First Tests: Canon EF 11-24mm f/4L a Winner

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Who Dey
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Jul 20, 2010
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LensRentals.com has completed their initial tests of the Canon EF 11-24mm f/4L USM. They have come away extremely impressed and they look forward to further testing and most importantly, making images with it.</p>
<p><strong>From LensRentals.com</strong></p>
<blockquote><p><em>As you can see, the center t 16mm has an even higher resolution than the two extreme ends, although the edges are just a bit weaker.</em></p>
<p><em>But all of that is hair-splitting; this is a remarkable lens. Canon made the widest full-frame rectilinear lens available, and made it with superb image quality throughout the zoom range. Once again, hat’s off to Canon’s lens designers.</em></p></blockquote>
<p><strong><a href="http://www.lensrentals.com/blog/2015/02/canon-11-24-f4-l-mtf-tests" target="_blank">Read the full first test</a></strong> | <strong>Canon EF 11-24mm f/4L USM: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/CA11244.html" target="_blank">Adorama</a><a href="http://www.etphotos.net/canon_ef_1124.php" target="_blank"> | </a><a href="http://www.bhphotovideo.com/c/product/1119028-REG/canon_9520b002_ef_11_24mm_f_4l_usm.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a><a href="http://www.etphotos.net/canon_ef_1124.php" target="_blank"> | </a><a href="http://www.amazon.com/gp/product/B00T3ERXKE/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERXKE&linkCode=as2&tag=canorumo-20&linkId=SKIW33AKPAGADHBN" target="_blank">Amazon</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>
 
Thanks Roger for the quick test and valuable information.

Too bad I can not have you test lens for me to make sure I don't get a bad copy.

If you ever decide to add that service, please let me know.
 
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It's a shame that most of the LR tests are done wide open only, since the tests are so good there. Let's face it. For the most part, people don't shoot 16-35 IS, 11-24, 14-24, etc. at wide open, but more likely f/5.6-f/11, so I'd love to see the lenses tested at say f/7.1 (enough to avoid too much diffraction but also to get more of a sense of landscape shot performance). (and when you do shoot f/4 and faster and especially f/2.8 and faster, wide open, you are not as often caring about the edges corners as when stopped down a bit)
 
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LetTheRightLensIn said:
It's a shame that most of the LR tests are done wide open only, since the tests are so good there. Let's face it. For the most part, people don't shoot 16-35 IS, 11-24, 14-24, etc. at wide open, but more likely f/5.6-f/11, so I'd love to see the lenses tested at say f/7.1 (enough to avoid too much diffraction but also to get more of a sense of landscape shot performance). (and when you do shoot f/4 and faster and especially f/2.8 and faster, wide open, you are not as often caring about the edges corners as when stopped down a bit)

True, they will likely be closer at f7/8. But obviously the 11-24 is going to be bad-ass whatever, and likely better than the 16-35 f4 for instance.

Looks like the quality does justify the price. Shame I can't justify the price (yet).
 
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LetTheRightLensIn said:
It's a shame that most of the LR tests are done wide open only, since the tests are so good there. Let's face it. For the most part, people don't shoot 16-35 IS, 11-24, 14-24, etc. at wide open, but more likely f/5.6-f/11, so I'd love to see the lenses tested at say f/7.1 (enough to avoid too much diffraction but also to get more of a sense of landscape shot performance). (and when you do shoot f/4 and faster and especially f/2.8 and faster, wide open, you are not as often caring about the edges corners as when stopped down a bit)

Fair point and I would like to know f/8 performance too however if it kicks ass at f/4 we can naturally assume it will be even better at f/8! For a lot of lenses though wide open performance is a key factor in deciding about it's usefulness. Since all lenses perform decent stopped down it wouldn't really give much away about the flaws of the lens. Wide open is where we are likely to catch those flaws.
 
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I wonder if this will quell the complaints about the price?

IMO Canon has been very good at creating class leading lenses of late and in some cases creating the class and setting the standard.
The price of this lens is eminently fair considering the balance of performance and the limited volume it will enjoy.
I know I can make money with it.
 
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Normalnorm said:
I wonder if this will quell the complaints about the price?

IMO Canon has been very good at creating class leading lenses of late and in some cases creating the class and setting the standard.
The price of this lens is eminently fair considering the balance of performance and the limited volume it will enjoy.
I know I can make money with it.

Nope, price complaints will always exist. I'll be waiting to see where the price settles in about a year.
 
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ejenner said:
LetTheRightLensIn said:
It's a shame that most of the LR tests are done wide open only, since the tests are so good there. Let's face it. For the most part, people don't shoot 16-35 IS, 11-24, 14-24, etc. at wide open, but more likely f/5.6-f/11, so I'd love to see the lenses tested at say f/7.1 (enough to avoid too much diffraction but also to get more of a sense of landscape shot performance). (and when you do shoot f/4 and faster and especially f/2.8 and faster, wide open, you are not as often caring about the edges corners as when stopped down a bit)

True, they will likely be closer at f7/8. But obviously the 11-24 is going to be bad-ass whatever, and likely better than the 16-35 f4 for instance.

It depends though. Its a myth that they all do the same at more typical landscape apertures. The 24 1.4 Mark I vs. Mark II vs 24-105 vs 24-70 II vs 24 T&S vs 24 T&S II etc. show a LOT of differences at landscape apertures. That's why it's too bad LR mostly tests stuff at wide open.
 
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A couple recent shots, just goofing off and not using the best camera settings but still interesting perhaps to see. Just downward, right in the spruce tree shot you can see my right boot print. I had to reach the camera way out to avoid my boot. What a fun lens and not heavy by my standards!

Jack
 

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Viggo said:
My 16-35 is sharpest wide open and follows a nice smooth curve with a steady decrease in sharpness all the way to f22. This is according to FoCal and I agree doing test shots.
I think I'm going to need a huge target to calibrate the 11-24 with FoCal. The Sigma 12-24 had to be about a 30cm from the standard A3/8.5x11" target at 12mm just to see it...so this will be even more difficult...
 
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Isn't there a fisheye straightening tool in Photoshop? (Or something?)
How good is it How much does it degrade the image? Can you get close?
I've got an 8-15mm, but my old PS crashed and I haven't bought a new one yet, and I really balk at the Creative Cloud blackmail.
 
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LovePhotography said:
Isn't there a fisheye straightening tool in Photoshop? (Or something?)
How good is it How much does it degrade the image? Can you get close?
I've got an 8-15mm, but my old PS crashed and I haven't bought a new one yet, and I really balk at the Creative Cloud blackmail.

I've typically applied the Canon 15mm fisheye profile in LR to defish the 8-15 and adjust as needed. It stretches out the fisheye projection to the edges and corners, and the further away from the center the pixels are the worse the stretching. You can crop the defished imaged to eliminate the worst of the artifacts, but then you're sacrificing AOV. Images with geometric patterns (think cabinets, floors and ceilings) are easier to interpolate and look OK, but for details (landscapes), it'll be pretty poor.
 
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Random Orbits said:
LovePhotography said:
Isn't there a fisheye straightening tool in Photoshop? (Or something?)
How good is it How much does it degrade the image? Can you get close?
I've got an 8-15mm, but my old PS crashed and I haven't bought a new one yet, and I really balk at the Creative Cloud blackmail.

I've typically applied the Canon 15mm fisheye profile in LR to defish the 8-15 and adjust as needed. It stretches out the fisheye projection to the edges and corners, and the further away from the center the pixels are the worse the stretching. You can crop the defished imaged to eliminate the worst of the artifacts, but then you're sacrificing AOV. Images with geometric patterns (think cabinets, floors and ceilings) are easier to interpolate and look OK, but for details (landscapes), it'll be pretty poor.

The very cheap Plugin FisheyeHemi is a fantastic tool for defishing fisheye images, it doesn't do full rectilinear corrections so doesn't have the edge projection issues a simple remap can introduce, it uses a more complicated remapping algorithm and the pixel level IQ remains very high.

http://www.imagetrendsinc.com/products/prodpage_hemi.asp
 
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mackguyver said:
I think I'm going to need a huge target to calibrate the 11-24 with FoCal. The Sigma 12-24 had to be about a 30cm from the standard A3/8.5x11" target at 12mm just to see it...so this will be even more difficult...

Do you really need to use FoCal with this lens? I mean, the depth of field is so massive that any front/back focus will just change the overall sharpness of the image so slight with respect to the hyperfocal distance that you wont' ever notice anything at 11mm lol

24mm may offer some visual difference, but I highly doubt 11mm will do anything!
 
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