the weight difference between EP1(equipped with any lens) vs the G11 (with the lightest pancake prime EP1 is 20%-30% heavier than G11 that is not knit picking), and if you use the smallest zoom on EP1 then even the bulk is going to be considerably larger than G11, you seem to look at the specs of the body only and jump to the wrong conclusions both in the case of EP1-vs-G11 and GH1-vs-Pro1, a body only doesn’t take pictures, so its size and weight should not be compared to a fixed lens camera.
You don’t know up to this point how much canon inside knowledge i have, so it is not appropriate for you to claim that I “don’t know squat”, you see you are accusing me of talking about things i don’t know and you were doing exactly that same thing when you made that statement, if you have inside info to the contrary of what I said you can say so and even then it is still not proven who’s right and who’s wrong, we will know that only when things become official. Finally I note that at one point you said “ALL of my comments are my own opinions and I make that clear”, at another point you say “The fake specs of this Pro 2” not preceded or followed by anything like “I think” or “IMO”, so at least take care that you adhere to your own standards.
I am not assuming anything, it is just you as usual putting words in others’ mouths and implying that they don’t know much about the basics of photography. All I meant is that while you can point to EP1/GF1 and make meaningful comparisons (price-wise and tech-wise) with tiny-sensor compacts, you can’t do the same with the M9 because the price and tech are completely different and if there were a FF rangefinder with the same price as budget FF DSLRs, most people will prefer the latter because rangefinders are not everybody’s cup of tea. Also the current FF sensor cost – as reflected by the price difference between xxD/5D or between D300/D3 – makes most buyers go for crop sensor cameras, so if a FF EVIL is made it’ll have the same price disadvantage compared to APS-C or 4/3 EVILs, discouraging manufacturers from starting a new FF system on which there may not yet be enough demand.
The only reason you think I’m putting words in people’s mouth is from your own inability to comprehend them.
Again, you completely misunderstand the point and fail to read the context of the discussion, which in this case has nothing to do with price, particularly Leica’s overprice.
While I’d love to see a FF Leica knock off, that’s not what the point is here. The point is that it is possible to build compact interchangable lens cameras with larger than m43 sesnors in them and given Leica can do it with a FF sensor, making one for APS-C should be much easier (and cheaper). If you bother to actually read what I write in other posts on this topic you’ll notice I’m suggesting Canon one up the m43 platform with a larger sesnor, not a smaller one like these bogus Pro2 specs, PREFERABLY an APS-C sensor, although somthing between m43 and APS-C would be better than m43 too.
Mr. no name, you have done nothing but misrepresent and misunderstand my comments.
I’m not the one hiding my identity and making false accusations about people misleading the public. Click on my name and you’ll go right to my page with all my info, you coward.
You have done nothing but misrepresent and misunderstand my comments. The only habbit here is your inability to comprehend and your pension for knit picking over meaningless details: “Check out the profile on the Pro 1, not so sure it is smaller than the GH1, lol” – what part of this quote tells you I’m making an EXACT size comparison? Get a clue.
Canon has announced nothing about this Pro 2, and this is a CR1 RUMOR, so for you to claim my calling these specs fake without my saying “I think” is funny. IT’S A RUMOR. As for you having any inside knowledge at Canon, prove it mr. too affraid to even post your name in a forum so you can slam people annoymously.
Also, mr. annoymous, you again failed to state any specific compromise or problem with any m43 lens, so if you’re going to annonymously bash those lenses with such accusations, at least back it up with something specifically wrong with them, like vinetting when wide open on the Pro 1.
You have made lots of mistakes and I’ve exposed them very well above, specifically, like your mistakes about the size comparisons of GH1-vs-Pro1 and EP1-vs-G11, you say that I tell my opinions as facts while you you have no clue bout my knowledge and in the same post you fail practice what you preach and do just the same by dismissing this Pro2 rumor as false..etc etc etc and you don’t comment about your exposed mistakes you just say that I misunderstand, misrepresent…etc of non supported by facts nonsense feel free to continue for infinity with this nonsense, you simply don’t have something new to bring to the table in a comments page like this, because you don’t have a good background (that’s based on the above mentioned mistakes, not hot air like your unsupported accusations), my personal advice to you is to read a little bit before making statements about things you don’t know.
err how do you conclude what Canon and and can’t achieve in APS or FF EVILs (a 21st century design) from what Leica is doing in APS or FF rangefinder (20th or even 19th century design), and the cost of FF sensor , you forgot about it… just a hopeless case of an uninformed uninformaable. not going to waste any more time with, feel free to type the last comment that no one will read in this page.
Any advice from you is what not to do. I made no mistakes in what I wrote, you only misrepresent my comments by focusing on whether one camera is slightly bigger or weighs slightly more while failing to get any part of the point of the comment. Easy for you to criticize people while hiding behind your annonymous name, isn’t it, coward.
“You are making a lot of assumptions about Leica design decisions and why there is no AF”
I made no assumptions at all about Leica’s design decisions. Are you replying to someone else’s post?
Many people have alos become fans of Paul Smith Shoes since they came into the market. I also one of them , I very like Paul Smith Wallets and <a Paul Smith Belts,It designs very good.
The best compact cameras like LX3 and G11 have too little sensor (1/2 the one of old pro1) and the quality of the
pivctures and clips when it comes evening is too poor for what they cost.
The entusiast ideal travel camera cold have a 2.5x crop factor sensor ( 4x the one of G11 or LX3), 4x-5x zoom f2.8-4 , 1080 p video, and pocketable like the LX3
For this camera, i could pay more than for an entry level SRL or a 4/3 mirrorless, cause is a lot more confortable to carry ( always in my pocket ) and i don’t need all the quality of that cameras for travelling