The latest news is that its not the 45 mp sensor of the R5 but a 32mp sensor. Which makes more sense for cinematography/videoIf it’s based off of the R5II sensor it doesn’t go head to head with the FX3 in my mind, maybe only in form factor and perhaps price. While I don’t deny the image off of the R5 sensor is stunning, I would argue 8K is not practical for most video applications, at least when derived from a photo-oriented sensor. I’d rather see a camera of this caliber using the sensor found in the C400 and C80, with 6K resolution and a triple native ISO. The main draw many people have to the FX3 is its dual native ISO of 640 and 12800, an R5 sensor is decent in low light but cannot compete with that. The aforementioned C80/C400 sensor can go head to head with the capabilities of the FX3’s sensor, with the added bonus of 6K resolution. The main complaint I see from FX3 users is that it’s sometimes too low of resolution. 6K is the sweet spot, where you can have both good low light and very powerful video oriented features without burning through your media storage and slowing down your computer when editing. Really hope Canon does some sort of R6C variant with a 6K focus.
IBIS improves low light performance. The 45mp sensor demanded a larger cooling fan & heatsink etc. Reducing the sensor throughput from 45mp to 32mp reduces camera size and cooling demand.I wonder if they kill the stills side on this camera. If that‘s gone next to the evf, I‘d consider this is a step back from the r5 c. But that‘s from someone that doesn‘t bother investing in an „upgrade“ for half a stop more DR or a bunch more fps. IMO where all this small „cine“ cams lack is in audio capabilities, monitoring and nd filtering – all of which doesn‘t seem progressed on this camera. (But arguably most of the potential buyers don‘t seem to care too much about that either.)
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