24L or 35L

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l0pht said:
I shoot couples, starting to shoot some weddings, sports, etc.

EDIT: Forgot to mention I do not like zoom lenses, nothing against them, they just fit my shooting style. So a 24-70 and 70-200 suggestion might help someone else out :)

With a 5D MK II, 35mmL is fine for group shots, but is getting pretty wide, certainly not a sports lens. On FF, 85mm is the traditional portrait lens. The 135mmL is great for portraits too.

I'd suggest you consider dumping the 50mm and get a 85mmL and for wide, a 35mmL You will never want to use the 50mm once you get the 35L and 85L
 
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I recently had the same question... so i went into lightroom with one of my weddings and sorted by focal length on my 24-70. i had about 150 shot at 24, and only 15 at 35. Since its a zoom and can be used at focal lengthes around 35, i added up all the shots from 30-40mm and it was still less than at 24.

So i bought the 24.

Maybe you can do the same? rent the 24-70 and shoot an event or something, then see what you used most!
 
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I owned the 24L mkI when all I had was a crop camera. When I went FF the 24 was too wide for me so I sold it. I bought the 35L and loved it but then I bought the 50L and loved it too. I found myself using the 50 more so I sold the 35 thinking they were to close in FL. Then I bought the 24L mkII and found 24 was still too wide for me and returned it. So I came to terms I need the 35 and 50 so I bought the 35L again and I am very happy now.

I love the 35L. The images from it are really have something different about them much in the way the 50L, 85L and 135L have something special about the images they produce. It might be the focal length but the neither the 24s images really rang my bell. Bokeh at 1.4 on the 24 just looks odd to me. The mkII is definitely sharper but the 35 is sharper.

I think the shooting with a zoom and checking FL of your shots is a great idea. I did this and the funny thing is most of my wider shots were at 30ish so I figure it is more complimentary to the subjects to shoot 35 and take a half step back then shooting 24 and taking a step in.
 
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Mt Spokane Photography said:
l0pht said:
I shoot couples, starting to shoot some weddings, sports, etc.

EDIT: Forgot to mention I do not like zoom lenses, nothing against them, they just fit my shooting style. So a 24-70 and 70-200 suggestion might help someone else out :)

With a 5D MK II, 35mmL is fine for group shots, but is getting pretty wide, certainly not a sports lens. On FF, 85mm is the traditional portrait lens. The 135mmL is great for portraits too.

I'd suggest you consider dumping the 50mm and get a 85mmL and for wide, a 35mmL You will never want to use the 50mm once you get the 35L and 85L

Exactly what I'm thinking. Ordered the 35L last night and plan on picking up the 85 eventually once I get my 50 sold.

My reasoning? I figured with the 35, 85 and 135 I have a 50mm gap between each lens. I shot for over 2 years with an XSI + 50mm (actual of close to an 85) so I should be good.

Thanks for all the good feedback, hopefully this helps someone else out. I'm not against renting a 24-105 and figuring out what I shoot with but to be honest once I throw a zoom on a camera body I get lazy and zoom in and out instead of moving around. Just my personal preference, YMMV.
 
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jmac1 said:
I'm have been in the same delema betweend the 24/35. I have the 14L, 50L & 85L. I know most say that the 24L would complement best however I too am swaying towards the 35L because I mainly shoot people. I think the 35 is a better people lens and 24 better landscape for most instances.

I was in a similar position and chose the 24. It's incredible for video, and it essentially becomes 38 on aps-c and 50 on m43.
One of these days they'll perfect single-sensor cropping (for photos too), and 24 1.4 is as wide and fast as you can get right now.

But one focal length on FF...35 is probably the way to go.
 
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Tcapp said:
I recently had the same question... so i went into lightroom with one of my weddings and sorted by focal length on my 24-70. i had about 150 shot at 24, and only 15 at 35. Since its a zoom and can be used at focal lengthes around 35, i added up all the shots from 30-40mm and it was still less than at 24.

So i bought the 24.

Maybe you can do the same? rent the 24-70 and shoot an event or something, then see what you used most!

I've noticed that, for me at least, when I look over the EXIF metadata from shots with zoom lenses, something like 80% of the shots are at the extreme ends of the zoom range - that's true for my 16-35 right through my 100-400. Honestly, I've got a lot more shots from my 24-105mm at 24mm than from 30-40mm - but here's what the EXIF doesn't tell you - many (most?) of those shots at 24mm are cropped a bit, often right into that ~30-35mm AoV.

I think there may be a natural tendency to rack zooms to one end or the other, so if testing with a zoom to determine the best FL for a prime, you may be better off setting the zoom to the possible FLs and shooting at each for a while rather that looking retrospectively.
 
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neuroanatomist said:
but here's what the EXIF doesn't tell you - many (most?) of those shots at 24mm are cropped a bit, often right into that ~30-35mm AoV. I think there may be a natural tendency to rack zooms to one end or the other, so if testing with a zoom to determine the best FL for a prime, you may be better off setting the zoom to the possible FLs and shooting at each for a while rather that looking retrospectively.

Exactly! I discovered the same thing when researching what prime to get. And what the exif stats in LR don't tell, too: How often would having stepped back a bit given me the same or better shot but I was too lazy because my zoom does it all? For me, apart from indoor shots most of the time. That's why I think I'll get the 35L in the future - if I want to have wider angle shots, I'd have to be much wider than 24 to make a difference. Apart from that, the 24L2 is considerably more expensive, and that matters to me, too.
 
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neuroanatomist said:
Tcapp said:
I recently had the same question... so i went into lightroom with one of my weddings and sorted by focal length on my 24-70. i had about 150 shot at 24, and only 15 at 35. Since its a zoom and can be used at focal lengthes around 35, i added up all the shots from 30-40mm and it was still less than at 24.

So i bought the 24.

Maybe you can do the same? rent the 24-70 and shoot an event or something, then see what you used most!

I've noticed that, for me at least, when I look over the EXIF metadata from shots with zoom lenses, something like 80% of the shots are at the extreme ends of the zoom range - that's true for my 16-35 right through my 100-400. Honestly, I've got a lot more shots from my 24-105mm at 24mm than from 30-40mm - but here's what the EXIF doesn't tell you - many (most?) of those shots at 24mm are cropped a bit, often right into that ~30-35mm AoV.

I think there may be a natural tendency to rack zooms to one end or the other, so if testing with a zoom to determine the best FL for a prime, you may be better off setting the zoom to the possible FLs and shooting at each for a while rather that looking retrospectively.

Sorry to necropost! But I figured I would just use this thread instead of starting a new one. That's interesting that you usually crop to around 30ish...

I am looking at getting either the 24 or the 35, and I was wondering... what is the main difference in the feel of the two perspectives? On a FF camera, the 35 1.4 sees about the same as 24 on a 7D?

Also, which lens is typically better? Many seem to rave about the 24 1.4's contrast and colour rendition. Is the 35 similar, or does it fall short? Thanks!
 
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I just dealt with this question myself.

From a performance standpoint, I think Canon's 24mm L II is considered the better of the two lenses.

Focal length is a personal thing. For me, 24mm is too wide for a general purpose walkaround. And in my bag, it would get paired with a 50mm. But lately, I've been thinking that a 35mm + 85mm combo will give me optimal flexibility/quality for the way I shoot. I feel like most lens combos revolve around 24/50/100 or 35/85/135. But obviously, this is a super personal thing and I can think of situations for shooting every focal length.

I bought a refurbished 35mm f/1.4 L, but was underwhelmed by that particular copy and returned it. And so now I am considering the new Sigma 35mm f/1.4 or trying a new Canon 35mm f/1.4 (rather than a refurb).
 
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The 35L is a good lens, but it is showing its age. Not because it performs poorly but that now there are alernatives that are better: Zeiss and Sigma. Choose based on the focal lengths you need. If you are concerned about Canon coming out with a 35L II soon, then consider addressing your other focal lengths first and wait. The 35L II should be better than new Sigma but it will also cost more.
 
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I think 35mm is just more versatile in the end. You can also shoot people with a 35mm lens and get some kind of "journalist" look to the photo. The 35mm look shows the subject and its environment while with a 50mm its more focused on the main subject. 24mm is a bit too wide for people photography imho and is best suited for environment only photography. Something like classy holiday photos or scenes where there is just much to discover for the eye.
 
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Tough question always. I don't have either and still resort to my 24-105 for anything wider than 50 (my main lenses are the 50L and the 135L). 35mm has always been a struggle for me. Not really that wide but too wide for people shots at least for me. In the film days I always went straight for either the 50 or the 28 while my old 35mm lens is in factory condition.

35mm gives a lot of context and some people like it for that. I like to go in a little more and draw attention to the details. Sometimes you need the context however and you want the same outstanding quality you get from your other primes. So I understand the question.

24 is not ideal either in my book though. I'm actually thinking about adding one of the TS lenses and a Zeiss 21mm to my bag at some point.
 
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I got the 35L. It´s great, not that fantasticly sharp as its hype (perhaps I should Micro Focus Adjust it again?) but where it really shine is in contrast and colours.

The wider it gets, the harder it is to make portraits look good. And 24 is not that crazy wide to give that superwide effect to a wedding photo. So the 24 is hard to use and still does not really "pop" like 15-20mm would.

At first I skipped the 35L and got the 28 /1.8 and while I find that lens better than what you hear in forums it never really worked for me as a enviromental portrait lens (heany distortion - faces look really strange). The 35 does way better.

Usually wide portraits get static in composition since you have to keep the face of your subject in the centre of the fram in order to keep them from looking wierd. The 35 lets me compose in a more dynamic way and I like that.

As mentioned above the 24L is a "better" lens; sharper, better sealed an so on.

My advice? Wait for reviews of the sigma 35 /1.4 and the canon 35 /2 IS. If you can wait a bit longer they might drop in price aswell. But anyway, have a serious look at the 35mm focal length. It is very useful.

Good luck with your choise!
 
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24 on crop bodies aps-h and aps-c, 35 on FF.
Check your images for what focal length you use most when you use a zoom and you will find the evidence there. I have the 24L II and it is an amazing lens ad it is incredible for product photography but i use it for weddings on aps-h and it is stellar. If i shot 2 5dm3's i'd prob do the 35 but I may stretch myself to shoot wide and stay with the 24 because I just get in closer and shoot which it is a more interesting perspective.
Also i recommend checking out another canon forum that displays an extensive amount of images in their image gallery.
for the 24L
http://photography-on-the.net/forum/showthread.php?t=649213
35L
http://photography-on-the.net/forum/showthread.php?t=1121099
 
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AprilForever said:
neuroanatomist said:
Tcapp said:
I recently had the same question... so i went into lightroom with one of my weddings and sorted by focal length on my 24-70. i had about 150 shot at 24, and only 15 at 35. Since its a zoom and can be used at focal lengthes around 35, i added up all the shots from 30-40mm and it was still less than at 24.

So i bought the 24.

Maybe you can do the same? rent the 24-70 and shoot an event or something, then see what you used most!

I've noticed that, for me at least, when I look over the EXIF metadata from shots with zoom lenses, something like 80% of the shots are at the extreme ends of the zoom range - that's true for my 16-35 right through my 100-400. Honestly, I've got a lot more shots from my 24-105mm at 24mm than from 30-40mm - but here's what the EXIF doesn't tell you - many (most?) of those shots at 24mm are cropped a bit, often right into that ~30-35mm AoV.

I think there may be a natural tendency to rack zooms to one end or the other, so if testing with a zoom to determine the best FL for a prime, you may be better off setting the zoom to the possible FLs and shooting at each for a while rather that looking retrospectively.

Sorry to necropost! But I figured I would just use this thread instead of starting a new one. That's interesting that you usually crop to around 30ish...

I am looking at getting either the 24 or the 35, and I was wondering... what is the main difference in the feel of the two perspectives? On a FF camera, the 35 1.4 sees about the same as 24 on a 7D?

Also, which lens is typically better? Many seem to rave about the 24 1.4's contrast and colour rendition. Is the 35 similar, or does it fall short? Thanks!
I can't comment on the 35 L, as I've never used it and budgets usually limit how many primes :P. It largely depends on what you are shooting though. I actually find my 24 to be wide enough for my uses and rarely need to go wider on FF (which is why I sold my 17-40). On the other hand though, I rarely crop my images taken with the 24, unless one leg decides to grow during the shoot and I have to straighten the images. I'm using it almost entirely for landscapes though and have only taken a few portrait shots with it and then it has been to show the environment surrounding the subject, rather than for any extreme effects.
One consideration, if you get the 24 and decide you need to crop, you can do, albeit at the expense of a few pixels, but you can't add in pixels if you decide you needed to go wider than the 35 allowed in the space available. If you have a zoom that covers the range, then I would add my voice to trying out what you would expect to shoot at the two focal lengths and see which suits your needs the best.
 
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I ended up going with the 35L and couldn't be happier. I actually sold my Sigma 50 1.4 and the 35 lives on my camera the majority of the time. Picked up a 85 and I have a 50mm gap in all my lenses. 35L, 85 and 135L.

Shot weddings, families, sports, landscape with this setup and haven't wished for anything else. Other than a 100mm macro :)
 
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l0pht said:
I ended up going with the 35L and couldn't be happier. I actually sold my Sigma 50 1.4 and the 35 lives on my camera the majority of the time. Picked up a 85 and I have a 50mm gap in all my lenses. 35L, 85 and 135L.

Shot weddings, families, sports, landscape with this setup and haven't wished for anything else. Other than a 100mm macro :)
Perfect selection. ^^
 
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