Canon EOS R6 Mark III & RF 45 F1.2 STM November 6

Actually genius, if it's a re-shuffled double gauss like they did with the EF 50 STM to RF 50 STM conversion--they simply jiggled things for the flange distance and retained the same optics having roughly identical optical performance. I wonder if something similar is going on here where they're taking the already-mature optics of the EF 50 1.2 and repacking for flange distance, with some optimization to keep the size down--or even none. I would welcome it. Yes the RF 50 1.2 is spectacular but i always thought it was too perfect. I want something that has field curvature at large apertures and that has a slight swirl. i hope this RF 45 1.2 delivers especially at this price. instant order. long-time user of Canon digital large sensor glass--film glass used on canon digital sensors--(25 years) and since ive been on the RF mount, i've mostly stuck to EF glass for the reasons above (though i have dabbled in several RF lenses but sold them off since)

The RF 35 1.8 is probably my favorite RF lens.
The EF 50/1.2 has one of the best rendering and color on any 50mm lens ever. I hope the new one retain the same coating and produce the same color. When checking the canon website it says the coating on the EF 50/1.2 is using Super Pectra Costing which is used on non L lens now, However Non-L lens does not use ASC coating which produce many L lens look. Hopefully the RF 45/1.2 will look as good as the EF 50/1.2 which i am fond of. Will purchase if it produce result like EF 50/1.2
 
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Actually genius, if it's a re-shuffled double gauss like they did with the EF 50 STM to RF 50 STM conversion--they simply jiggled things for the flange distance and retained the same optics having roughly identical optical performance. I wonder if something similar is going on here where they're taking the already-mature optics of the EF 50 1.2 and repacking for flange distance, with some optimization to keep the size down--or even none.[...]
The 50mm refresh gave us a few upgrades compared to its earlier incarnations:
  1. Updated coatings, so much better contrast in backlit situations
  2. Automated assembly, very little to no copy-to-copy variation
I'm hoping that something similar is the case for this RF45, but Canon has been segmenting their coatings "lately", so I don't have high hopes.
 
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OUCH! Hahahaha. Vaseline coated optical elements lmao.....
The EF 50mm f1.2 L was a mixed bag in my opinion. I had several copies, my initial copy was always a bit soft compared to all my other L primes (I had them all from the 24mm f1.4 IIL through to the 135mm f2.0). The lens needed to be stopped down to f2.0 before it matched the other lenses in sharpness. However, the contrast, colour rendition and built quality were exceptional. The AF was slower and less accurate than my EF 85mm f1.2 II L. In low light the AF was hopeless. In addition, the lens didn’t have any floating optics. There was a heavy aperture related focus shift on any close target at f2.8.
It was a very frustrating lens to use, but it had a beautiful rendering and could (when it actually focussed properly) it could produce really nice imagery.
My 2nd copy was a tad sharper wide open, but it was never what I would call “sharp”. It was ok, but not amazing. If I stopped down to bump the sharpness, that’s when the focus shift would occur.
The build quality of this lens verses the 50mm f1.4 was like night and day. Built tough and solid. But the 50mm f1.4 was actually a bit sharper wide open, but its contrast and colours sucked and needed a lot of post prod. The files out of the f1.2L were way better.
I don’t know what to expect with this new RF 45mm f1.2 lens. I hope it’s not the same bag of conflicting issues that the EF 50mm f1.2 L lens was.
 
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Canon has done this before. Except for a few minor differences (X-sync 1/180 vs 1/200, minimum exposure time of 1/4000 vs 1/8000, 26.2 MP vs 22.3 MP, etc.) the 2017 6D Mark II was the virtual equal of the 2012 5D Mark III on the spec sheet. Of course the 5D Mark III had more robust construction and weather resistance than the 6D Mark II. But in terms of the spec sheet there was very little difference.
The whole point of a three option sales pitch is that the middle choice is the best option. The one with the best return on your investment. However, brand often make the middle choice the weakest and most confused option. For example, Porsche suffer from this in their range. Everyone wants a 911, the cheap option is the Boxer. However, the middle option is confusing. The Cayman’s performance is precisely the difference between the 911 and boxer. But it doesn’t excel in any area, but was specifically engineered to sit between the two cars and yet it is the master of nothing. The 911 is an amazing track car or a GT, the boxer is an amazing roaster. The Caymen is defined by the difference between the other two cars. It doesn’t excel at anything other than that it was engineered to be the forgettable middle child.
 
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I don't know how R8 works, never laid a hand on it; too expensive for a backup camera, too "poor" (no joystick, no double slot, small battery, no proper battery grip, no three dials on the body) for a main camera.
It’s most of the R6 Mark II in a RP body, with pretty much all the same settings and customisation available.
The R8 allows ISO on the top dial, two back button focus, etc.

Actually, the R8 has a few extra customisation options, when compared to the original R6, and I’m tempted to keep it specifically for the customisation. I use two back button focus, I like ISO on the top dial (where the RP adjusts aperture and doesn’t allow ISO). The R8 could give me an almost seamless experience. It doesn’t have rear dial but, honestly, it’s not that often that I need to adjust aperture.

It’s funny that you mention the joystick, because i only use it on my R6 to reset the focus point to the center. I drag it with the rear screen and reset with the joystick.
On the RP, I drag the focus point with the rear screen and reset with delete button.

@Canon Rumors Canon USA yesterday scheduled a YouTube stream, but it looks like they’ve deleted it in the meantime.
 
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So the reasoning behind it not being a R7mkii is because while it does look like a R7 evf it looks a little bigger(which is one of the rumored updates to the R7mkii you guys reported) so it must be a R6mkiii because maybe it just looks like that because of the angle?
If you screengrab the picture and lighten it, the lugs for the camera strap are black, indicating a full frame camera. Canon's APSC strap lugs are metal (stainless steel?). The rubber covers on the left of the camera look identical to the existing R6 MkII.

John
 
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I'm still hoping for some interesting "L" lenses, like TS, 24-70 II, 180 macro, 70-150, 400, 35 f/1,2 etc...
The last ones were (for me) a bit boring, except the 70-200 Z and 100-300.
Nothing against cheaper lenses, but it's time for some new halo lenses, not only for Sony and Sigma ones.
 
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It’s most of the R6 Mark II in a RP body, with pretty much all the same settings and customisation available.
The R8 allows ISO on the top dial, two back button focus, etc.

Actually, the R8 has a few extra customisation options, when compared to the original R6, and I’m tempted to keep it specifically for the customisation. I use two back button focus, I like ISO on the top dial (where the RP adjusts aperture and doesn’t allow ISO). The R8 could give me an almost seamless experience. It doesn’t have rear dial but, honestly, it’s not that often that I need to adjust aperture.

It’s funny that you mention the joystick, because i only use it on my R6 to reset the focus point to the center. I drag it with the rear screen and reset with the joystick.
On the RP, I drag the focus point with the rear screen and reset with delete button.
Yeah, I know it's R6 II in RP body, but still, too expensive, I can buy from 1.5 to 2 used R6's for the price of a used R8, so it doesn't cut for me.

Being unable to set ISO on top dial on RP yes, that's annoying because it would at least match the R6 scheme, and aperture would go, old-style, on the control ring on the lens/adapter; instead on RP I have the ISO on the control ring, to retain at least a three-dials setup for the exposure triangle, even if different from the R6 setup.

First thing I do out of the box is disabling touch screen entirely from any camera, I don't like finger prints on the display, and I like my cameras to be controllable exclusively with mech dials and buttons by muscle memory, touch interface doesn't cut it in fast environments like weddings.
I know you don't detach camera from the eye to drag on the screen to move the AF point, but there's the joystick to cover for that (or the 4 way controller on the RP/R8), and any other touch operation would mean removing camera from the eye, and that's not acceptable for me, so touch goes off as soon as I unbox the camera because is utterly useless for the way I shoot, and if left active can only lead to unwanted operations.
I re-enable it only for video (that I rarely shoot, btw), because I'm not looking thru EVF, and so using the touch screen to pull the focus brings less shaking then using the joystick, especially with a stationary camera on a tripod head.
 
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Yeah, I know it's R6 II in RP body, but still, too expensive, I can buy from 1.5 to 2 used R6's for the price of a used R8, so it doesn't cut for me.
Not really...the R8 is often at 1100€, and I bought brand new it for less than 1000€ this month, about the same price as a second hand R6, with a smaller form factor, better autofocus and better sensor, and new. I don't like buying second hand sensors.

Being unable to set ISO on top dial on RP yes, that's annoying because it would at least match the R6 scheme, and aperture would go, old-style, on the control ring on the lens/adapter; instead on RP I have the ISO on the control ring, to retain at least a three-dials setup for the exposure triangle, even if different from the R6 setup.
Right? :ROFLMAO: Yes, the R8 allows that.
We can set aperture to the top dial of the R6 though, to have the RP and R6 matching controls, but I change ISO a lot more often, and having that parameter next to my back focus buttons is much more comfortable.

touch interface doesn't cut it in fast environments like weddings.
That's exactly where I use it the most: weddings. The touchscreen method for AF position allows faster adjustments than the joystick, it's significantly more responsive. I enable that on my screens for the right half.
 
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Yeah, I know it's R6 II in RP body, but still, too expensive, I can buy from 1.5 to 2 used R6's for the price of a used R8, so it doesn't cut for me.
Where the hell do you buy your cameras? Used R6s in Germany still maintain prices of 800-1000 € on eBay, often even 1.200-1.300 €. Trusted camera stores will charge you at least 1.200 € for a decent copy. A new R8 cost you 1.299 €, used copies from retailers about 1.000 - 1.100 € and used copies are at around 900 €. No way on earth I could "1.5 to 2" used R6s for those prices.

I´d really like to know because it seems impossible here.
 
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I'm still hoping for some interesting "L" lenses, like TS, 24-70 II, 180 macro, 70-150, 400, 35 f/1,2 etc...
The last ones were (for me) a bit boring, except the 70-200 Z and 100-300.
Nothing against cheaper lenses, but it's time for some new halo lenses, not only for Sony and Sigma ones.
Well, maybe the "special one" will accommodate your wishes. I´d like to the TS at some point just because we've been talking about it forever on this forum. For my personal use, I´d wish for a 70-135/xxx F2 to be released and/ or a 28-70mm F2 on a diet. Sony is about to release its third f2 zoom, so Canon should really up their game.

As I´ve stated several times: I believe the 35mm F1.2 will come, but it will be built differently compared to 50/ 85mm F1.2. I´m guessing it'll use Vcm motors and will be built lighter, have better focus breathing and maybe even an aperture ring. It'll pave the way for 50/85mm F1.2 mkii´s.
 
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Joystick and touchscreen to select a focus point is way too slow, I set my R6II to start tracking from the centre focus point and just aim the camera.
That's what I do most of the time, but...backlit subjects and, most of all, disco lights are a struggle for continuous autofocus.
Sometimes I just want the focus point to be on the upper third, to photograph moving subjects using One Shot AF without recomposing, or to the side.
 
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[...]It’s funny that you mention the joystick, because i only use it on my R6 to reset the focus point to the center. I drag it with the rear screen and reset with the joystick.
On the RP, I drag the focus point with the rear screen and reset with delete button.[...]
Now that glove season has started here again, I'm starting to appreciate having a joystick (or R1/R3 style optical button).
 
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Not really...the R8 is often at 1100€, and I bought brand new it for less than 1000€ this month, about the same price as a second hand R6, with a smaller form factor, better autofocus and better sensor, and new. I don't like buying second hand sensors.
You're right, I just took a look at eBay, I wasn't really following R8 prices, last time I saw them they were around 1300/1400€ for an used one, with R6 being available fro 800€ to 1000€, it had dropped considerably, I see them around 1000€ used, that's good.

Better AF and better sensor...but just two dials, small battery, no joystick, no grip...you know the drill :-) sensor and AF on R6 are already exceeding my quality and speed requirements, so I don't see any advantage on R8/R6 II for my needs.
I would be much more interested in the R6 III because a mpx bump from 20 to 32/34 (or whatever they will be) is much more substantial then the pretty small 4mpx bump from 20 to 24. But of course I'm not going to buy it, I don't need it, and even if I did, I don't have the money.

At the moment I'm still considering switching to Sony (even if the 28-70 STM, which I have, and the coming 45 f1.2 which I'm probably going to buy immediately if quality is any good, are unexpected surprises that slowed down my Sony cravings) for the wider range of third party lenses, especially Tamron 35-150 is the lens I really want, if I switch, that leans will be the absolute cause, because then I can ditch both 28-70 and 70-200 for a single lens that does it all.
I'm just waiting for the A7V to be introduced to see how the prices of used A7IV are affected (A7III doesn't feel good enough), and start doing my homeworks from there.

p.s. we really are different, I really DON'T like buying new sensors, they're too expensive, used sensors cost less ;-) I had just three brand new cameras, the 5D II because I was young and stupid and wasted all the money from my first wedding on it (plus sale of the 5D classic I was using), the 6D because brand new price was equal to 5D II resale price (and I wanted to ditch old and cluncky CF cards for smaller and cheaper SD's, and also sensor ISO was better and the central AF point was working in total darkness) so it was zero moeny swap, and finally the R6 (but nearly two years after introduction, so with price already lowered) because it was my 40th birthday self present.
All the other cameras, I purchased them used, and they were A LOT :-D I had 10D, 20D, 5D, 60D (3), 550D, 100D (2), 600D, 5D II (extra 2 used), 6D (extra 2 used), and recently M6 II, RP (3) R (3), R10, R100 and an extra used R6. I just bought a M5 for leisure and as an emergency third camera, it's on the road to me as we speak. If I see one super cheap I buy it, use for some months or even weeks, and then resell it for a profit, it's nice extra cash in the pockets. And with lenses I'm even worse in numbers.
 
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Where the hell do you buy your cameras? Used R6s in Germany still maintain prices of 800-1000 € on eBay, often even 1.200-1.300 €. Trusted camera stores will charge you at least 1.200 € for a decent copy. A new R8 cost you 1.299 €, used copies from retailers about 1.000 - 1.100 € and used copies are at around 900 €. No way on earth I could "1.5 to 2" used R6s for those prices.

I´d really like to know because it seems impossible here.
As I said to Mandrake, you both are right, last time I saw R8 prices were around 1300/1400€ used, it dropped a lot since last time I look.
 
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You're right, I just took a look at eBay, I wasn't really following R8 prices, last time I saw them they were around 1300/1400€ for an used one, with R6 being available fro 800€ to 1000€, it had dropped considerably, I see them around 1000€ used, that's good.
I ordered the R8, that I have here now, for 965€ on Amazon, brand new, in the beginning of the month. It's 23% VAT here in Portugal.
Since...I'd say the summer of 2024, the R8 has been appearing regularly at about 1100€ at reputable retailers.

It's been hard to find second hand R6s in my country for less than 1100/1200€, I spent the first half of this year on that race, but then again, we never know how much action a second hand camera has seen. With IBIS, shutter curtains and sensors...I just try to avoid second hand units.
Plus, with the R6 Mark II appearing regularly at 1700/1600€ brand new, since summer 2024, I found it a pill hard to swallow spending 1100/1200 on the original R6. If the new model cost 1700€ brand new, how much should a second hand unit of the previous model cost? People go nuts with prices on second hand gear.

p.s. we really are different, I really DON'T like buying new sensors, they're too expensive, used sensors cost less ;-)
I don't like buying used sensors, but I also definitely never pay RRP :ROFLMAO:
I've been able to make all my Canon RF acquisitions with I'd say 20 to 50% discounts. It takes a lot of patience, but I've made deals good enough to be able to sell some of that gear with profit even to MPB.
Last year I got, for instance, the RF 135mm for about 1250€ (sold for profit), and my 28-70mm f/2 for about 1950€ (kept it).
Sometimes it’s brand new gear, sometimes it’s returned items, but at least I know they haven’t been used for long, and I get three years warranty (standard in my country).
This year I also sold three or four R100s with profit, for instance.
 
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Sony is about to release its third f2 zoom, so Canon should really up their game.

While SONY is completing its f/2 trinity with a wide angle f/2 lens in record time Canon is about to release a 45mm f/1.2 lens, a lens claimed to be better than the almost 19 year old —and not known for being good— EF 50mm f/1.2L USM lens. YAY! So exciting!
 
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